Songs like Wherever I Lay My Hat (That's My Home) by Paul Young
Based on a tempo of (+/- 10%) and a similar genre
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Paul Young
Wherever I Lay My Hat (That's My Home)
89 bpm • A# Maj • 04:10 • -12.96db
47% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Sananda Maitreya
If You All Get to Heaven
89 bpm • F# Maj • 05:17 • -13.33db
33% Popularity • 67% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 67% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Gary Barlow
Open Road
89 bpm • C Maj • 04:22 • -11.07db
33% Popularity • 63% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 63% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
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Mr. Mister
Kyrie - Single Version
90 bpm • C Maj • 04:16 • -8.77db
54% Popularity • 49% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
54% Popularity • 49% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
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Simple Minds
Let There Be Love - 2002 Digital Remaste...
88 bpm • C# Maj • 05:09 • -6db
52% Popularity • 49% Danceability • 88% Energy • 13% Liveness
8% Instrumentalness • 60% Positiveness
52% Popularity • 49% Danceability • 88% Energy • 13% Liveness
8% Instrumentalness • 60% Positiveness
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Cock Robin
The Biggest Fool of All
90 bpm • D Maj • 04:24 • -12db
32% Popularity • 49% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 49% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Paul Young
Wherever I Lay My Hat - Extended Version
89 bpm • A# Maj • 06:01 • -10.15db
26% Popularity • 60% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 60% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Rick Astley
Cry for Help (Single Edit)
90 bpm • C Maj • 04:05 • -6.93db
55% Popularity • 56% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
55% Popularity • 56% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Kate Bush
The Man with the Child in His Eyes
90 bpm • C Maj • 02:38 • -10.59db
53% Popularity • 25% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 25% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Orchestral Manoeuvres In The Dark
(Forever) Live And Die
90 bpm • C Maj • 03:38 • -13.6db
50% Popularity • 60% Danceability • 55% Energy • 15% Liveness
24% Instrumentalness • 86% Positiveness
50% Popularity • 60% Danceability • 55% Energy • 15% Liveness
24% Instrumentalness • 86% Positiveness
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Deacon Blue
He Looks Like Spencer Tracy Now
90 bpm • F Maj • 03:48 • -20.62db
15% Popularity • 69% Danceability • 29% Energy • 10% Liveness
19% Instrumentalness • 68% Positiveness
15% Popularity • 69% Danceability • 29% Energy • 10% Liveness
19% Instrumentalness • 68% Positiveness
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Howard Jones
Hide And Seek
91 bpm • D min • 04:49 • -9db
37% Popularity • 47% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
37% Popularity • 47% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Paul Young
Wherever I Lay My Hat (That's My Home) -...
89 bpm • A# Maj • 05:17 • -11db
33% Popularity • 57% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 57% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Lighthouse Family
Ocean Drive
91 bpm • G Maj • 03:48 • -9.38db
56% Popularity • 62% Danceability • 70% Energy • 10% Liveness
3% Instrumentalness • 88% Positiveness
56% Popularity • 62% Danceability • 70% Energy • 10% Liveness
3% Instrumentalness • 88% Positiveness
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Londonbeat
Failing In Love Again
91 bpm • E Maj • 02:30 • -13db
17% Popularity • 58% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 58% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
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Climie Fisher
Rise to the Occasion
91 bpm • A Maj • 04:46 • -16db
48% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Tears For Fears
Sowing The Seeds Of Love
87 bpm • G min • 06:19 • -7.57db
65% Popularity • 33% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
65% Popularity • 33% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Scritti Politti
Oh Patti (Don't Feel Sorry for Loverboy)
91 bpm • G# Maj • 04:23 • -11db
34% Popularity • 72% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
34% Popularity • 72% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
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Paul Young
No Parlez - 2008 Re-Master Version
90 bpm • G# Maj • 04:52 • -8db
24% Popularity • 61% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 61% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Frankie Goes To Hollywood
Ferry Cross The Mersey
92 bpm • F Maj • 04:05 • -14.97db
24% Popularity • 35% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 35% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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Martika
Love...Thy Will Be Done - Single Version
92 bpm • D Maj • 04:23 • -10db
39% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Deacon Blue
Your Swaying Arms
92 bpm • F# min • 04:12 • -8.34db
31% Popularity • 47% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 47% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Orlando Gibbons
See, See The Word is Incarnate
86 bpm • A min • 06:08 • -21.98db
1% Popularity • 16% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
1% Popularity • 16% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Aztec Camera
How Men Are
92 bpm • G Maj • 03:42 • -12.91db
28% Popularity • 70% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 70% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Paul Young
Wherever I Lay My Hat (That's My Home) -...
88 bpm • A# Maj • 05:59 • -8.93db
12% Popularity • 37% Danceability • 76% Energy • 98% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 37% Danceability • 76% Energy • 98% Liveness
0% Instrumentalness • 49% Positiveness
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Clarence Clemons
You're a Friend of Mine
93 bpm • B Maj • 04:50 • -6.15db
43% Popularity • 60% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 60% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Level 42
My Father's Shoes
86 bpm • D Maj • 05:14 • -14.48db
20% Popularity • 61% Danceability • 75% Energy • 19% Liveness
1% Instrumentalness • 83% Positiveness
20% Popularity • 61% Danceability • 75% Energy • 19% Liveness
1% Instrumentalness • 83% Positiveness
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TOTO
Africa
93 bpm • A Maj • 04:55 • -18.06db
84% Popularity • 67% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
84% Popularity • 67% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Eric Clapton
My Father's Eyes
93 bpm • E Maj • 05:23 • -7db
57% Popularity • 81% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
57% Popularity • 81% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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John Farnham
You're the Voice
85 bpm • A# Maj • 05:00 • -11.85db
64% Popularity • 50% Danceability • 66% Energy • 61% Liveness
0% Instrumentalness • 72% Positiveness
64% Popularity • 50% Danceability • 66% Energy • 61% Liveness
0% Instrumentalness • 72% Positiveness
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Paul Young
Love of the Common People
91 bpm • A Maj • 03:40 • -11.2db
57% Popularity • 74% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
57% Popularity • 74% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Simple Minds
Glittering Prize
93 bpm • C# Maj • 04:33 • -9.57db
47% Popularity • 66% Danceability • 65% Energy • 33% Liveness
7% Instrumentalness • 75% Positiveness
47% Popularity • 66% Danceability • 65% Energy • 33% Liveness
7% Instrumentalness • 75% Positiveness
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Climie Fisher
This Is Me
93 bpm • A min • 03:50 • -12db
27% Popularity • 60% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 60% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Sas Band
Every Time You Go Away
84 bpm • F Maj • 07:10 • -11.68db
5% Popularity • 49% Danceability • 53% Energy • 70% Liveness
0% Instrumentalness • 50% Positiveness
5% Popularity • 49% Danceability • 53% Energy • 70% Liveness
0% Instrumentalness • 50% Positiveness
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Howard Jones
No One Is to Blame
94 bpm • A Maj • 03:30 • -10db
39% Popularity • 62% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 62% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Crowded House
Weather With You
94 bpm • D Maj • 03:44 • -12.88db
71% Popularity • 64% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
71% Popularity • 64% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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Paul Young
Tularosa - 7" Edit
92 bpm • E Maj • 05:55 • -9.02db
7% Popularity • 52% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 52% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Level 42
Take A Look
94 bpm • G# min • 04:41 • -5.95db
38% Popularity • 62% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 62% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Glenn Frey
Strange Weather
94 bpm • C# min • 05:03 • -10.05db
31% Popularity • 65% Danceability • 62% Energy • 8% Liveness
13% Instrumentalness • 74% Positiveness
31% Popularity • 65% Danceability • 62% Energy • 8% Liveness
13% Instrumentalness • 74% Positiveness
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Johnny Hates Jazz
Different Seasons - 2008 Digital Remaste...
94 bpm • A Maj • 03:32 • -9db
34% Popularity • 63% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 63% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Wet Wet Wet
Angel Eyes (Home And Away)
94 bpm • F# Maj • 05:16 • -12.22db
50% Popularity • 62% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 62% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Crowded House
Into Temptation
84 bpm • E min • 04:33 • -15.88db
47% Popularity • 45% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 45% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Genesis
Throwing It All Away - 2007 Remaster
84 bpm • F# Maj • 03:49 • -7.41db
60% Popularity • 38% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
60% Popularity • 38% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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Paul Young
Softly Whispering I Love You
84 bpm • G Maj • 04:14 • -7.52db
14% Popularity • 48% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 48% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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The Housemartins
Caravan Of Love
95 bpm • A Maj • 03:39 • -14.51db
54% Popularity • 61% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
54% Popularity • 61% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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The Cars
Drive - 2017 Remaster
83 bpm • F# Maj • 03:54 • -7.87db
72% Popularity • 26% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
72% Popularity • 26% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Style Council
You're The Best Thing
83 bpm • C# min • 05:40 • -6db
53% Popularity • 60% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
53% Popularity • 60% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Randy Crawford
You Might Need Somebody
83 bpm • C# Maj • 04:15 • -8.46db
49% Popularity • 60% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 60% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Pretenders
Hymn to Her - 2007 Remaster
95 bpm • C Maj • 04:58 • -9.35db
45% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Paul Young
Dolcemente Mormoro Ti Amo - 12" Version
84 bpm • G Maj • 05:10 • -8.24db
13% Popularity • 50% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 50% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 52% Positiveness
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Nik Kershaw
Wouldn't It Be Good - Re-Recorded
95 bpm • F Maj • 04:50 • -10db
40% Popularity • 62% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 62% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Kool & The Gang
Cherish - Single Version
95 bpm • C# Maj • 03:58 • -9.9db
66% Popularity • 64% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
66% Popularity • 64% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Black
Sweetest Smile - Extended Version
95 bpm • C# min • 05:19 • -15.78db
34% Popularity • 63% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 63% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Level 42
Leaving Me Now - Extended Version
83 bpm • C Maj • 05:02 • -7db
45% Popularity • 68% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 68% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Sister Sledge
Frankie
83 bpm • F# Maj • 04:17 • -7.88db
45% Popularity • 81% Danceability • 76% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
45% Popularity • 81% Danceability • 76% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Paul Young
Softly Whispering I Love You - Extended ...
84 bpm • G Maj • 06:06 • -8.11db
8% Popularity • 48% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 48% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Cock Robin
A Little Innocence
96 bpm • G# Maj • 05:35 • -13.35db
24% Popularity • 64% Danceability • 49% Energy • 7% Liveness
24% Instrumentalness • 76% Positiveness
24% Popularity • 64% Danceability • 49% Energy • 7% Liveness
24% Instrumentalness • 76% Positiveness
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Starship
Nothing's Gonna Stop Us Now
96 bpm • F# Maj • 04:30 • -4.92db
79% Popularity • 64% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
79% Popularity • 64% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Berlin
Take My Breath Away - Love Theme from "T...
96 bpm • F# Maj • 04:11 • -8.11db
68% Popularity • 48% Danceability • 74% Energy • 90% Liveness
0% Instrumentalness • 56% Positiveness
68% Popularity • 48% Danceability • 74% Energy • 90% Liveness
0% Instrumentalness • 56% Positiveness
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Jennifer Warnes
Bird on a Wire - Digitally Remastered
96 bpm • A Maj • 04:42 • -12.97db
36% Popularity • 71% Danceability • 35% Energy • 6% Liveness
14% Instrumentalness • 40% Positiveness
36% Popularity • 71% Danceability • 35% Energy • 6% Liveness
14% Instrumentalness • 40% Positiveness
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Double
The Captain of Her Heart - Radio Version
96 bpm • G# Maj • 03:58 • -9.6db
39% Popularity • 68% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 68% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Paul Young
Softly Whispering I Love You
84 bpm • G Maj • 03:44 • -12.33db
28% Popularity • 46% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 46% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Robert Palmer
Can We Still Be Friends?
96 bpm • E min • 03:38 • -11db
40% Popularity • 78% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 78% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Gloria Estefan
Don't Wanna Lose You
82 bpm • F Maj • 04:10 • -14.13db
54% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
54% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Labi Siffre
(Something Inside) So Strong
82 bpm • F Maj • 05:37 • -10.31db
49% Popularity • 68% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 68% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Sheena Easton
For Your Eyes Only
82 bpm • G Maj • 03:04 • -7.78db
57% Popularity • 24% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
57% Popularity • 24% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
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Brian Kennedy
A Better Man
82 bpm • A# min • 04:04 • -6db
15% Popularity • 61% Danceability • 70% Energy • 10% Liveness
31% Instrumentalness • 73% Positiveness
15% Popularity • 61% Danceability • 70% Energy • 10% Liveness
31% Instrumentalness • 73% Positiveness
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Paul Young
I Believe In You (You Believe In Me)
96 bpm • C Maj • 03:50 • -9.39db
15% Popularity • 70% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 70% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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TOTO
I'll Be Over You
82 bpm • A# Maj • 03:49 • -17.85db
71% Popularity • 52% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
71% Popularity • 52% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Will Young
Leave Right Now
82 bpm • F# Maj • 03:34 • -8.67db
34% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Lighthouse Family
Lifted
97 bpm • A min • 04:31 • -9.19db
56% Popularity • 61% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
56% Popularity • 61% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Alison Moyet
Invisible - Single Version
97 bpm • D Maj • 04:07 • -6.15db
49% Popularity • 63% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
49% Popularity • 63% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Howard Jones
What Is Love? - 2018 Remaster
97 bpm • C min • 03:41 • -5.93db
50% Popularity • 61% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 61% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Paul Young
Hope in a Hopeless World
96 bpm • G min • 04:19 • -9.81db
24% Popularity • 85% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 85% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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William Boyce
O Where Shall Wisdom Be Found?
82 bpm • D# Maj • 08:43 • -23.31db
1% Popularity • 22% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
1% Popularity • 22% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Nik Kershaw
Wouldn't It Be Good
97 bpm • D min • 04:37 • -8.53db
65% Popularity • 66% Danceability • 70% Energy • 7% Liveness
1% Instrumentalness • 75% Positiveness
65% Popularity • 66% Danceability • 70% Energy • 7% Liveness
1% Instrumentalness • 75% Positiveness
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Richard Marx
Angelia
97 bpm • G# Maj • 05:17 • -8.56db
56% Popularity • 54% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
56% Popularity • 54% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Orchestral Manoeuvres In The Dark
Walking On The Milky Way - Remastered 20...
82 bpm • D Maj • 04:03 • -4.52db
38% Popularity • 46% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 46% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Howard Jones
What Is Love? - Extended Mix
97 bpm • C min • 06:36 • -10.22db
46% Popularity • 63% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
46% Popularity • 63% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Paul Young
Now I Know What Made Otis Blue
97 bpm • A# min • 03:59 • -11db
32% Popularity • 73% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 73% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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The Neville Brothers
Bird On A Wire
97 bpm • A Maj • 05:00 • -13.68db
38% Popularity • 68% Danceability • 65% Energy • 30% Liveness
1% Instrumentalness • 65% Positiveness
38% Popularity • 68% Danceability • 65% Energy • 30% Liveness
1% Instrumentalness • 65% Positiveness
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Nik Kershaw
Human Racing
97 bpm • F Maj • 04:34 • -11.05db
30% Popularity • 70% Danceability • 33% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 70% Danceability • 33% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
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TOTO
Pamela
98 bpm • F Maj • 05:09 • -16.41db
54% Popularity • 58% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 58% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Foreigner
I Want to Know What Love Is - 1999 Remas...
81 bpm • F# Maj • 05:04 • -10.04db
80% Popularity • 48% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
80% Popularity • 48% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Howard Jones
Like to Get to Know You Well
97 bpm • G# Maj • 04:00 • -9.5db
55% Popularity • 76% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
55% Popularity • 76% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Gerry Rafferty
Don't Speak Of My Heart
81 bpm • F# Maj • 05:56 • -8db
29% Popularity • 42% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
29% Popularity • 42% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
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Spandau Ballet
True - 2003 Remaster
98 bpm • C Maj • 06:33 • -8.44db
67% Popularity • 78% Danceability • 52% Energy • 6% Liveness
11% Instrumentalness • 34% Positiveness
67% Popularity • 78% Danceability • 52% Energy • 6% Liveness
11% Instrumentalness • 34% Positiveness
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Feargal Sharkey
I've Got News For You
81 bpm • G Maj • 04:52 • -15db
23% Popularity • 62% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 62% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Mr. Mister
Broken Wings - Single Version
98 bpm • C# min • 04:44 • -8.56db
51% Popularity • 28% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 28% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Kirsty MacColl
Days
98 bpm • A Maj • 03:00 • -6.63db
42% Popularity • 56% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 56% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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M People
Just For You
98 bpm • G Maj • 04:02 • -8.92db
36% Popularity • 68% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 68% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Peter Gabriel
Don't Give Up
81 bpm • D# Maj • 06:34 • -14.2db
60% Popularity • 67% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 67% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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TOTO
Rosanna
81 bpm • G min • 05:31 • -13.03db
72% Popularity • 36% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
72% Popularity • 36% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Marc Almond
Something's Gotten Hold of My Heart
98 bpm • E Maj • 04:40 • -12.55db
49% Popularity • 56% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 56% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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The Human League
Louise
98 bpm • D Maj • 05:00 • -20.18db
35% Popularity • 80% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 80% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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T'Pau
Bridge Of Spies
98 bpm • F Maj • 05:23 • -6.47db
24% Popularity • 46% Danceability • 70% Energy • 56% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 46% Danceability • 70% Energy • 56% Liveness
0% Instrumentalness • 49% Positiveness
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Ultravox
Vienna - 2008 Remaster
80 bpm • F Maj • 04:56 • -10.24db
59% Popularity • 60% Danceability • 58% Energy • 12% Liveness
19% Instrumentalness • 33% Positiveness
59% Popularity • 60% Danceability • 58% Energy • 12% Liveness
19% Instrumentalness • 33% Positiveness
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Deacon Blue
Love And Regret
99 bpm • E Maj • 04:48 • -11.57db
13% Popularity • 64% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 64% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
