Songs like Where the Country Girls At (feat. Luke Bryan & Pitbull) by Trace Adkins
Based on a tempo of (+/- 10%) and a similar genre
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Trace Adkins
Where the Country Girls At
152 bpm • B min • 03:30 • -4.69db
47% Popularity • 57% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 57% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Chayce Beckham
Doin' It Right
152 bpm • A# Maj • 03:00 • -3.38db
45% Popularity • 50% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 50% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
54% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
54% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Luke Combs
Forever After All
152 bpm • C Maj • 03:52 • -5.2db
77% Popularity • 49% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
77% Popularity • 49% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Riley Green
If It Wasn’t For Trucks
152 bpm • D Maj • 03:17 • -5.59db
57% Popularity • 44% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
57% Popularity • 44% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Gabby Barrett
Footprints On The Moon
152 bpm • G# min • 03:10 • -4.98db
45% Popularity • 51% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 51% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Jon Pardi
Ain't Always The Cowboy
152 bpm • A Maj • 03:40 • -3db
68% Popularity • 54% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
68% Popularity • 54% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Luke Bryan
Love You, Miss You, Mean It
152 bpm • A# Maj • 03:21 • -4.34db
65% Popularity • 45% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
65% Popularity • 45% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Brooks & Dunn
Hard Workin' Man
152 bpm • C Maj • 02:58 • -9.36db
62% Popularity • 69% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
62% Popularity • 69% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Trace Adkins
I Left Something Turned On At Home
151 bpm • D# Maj • 03:08 • -5.29db
55% Popularity • 62% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
55% Popularity • 62% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Luke Combs
She Got the Best of Me
151 bpm • B Maj • 03:03 • -3.79db
81% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
81% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Jake Owen
Up There Down Here
150 bpm • E Maj • 03:20 • -3.51db
57% Popularity • 52% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
57% Popularity • 52% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Bailey Zimmerman
Change
150 bpm • C Maj • 03:08 • -5db
64% Popularity • 44% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
64% Popularity • 44% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Morgan Wallen
Only Thing That’s Gone
150 bpm • D Maj • 03:16 • -4.59db
74% Popularity • 50% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
74% Popularity • 50% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Chris Janson
Buy Me a Boat
154 bpm • D Maj • 02:59 • -6.66db
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Dierks Bentley
Gone
150 bpm • F# Maj • 03:25 • -6db
57% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Priscilla Block
Just About Over You
150 bpm • E Maj • 02:59 • -6db
57% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
57% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Lacs
Jack in My Coke
155 bpm • C# min • 03:52 • -6.08db
40% Popularity • 52% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 52% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Trace Adkins
You're Gonna Miss This
155 bpm • G# Maj • 03:44 • -7.16db
63% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Brooks & Dunn
Hillbilly Deluxe
155 bpm • G Maj • 04:18 • -5db
54% Popularity • 57% Danceability • 83% Energy • 51% Liveness
0% Instrumentalness • 55% Positiveness
54% Popularity • 57% Danceability • 83% Energy • 51% Liveness
0% Instrumentalness • 55% Positiveness
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Morgan Wallen
Whiskey Glasses
150 bpm • F# Maj • 03:54 • -4.58db
81% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
81% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Niko Moon
PARADISE TO ME
155 bpm • B min • 03:36 • -6.83db
55% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
55% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Luke Combs
1, 2 Many
149 bpm • F# Maj • 03:00 • -3.79db
71% Popularity • 54% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
71% Popularity • 54% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
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Tim McGraw
7500 OBO
156 bpm • G Maj • 03:41 • -6.95db
60% Popularity • 53% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
60% Popularity • 53% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Randy Houser
Still That Cowboy
149 bpm • F# Maj • 03:46 • -5db
46% Popularity • 54% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 54% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Priscilla Block
Wish You Were The Whiskey
156 bpm • C# min • 03:08 • -2.92db
45% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Clay Walker
If I Could Make a Living
156 bpm • F Maj • 02:13 • -7db
63% Popularity • 59% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
63% Popularity • 59% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Laine Hardy
Memorize You
156 bpm • F# Maj • 03:17 • -4db
39% Popularity • 59% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 59% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Luke Bryan
Country On
156 bpm • F Maj • 03:56 • -5db
47% Popularity • 52% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 52% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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The Reklaws
Not Gonna Not
156 bpm • F Maj • 03:26 • -2.94db
34% Popularity • 52% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 52% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Randy Houser
Rub A Little Dirt On It
156 bpm • G Maj • 02:44 • -6db
58% Popularity • 55% Danceability • 69% Energy • 12% Liveness
4% Instrumentalness • 50% Positiveness
58% Popularity • 55% Danceability • 69% Energy • 12% Liveness
4% Instrumentalness • 50% Positiveness
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Jake Owen
Best Thing Since Backroads
156 bpm • G Maj • 03:07 • -3.8db
58% Popularity • 51% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 51% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Tyler Braden
Secret
148 bpm • G Maj • 03:54 • -7.82db
44% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Trace Adkins
Mind on Fishin'
148 bpm • G# Maj • 03:17 • -4.96db
47% Popularity • 65% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
47% Popularity • 65% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Corey Kent
Wild as Her
148 bpm • C Maj • 03:21 • -5.93db
73% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
73% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Jackson Dean
Don't Come Lookin'
156 bpm • A Maj • 03:07 • -6.02db
63% Popularity • 53% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
63% Popularity • 53% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Dillon Carmichael
Hot Beer
148 bpm • B Maj • 03:10 • -5db
45% Popularity • 64% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
45% Popularity • 64% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Jameson Rodgers
Cold Beer Calling My Name
148 bpm • G Maj • 03:30 • -4db
65% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
65% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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James Barker Band
New Old Trucks
148 bpm • G Maj • 03:11 • -3.74db
38% Popularity • 59% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 59% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Thomas Rhett
Country Again
148 bpm • D Maj • 03:41 • -7db
56% Popularity • 47% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
56% Popularity • 47% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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John Michael Montgomery
Be My Baby Tonight
157 bpm • A Maj • 02:52 • -7.96db
60% Popularity • 63% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
60% Popularity • 63% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Dustin Lynch
Tequila On A Boat
157 bpm • A# Maj • 03:07 • -3.36db
51% Popularity • 59% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
51% Popularity • 59% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
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Montgomery Gentry
What Do Ya Think About That
157 bpm • G Maj • 03:37 • -6.13db
51% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Niko Moon
NO SAD SONGS
147 bpm • B Maj • 02:52 • -6db
51% Popularity • 75% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 75% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Trace Adkins
It’s a Good Thing I Don’t Drink
158 bpm • G# Maj • 04:01 • -7.51db
19% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Janson
Fix a Drink
158 bpm • C# Maj • 03:08 • -5db
59% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
59% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Diamond Rio
Unbelievable
158 bpm • B Maj • 02:21 • -8db
55% Popularity • 76% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 76% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Randy Houser
Workin' Man
146 bpm • D# Maj • 03:38 • -4.87db
46% Popularity • 61% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 61% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Clay Walker
You Look Good
146 bpm • F# Maj • 02:55 • -6.15db
39% Popularity • 55% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 55% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Rodney Atkins
Cleaning This Gun (Come On In Boy)
146 bpm • D Maj • 03:46 • -3.67db
55% Popularity • 51% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
55% Popularity • 51% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Morgan Wallen
Somethin’ Country
146 bpm • D Maj • 02:52 • -4.44db
59% Popularity • 60% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
59% Popularity • 60% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Jake Owen
Homemade
146 bpm • F# Maj • 03:12 • -2.7db
60% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
60% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Tyler Farr
Redneck Crazy
146 bpm • G min • 03:36 • -4.22db
56% Popularity • 49% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 49% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Sam Hunt
Breaking Up Was Easy In The 90's
146 bpm • A Maj • 03:35 • -5.4db
61% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Randy Houser
Whistlin' Dixie
159 bpm • F# Maj • 03:08 • -4.42db
54% Popularity • 63% Danceability • 79% Energy • 10% Liveness
6% Instrumentalness • 81% Positiveness
54% Popularity • 63% Danceability • 79% Energy • 10% Liveness
6% Instrumentalness • 81% Positiveness
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Chris Janson
Waitin' on 5
160 bpm • C# Maj • 02:54 • -2.97db
44% Popularity • 54% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 54% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Jon Pardi
What I Can't Put Down
160 bpm • G Maj • 03:23 • -4db
61% Popularity • 57% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
61% Popularity • 57% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Luke Bryan
Sunrise, Sunburn, Sunset
160 bpm • A Maj • 03:36 • -2.27db
63% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Bryan Martin
More Than The Shine
160 bpm • C# Maj • 02:56 • -4.24db
68% Popularity • 55% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
68% Popularity • 55% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Craig Campbell
Fish
160 bpm • F# Maj • 02:47 • -6.28db
51% Popularity • 63% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 63% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Travis Denning
ABBY
160 bpm • D# Maj • 03:15 • -4.58db
52% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
52% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Trace Adkins
Welcome To
160 bpm • F# min • 03:18 • -5.02db
16% Popularity • 60% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 60% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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James Barker Band
Summer Time
160 bpm • A Maj • 03:06 • -3.92db
39% Popularity • 51% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 51% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Julia Cole
Wine Country
160 bpm • G# min • 02:23 • -3db
48% Popularity • 55% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 55% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Kane Brown
Bury Me in Georgia
160 bpm • D min • 04:02 • -5.82db
62% Popularity • 38% Danceability • 84% Energy • 47% Liveness
0% Instrumentalness • 51% Positiveness
62% Popularity • 38% Danceability • 84% Energy • 47% Liveness
0% Instrumentalness • 51% Positiveness
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Kidd G
Summer In A Small Town
160 bpm • B min • 02:57 • -4db
48% Popularity • 48% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 48% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Granger Smith
Diesel
144 bpm • D min • 03:02 • -4.28db
48% Popularity • 50% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
48% Popularity • 50% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Justin Moore
You, Me, And Whiskey
144 bpm • C min • 03:07 • -4.35db
66% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
66% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Luke Combs
Cold As You
144 bpm • F# Maj • 03:06 • -4.96db
68% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
68% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Scotty McCreery
Damn Strait
144 bpm • E Maj • 03:50 • -6.15db
57% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Blake Shelton
Hillbilly Bone
144 bpm • G Maj • 03:45 • -3.08db
51% Popularity • 61% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 61% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Josh Ross
Tall Boys
144 bpm • G Maj • 02:24 • -3.7db
53% Popularity • 58% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 58% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 73% Positiveness
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Bailey Zimmerman
Never Comin' Home
144 bpm • A# Maj • 03:14 • -6.85db
67% Popularity • 56% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
67% Popularity • 56% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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HIXTAPE
Red Dirt Clouds
144 bpm • A# Maj • 03:16 • -4.92db
42% Popularity • 57% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 57% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Kameron Marlowe
Giving You Up
144 bpm • G# Maj • 03:52 • -4db
60% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
60% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Mason Horne
Cheap Shots
144 bpm • G Maj • 03:31 • -4.99db
47% Popularity • 66% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 66% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Cagle
Let There Be Cowgirls
162 bpm • B Maj • 04:33 • -5.56db
52% Popularity • 54% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
52% Popularity • 54% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Trace Adkins
Country Boy Problems
143 bpm • F min • 03:27 • -4.4db
20% Popularity • 53% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 53% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Hayden Coffman
Better Off
142 bpm • C Maj • 03:18 • -4.91db
64% Popularity • 55% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
64% Popularity • 55% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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HIXTAPE
WD-40 4WD
144 bpm • D Maj • 03:16 • -4.34db
50% Popularity • 58% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 58% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Alabama
Song of the South
162 bpm • A Maj • 03:10 • -8db
69% Popularity • 49% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
69% Popularity • 49% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Rodney Atkins
A Little Good News
142 bpm • G Maj • 03:22 • -6.77db
30% Popularity • 61% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 61% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Tyler Farr
Only Truck In Town
142 bpm • E min • 03:14 • -3.84db
35% Popularity • 44% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 44% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Jon Pardi
Up All Night
163 bpm • A Maj • 03:29 • -4.94db
58% Popularity • 55% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 55% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Thomas Mac
I Love My Truck
164 bpm • G min • 02:16 • -4.61db
48% Popularity • 50% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 50% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Nelly
Country Boy Do
164 bpm • C# Maj • 02:56 • -3.2db
57% Popularity • 55% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
57% Popularity • 55% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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HIXTAPE
Honky Tonk Attitude
141 bpm • G Maj • 03:27 • -4.35db
53% Popularity • 58% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
53% Popularity • 58% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Walker Hayes
Y'all Life
164 bpm • D Maj • 03:12 • -6.78db
54% Popularity • 61% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
54% Popularity • 61% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Joe Diffie
Pickup Man
141 bpm • G Maj • 03:36 • -8.55db
64% Popularity • 71% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
64% Popularity • 71% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Parmalee
Take My Name
164 bpm • G Maj • 02:37 • -4.14db
68% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
68% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Dierks Bentley
What Was I Thinkin'
165 bpm • F min • 04:20 • -6.24db
72% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
72% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Cole Swindell
Never Say Never
140 bpm • C min • 02:56 • -4.03db
60% Popularity • 47% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
60% Popularity • 47% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Brantley Gilbert
Man Of Steel
140 bpm • A min • 03:05 • -7db
53% Popularity • 58% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
53% Popularity • 58% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Morgan Wallen
Thought You Should Know
140 bpm • F# Maj • 03:35 • -6.16db
79% Popularity • 53% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
79% Popularity • 53% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Dylan Scott
Livin' My Best Life
140 bpm • G Maj • 03:22 • -3.68db
52% Popularity • 60% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 60% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Old Dominion
I Was On a Boat That Day
140 bpm • B Maj • 02:58 • -5db
59% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
59% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Luke Combs
Any Given Friday Night
140 bpm • G Maj • 03:13 • -3.88db
59% Popularity • 53% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
59% Popularity • 53% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
