Songs like Whippin' by PAWSA
Based on a tempo of (+/- 10%) and a similar genre
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Perky Wires
Sing It Back
129 bpm • C Maj • 02:43 • -8.48db
25% Popularity • 80% Danceability • 82% Energy • 29% Liveness
90% Instrumentalness • 89% Positiveness
25% Popularity • 80% Danceability • 82% Energy • 29% Liveness
90% Instrumentalness • 89% Positiveness
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L.P. Rhythm
Everyday
129 bpm • G Maj • 06:27 • -9.19db
20% Popularity • 78% Danceability • 94% Energy • 4% Liveness
44% Instrumentalness • 86% Positiveness
20% Popularity • 78% Danceability • 94% Energy • 4% Liveness
44% Instrumentalness • 86% Positiveness
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TREASURE SERIES
FEVER PITCH
129 bpm • B min • 03:58 • -12db
45% Popularity • 85% Danceability • 39% Energy • 11% Liveness
68% Instrumentalness • 77% Positiveness
45% Popularity • 85% Danceability • 39% Energy • 11% Liveness
68% Instrumentalness • 77% Positiveness
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GOLFOS
GET TUSSI - CLUB MIX
129 bpm • G Maj • 05:27 • -5.79db
41% Popularity • 80% Danceability • 73% Energy • 6% Liveness
42% Instrumentalness • 74% Positiveness
41% Popularity • 80% Danceability • 73% Energy • 6% Liveness
42% Instrumentalness • 74% Positiveness
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PAWSA
Riddem
129 bpm • B min • 03:30 • -9.9db
29% Popularity • 85% Danceability • 73% Energy • 6% Liveness
40% Instrumentalness • 68% Positiveness
29% Popularity • 85% Danceability • 73% Energy • 6% Liveness
40% Instrumentalness • 68% Positiveness
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Luke Dean
Sounding A Bit 90's
129 bpm • F# min • 06:12 • -8.69db
39% Popularity • 79% Danceability • 94% Energy • 6% Liveness
90% Instrumentalness • 43% Positiveness
39% Popularity • 79% Danceability • 94% Energy • 6% Liveness
90% Instrumentalness • 43% Positiveness
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East End Dubs
Jazzed in Time - Chris Stussy Remix
129 bpm • E min • 06:31 • -9db
23% Popularity • 80% Danceability • 82% Energy • 7% Liveness
88% Instrumentalness • 70% Positiveness
23% Popularity • 80% Danceability • 82% Energy • 7% Liveness
88% Instrumentalness • 70% Positiveness
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Across Boundaries
Sense of Future
129 bpm • C Maj • 06:15 • -9.61db
38% Popularity • 75% Danceability • 84% Energy • 7% Liveness
88% Instrumentalness • 69% Positiveness
38% Popularity • 75% Danceability • 84% Energy • 7% Liveness
88% Instrumentalness • 69% Positiveness
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TREASURE SERIES
RUFFNECK BROTHER - EXTENDED MIX
129 bpm • G Maj • 06:27 • -12.56db
23% Popularity • 82% Danceability • 45% Energy • 11% Liveness
6% Instrumentalness • 49% Positiveness
23% Popularity • 82% Danceability • 45% Energy • 11% Liveness
6% Instrumentalness • 49% Positiveness
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Latmun
Who Knew
129 bpm • F min • 04:22 • -7.57db
21% Popularity • 80% Danceability • 95% Energy • 8% Liveness
69% Instrumentalness • 90% Positiveness
21% Popularity • 80% Danceability • 95% Energy • 8% Liveness
69% Instrumentalness • 90% Positiveness
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Max Dean
Jolie Chatte
129 bpm • F min • 06:29 • -11.11db
24% Popularity • 74% Danceability • 77% Energy • 7% Liveness
63% Instrumentalness • 50% Positiveness
24% Popularity • 74% Danceability • 77% Energy • 7% Liveness
63% Instrumentalness • 50% Positiveness
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Andre Salmon
Out Here
129 bpm • G Maj • 06:20 • -9.3db
7% Popularity • 86% Danceability • 64% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
7% Popularity • 86% Danceability • 64% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
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Sidney Charles
Grindin
129 bpm • A# min • 06:30 • -8.42db
31% Popularity • 79% Danceability • 98% Energy • 16% Liveness
87% Instrumentalness • 60% Positiveness
31% Popularity • 79% Danceability • 98% Energy • 16% Liveness
87% Instrumentalness • 60% Positiveness
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Luke Dean
Strictly Different
129 bpm • C Maj • 05:42 • -8.51db
20% Popularity • 69% Danceability • 94% Energy • 4% Liveness
10% Instrumentalness • 73% Positiveness
20% Popularity • 69% Danceability • 94% Energy • 4% Liveness
10% Instrumentalness • 73% Positiveness
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L.P. Rhythm
Can You Dance?
129 bpm • D Maj • 06:40 • -8.98db
18% Popularity • 80% Danceability • 92% Energy • 7% Liveness
92% Instrumentalness • 86% Positiveness
18% Popularity • 80% Danceability • 92% Energy • 7% Liveness
92% Instrumentalness • 86% Positiveness
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Ruze
Hardwire
129 bpm • G# Maj • 07:28 • -8.56db
46% Popularity • 77% Danceability • 85% Energy • 4% Liveness
74% Instrumentalness • 77% Positiveness
46% Popularity • 77% Danceability • 85% Energy • 4% Liveness
74% Instrumentalness • 77% Positiveness
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Chris Stussy
Get Together
129 bpm • F# min • 07:13 • -9.08db
34% Popularity • 80% Danceability • 75% Energy • 32% Liveness
84% Instrumentalness • 85% Positiveness
34% Popularity • 80% Danceability • 75% Energy • 32% Liveness
84% Instrumentalness • 85% Positiveness
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VITO (UK)
Swang
129 bpm • G# Maj • 07:26 • -7.17db
37% Popularity • 80% Danceability • 85% Energy • 10% Liveness
30% Instrumentalness • 78% Positiveness
37% Popularity • 80% Danceability • 85% Energy • 10% Liveness
30% Instrumentalness • 78% Positiveness
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Sidney Charles
Organica
129 bpm • A# min • 06:15 • -7.28db
24% Popularity • 80% Danceability • 92% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
24% Popularity • 80% Danceability • 92% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
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Max Dean
In You
129 bpm • F min • 06:13 • -10.39db
39% Popularity • 84% Danceability • 67% Energy • 8% Liveness
80% Instrumentalness • 49% Positiveness
39% Popularity • 84% Danceability • 67% Energy • 8% Liveness
80% Instrumentalness • 49% Positiveness
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Marsolo
Eye Of The Beholder
129 bpm • B Maj • 06:14 • -8.49db
32% Popularity • 80% Danceability • 92% Energy • 5% Liveness
90% Instrumentalness • 96% Positiveness
32% Popularity • 80% Danceability • 92% Energy • 5% Liveness
90% Instrumentalness • 96% Positiveness
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Ruze
Mindset
129 bpm • B min • 06:36 • -8.1db
45% Popularity • 80% Danceability • 83% Energy • 6% Liveness
29% Instrumentalness • 78% Positiveness
45% Popularity • 80% Danceability • 83% Energy • 6% Liveness
29% Instrumentalness • 78% Positiveness
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High Soundsystem
Poison Ivy - Original Mix
129 bpm • B Maj • 03:57 • -5.16db
37% Popularity • 79% Danceability • 94% Energy • 9% Liveness
74% Instrumentalness • 76% Positiveness
37% Popularity • 79% Danceability • 94% Energy • 9% Liveness
74% Instrumentalness • 76% Positiveness
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Jamback
At The House
129 bpm • C# Maj • 05:38 • -9db
38% Popularity • 80% Danceability • 81% Energy • 7% Liveness
91% Instrumentalness • 35% Positiveness
38% Popularity • 80% Danceability • 81% Energy • 7% Liveness
91% Instrumentalness • 35% Positiveness
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Oden & Fatzo
Denver In The Sky
129 bpm • F min • 06:31 • -5.93db
33% Popularity • 84% Danceability • 96% Energy • 66% Liveness
28% Instrumentalness • 55% Positiveness
33% Popularity • 84% Danceability • 96% Energy • 66% Liveness
28% Instrumentalness • 55% Positiveness
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Max Dean
Focus
129 bpm • D Maj • 06:43 • -8.3db
23% Popularity • 79% Danceability • 93% Energy • 7% Liveness
90% Instrumentalness • 84% Positiveness
23% Popularity • 79% Danceability • 93% Energy • 7% Liveness
90% Instrumentalness • 84% Positiveness
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Scarda
Rock Your Body
129 bpm • B min • 06:57 • -8.94db
17% Popularity • 79% Danceability • 91% Energy • 10% Liveness
40% Instrumentalness • 41% Positiveness
17% Popularity • 79% Danceability • 91% Energy • 10% Liveness
40% Instrumentalness • 41% Positiveness
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East End Dubs
Hip
129 bpm • G# min • 06:27 • -10.28db
21% Popularity • 80% Danceability • 73% Energy • 11% Liveness
91% Instrumentalness • 46% Positiveness
21% Popularity • 80% Danceability • 73% Energy • 11% Liveness
91% Instrumentalness • 46% Positiveness
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Sidney Charles
House 2 Heal
129 bpm • F# min • 06:29 • -7db
39% Popularity • 70% Danceability • 98% Energy • 32% Liveness
35% Instrumentalness • 41% Positiveness
39% Popularity • 70% Danceability • 98% Energy • 32% Liveness
35% Instrumentalness • 41% Positiveness
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Luke Dean
Gimme a Break
129 bpm • G Maj • 06:14 • -10.94db
18% Popularity • 79% Danceability • 84% Energy • 6% Liveness
88% Instrumentalness • 52% Positiveness
18% Popularity • 79% Danceability • 84% Energy • 6% Liveness
88% Instrumentalness • 52% Positiveness
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Ben Hemsley
Blotter
129 bpm • A# min • 05:58 • -8.36db
14% Popularity • 80% Danceability • 55% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness
14% Popularity • 80% Danceability • 55% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness
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PAWSA
Back 2 Front
129 bpm • F# Maj • 03:31 • -10.92db
41% Popularity • 80% Danceability • 71% Energy • 10% Liveness
74% Instrumentalness • 54% Positiveness
41% Popularity • 80% Danceability • 71% Energy • 10% Liveness
74% Instrumentalness • 54% Positiveness
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Oden & Fatzo
69 Party Boys - Fabe 68 Remix
129 bpm • D Maj • 06:30 • -9.15db
17% Popularity • 78% Danceability • 95% Energy • 8% Liveness
90% Instrumentalness • 87% Positiveness
17% Popularity • 78% Danceability • 95% Energy • 8% Liveness
90% Instrumentalness • 87% Positiveness
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Robbie Doherty
You're Lovin' It
129 bpm • F# min • 05:40 • -9.33db
22% Popularity • 80% Danceability • 81% Energy • 5% Liveness
86% Instrumentalness • 86% Positiveness
22% Popularity • 80% Danceability • 81% Energy • 5% Liveness
86% Instrumentalness • 86% Positiveness
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Diego Serrao
Girls & Boys - Ruben Mandolini Remix
129 bpm • G# Maj • 06:34 • -5.73db
19% Popularity • 80% Danceability • 96% Energy • 19% Liveness
92% Instrumentalness • 83% Positiveness
19% Popularity • 80% Danceability • 96% Energy • 19% Liveness
92% Instrumentalness • 83% Positiveness
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Luke Dean
Diss You Right
129 bpm • A Maj • 06:27 • -10.31db
33% Popularity • 80% Danceability • 86% Energy • 9% Liveness
80% Instrumentalness • 53% Positiveness
33% Popularity • 80% Danceability • 86% Energy • 9% Liveness
80% Instrumentalness • 53% Positiveness
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Darius Syrossian
We Bring It
129 bpm • A Maj • 06:08 • -8.51db
29% Popularity • 80% Danceability • 91% Energy • 6% Liveness
67% Instrumentalness • 65% Positiveness
29% Popularity • 80% Danceability • 91% Energy • 6% Liveness
67% Instrumentalness • 65% Positiveness
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PAWSA
Be Here Now
129 bpm • A# Maj • 03:15 • -9.65db
21% Popularity • 60% Danceability • 56% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
21% Popularity • 60% Danceability • 56% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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GOLFOS
OFF THE HOOK - NYC EDIT
129 bpm • C Maj • 03:33 • -8.42db
45% Popularity • 80% Danceability • 73% Energy • 8% Liveness
67% Instrumentalness • 54% Positiveness
45% Popularity • 80% Danceability • 73% Energy • 8% Liveness
67% Instrumentalness • 54% Positiveness
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TREASURE SERIES
RUFFNECK BROTHER
129 bpm • C Maj • 03:44 • -11.91db
53% Popularity • 87% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
53% Popularity • 87% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Sidney Charles
Keep Rocking
129 bpm • B min • 03:08 • -8.67db
31% Popularity • 70% Danceability • 96% Energy • 32% Liveness
74% Instrumentalness • 56% Positiveness
31% Popularity • 70% Danceability • 96% Energy • 32% Liveness
74% Instrumentalness • 56% Positiveness
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Luke Dean
Keep It Going
129 bpm • F min • 05:33 • -8.92db
23% Popularity • 78% Danceability • 92% Energy • 6% Liveness
67% Instrumentalness • 47% Positiveness
23% Popularity • 78% Danceability • 92% Energy • 6% Liveness
67% Instrumentalness • 47% Positiveness
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Little Fritter
London Flex
129 bpm • D Maj • 03:07 • -5.65db
13% Popularity • 75% Danceability • 97% Energy • 11% Liveness
11% Instrumentalness • 58% Positiveness
13% Popularity • 75% Danceability • 97% Energy • 11% Liveness
11% Instrumentalness • 58% Positiveness
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PAWSA
Love
129 bpm • C# Maj • 07:14 • -8.88db
16% Popularity • 82% Danceability • 54% Energy • 7% Liveness
85% Instrumentalness • 7% Positiveness
16% Popularity • 82% Danceability • 54% Energy • 7% Liveness
85% Instrumentalness • 7% Positiveness
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Jaden Thompson
Only One
129 bpm • A min • 03:01 • -8.01db
43% Popularity • 74% Danceability • 84% Energy • 7% Liveness
62% Instrumentalness • 72% Positiveness
43% Popularity • 74% Danceability • 84% Energy • 7% Liveness
62% Instrumentalness • 72% Positiveness
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Patrick Topping
Snide
129 bpm • F# Maj • 07:15 • -8.06db
20% Popularity • 80% Danceability • 79% Energy • 9% Liveness
92% Instrumentalness • 82% Positiveness
20% Popularity • 80% Danceability • 79% Energy • 9% Liveness
92% Instrumentalness • 82% Positiveness
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Ozzie Guven
Bassline Pumping
129 bpm • A Maj • 03:30 • -10.25db
38% Popularity • 84% Danceability • 94% Energy • 11% Liveness
15% Instrumentalness • 82% Positiveness
38% Popularity • 84% Danceability • 94% Energy • 11% Liveness
15% Instrumentalness • 82% Positiveness
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Luke Dean
Watcha Want?
129 bpm • F min • 06:13 • -9.03db
16% Popularity • 80% Danceability • 93% Energy • 9% Liveness
91% Instrumentalness • 88% Positiveness
16% Popularity • 80% Danceability • 93% Energy • 9% Liveness
91% Instrumentalness • 88% Positiveness
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TREASURE SERIES
STEADY
129 bpm • G Maj • 02:58 • -13.62db
38% Popularity • 66% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 66% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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PAWSA
Whippin'
129 bpm • C Maj • 04:58 • -7.36db
39% Popularity • 80% Danceability • 91% Energy • 2% Liveness
38% Instrumentalness • 53% Positiveness
39% Popularity • 80% Danceability • 91% Energy • 2% Liveness
38% Instrumentalness • 53% Positiveness
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Sosa UK
Bugbeat
129 bpm • G Maj • 02:59 • -8.09db
34% Popularity • 78% Danceability • 93% Energy • 10% Liveness
76% Instrumentalness • 36% Positiveness
34% Popularity • 78% Danceability • 93% Energy • 10% Liveness
76% Instrumentalness • 36% Positiveness
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Manu Gonzalez
To the Call
129 bpm • G Maj • 05:42 • -8.43db
13% Popularity • 72% Danceability • 82% Energy • 10% Liveness
58% Instrumentalness • 46% Positiveness
13% Popularity • 72% Danceability • 82% Energy • 10% Liveness
58% Instrumentalness • 46% Positiveness
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Armando
100% of Disin' You - Warehouse Mix
129 bpm • B min • 06:36 • -11.81db
21% Popularity • 84% Danceability • 88% Energy • 5% Liveness
90% Instrumentalness • 53% Positiveness
21% Popularity • 84% Danceability • 88% Energy • 5% Liveness
90% Instrumentalness • 53% Positiveness
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Hannah Laing
The Records
130 bpm • G# Maj • 03:28 • -6.05db
41% Popularity • 93% Danceability • 96% Energy • 12% Liveness
94% Instrumentalness • 83% Positiveness
41% Popularity • 93% Danceability • 96% Energy • 12% Liveness
94% Instrumentalness • 83% Positiveness
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Max Dean
Inside
128 bpm • D Maj • 06:00 • -8.05db
27% Popularity • 80% Danceability • 89% Energy • 22% Liveness
88% Instrumentalness • 37% Positiveness
27% Popularity • 80% Danceability • 89% Energy • 22% Liveness
88% Instrumentalness • 37% Positiveness
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PAWSA
INTERLUDE
129 bpm • G Maj • 03:13 • -17.65db
25% Popularity • 81% Danceability • 59% Energy • 6% Liveness
87% Instrumentalness • 58% Positiveness
25% Popularity • 81% Danceability • 59% Energy • 6% Liveness
87% Instrumentalness • 58% Positiveness
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Louden
Amnesia Juice
128 bpm • E min • 07:05 • -7.26db
32% Popularity • 77% Danceability • 94% Energy • 5% Liveness
2% Instrumentalness • 81% Positiveness
32% Popularity • 77% Danceability • 94% Energy • 5% Liveness
2% Instrumentalness • 81% Positiveness
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Ben Hemsley
Snowdons Tune
128 bpm • A# Maj • 02:39 • -6.05db
34% Popularity • 82% Danceability • 92% Energy • 9% Liveness
81% Instrumentalness • 36% Positiveness
34% Popularity • 82% Danceability • 92% Energy • 9% Liveness
81% Instrumentalness • 36% Positiveness
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Oden & Fatzo
Ob1 Kenobi
128 bpm • B min • 05:45 • -6.98db
27% Popularity • 66% Danceability • 95% Energy • 21% Liveness
80% Instrumentalness • 63% Positiveness
27% Popularity • 66% Danceability • 95% Energy • 21% Liveness
80% Instrumentalness • 63% Positiveness
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Ruze
Felicidade
130 bpm • A Maj • 05:55 • -9.03db
29% Popularity • 78% Danceability • 95% Energy • 6% Liveness
89% Instrumentalness • 78% Positiveness
29% Popularity • 78% Danceability • 95% Energy • 6% Liveness
89% Instrumentalness • 78% Positiveness
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Luke Dean
How You Baby
130 bpm • A# min • 06:25 • -10.15db
23% Popularity • 74% Danceability • 84% Energy • 7% Liveness
78% Instrumentalness • 71% Positiveness
23% Popularity • 74% Danceability • 84% Energy • 7% Liveness
78% Instrumentalness • 71% Positiveness
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PAWSA
The Magnet
130 bpm • C# Maj • 04:27 • -11.3db
22% Popularity • 82% Danceability • 85% Energy • 8% Liveness
84% Instrumentalness • 58% Positiveness
22% Popularity • 82% Danceability • 85% Energy • 8% Liveness
84% Instrumentalness • 58% Positiveness
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GOLFOS
GOLFOS IN THE CLUB - TERRACE MIX
130 bpm • E Maj • 08:23 • -10.11db
15% Popularity • 79% Danceability • 68% Energy • 10% Liveness
42% Instrumentalness • 35% Positiveness
15% Popularity • 79% Danceability • 68% Energy • 10% Liveness
42% Instrumentalness • 35% Positiveness
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Darius Syrossian
Mustang 74
128 bpm • C# min • 03:33 • -10.12db
30% Popularity • 81% Danceability • 74% Energy • 8% Liveness
87% Instrumentalness • 48% Positiveness
30% Popularity • 81% Danceability • 74% Energy • 8% Liveness
87% Instrumentalness • 48% Positiveness
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wAFF
Slapfunk
130 bpm • C Maj • 07:23 • -10.22db
20% Popularity • 80% Danceability • 83% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
20% Popularity • 80% Danceability • 83% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Kolter
Get Sexy
128 bpm • C# Maj • 06:03 • -9.08db
39% Popularity • 92% Danceability • 82% Energy • 12% Liveness
84% Instrumentalness • 72% Positiveness
39% Popularity • 92% Danceability • 82% Energy • 12% Liveness
84% Instrumentalness • 72% Positiveness
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Mason Collective
Ready To Work
128 bpm • F min • 06:31 • -8.75db
21% Popularity • 80% Danceability • 70% Energy • 10% Liveness
89% Instrumentalness • 80% Positiveness
21% Popularity • 80% Danceability • 70% Energy • 10% Liveness
89% Instrumentalness • 80% Positiveness
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Big Miz
The Bomb
128 bpm • F# Maj • 07:33 • -6.82db
26% Popularity • 80% Danceability • 97% Energy • 8% Liveness
89% Instrumentalness • 87% Positiveness
26% Popularity • 80% Danceability • 97% Energy • 8% Liveness
89% Instrumentalness • 87% Positiveness
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Sosa UK
Its Time to Move
128 bpm • C# Maj • 02:42 • -6.8db
50% Popularity • 89% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
50% Popularity • 89% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Dale Howard
U & ME
128 bpm • F# min • 03:00 • -6.76db
47% Popularity • 80% Danceability • 84% Energy • 11% Liveness
81% Instrumentalness • 67% Positiveness
47% Popularity • 80% Danceability • 84% Energy • 11% Liveness
81% Instrumentalness • 67% Positiveness
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ANATTA
Tobacco Docks - Radio Edit
128 bpm • F min • 04:00 • -4.55db
35% Popularity • 80% Danceability • 97% Energy • 4% Liveness
78% Instrumentalness • 96% Positiveness
35% Popularity • 80% Danceability • 97% Energy • 4% Liveness
78% Instrumentalness • 96% Positiveness
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PAWSA
GOING TO THE PARK - EXTENDED MIX
130 bpm • G Maj • 06:17 • -16.14db
17% Popularity • 81% Danceability • 94% Energy • 6% Liveness
90% Instrumentalness • 97% Positiveness
17% Popularity • 81% Danceability • 94% Energy • 6% Liveness
90% Instrumentalness • 97% Positiveness
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Mason Collective
Gold Mine
128 bpm • C# Maj • 03:01 • -8.18db
31% Popularity • 81% Danceability • 85% Energy • 5% Liveness
94% Instrumentalness • 82% Positiveness
31% Popularity • 81% Danceability • 85% Energy • 5% Liveness
94% Instrumentalness • 82% Positiveness
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Murphy's Law (UK)
Waistline
128 bpm • A Maj • 03:03 • -8.28db
31% Popularity • 78% Danceability • 91% Energy • 8% Liveness
87% Instrumentalness • 70% Positiveness
31% Popularity • 78% Danceability • 91% Energy • 8% Liveness
87% Instrumentalness • 70% Positiveness
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Robbie Doherty
It's My Beat - Extended Mix
130 bpm • G# Maj • 06:33 • -6.95db
34% Popularity • 84% Danceability • 98% Energy • 13% Liveness
21% Instrumentalness • 91% Positiveness
34% Popularity • 84% Danceability • 98% Energy • 13% Liveness
21% Instrumentalness • 91% Positiveness
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Franky Rizardo
Love Seeking
128 bpm • A min • 03:43 • -7.59db
35% Popularity • 66% Danceability • 96% Energy • 7% Liveness
82% Instrumentalness • 76% Positiveness
35% Popularity • 66% Danceability • 96% Energy • 7% Liveness
82% Instrumentalness • 76% Positiveness
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Gaskin
Rhythm Master
130 bpm • F# Maj • 05:58 • -3.34db
38% Popularity • 80% Danceability • 97% Energy • 5% Liveness
91% Instrumentalness • 87% Positiveness
38% Popularity • 80% Danceability • 97% Energy • 5% Liveness
91% Instrumentalness • 87% Positiveness
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Patrick Topping
Turbo Time - Edit
128 bpm • B min • 03:57 • -4.95db
35% Popularity • 83% Danceability • 98% Energy • 7% Liveness
83% Instrumentalness • 59% Positiveness
35% Popularity • 83% Danceability • 98% Energy • 7% Liveness
83% Instrumentalness • 59% Positiveness
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PAWSA
GOING TO THE PARK
130 bpm • G Maj • 03:34 • -16.12db
47% Popularity • 80% Danceability • 77% Energy • 10% Liveness
81% Instrumentalness • 97% Positiveness
47% Popularity • 80% Danceability • 77% Energy • 10% Liveness
81% Instrumentalness • 97% Positiveness
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GOLFOS
JENNY IS DANCING - SALSA MIX
130 bpm • F# Maj • 06:53 • -7.59db
26% Popularity • 80% Danceability • 76% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
26% Popularity • 80% Danceability • 76% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
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Disco Galaxy
Street Sounds
130 bpm • A min • 05:21 • -7.51db
41% Popularity • 72% Danceability • 83% Energy • 12% Liveness
74% Instrumentalness • 57% Positiveness
41% Popularity • 72% Danceability • 83% Energy • 12% Liveness
74% Instrumentalness • 57% Positiveness
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Jamback
Coin Drop
128 bpm • F# min • 03:44 • -10.06db
32% Popularity • 80% Danceability • 84% Energy • 7% Liveness
87% Instrumentalness • 63% Positiveness
32% Popularity • 80% Danceability • 84% Energy • 7% Liveness
87% Instrumentalness • 63% Positiveness
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Josh Baker
Jaffa
130 bpm • A Maj • 06:54 • -7.38db
12% Popularity • 79% Danceability • 93% Energy • 9% Liveness
92% Instrumentalness • 35% Positiveness
12% Popularity • 79% Danceability • 93% Energy • 9% Liveness
92% Instrumentalness • 35% Positiveness
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Patrick Topping
Turbo Time
128 bpm • B min • 06:31 • -4.98db
34% Popularity • 80% Danceability • 98% Energy • 7% Liveness
89% Instrumentalness • 74% Positiveness
34% Popularity • 80% Danceability • 98% Energy • 7% Liveness
89% Instrumentalness • 74% Positiveness
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Tommier Joyson
Clap Your Hands - East End Dubs Remix
130 bpm • F# Maj • 06:55 • -6.89db
22% Popularity • 80% Danceability • 71% Energy • 12% Liveness
89% Instrumentalness • 64% Positiveness
22% Popularity • 80% Danceability • 71% Energy • 12% Liveness
89% Instrumentalness • 64% Positiveness
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PAWSA
FOREVER
130 bpm • A min • 03:34 • -14.86db
27% Popularity • 80% Danceability • 38% Energy • 49% Liveness
84% Instrumentalness • 67% Positiveness
27% Popularity • 80% Danceability • 38% Energy • 49% Liveness
84% Instrumentalness • 67% Positiveness
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Ewan McVicar
Back Tae Ayr
130 bpm • G Maj • 05:32 • -6.15db
32% Popularity • 77% Danceability • 92% Energy • 50% Liveness
70% Instrumentalness • 82% Positiveness
32% Popularity • 77% Danceability • 92% Energy • 50% Liveness
70% Instrumentalness • 82% Positiveness
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S.A.M.
Fury's Laughter
128 bpm • B min • 02:33 • -7.9db
34% Popularity • 66% Danceability • 73% Energy • 86% Liveness
93% Instrumentalness • 69% Positiveness
34% Popularity • 66% Danceability • 73% Energy • 86% Liveness
93% Instrumentalness • 69% Positiveness
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Miguel Lobo
Work That - De la Swing & Rendher Remix
130 bpm • C# Maj • 03:43 • -11.35db
16% Popularity • 80% Danceability • 89% Energy • 10% Liveness
79% Instrumentalness • 44% Positiveness
16% Popularity • 80% Danceability • 89% Energy • 10% Liveness
79% Instrumentalness • 44% Positiveness
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Ben Hemsley
Ayee
128 bpm • B min • 03:04 • -6.56db
30% Popularity • 80% Danceability • 74% Energy • 8% Liveness
15% Instrumentalness • 6% Positiveness
30% Popularity • 80% Danceability • 74% Energy • 8% Liveness
15% Instrumentalness • 6% Positiveness
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Max Dean
Impressed
130 bpm • B min • 04:03 • -8.3db
37% Popularity • 78% Danceability • 76% Energy • 12% Liveness
60% Instrumentalness • 40% Positiveness
37% Popularity • 78% Danceability • 76% Energy • 12% Liveness
60% Instrumentalness • 40% Positiveness
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Luke Dean
Get Hard (You In The Lobby)
130 bpm • C Maj • 02:36 • -4.17db
61% Popularity • 81% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 73% Positiveness
61% Popularity • 81% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 73% Positiveness
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CHANEY
39 Times (Confrontation) (Edit)
130 bpm • E Maj • 03:05 • -4.72db
39% Popularity • 88% Danceability • 85% Energy • 6% Liveness
49% Instrumentalness • 93% Positiveness
39% Popularity • 88% Danceability • 85% Energy • 6% Liveness
49% Instrumentalness • 93% Positiveness
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Sosa UK
Dusty Showbiz
130 bpm • B min • 02:58 • -8.21db
37% Popularity • 74% Danceability • 92% Energy • 12% Liveness
64% Instrumentalness • 91% Positiveness
37% Popularity • 74% Danceability • 92% Energy • 12% Liveness
64% Instrumentalness • 91% Positiveness
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East End Dubs
Double Vision
130 bpm • A min • 03:26 • -9.71db
27% Popularity • 80% Danceability • 69% Energy • 12% Liveness
89% Instrumentalness • 71% Positiveness
27% Popularity • 80% Danceability • 69% Energy • 12% Liveness
89% Instrumentalness • 71% Positiveness
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Louden
Upper Ground
128 bpm • A# min • 06:32 • -7.98db
15% Popularity • 70% Danceability • 95% Energy • 4% Liveness
71% Instrumentalness • 61% Positiveness
15% Popularity • 70% Danceability • 95% Energy • 4% Liveness
71% Instrumentalness • 61% Positiveness
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Sidney Charles
Raveheart - Edit
128 bpm • C# Maj • 03:46 • -5.66db
16% Popularity • 79% Danceability • 90% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
16% Popularity • 79% Danceability • 90% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
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PAWSA
PHTHALO BLUES
130 bpm • B min • 02:58 • -13.67db
27% Popularity • 78% Danceability • 44% Energy • 8% Liveness
58% Instrumentalness • 80% Positiveness
27% Popularity • 78% Danceability • 44% Energy • 8% Liveness
58% Instrumentalness • 80% Positiveness
