Songs like Wherever You Go by Audrey Assad
Based on a tempo of (+/- 10%) and a similar genre
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Scott Cunningham Band
There May Be Tears
109 bpm • A Maj • 04:29 • -8db
32% Popularity • 66% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 66% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 38% Positiveness
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I AM THEY
We Are Yours
109 bpm • E Maj • 03:34 • -5db
37% Popularity • 60% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 60% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Audrey Assad
Wherever You Go
109 bpm • D# Maj • 05:47 • -8.96db
19% Popularity • 52% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 52% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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MIKESCHAIR
A Beautiful Life
109 bpm • D Maj • 04:20 • -7db
20% Popularity • 55% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 55% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Bethany Barnard
Covenant
110 bpm • G Maj • 04:44 • -9.92db
16% Popularity • 44% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 44% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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The Corner Room
Movement I (V.1-3)
110 bpm • E Maj • 02:43 • -12.75db
37% Popularity • 38% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 38% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Chris Renzema
There Came a Light
108 bpm • F# Maj • 04:42 • -13db
47% Popularity • 40% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 40% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Sean Feucht
Make Me a Lover (Norway)
110 bpm • D Maj • 06:32 • -11.91db
16% Popularity • 40% Danceability • 25% Energy • 11% Liveness
7% Instrumentalness • 8% Positiveness
16% Popularity • 40% Danceability • 25% Energy • 11% Liveness
7% Instrumentalness • 8% Positiveness
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Audrey Assad
Death in His Grave
110 bpm • C Maj • 04:16 • -6.51db
25% Popularity • 57% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 57% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Jason Gray
The End of Me
110 bpm • G Maj • 03:32 • -6.04db
25% Popularity • 58% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 58% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Love & The Outcome
Ask
110 bpm • F# Maj • 03:43 • -5.06db
13% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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The Corner Room
Psalm 23
110 bpm • D Maj • 03:22 • -12db
44% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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The Porter's Gate
God of Grace and Mystery
110 bpm • C Maj • 02:54 • -9.41db
26% Popularity • 22% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 22% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Morgan Harper Nichols
Morning
111 bpm • F# Maj • 03:48 • -5.98db
18% Popularity • 60% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 60% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Audrey Assad
Even The Winter
111 bpm • G# Maj • 04:43 • -5.84db
15% Popularity • 63% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 63% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Francesca Battistelli
If We're Honest
107 bpm • A# Maj • 03:09 • -8.83db
46% Popularity • 60% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 60% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Influence Music
Proud
111 bpm • G# Maj • 03:49 • -9db
37% Popularity • 40% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 40% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Love & The Outcome
Heart Like You
107 bpm • B min • 03:51 • -6.7db
19% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Sarah Kroger
Pieces
111 bpm • A Maj • 05:29 • -11.27db
30% Popularity • 30% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 30% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Jennifer Knapp
Refine Me
107 bpm • D Maj • 03:29 • -12.89db
20% Popularity • 46% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 46% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Bart Millard
It Must Be You (Moses)
107 bpm • A# Maj • 05:14 • -6db
28% Popularity • 52% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 52% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Jon Foreman
White As Snow
111 bpm • C# Maj • 04:11 • -11db
36% Popularity • 57% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 57% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Liturgical Folk
Nativity: Our Lady Sings Magnificat
106 bpm • E Maj • 04:41 • -12.31db
11% Popularity • 24% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 24% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Audrey Assad
Lament
112 bpm • C# min • 03:20 • -10.26db
28% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Jillian Edwards
Sink My Feet
106 bpm • C Maj • 03:38 • -6.91db
17% Popularity • 37% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 37% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
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Gregory Wilbur
Psalm 32: Blest Is the Man
112 bpm • B min • 02:55 • -14db
38% Popularity • 42% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 42% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Steffany Gretzinger
Out of Hiding (Father's Song)
106 bpm • D Maj • 04:28 • -10.22db
50% Popularity • 42% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
50% Popularity • 42% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Indelible Grace Music
Hast Thou Heard Him Seen Him Known Him?
112 bpm • G# min • 03:47 • -10db
31% Popularity • 61% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 61% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Francesca Battistelli
Blue Sky
112 bpm • G Maj • 03:55 • -5.37db
27% Popularity • 65% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 65% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Audrey Assad
Lament
112 bpm • C# min • 03:18 • -8.14db
14% Popularity • 53% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 53% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Amanda Cook
House on a Hill
112 bpm • A# Maj • 06:04 • -15db
44% Popularity • 48% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 48% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jon Foreman
Your Love Is Strong
112 bpm • B Maj • 05:09 • -8db
44% Popularity • 65% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 65% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Keith & Kristyn Getty
Speak O Lord
106 bpm • G# Maj • 04:01 • -11.48db
45% Popularity • 43% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 43% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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The Gray Havens
At Last, the King
112 bpm • E min • 04:09 • -8.99db
35% Popularity • 61% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 61% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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The Assemblie
Stray
112 bpm • D Maj • 04:59 • -17db
24% Popularity • 52% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 52% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Audrey Assad
Breaking Through
112 bpm • G Maj • 04:15 • -5.03db
16% Popularity • 53% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 53% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Daniel Crawford
Going Home
106 bpm • F Maj • 04:02 • -13.31db
22% Popularity • 36% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 36% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Love & The Outcome
Heart Like You - Live
113 bpm • D Maj • 04:01 • -10.51db
16% Popularity • 69% Danceability • 30% Energy • 70% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 69% Danceability • 30% Energy • 70% Liveness
0% Instrumentalness • 55% Positiveness
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Jon McLaughlin
Oh Jesus
113 bpm • F Maj • 03:32 • -10.99db
22% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Mark Schultz
You Are a Child of Mine
113 bpm • F Maj • 05:01 • -5.78db
24% Popularity • 43% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 43% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
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CityAlight
The Love of the Father
113 bpm • C Maj • 03:09 • -5.17db
55% Popularity • 57% Danceability • 85% Energy • 70% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 57% Danceability • 85% Energy • 70% Liveness
0% Instrumentalness • 60% Positiveness
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Audrey Assad
Hope You Know It
106 bpm • A Maj • 02:54 • -6.86db
37% Popularity • 33% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 33% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jason Gray
As I Am
113 bpm • B Maj • 03:31 • -8.39db
13% Popularity • 51% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 51% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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The Brilliance
See the Love
113 bpm • F Maj • 04:20 • -14db
37% Popularity • 56% Danceability • 12% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
37% Popularity • 56% Danceability • 12% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
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Fernando Ortega
The Good Shepherd
113 bpm • A Maj • 03:27 • -16.78db
35% Popularity • 68% Danceability • 9% Energy • 10% Liveness
3% Instrumentalness • 23% Positiveness
35% Popularity • 68% Danceability • 9% Energy • 10% Liveness
3% Instrumentalness • 23% Positiveness
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Jillian Edwards
Just a Little While
113 bpm • D Maj • 02:56 • -14.32db
20% Popularity • 52% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 52% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Steffany Gretzinger
Morning Song
105 bpm • C Maj • 04:35 • -11.3db
36% Popularity • 47% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 47% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Erik Nieder
Glory & Grace
114 bpm • C Maj • 04:16 • -9db
45% Popularity • 52% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 52% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Stuart Townend
I Am Here for You
114 bpm • B Maj • 03:12 • -11.41db
27% Popularity • 62% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 62% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Bellarive
Calling On Fire
114 bpm • D Maj • 06:30 • -9db
20% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Jenny Pixler
Sacred Silence
114 bpm • G Maj • 04:05 • -15.85db
10% Popularity • 40% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 40% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Colton Dixon
The Shape Of Your Love
104 bpm • C# Maj • 03:50 • -6.2db
22% Popularity • 51% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 51% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Francesca Battistelli
This Is the Stuff
104 bpm • D Maj • 03:03 • -5.62db
44% Popularity • 66% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 66% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Liturgical Folk
Lord's Prayer
114 bpm • A# Maj • 01:53 • -13db
45% Popularity • 48% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 48% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Jordan Feliz
Photograph
104 bpm • E Maj • 04:13 • -7.56db
21% Popularity • 71% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 71% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Kolby Koloff
Grow
104 bpm • C Maj • 03:15 • -8.87db
13% Popularity • 75% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 75% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Mandisa
The Truth About Me
115 bpm • G# Maj • 03:32 • -6.94db
28% Popularity • 66% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 66% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Audrey Assad
The House You're Building
115 bpm • C# Maj • 03:26 • -7.99db
24% Popularity • 76% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 76% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Brilliance
Hands and Feet
115 bpm • C# Maj • 05:28 • -13.72db
23% Popularity • 61% Danceability • 33% Energy • 12% Liveness
7% Instrumentalness • 33% Positiveness
23% Popularity • 61% Danceability • 33% Energy • 12% Liveness
7% Instrumentalness • 33% Positiveness
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Will Morrison
Reckless Love - Acoustic Version
103 bpm • F# Maj • 05:28 • -11.12db
31% Popularity • 57% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 57% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Fernando Ortega
Pass Me Not
116 bpm • F# Maj • 02:12 • -10.94db
35% Popularity • 33% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 33% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Swift
I Need You
116 bpm • F Maj • 04:42 • -7.68db
10% Popularity • 28% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 28% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Mandisa
Praying For You
115 bpm • C# Maj • 03:34 • -7.43db
35% Popularity • 73% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 73% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Mark Schultz
He's My Son
116 bpm • F# Maj • 05:39 • -10.45db
34% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Audrey Assad
Ought To Be
102 bpm • D Maj • 02:58 • -11.25db
23% Popularity • 69% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 69% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Jessa Anderson
Fireflies
116 bpm • A min • 02:46 • -5.24db
10% Popularity • 60% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 60% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Aaron Shust
Give It All Away
102 bpm • G Maj • 03:33 • -6.74db
22% Popularity • 50% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 50% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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![Guide Me O Thou Great Jehovah [Jeremy Casella] cover art](https://i.scdn.co/image/ab67616d00001e0244c663d7e1e74ea50da4f516)
Indelible Grace Music
Guide Me O Thou Great Jehovah [Jeremy Ca...
117 bpm • D Maj • 05:17 • -8.61db
29% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Phillips, Craig & Dean
How Deep The Father's Love For Us
117 bpm • D Maj • 03:21 • -9.97db
38% Popularity • 56% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 56% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Fernando Ortega
Jesus, King of Angels
102 bpm • G# Maj • 04:02 • -19.21db
34% Popularity • 57% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 57% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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The Assemblie
Darkness Falls
117 bpm • C Maj • 05:22 • -10db
16% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Audrey Assad
Won Me Over
117 bpm • A# Maj • 03:40 • -5.57db
12% Popularity • 51% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 51% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Something Like Silas
Words That You Say - Divine Invitation A...
117 bpm • D min • 04:51 • -7db
11% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Big Daddy Weave
Audience of One
101 bpm • D Maj • 05:26 • -9.06db
35% Popularity • 31% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 31% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Katy Kinard
Come Thou Fount of Every Blessing
101 bpm • A Maj • 03:46 • -14db
35% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Brooke Fraser
Seeds
101 bpm • C min • 03:56 • -11.66db
19% Popularity • 45% Danceability • 59% Energy • 7% Liveness
2% Instrumentalness • 18% Positiveness
19% Popularity • 45% Danceability • 59% Energy • 7% Liveness
2% Instrumentalness • 18% Positiveness
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Rebecca St. James
You Make Everything Beautiful
101 bpm • F Maj • 03:04 • -12.41db
26% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Paul Colman
The One Thing
101 bpm • B Maj • 03:53 • -10.17db
24% Popularity • 73% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 73% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Jennifer Knapp
Faithful to Me (Reprise)
118 bpm • C Maj • 01:36 • -11.72db
22% Popularity • 62% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 62% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Audrey Assad
I Shall Not Want
118 bpm • E Maj • 04:40 • -11.62db
46% Popularity • 26% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
46% Popularity • 26% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Andrew Laparra
For The Beauty Of The Earth
118 bpm • E Maj • 03:14 • -18.53db
29% Popularity • 53% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 53% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Sons of Korah
Psalm 73
118 bpm • C# Maj • 05:09 • -14.82db
32% Popularity • 40% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 40% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Cavetime
Shepherd Strong
118 bpm • E Maj • 02:42 • -12db
20% Popularity • 28% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 28% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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I AM THEY
Your Love Is Mine
100 bpm • D Maj • 03:14 • -5db
32% Popularity • 67% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 67% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Erik Nieder
Wayward Soul
100 bpm • C# Maj • 02:53 • -9.04db
44% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Audrey Assad
No Turning Back
118 bpm • B Maj • 04:21 • -5.4db
13% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Holly Starr
Grace for All
100 bpm • B Maj • 03:36 • -6.51db
24% Popularity • 57% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 57% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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BarlowGirl
Hope Will Lead Us On
120 bpm • A Maj • 03:58 • -5db
22% Popularity • 50% Danceability • 70% Energy • 8% Liveness
1% Instrumentalness • 11% Positiveness
22% Popularity • 50% Danceability • 70% Energy • 8% Liveness
1% Instrumentalness • 11% Positiveness
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Lauren Daigle
First - Deluxe Sessions
120 bpm • C Maj • 03:59 • -9.94db
37% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
37% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Jon Foreman
Your Love Is Enough
120 bpm • D Maj • 03:43 • -6.81db
24% Popularity • 49% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
24% Popularity • 49% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Jason Gray
No Thief Like Fear
98 bpm • G Maj • 03:40 • -6.84db
17% Popularity • 51% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 51% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Audrey Assad
Breaking You
118 bpm • C Maj • 04:56 • -8.09db
14% Popularity • 39% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 39% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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I AM THEY
King of Love
98 bpm • A# Maj • 04:17 • -4.68db
42% Popularity • 59% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 59% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Enterline
Heart & Soul
98 bpm • B Maj • 04:20 • -7.74db
18% Popularity • 57% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 57% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Adrienne Camp
Oh You Bring
98 bpm • C# Maj • 04:34 • -9.11db
13% Popularity • 47% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 47% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Jon Foreman
The House Of God, Forever
121 bpm • C Maj • 04:43 • -14db
45% Popularity • 65% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 65% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Onething Live
Even Unto Death (Live)
122 bpm • G Maj • 05:36 • -7.95db
14% Popularity • 34% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 34% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Audrey Assad
Fortunate Fall
118 bpm • C Maj • 02:54 • -13.8db
28% Popularity • 28% Danceability • 31% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
28% Popularity • 28% Danceability • 31% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
