Songs like Where the Country Girls At by Trace Adkins
Based on a tempo of (+/- 10%) and a similar genre
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Jake Owen
Anywhere With You
152 bpm • F Maj • 03:29 • -2.55db
57% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Trace Adkins
Where the Country Girls At
152 bpm • B min • 03:30 • -4.69db
47% Popularity • 57% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 57% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Thompson Square
Are You Gonna Kiss Me Or Not
152 bpm • G# Maj • 03:04 • -3.81db
64% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
64% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Cody Johnson
Diamond In My Pocket
152 bpm • G Maj • 03:16 • -3.51db
73% Popularity • 55% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
73% Popularity • 55% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Daryle Singletary
Too Much Fun
152 bpm • G Maj • 02:45 • -4.64db
52% Popularity • 68% Danceability • 89% Energy • 57% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 68% Danceability • 89% Energy • 57% Liveness
0% Instrumentalness • 80% Positiveness
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Brooks & Dunn
Hard Workin' Man
152 bpm • C Maj • 02:58 • -9.36db
62% Popularity • 69% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
62% Popularity • 69% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Confederate Railroad
Queen of Memphis - Remastered Version
151 bpm • G Maj • 03:19 • -7db
48% Popularity • 60% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
48% Popularity • 60% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Trace Adkins
I Left Something Turned On At Home
151 bpm • D# Maj • 03:08 • -5.29db
54% Popularity • 62% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
54% Popularity • 62% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Terri Clark
Better Things To Do
151 bpm • A# Maj • 03:08 • -5.87db
55% Popularity • 57% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 57% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Cole Swindell
Ain't Worth the Whiskey
154 bpm • D Maj • 03:11 • -3.91db
60% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Eli Young Band
Crazy Girl
151 bpm • E Maj • 03:20 • -3.84db
67% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
67% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
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Travis Tritt
Help Me Hold On
154 bpm • G Maj • 04:00 • -7.18db
50% Popularity • 41% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
50% Popularity • 41% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Tyler Farr
Whiskey in My Water
154 bpm • G Maj • 03:08 • -5.08db
52% Popularity • 53% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 53% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Florida Georgia Line
May We All
150 bpm • G Maj • 03:46 • -4.31db
69% Popularity • 51% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
69% Popularity • 51% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Justin Moore
Kinda Don't Care
150 bpm • C# Maj • 04:21 • -6db
51% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
51% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Janson
Buy Me a Boat
154 bpm • D Maj • 02:59 • -6.66db
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Hal Ketchum
Small Town Saturday Night
154 bpm • G# Maj • 02:57 • -6.61db
61% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
61% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Jason Michael Carroll
Where I'm From
150 bpm • G# Maj • 04:36 • -6db
45% Popularity • 53% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 53% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Craig Morgan
This Ain't Nothin'
150 bpm • F# Maj • 04:02 • -5.32db
45% Popularity • 35% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 35% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Darius Rucker
Don't Think I Don't Think About It
150 bpm • A Maj • 03:03 • -5db
57% Popularity • 58% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
57% Popularity • 58% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Patty Loveless
Blame It on Your Heart
150 bpm • G# Maj • 03:33 • -7.74db
55% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
55% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Clint Black
Nothin' But The Taillights
155 bpm • G Maj • 03:53 • -7.92db
53% Popularity • 56% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 56% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Jason Aldean
Amarillo Sky
155 bpm • D Maj • 03:22 • -4db
39% Popularity • 50% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 50% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Trace Adkins
You're Gonna Miss This
155 bpm • G# Maj • 03:44 • -7.16db
63% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Brooks & Dunn
Hillbilly Deluxe
155 bpm • G Maj • 04:18 • -5db
55% Popularity • 57% Danceability • 83% Energy • 51% Liveness
0% Instrumentalness • 55% Positiveness
55% Popularity • 57% Danceability • 83% Energy • 51% Liveness
0% Instrumentalness • 55% Positiveness
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Luke Combs
1, 2 Many
149 bpm • F# Maj • 03:00 • -3.79db
71% Popularity • 54% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
71% Popularity • 54% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
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Ronnie Dunn
Cost Of Livin'
148 bpm • E Maj • 04:10 • -8db
45% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Clint Black
Summer's Comin'
156 bpm • A Maj • 02:47 • -8db
46% Popularity • 63% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 63% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Travis Tritt
Anymore
148 bpm • B Maj • 03:47 • -10.29db
55% Popularity • 54% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
55% Popularity • 54% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Craig Campbell
Family Man
156 bpm • B Maj • 03:39 • -7.08db
41% Popularity • 55% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 55% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Clay Walker
If I Could Make a Living
156 bpm • F Maj • 02:13 • -7db
63% Popularity • 59% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
63% Popularity • 59% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Trace Adkins
Find Me A Preacher
156 bpm • G Maj • 03:43 • -4.26db
23% Popularity • 50% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 50% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Montgomery Gentry
Long Line of Losers
148 bpm • D Maj • 03:48 • -6db
45% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Tyler Farr
A Guy Walks Into a Bar
148 bpm • C Maj • 03:16 • -3db
54% Popularity • 43% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
54% Popularity • 43% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Jameson Rodgers
Cold Beer Calling My Name
148 bpm • G Maj • 03:30 • -4db
65% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
65% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Big & Rich
Run Away with You
148 bpm • F# min • 03:44 • -4.12db
46% Popularity • 54% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 54% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Tim McGraw
My Best Friend
148 bpm • A Maj • 04:39 • -8.31db
57% Popularity • 44% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 44% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Trace Adkins
Mind on Fishin'
148 bpm • G# Maj • 03:17 • -4.96db
47% Popularity • 65% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
47% Popularity • 65% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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John Michael Montgomery
Be My Baby Tonight
157 bpm • A Maj • 02:52 • -7.96db
60% Popularity • 63% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
60% Popularity • 63% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Brad Paisley
Little Moments
157 bpm • A Maj • 03:39 • -9.17db
49% Popularity • 51% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
49% Popularity • 51% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Montgomery Gentry
What Do Ya Think About That
157 bpm • G Maj • 03:37 • -6.13db
51% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Big & Rich
Lost in This Moment
148 bpm • B Maj • 03:30 • -7db
32% Popularity • 60% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 60% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Cagle
Wal-Mart Parking Lot
147 bpm • F# Maj • 04:22 • -6.3db
36% Popularity • 56% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 56% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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Tyler Farr
Damn Good Friends - Duet with Jason Ald...
158 bpm • G Maj • 03:05 • -3.84db
50% Popularity • 48% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
50% Popularity • 48% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Randy Travis
Three Wooden Crosses
158 bpm • C# Maj • 03:21 • -7.92db
64% Popularity • 53% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
64% Popularity • 53% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Janson
Fix a Drink
158 bpm • C# Maj • 03:08 • -5db
59% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
59% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Eric Church
Guys Like Me
158 bpm • C Maj • 03:11 • -6.92db
57% Popularity • 45% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
57% Popularity • 45% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Diamond Rio
Unbelievable
158 bpm • B Maj • 02:21 • -8db
55% Popularity • 76% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 76% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Phil Vassar
Just Another Day In Paradise
146 bpm • D Maj • 03:53 • -5.56db
56% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Jason Aldean
Night Train
158 bpm • F Maj • 03:52 • -5.17db
63% Popularity • 50% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
63% Popularity • 50% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Neal McCoy
The Shake
146 bpm • A Maj • 03:33 • -5.71db
53% Popularity • 68% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 68% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Brad Paisley
We Danced
146 bpm • A Maj • 03:46 • -11db
58% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Tyler Farr
Redneck Crazy
146 bpm • G min • 03:36 • -4.22db
56% Popularity • 49% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 49% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Chris LeDoux
Cadillac Ranch
159 bpm • B min • 02:53 • -9db
53% Popularity • 60% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
53% Popularity • 60% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Aaron Lewis
Granddaddy's Gun
145 bpm • F# Maj • 03:45 • -4.74db
51% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Tim McGraw
Where The Green Grass Grows
160 bpm • G Maj • 03:21 • -7.91db
68% Popularity • 48% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
68% Popularity • 48% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Neal McCoy
No Doubt About It
145 bpm • E Maj • 03:47 • -10db
54% Popularity • 62% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
54% Popularity • 62% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Brad Paisley
Then
145 bpm • C Maj • 05:21 • -5.19db
60% Popularity • 49% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
60% Popularity • 49% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Gary Allan
Watching Airplanes
160 bpm • B Maj • 04:02 • -3.59db
61% Popularity • 37% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 37% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Eric Church
Record Year
160 bpm • F Maj • 02:59 • -8.12db
70% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
70% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Craig Campbell
Fish
160 bpm • F# Maj • 02:47 • -6.28db
50% Popularity • 63% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 63% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Tim McGraw
Live Like You Were Dying
160 bpm • G Maj • 05:00 • -7.73db
69% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
69% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Lee Brice
A Woman Like You
160 bpm • G Maj • 03:29 • -7db
58% Popularity • 59% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
58% Popularity • 59% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Chris Cagle
Laredo
160 bpm • A# min • 03:50 • -6db
45% Popularity • 48% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 48% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Sammy Kershaw
Queen Of My Double Wide Trailer
144 bpm • D Maj • 03:31 • -10db
59% Popularity • 60% Danceability • 70% Energy • 2% Liveness
0% Instrumentalness • 73% Positiveness
59% Popularity • 60% Danceability • 70% Energy • 2% Liveness
0% Instrumentalness • 73% Positiveness
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Trace Adkins
I Wish It Was You
160 bpm • D# Maj • 04:07 • -4.94db
17% Popularity • 42% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 42% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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Darryl Worley
Have You Forgotten?
160 bpm • G Maj • 04:02 • -5.98db
47% Popularity • 48% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 48% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Tim McGraw
It's Your Love
144 bpm • G Maj • 03:47 • -8.59db
62% Popularity • 47% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
62% Popularity • 47% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Dierks Bentley
Somewhere On A Beach
144 bpm • G Maj • 03:17 • -6.56db
67% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Cagle
Got My Country On
160 bpm • G Maj • 03:53 • -5db
41% Popularity • 50% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 50% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
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David Nail
Whatever She's Got
160 bpm • C# Maj • 03:56 • -6.13db
61% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
61% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Joe Nichols
I'll Wait For You
144 bpm • A Maj • 04:07 • -9db
41% Popularity • 46% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 46% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Blake Shelton
Hillbilly Bone
144 bpm • G Maj • 03:45 • -3.08db
51% Popularity • 61% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 61% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Luke Bryan
Drunk On You
144 bpm • A Maj • 03:33 • -4.4db
66% Popularity • 56% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
66% Popularity • 56% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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HARDY
REDNECKER
144 bpm • G Maj • 03:21 • -5.47db
66% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
66% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Kenny Chesney
The Good Stuff
144 bpm • G Maj • 03:20 • -10db
59% Popularity • 61% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 61% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Darius Rucker
It Won't Be Like This For Long
144 bpm • E Maj • 03:39 • -6db
58% Popularity • 58% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
58% Popularity • 58% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jason Aldean
Any Ol' Barstool
144 bpm • E Maj • 03:23 • -4.16db
60% Popularity • 54% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 54% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Randy Travis
Deeper Than the Holler
143 bpm • F Maj • 03:39 • -8.59db
66% Popularity • 65% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
66% Popularity • 65% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Luke Bryan
Play It Again
144 bpm • B Maj • 03:46 • -3.23db
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Chris Cagle
Let There Be Cowgirls
162 bpm • B Maj • 04:33 • -5.56db
51% Popularity • 54% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 54% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Confederate Railroad
Trashy Women - Remastered Version
143 bpm • A Maj • 03:14 • -7db
53% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
53% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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John Michael Montgomery
I Love the Way You Love Me
162 bpm • G# Maj • 04:02 • -11db
50% Popularity • 46% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 46% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Jason Aldean
The Truth
143 bpm • A Maj • 03:58 • -5.31db
66% Popularity • 50% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
66% Popularity • 50% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Clint Black
A Better Man
162 bpm • E Maj • 03:04 • -9db
56% Popularity • 65% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
56% Popularity • 65% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Brooks Jefferson
Much Too Young (To Feel This Damn Old)
163 bpm • G Maj • 02:58 • -5.64db
48% Popularity • 51% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
48% Popularity • 51% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Trent Tomlinson
One Wing In The Fire
142 bpm • D# Maj • 03:52 • -7.36db
44% Popularity • 61% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 61% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Lee Brice
I Drive Your Truck
142 bpm • B Maj • 03:54 • -6.22db
59% Popularity • 51% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
59% Popularity • 51% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Billy Currington
People Are Crazy
142 bpm • F Maj • 03:51 • -5db
68% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
68% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Brad Paisley
Alcohol
142 bpm • B Maj • 04:50 • -6db
52% Popularity • 55% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
52% Popularity • 55% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Mel McDaniel
Louisiana Saturday Night
163 bpm • D Maj • 02:24 • -7.31db
72% Popularity • 69% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
72% Popularity • 69% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
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Travis Tritt
Take It Easy - 2006 Remaster
141 bpm • G Maj • 03:33 • -5.21db
57% Popularity • 63% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
57% Popularity • 63% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Diamond Rio
How Your Love Makes Me Feel
141 bpm • C Maj • 04:05 • -9.29db
40% Popularity • 61% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 61% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Gary Allan
It Would Be You
141 bpm • G Maj • 02:55 • -8db
47% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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The Chicks
Cowboy Take Me Away
164 bpm • F# Maj • 04:47 • -7.26db
70% Popularity • 47% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
70% Popularity • 47% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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Brad Paisley
I'm Still a Guy
164 bpm • D Maj • 04:08 • -6.8db
47% Popularity • 48% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 48% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Joe Diffie
Pickup Man
141 bpm • G Maj • 03:36 • -8.55db
64% Popularity • 71% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
64% Popularity • 71% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Reba McEntire
If You See Him, If You See Her
164 bpm • G Maj • 03:55 • -7.74db
54% Popularity • 37% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
54% Popularity • 37% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
