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Where We Started
Songs like
Where We Started
by
Thomas Rhett
Based on a tempo of (+/- 10%) and a similar genre
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HARDY
wait in the truck
140 bpm • F# Maj • 04:37 • -6.98db
69% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Old Dominion
I Was On a Boat That Day
140 bpm • B Maj • 02:58 • -5db
59% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Chris Young
If I Knew What Was Good for Me
140 bpm • C# Maj • 02:48 • -4.1db
35% Popularity • 56% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Priscilla Block
Ever Since You Left
140 bpm • E Maj • 02:44 • -3db
41% Popularity • 61% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Lainey Wilson
Heart Like A Truck
140 bpm • A Maj • 03:19 • -5.42db
75% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Morgan Wallen
Thought You Should Know
140 bpm • F# Maj • 03:35 • -6.16db
79% Popularity • 53% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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HARDY
red
140 bpm • B Maj • 03:25 • -4.56db
72% Popularity • 58% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Thomas Rhett
Where We Started
140 bpm • D Maj • 03:02 • -6.56db
53% Popularity • 60% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Cole Swindell
Never Say Never
140 bpm • C min • 02:56 • -4.03db
60% Popularity • 47% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Tyler Braden
Try Losing One
140 bpm • D Maj • 03:39 • -7db
32% Popularity • 47% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Lainey Wilson
Things A Man Oughta Know
140 bpm • D# Maj • 03:23 • -5.62db
73% Popularity • 66% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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3OH!3
STARSTRUKK
140 bpm • B min • 03:22 • -5.58db
65% Popularity • 61% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Luke Combs
Love You Anyway
140 bpm • E Maj • 03:49 • -7.42db
74% Popularity • 53% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Lee Brice
Rumor
141 bpm • A Maj • 03:18 • -6.86db
72% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Ian Munsick
Long Haul
142 bpm • F# Maj • 03:51 • -7.85db
60% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Tyler Braden
Try Losing One
140 bpm • D Maj • 03:39 • -7.75db
51% Popularity • 46% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Katy Perry
Never Worn White
138 bpm • B min • 03:45 • -7.28db
47% Popularity • 54% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Lainey Wilson
Watermelon Moonshine
140 bpm • C# Maj • 03:28 • -6.71db
77% Popularity • 74% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Morgan Wallen
One Thing At A Time
142 bpm • G Maj • 03:26 • -5.15db
75% Popularity • 61% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Adele
Easy On Me
142 bpm • F Maj • 03:44 • -7.52db
80% Popularity • 60% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Ryan Griffin
Love Don't
138 bpm • F# Maj • 03:15 • -5.31db
40% Popularity • 59% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Nate Smith
I Found You
142 bpm • C Maj • 03:26 • -5.12db
46% Popularity • 50% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Kelsea Ballerini
half of my hometown
138 bpm • A# Maj • 03:51 • -4.97db
65% Popularity • 57% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Luke Combs
Better Together
138 bpm • C Maj • 03:39 • -11.5db
78% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Lee Brice
Save The Roses
142 bpm • C Maj • 03:21 • -8.13db
61% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Caitlyn Smith
I Can't
138 bpm • C Maj • 03:30 • -4.34db
47% Popularity • 50% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Russell Dickerson
God Gave Me A Girl
142 bpm • G Maj • 03:07 • -5.05db
63% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Carly Pearce
What He Didn't Do
138 bpm • A Maj • 03:11 • -5.93db
71% Popularity • 63% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Tenille Arts
Growing Old Young
138 bpm • D Maj • 03:26 • -5.71db
34% Popularity • 58% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Taylor Swift
The Smallest Man Who Ever Lived
142 bpm • A# Maj • 04:05 • -9db
80% Popularity • 48% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Avery Anna
I Love You More
137 bpm • D Maj • 03:24 • -4.83db
47% Popularity • 58% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Carrie Underwood
Ghost Story
143 bpm • G Maj • 03:01 • -6db
44% Popularity • 47% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Thomas Rhett
Vacation
137 bpm • C# min • 03:43 • -5.79db
54% Popularity • 64% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Chase Rice
Key West & Colorado
137 bpm • D Maj • 03:26 • -4.77db
46% Popularity • 48% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Tenille Arts
Jealous of Myself
138 bpm • C Maj • 03:26 • -4.23db
40% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Florida Georgia Line
Always Gonna Love You
143 bpm • F# Maj • 02:57 • -4.89db
53% Popularity • 54% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Selena Gomez
My Mind & Me
144 bpm • A Maj • 02:27 • -5.73db
68% Popularity • 60% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Little Big Town
Better Man
144 bpm • F Maj • 04:23 • -3.66db
62% Popularity • 51% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Dallas Smith
Hide From A Broken Heart
144 bpm • D Maj • 03:28 • -4.25db
33% Popularity • 51% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Luke Bryan
Play It Again
144 bpm • B Maj • 03:46 • -3.23db
77% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Chris Young
Everybody Needs a Song
144 bpm • A# Maj • 03:03 • -4db
33% Popularity • 52% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Kameron Marlowe
Giving You Up
144 bpm • G# Maj • 03:52 • -4db
60% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Lane
I Don't Know About You
144 bpm • C# Maj • 03:27 • -5.73db
62% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Cole Swindell
You Should Be Here
136 bpm • G Maj • 03:10 • -4.46db
66% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Scotty McCreery
Damn Strait
144 bpm • E Maj • 03:50 • -6.15db
57% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Jon Langston
Try Missing You
144 bpm • F# Maj • 03:26 • -5.92db
44% Popularity • 53% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Carly Pearce
Should’ve Known Better
144 bpm • C Maj • 03:01 • -6db
56% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Luke Bryan
Waves
136 bpm • C# Maj • 03:48 • -4.31db
58% Popularity • 49% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Alexandra Kay
Backroad Therapy
144 bpm • D# Maj • 03:39 • -6.75db
55% Popularity • 57% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Justin Moore
You, Me, And Whiskey
144 bpm • C min • 03:07 • -4.35db
66% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Kelsea Ballerini
IF YOU GO DOWN (I'M GOIN' DOWN TOO)
144 bpm • B Maj • 02:46 • -4db
70% Popularity • 68% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Zac Brown Band
Colder Weather
136 bpm • D# Maj • 04:33 • -7.49db
71% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Bailey Zimmerman
Fall In Love
136 bpm • A Maj • 03:52 • -6.06db
77% Popularity • 52% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Michael Bublé
I'll Never Not Love You
144 bpm • B Maj • 03:38 • -5.05db
46% Popularity • 49% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Rascal Flatts
Bless The Broken Road
136 bpm • C Maj • 03:46 • -6.37db
73% Popularity • 59% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Derek Austin
The Bullet
145 bpm • B Maj • 03:21 • -8.04db
39% Popularity • 56% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Nate Smith
Wreckage
145 bpm • A# Maj • 03:32 • -5db
61% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Cole Swindell
She Had Me At Heads Carolina - Remix
135 bpm • F# Maj • 03:43 • -3db
43% Popularity • 60% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Miranda Lambert
I'll Be Lovin' You
135 bpm • B Maj • 03:09 • -5.57db
58% Popularity • 60% Danceability • 75% Energy • 9% Liveness
6% Instrumentalness • 82% Positiveness
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Thomas Rhett
Redneck Be Like
135 bpm • B min • 02:46 • -5.22db
37% Popularity • 66% Danceability • 84% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
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Rascal Flatts
My Wish
136 bpm • E Maj • 04:08 • -4.85db
65% Popularity • 55% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Priscilla Block
Like A Boy
146 bpm • G# Maj • 03:43 • -5.45db
45% Popularity • 57% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Ryan Hurd
What Are You Drinking
146 bpm • C Maj • 03:24 • -6.22db
37% Popularity • 49% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Cole Swindell
She Had Me At Heads Carolina
135 bpm • G# Maj • 03:26 • -3.45db
75% Popularity • 61% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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John Mayer
Who You Love
146 bpm • A Maj • 04:09 • -10.92db
62% Popularity • 69% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Tenille Arts
Butterfly Effect
146 bpm • C Maj • 02:28 • -6.69db
37% Popularity • 53% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Russell Dickerson
Yours
134 bpm • B Maj • 03:36 • -6db
64% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Luke Combs
Tomorrow Me
146 bpm • G Maj • 03:28 • -4.48db
56% Popularity • 54% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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RaeLynn
Queens Don't
134 bpm • C Maj • 03:05 • -5.5db
55% Popularity • 66% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Kameron Marlowe
Giving You Up - Acoustic
134 bpm • G Maj • 03:52 • -6.18db
55% Popularity • 68% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Katy Perry
Thinking Of You
147 bpm • E Maj • 04:06 • -4db
38% Popularity • 43% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Shawn Mendes
When You're Gone
147 bpm • F Maj • 02:52 • -5.81db
74% Popularity • 60% Danceability • 69% Energy • 58% Liveness
0% Instrumentalness • 58% Positiveness
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Russell Dickerson
Yours - Wedding Edition
134 bpm • B Maj • 03:36 • -7.97db
53% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Thomas Rhett
Castle On The Hill - Recorded at Sound S...
133 bpm • C Maj • 04:15 • -9db
43% Popularity • 67% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Corey Kent
Wild as Her
148 bpm • C Maj • 03:21 • -5.93db
73% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Lady Gaga
Hold My Hand
148 bpm • G Maj • 03:45 • -4.29db
68% Popularity • 53% Danceability • 61% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
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Bailey Zimmerman
Never Leave
148 bpm • A Maj • 03:27 • -6.49db
64% Popularity • 50% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Caitlyn Smith
High
148 bpm • G Maj • 03:47 • -5.31db
32% Popularity • 48% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Avery Anna
Critic
132 bpm • G# Maj • 03:11 • -5db
41% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Thomas Rhett
Country Again
148 bpm • D Maj • 03:41 • -7db
56% Popularity • 47% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Luke Bryan
Knockin' Boots
132 bpm • D Maj • 03:20 • -3.75db
70% Popularity • 73% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Jason Aldean
You Make It Easy
132 bpm • G Maj • 03:13 • -5.3db
74% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Meghan Trainor
Don't I Make It Look Easy
149 bpm • C Maj • 02:34 • -4.51db
57% Popularity • 63% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
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Katy Perry
Waking Up In Vegas
131 bpm • F min • 03:19 • -3db
44% Popularity • 52% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Taylor Swift
I Bet You Think About Me (Taylor’s Ve...
150 bpm • C Maj • 04:45 • -4.52db
73% Popularity • 39% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Nicky Youre
Sunroof
131 bpm • A# Maj • 02:43 • -4.3db
50% Popularity • 73% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Priscilla Block
Just About Over You
150 bpm • E Maj • 02:59 • -6db
56% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Jana Kramer
The Story
150 bpm • D Maj • 03:06 • -5.95db
40% Popularity • 47% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Morgan Wallen
Whiskey Glasses
150 bpm • F# Maj • 03:54 • -4.58db
81% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Carrie Underwood
Hate My Heart
150 bpm • G Maj • 03:03 • -3.53db
52% Popularity • 52% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jake Owen
Up There Down Here
150 bpm • E Maj • 03:20 • -3.51db
57% Popularity • 52% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Taylor Swift
Florida!!!
150 bpm • C Maj • 03:35 • -7.1db
83% Popularity • 52% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
64% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Bailey Zimmerman
Waiting
150 bpm • F# Maj • 03:37 • -7db
58% Popularity • 51% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Thomas Rhett
Playing With Fire
150 bpm • B Maj • 03:26 • -4db
36% Popularity • 48% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Restless Road
Headlights
150 bpm • G min • 02:54 • -4.15db
45% Popularity • 45% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Luke Bryan
Most People Are Good
150 bpm • G# Maj • 03:41 • -6.17db
64% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Ben Platt
imagine
130 bpm • C# Maj • 02:44 • -7db
47% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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RaeLynn
She Chose Me
130 bpm • E Maj • 03:38 • -4.61db
41% Popularity • 67% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Where We Started