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Where We're Going
Songs like
Where We're Going
by
Gerry Cinnamon
Based on a tempo of (+/- 10%) and a similar genre
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The Enemy
Everybody Needs Someone
158 bpm • E Maj • 03:45 • -4.67db
26% Popularity • 34% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Gerry Cinnamon
Where We're Going
158 bpm • A Maj • 04:00 • -7db
60% Popularity • 52% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Gazelle
Finger on the Trigger
158 bpm • D Maj • 03:27 • -7.18db
23% Popularity • 31% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Kaiser Chiefs
I Predict A Riot
159 bpm • G# Maj • 03:53 • -3.24db
66% Popularity • 40% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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The Clause
Time of Our Lives
159 bpm • G# Maj • 03:09 • -4.19db
36% Popularity • 46% Danceability • 97% Energy • 6% Liveness
8% Instrumentalness • 57% Positiveness
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The Coronas
Give Me a Minute
160 bpm • A# Maj • 03:48 • -9db
40% Popularity • 36% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The Enemy
Away from Here - US Version
158 bpm • C# Maj • 03:00 • -5db
43% Popularity • 50% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Gerry Cinnamon
War TV
159 bpm • D Maj • 04:29 • -12db
39% Popularity • 40% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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The Rosadocs
Where You're Supposed to Be
156 bpm • F# Maj • 03:51 • -6.43db
19% Popularity • 31% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Razorlight
Somewhere Else
156 bpm • F# min • 03:16 • -3db
50% Popularity • 36% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Clause
Sixteen
157 bpm • G min • 03:13 • -8.66db
38% Popularity • 41% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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The Coronas
Grace, Dont Wait
160 bpm • F# min • 03:25 • -3.99db
25% Popularity • 28% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Kaiser Chiefs
Never Miss A Beat
156 bpm • C Maj • 03:06 • -4db
58% Popularity • 50% Danceability • 90% Energy • 65% Liveness
17% Instrumentalness • 45% Positiveness
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Gerry Cinnamon
Belter - Live at Hampden Park
156 bpm • A# min • 04:11 • -5.43db
42% Popularity • 28% Danceability • 94% Energy • 96% Liveness
0% Instrumentalness • 18% Positiveness
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Shambolics
Sharp as a Razor
160 bpm • G# min • 02:23 • -5.63db
39% Popularity • 35% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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The K's
Chancer
160 bpm • A Maj • 03:15 • -6.33db
42% Popularity • 37% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Circa Waves
T-Shirt Weather
160 bpm • E Maj • 03:12 • -5db
62% Popularity • 42% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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Courteeners
Are You in Love With a Notion?
160 bpm • G Maj • 04:14 • -6.77db
52% Popularity • 40% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Kaiser Chiefs
Everyday I Love You Less And Less
160 bpm • C# min • 03:37 • -4.56db
58% Popularity • 49% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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The Outcharms
(Who's Making You) Smile?
156 bpm • F# Maj • 04:20 • -5.07db
26% Popularity • 43% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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The 2 Johnnies
Sinéad
160 bpm • E Maj • 03:44 • -5db
44% Popularity • 49% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Sam Fender
You're Not The Only One
156 bpm • B Maj • 04:35 • -3.88db
52% Popularity • 43% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Catfish and the Bottlemen
Fluctuate
160 bpm • G# Maj • 03:12 • -4.17db
54% Popularity • 41% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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The Enemy
Be Somebody
155 bpm • C# Maj • 03:04 • -4db
34% Popularity • 44% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Plan B
Stay Too Long
161 bpm • C Maj • 03:42 • -3.04db
46% Popularity • 51% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Gerry Cinnamon
Ghost
161 bpm • A Maj • 03:27 • -6db
55% Popularity • 48% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Scouting For Girls
Heartbeat
155 bpm • D Maj • 02:55 • -4db
56% Popularity • 57% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Louis Dunford
Summer in the Manor
155 bpm • E Maj • 03:23 • -8.76db
33% Popularity • 74% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Sam Fender
The Borders
161 bpm • G# Maj • 05:32 • -3.79db
59% Popularity • 48% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Gazelle
Guilt Trip Gun
161 bpm • D Maj • 03:40 • -6.25db
21% Popularity • 29% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Catfish and the Bottlemen
7
155 bpm • A# Maj • 04:16 • -4.93db
67% Popularity • 53% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Shambolics
My Time Is Now
155 bpm • C Maj • 03:22 • -7db
29% Popularity • 37% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Scouting For Girls
Elvis Ain't Dead
155 bpm • G# Maj • 03:49 • -3.24db
53% Popularity • 53% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Stereophonics
The Bartender And The Thief
162 bpm • C Maj • 02:54 • -2.85db
53% Popularity • 30% Danceability • 97% Energy • 42% Liveness
0% Instrumentalness • 35% Positiveness
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Sam Fender
Getting Started
161 bpm • B Maj • 03:09 • -4.49db
61% Popularity • 47% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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The Rosadocs
Run Away Instead
162 bpm • E Maj • 02:46 • -5.91db
27% Popularity • 30% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Gerry Cinnamon
Ghost - Live at Hampden Park
162 bpm • A Maj • 04:11 • -4.79db
40% Popularity • 35% Danceability • 97% Energy • 94% Liveness
0% Instrumentalness • 30% Positiveness
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The Lilacs
Sally
154 bpm • F# min • 02:47 • -3.81db
34% Popularity • 54% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Scouting For Girls
It's Not About You
155 bpm • C Maj • 04:12 • -4db
39% Popularity • 56% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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The Kooks
She Moves In Her Own Way
153 bpm • G Maj • 02:49 • -5.36db
72% Popularity • 41% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Sam Fender
Seventeen Going Under
162 bpm • C# Maj • 04:57 • -4.79db
70% Popularity • 48% Danceability • 87% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
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Dylan John Thomas
Jenna
163 bpm • F# min • 02:25 • -6.97db
42% Popularity • 54% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Gerry Cinnamon
Kampfire Vampire - Live at Hampden Park
154 bpm • C Maj • 03:50 • -4.36db
37% Popularity • 37% Danceability • 99% Energy • 98% Liveness
0% Instrumentalness • 29% Positiveness
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The Lilacs
Something or Nothing
154 bpm • C Maj • 03:46 • -5.2db
34% Popularity • 53% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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The Stunning
Brewing Up a Storm
153 bpm • G Maj • 03:26 • -5.25db
48% Popularity • 59% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
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RATS
Figure It Out
153 bpm • E Maj • 03:53 • -10.93db
26% Popularity • 46% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Biffy Clyro
Many of Horror
164 bpm • C# Maj • 04:18 • -7.63db
45% Popularity • 50% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Dylan John Thomas
Up in the Air
163 bpm • F min • 02:40 • -6.92db
34% Popularity • 46% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Reverend And The Makers
Bandits
164 bpm • F# min • 02:37 • -4.42db
26% Popularity • 57% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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Gerry Cinnamon
Where We're Going - Live at Hampden Park
162 bpm • E Maj • 04:02 • -4.91db
38% Popularity • 41% Danceability • 98% Energy • 97% Liveness
0% Instrumentalness • 53% Positiveness
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The Lathums
Fight On
152 bpm • B min • 02:48 • -4db
55% Popularity • 49% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Louis Dunford
Regretamine - Revisited
152 bpm • G Maj • 03:02 • -3.5db
36% Popularity • 53% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Embrace
Come Back To What You Know
152 bpm • G# Maj • 04:10 • -6db
46% Popularity • 34% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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The Libertines
Can't Stand Me Now
164 bpm • E Maj • 03:23 • -3.21db
61% Popularity • 37% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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The K's
Hometown
165 bpm • B Maj • 04:53 • -7.12db
40% Popularity • 34% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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The Vaccines
If You Wanna
165 bpm • D Maj • 02:54 • -3.27db
64% Popularity • 35% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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The Kooks
Ooh La
151 bpm • A# min • 03:28 • -5.19db
62% Popularity • 55% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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The Lilacs
Seen It All
151 bpm • A Maj • 03:55 • -6.32db
30% Popularity • 59% Danceability • 76% Energy • 12% Liveness
2% Instrumentalness • 68% Positiveness
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The Rosadocs
No.54
151 bpm • A Maj • 02:58 • -8.26db
23% Popularity • 48% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Circa Waves
Movies
166 bpm • C Maj • 03:22 • -6db
52% Popularity • 58% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Catfish and the Bottlemen
Encore
150 bpm • A Maj • 02:45 • -3.65db
54% Popularity • 49% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Paolo Nutini
New Shoes
150 bpm • G# Maj • 03:23 • -8.69db
48% Popularity • 75% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Blossoms
I Can't Stand It
150 bpm • A Maj • 02:57 • -5.48db
54% Popularity • 56% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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JAMIE WEBSTER
This Place
150 bpm • C Maj • 03:14 • -5.19db
53% Popularity • 65% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
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Gerry Cinnamon
Sometimes
150 bpm • A Maj • 03:16 • -6.74db
65% Popularity • 64% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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DMA'S
The Glow
150 bpm • C Maj • 02:54 • -4.09db
35% Popularity • 41% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Corella
Barcelona Girl
150 bpm • F# Maj • 03:24 • -5.36db
51% Popularity • 61% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Catfish and the Bottlemen
2all
167 bpm • G min • 03:08 • -4db
54% Popularity • 40% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Jake Bugg
Seen It All
167 bpm • D Maj • 02:51 • -5.86db
58% Popularity • 38% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Paolo Nutini
Loving You
167 bpm • D Maj • 04:00 • -7.38db
29% Popularity • 58% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Scouting For Girls
She's So Lovely
167 bpm • C Maj • 03:43 • -3.31db
65% Popularity • 50% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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The Lilacs
Vicarage Road
149 bpm • B Maj • 03:38 • -5db
37% Popularity • 58% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Reverend And The Makers
He Said He Loved Me
149 bpm • F# min • 02:53 • -3.83db
34% Popularity • 61% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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The Lathums
Sad Face Baby
149 bpm • D Maj • 04:17 • -3.13db
41% Popularity • 50% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Crooks
She Walks Alone
168 bpm • F# min • 05:08 • -7.88db
26% Popularity • 32% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Oasis
The Masterplan - Remastered
149 bpm • G Maj • 05:25 • -6.71db
51% Popularity • 38% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Sam Fender
Dead Boys
168 bpm • C Maj • 03:23 • -3.63db
55% Popularity • 46% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Andrew Cushin
You Don't Belong
148 bpm • A# Maj • 03:12 • -5db
38% Popularity • 48% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Coronas
Addicted to Progress
148 bpm • B min • 02:53 • -3.99db
38% Popularity • 50% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The Lathums
This Place O' Yours
168 bpm • A Maj • 03:48 • -7.58db
36% Popularity • 56% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Stereophonics
C'est La Vie
148 bpm • A# Maj • 03:40 • -2.42db
33% Popularity • 46% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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The Zutons
Valerie
169 bpm • F min • 03:56 • -3.15db
55% Popularity • 34% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Kaiser Chiefs
Modern Way
148 bpm • C# min • 04:03 • -5.17db
49% Popularity • 54% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Catfish and the Bottlemen
Pacifier
148 bpm • A Maj • 03:57 • -4.1db
60% Popularity • 46% Danceability • 88% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
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Gerry Cinnamon
War Song Soldier - Live at Hampden Park
170 bpm • E min • 04:49 • -5.63db
42% Popularity • 22% Danceability • 71% Energy • 93% Liveness
1% Instrumentalness • 23% Positiveness
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Biffy Clyro
Bubbles
147 bpm • D# Maj • 05:01 • -5.89db
41% Popularity • 35% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Stereophonics
Dakota
147 bpm • E Maj • 04:57 • -3.5db
71% Popularity • 51% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Noah Kahan
Homesick
170 bpm • F# Maj • 03:14 • -6.44db
76% Popularity • 46% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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The Vaccines
All My Friends Are Falling In Love
147 bpm • F# Maj • 03:30 • -4.83db
49% Popularity • 51% Danceability • 88% Energy • 66% Liveness
0% Instrumentalness • 80% Positiveness
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The K's
No Place Like Home
170 bpm • E Maj • 02:54 • -4.25db
39% Popularity • 37% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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The Pigeon Detectives
I Found Out
147 bpm • E Maj • 02:07 • -1.67db
46% Popularity • 47% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Jake Bugg
All I Need
170 bpm • F min • 03:36 • -4db
43% Popularity • 50% Danceability • 73% Energy • 8% Liveness
6% Instrumentalness • 64% Positiveness
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The Lathums
How Beautiful Life Can Be - Single Versi...
170 bpm • G Maj • 02:30 • -3.29db
44% Popularity • 44% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Razorlight
Stumble And Fall
170 bpm • C Maj • 03:02 • -4.87db
40% Popularity • 41% Danceability • 96% Energy • 47% Liveness
1% Instrumentalness • 36% Positiveness
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JAMIE WEBSTER
Weekend In Paradise
147 bpm • E Maj • 03:16 • -5.98db
60% Popularity • 66% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The K's
Heart On My Sleeve
170 bpm • E Maj • 02:58 • -4.01db
41% Popularity • 34% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 54% Positiveness
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Gerry Cinnamon
Discoland/Wonderful Days/I Wanna Be A Hi...
170 bpm • E Maj • 04:51 • -6.02db
56% Popularity • 43% Danceability • 94% Energy • 95% Liveness
1% Instrumentalness • 40% Positiveness
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Scouting For Girls
Posh Girls
170 bpm • A Maj • 03:08 • -4.41db
45% Popularity • 62% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Royston Club
Mariana
170 bpm • D Maj • 03:10 • -4.96db
44% Popularity • 50% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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The Lathums
How Beautiful Life Can Be
170 bpm • G Maj • 02:46 • -2.78db
41% Popularity • 43% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Where We're Going