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Where's the Party
Songs like
Where's the Party
by
Dancehall Divas
Based on a tempo of (+/- 10%) and a similar genre
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Applejay
Can’t Hurt Me
120 bpm • A min • 04:03 • -4.55db
12% Popularity • 86% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Donovan Love
Love Zoundz
120 bpm • G Maj • 03:48 • -4.37db
11% Popularity • 71% Danceability • 85% Energy • 50% Liveness
0% Instrumentalness • 57% Positiveness
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Eugene Carnegie
Cheer Your
120 bpm • E min • 03:37 • -7.33db
29% Popularity • 79% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Dancehall Divas
Where's the Party
120 bpm • B min • 04:05 • -6.09db
0% Popularity • 87% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Suga Roy & The Fireball Crew
Beng Beng
121 bpm • C Maj • 03:06 • -4.23db
13% Popularity • 72% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Mad Cobra
Tek Dat - Remastered
117 bpm • C# Maj • 03:08 • -7.13db
7% Popularity • 70% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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AbiYah Yisrael
Bloodshed in the City
124 bpm • D min • 04:17 • -5.16db
12% Popularity • 81% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Lucas Roque
Bring Me To Life
117 bpm • C# Maj • 03:23 • -7.04db
11% Popularity • 91% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Andrea Bentivoglio
Happy Song
125 bpm • F Maj • 03:03 • -6.44db
25% Popularity • 77% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Hector Chambers / aka astro
Party party
115 bpm • C Maj • 03:10 • -6.36db
10% Popularity • 95% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Kolussus
Time
125 bpm • B min • 02:59 • -6.22db
10% Popularity • 81% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Terry Ganzie
Ragga Ragga
125 bpm • G Maj • 03:15 • -7db
9% Popularity • 91% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Niyorah
Positive Herb (DJ Child Remix)
126 bpm • D# min • 01:41 • -7.54db
21% Popularity • 80% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Don Yute
Like a Virgin
114 bpm • G Maj • 02:48 • -9.89db
20% Popularity • 70% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Andrea Bentivoglio
Many A Time
125 bpm • C# Maj • 04:29 • -10db
25% Popularity • 68% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Mark Topsecret
Music Creator
114 bpm • G Maj • 03:13 • -4.36db
9% Popularity • 81% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Wayne Marshall
Open Your Eyes
111 bpm • B min • 03:18 • -5.11db
9% Popularity • 79% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Ward 21
Under Dis
111 bpm • D# Maj • 03:22 • -10.96db
7% Popularity • 91% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Reptile Rock
Evil Man
130 bpm • C Maj • 03:34 • -10.37db
15% Popularity • 78% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Ah-Blivian
ooowwweee
130 bpm • F# min • 03:12 • -11.24db
26% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Andrea Bentivoglio
Be Care
125 bpm • F min • 03:59 • -14.72db
25% Popularity • 74% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Fireal Junjo
Real Love
130 bpm • B min • 02:35 • -7.1db
28% Popularity • 87% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Natural Touch
Gimme Good Loving
131 bpm • A Maj • 03:58 • -9.59db
21% Popularity • 72% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Tracy Mowett
Nice Dancehall
110 bpm • D Maj • 03:43 • -9.01db
7% Popularity • 64% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Reptile Rock
Leave Mi Culture
111 bpm • B min • 03:29 • -8.95db
14% Popularity • 80% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Hector Chambers / aka astro
In a the house
110 bpm • C# Maj • 03:38 • -8.52db
8% Popularity • 76% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Andrea Bentivoglio
Grip Tight
111 bpm • D min • 04:21 • -8.91db
25% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jovi Rockwell
Give a Little
134 bpm • F# min • 03:47 • -6.17db
16% Popularity • 86% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Boss Creation
Kwai man
109 bpm • E Maj • 02:12 • -15.44db
9% Popularity • 90% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Akhitasion
Lost My Mind
134 bpm • A# min • 02:32 • -4.69db
29% Popularity • 71% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Electro Heat
i like you
135 bpm • B min • 02:01 • -9.71db
16% Popularity • 84% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Hector Chambers / aka astro
Step a foot
108 bpm • C min • 04:18 • -9db
7% Popularity • 97% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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Andrea Bentivoglio
The Jehovah
135 bpm • B min • 04:39 • -15.54db
25% Popularity • 67% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Jacob Miller
Tired Fi Lick Weed
136 bpm • G Maj • 03:03 • -9.35db
28% Popularity • 84% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Calvin Harte
Highest
106 bpm • E Maj • 04:03 • -9.03db
27% Popularity • 69% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Chaka Demus & Pliers
One Nation Under A Groove
106 bpm • G Maj • 04:18 • -9.54db
20% Popularity • 86% Danceability • 78% Energy • 5% Liveness
4% Instrumentalness • 78% Positiveness
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Terror Fabulous
Mr. Big Man
136 bpm • A# min • 04:03 • -9.98db
7% Popularity • 62% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Laro
Reggae Jam
106 bpm • A Maj • 04:44 • -15.14db
9% Popularity • 83% Danceability • 36% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
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Reptile Rock
Fix Up
105 bpm • B min • 03:59 • -8.03db
16% Popularity • 94% Danceability • 66% Energy • 53% Liveness
0% Instrumentalness • 82% Positiveness
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Eddy Grant
Funky Rock'n'Roll
137 bpm • F Maj • 04:28 • -12.23db
19% Popularity • 88% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Mark Topsecret
Try Again
138 bpm • G Maj • 03:45 • -7db
7% Popularity • 76% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Nasio
NO BABYLON
138 bpm • A Maj • 04:50 • -14.26db
20% Popularity • 87% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Peter Morgan
Children of Selassie
138 bpm • E min • 03:50 • -9.82db
12% Popularity • 64% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Terror Fabulous
Delighted How She Look
104 bpm • B Maj • 03:44 • -13.44db
10% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Reptile Rock
Love You Long Time
138 bpm • E Maj • 03:38 • -8db
18% Popularity • 69% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Hector Chambers / aka astro
yuh nuh see
104 bpm • B Maj • 04:07 • -8.49db
7% Popularity • 92% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Eugene Carnegie
Jesus Monster
103 bpm • A# min • 03:20 • -6.35db
29% Popularity • 84% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
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Smiley Culture
Customs Officer
139 bpm • C Maj • 04:30 • -11.73db
12% Popularity • 83% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Ross I-Yota
Show Love
139 bpm • G Maj • 03:22 • -9.87db
24% Popularity • 74% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Jah Mason
Request
139 bpm • E min • 03:43 • -5.88db
8% Popularity • 69% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Kross & Buss
Million Dolla
103 bpm • C Maj • 02:39 • -3.31db
9% Popularity • 90% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Reptile Rock
Listen Ragga Muffing
140 bpm • C Maj • 03:45 • -7db
15% Popularity • 78% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Brother Num
Star Spangled Banner
140 bpm • A# Maj • 03:12 • -10.7db
10% Popularity • 63% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Wayne Wade
Don't Worry
140 bpm • E min • 03:21 • -7.34db
11% Popularity • 71% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Mark Topsecret
This Feelings
140 bpm • A# Maj • 03:02 • -5.04db
8% Popularity • 83% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Dancehall Divas
Remember When
102 bpm • A# min • 03:36 • -5.34db
0% Popularity • 88% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Fada Price
Love We Need (Track Star Riddim)
102 bpm • A Maj • 02:37 • -12.65db
8% Popularity • 85% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Reptile Rock
Cosmo Son
140 bpm • B min • 03:40 • -8.96db
14% Popularity • 76% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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The Heptones
World Crisis
142 bpm • F Maj • 04:03 • -17.17db
7% Popularity • 69% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Richard 'Ricky' Palmer
Everybody's talking at me
142 bpm • C Maj • 03:59 • -5.91db
10% Popularity • 68% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Mark Topsecret
Them Free the Sess Abroad
142 bpm • A min • 03:06 • -8.21db
9% Popularity • 81% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Reflejo Studios
Smoke Weeed
142 bpm • C# Maj • 02:52 • -9.23db
9% Popularity • 87% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Junior Cat
Iron Gloves
142 bpm • C# min • 03:23 • -11.73db
16% Popularity • 92% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Ghost
LET HER DOWN EASY
142 bpm • C Maj • 04:02 • -9.13db
9% Popularity • 66% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 55% Positiveness
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Half Pint
2000 Years
143 bpm • G Maj • 03:50 • -7.59db
8% Popularity • 66% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Jah9
Avocado
144 bpm • D Maj • 02:28 • -5.52db
12% Popularity • 64% Danceability • 57% Energy • 57% Liveness
0% Instrumentalness • 60% Positiveness
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Spragga Benz
Spanish Harlem
144 bpm • G min • 04:22 • -5.36db
7% Popularity • 75% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Patrick Palmer
Hello Father
144 bpm • E Maj • 03:52 • -6.93db
15% Popularity • 75% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Bushman
Burning Love
144 bpm • G min • 03:06 • -6.19db
16% Popularity • 68% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Michelle
Making Love Out Of Nothing At All
144 bpm • G# Maj • 05:10 • -4.85db
8% Popularity • 71% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Rad Dixon
Fever
145 bpm • D Maj • 04:14 • -9.89db
10% Popularity • 76% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Reptile Rock
Be Free
146 bpm • G Maj • 03:43 • -9.14db
14% Popularity • 56% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Milton Blake
Assign To Jah Mission
145 bpm • E min • 03:52 • -4.75db
9% Popularity • 77% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Obajah
Majestyk Ssound Machine (Intro)
146 bpm • F# min • 00:51 • -13.47db
12% Popularity • 60% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Burro Banton
In da Ghetto
146 bpm • C# Maj • 03:30 • -7.99db
12% Popularity • 82% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Mark Topsecret
Never Ever
148 bpm • G Maj • 03:50 • -6.93db
10% Popularity • 81% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Warrior Transmission
I Often Wonder
148 bpm • C Maj • 03:44 • -8.63db
13% Popularity • 89% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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The LambsBread
Smile
148 bpm • A min • 04:00 • -6.06db
34% Popularity • 82% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Everton Blender
Hail The King
148 bpm • B min • 03:36 • -6.69db
7% Popularity • 85% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Half Pint
Suzie
148 bpm • A# Maj • 03:43 • -9.15db
15% Popularity • 84% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Niel Anthony
Tomorrow
148 bpm • A# min • 04:00 • -7.21db
15% Popularity • 82% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Super Black
Perilous Time
149 bpm • C# Maj • 03:06 • -5.31db
16% Popularity • 73% Danceability • 85% Energy • 9% Liveness
23% Instrumentalness • 94% Positiveness
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Norris Man
The Real Champion
148 bpm • C# Maj • 02:28 • -3.73db
8% Popularity • 67% Danceability • 68% Energy • 59% Liveness
0% Instrumentalness • 80% Positiveness
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Irie J
If Ever A Storm Should Come
150 bpm • A Maj • 03:10 • -9.22db
22% Popularity • 77% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Cross Gold Meteor
Island in the Sea
149 bpm • G Maj • 03:43 • -11.42db
10% Popularity • 68% Danceability • 33% Energy • 60% Liveness
0% Instrumentalness • 63% Positiveness
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TribalMixtura
Green
150 bpm • G# min • 03:31 • -3.77db
16% Popularity • 65% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
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J.C. Lodge
A Little Love
150 bpm • D Maj • 02:43 • -8.58db
8% Popularity • 79% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Morgan Heritage
Jah Seed
150 bpm • F# min • 04:22 • -8.12db
23% Popularity • 64% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Steve Becker
War
152 bpm • F Maj • 04:01 • -11.25db
24% Popularity • 62% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Mykal Rose
One a Wee Two a Wi
153 bpm • C# Maj • 03:33 • -11.9db
7% Popularity • 90% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Mr Chadou
Big Booty
153 bpm • G# Maj • 02:12 • -8.15db
20% Popularity • 72% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Eric Donaldson
Love Yu Fi True
154 bpm • D Maj • 03:59 • -9.84db
9% Popularity • 86% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 98% Positiveness
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Pullman Clement
Feel Breeze
155 bpm • C Maj • 04:01 • -13.32db
10% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Al Campbell
Equalise It
158 bpm • C Maj • 03:16 • -15.61db
8% Popularity • 74% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Emily Hawthorne
Take cover
156 bpm • C Maj • 02:01 • -8.45db
26% Popularity • 88% Danceability • 54% Energy • 3% Liveness
0% Instrumentalness • 60% Positiveness
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Armshouse Gadahfii
Hustler
158 bpm • C min • 02:47 • -4.13db
7% Popularity • 71% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Grantie Asher
First Degree Murder
158 bpm • D Maj • 03:36 • -5.77db
12% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Kolussus
Jesus
158 bpm • A# min • 04:29 • -6.67db
10% Popularity • 60% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Well Marx
Baby I Love I Need
158 bpm • A# Maj • 03:02 • -5.99db
11% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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The Heptones
You Mean The World To Me
160 bpm • G min • 03:58 • -15.37db
9% Popularity • 74% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Where's the Party