Songs like Whiskey - Recorded at Spotify Studios NYC by Devin Dawson
Based on a tempo of (+/- 10%) and a similar genre
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Jordan Davis
Singles You Up - Stripped
100 bpm • G Maj • 03:00 • -5.13db
27% Popularity • 72% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 72% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Mitchell Tenpenny
Alcohol You Later - Acoustic
100 bpm • D Maj • 03:13 • -6.12db
24% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Chase Rice
Eyes On You (Acoustic)
100 bpm • A Maj • 02:54 • -6.08db
32% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Russell Dickerson
Man in the Mirror
100 bpm • A# Maj • 04:19 • -8.15db
37% Popularity • 77% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 77% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Jake Scott
Naked
100 bpm • G min • 03:27 • -7.74db
36% Popularity • 68% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 68% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jillian Jacqueline
Sad Girls
100 bpm • E Maj • 03:04 • -7db
24% Popularity • 61% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 61% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Blaire Hanks
Like We Used To
100 bpm • C# Maj • 02:53 • -9.73db
10% Popularity • 65% Danceability • 59% Energy • 16% Liveness
1% Instrumentalness • 17% Positiveness
10% Popularity • 65% Danceability • 59% Energy • 16% Liveness
1% Instrumentalness • 17% Positiveness
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Austin Burke
Slower
100 bpm • D Maj • 03:04 • -7.14db
26% Popularity • 70% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 70% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Devin Dawson
Who's Gonna Hold Ya
100 bpm • F# Maj • 02:55 • -5.54db
14% Popularity • 61% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 61% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Seth Alley
Be Yourself
100 bpm • B Maj • 03:19 • -6.77db
19% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Sammy Arriaga
Expensive
100 bpm • F# Maj • 02:37 • -7.52db
18% Popularity • 91% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 91% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Bailey Bryan
Too Good
100 bpm • C Maj • 03:00 • -8.48db
23% Popularity • 62% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 62% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Lady A
Ocean
99 bpm • F# Maj • 03:30 • -7.93db
51% Popularity • 58% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 58% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Sister Hazel
In Two
99 bpm • D Maj • 03:17 • -8.43db
22% Popularity • 60% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 60% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Devin Dawson
Whiskey - Recorded at Spotify Studios NY...
100 bpm • C min • 03:26 • -14.95db
29% Popularity • 59% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 59% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Rozzi
Never Over You
102 bpm • C# Maj • 03:07 • -5db
25% Popularity • 65% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 65% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Matt Wills
Put It All On Me - Stripped
98 bpm • G Maj • 03:40 • -9.3db
10% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Seaforth
Love That
102 bpm • C min • 03:10 • -6db
34% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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John King
1-800-273-8255
98 bpm • F min • 03:57 • -9.41db
11% Popularity • 73% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 73% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Ross Ellis
Ghosts
98 bpm • E Maj • 04:03 • -8.09db
31% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Devin Dawson
Who's Gonna Hold Ya - LIVE
100 bpm • C# Maj • 02:52 • -5.32db
4% Popularity • 61% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
4% Popularity • 61% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Adam Hambrick
The Longer I Lay Here
102 bpm • G Maj • 02:39 • -4.34db
29% Popularity • 68% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 68% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Tyler Hilton
The Way That She Loves
98 bpm • G Maj • 04:06 • -9.21db
25% Popularity • 62% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 62% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Levi Hummon
Wedding Dress
102 bpm • C min • 03:08 • -16.17db
35% Popularity • 68% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 68% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Tyminski
Numb
103 bpm • B Maj • 03:44 • -9.82db
23% Popularity • 49% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 49% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Brandon Lay
Wilder Horses
103 bpm • B Maj • 02:52 • -8.13db
28% Popularity • 64% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 64% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Logan Mize
Something Just Like This
103 bpm • B min • 04:08 • -6db
33% Popularity • 64% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 64% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Ryan Hurd
Every Other Memory
103 bpm • C Maj • 03:39 • -7db
43% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Ezra Jordan
Lonely Now
97 bpm • A# min • 03:32 • -7.4db
18% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Hunter Hayes
Heartbreak
97 bpm • B Maj • 02:52 • -6db
36% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Brett Young
Where You Want Me
97 bpm • F# Maj • 03:40 • -6.5db
36% Popularity • 75% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 75% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Seaforth
Talk About
97 bpm • E Maj • 02:46 • -5.07db
39% Popularity • 64% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 64% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
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Caitlyn Smith
Cheap Date
97 bpm • D Maj • 03:10 • -6.65db
40% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Tyler Rich
Billie Jean
97 bpm • E min • 03:46 • -8.61db
33% Popularity • 80% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 80% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Devin Dawson
Dark Horse - Attom Remix
97 bpm • F# min • 03:39 • -7.1db
29% Popularity • 38% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 38% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Christian Hudson
Good Times
96 bpm • C min • 03:32 • -6.7db
16% Popularity • 64% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
16% Popularity • 64% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Timeflies
What's My Name? - Recorded at Spotify St...
96 bpm • G min • 03:00 • -8.15db
21% Popularity • 69% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 69% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ryan Hurd
Panorama
104 bpm • B min • 03:46 • -6db
27% Popularity • 50% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 50% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Seth Ennis
Look At You
104 bpm • C# min • 03:15 • -7db
44% Popularity • 69% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
44% Popularity • 69% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Chris Bandi
Only One
96 bpm • C# min • 02:59 • -5.99db
28% Popularity • 63% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 63% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Devin Dawson
I Don't Care Who Sees
104 bpm • F Maj • 03:21 • -5.95db
30% Popularity • 66% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 66% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Patrick Droney
The Wire - Alternate Version
96 bpm • C Maj • 03:41 • -7.77db
34% Popularity • 50% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 50% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Brandon Lay
Yada Yada Yada
96 bpm • C Maj • 03:37 • -7.52db
37% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Mat Kearney
Keep On Loving You
96 bpm • D# Maj • 02:52 • -5.22db
26% Popularity • 69% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 69% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Sam DeRosa
Pill for This
96 bpm • G Maj • 02:53 • -5.34db
34% Popularity • 41% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 41% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Jake Coco
Some Kinda Way
105 bpm • C# min • 03:05 • -9.71db
15% Popularity • 76% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 76% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Devin Dawson
I Got a Truck
104 bpm • E Maj • 03:43 • -5.28db
24% Popularity • 61% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 61% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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David Fanning
Lovers
105 bpm • C# min • 02:35 • -6db
16% Popularity • 81% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 81% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Levi Hummon
Songs We Sang
105 bpm • B min • 02:48 • -6.75db
28% Popularity • 73% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 73% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Thompson Square
With or Without You
105 bpm • C# Maj • 03:55 • -9.57db
27% Popularity • 68% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 68% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Josh Jenkins
Perfect Mess
105 bpm • F Maj • 02:33 • -7.69db
17% Popularity • 61% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 61% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Haley Klinkhammer
Loving You, Loving Me
95 bpm • B Maj • 03:21 • -8.77db
27% Popularity • 69% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 69% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Devin Dawson
I Got a Truck - LIVE
104 bpm • B min • 03:42 • -6.61db
2% Popularity • 61% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
2% Popularity • 61% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Thomas Rhett
When We’re 80
95 bpm • C# min • 02:56 • -4.81db
37% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Maddie & Tae
Watermelon Sugar
95 bpm • C# min • 02:57 • -6.31db
46% Popularity • 59% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 59% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Tyler Rich
Rather Be Us
95 bpm • B Maj • 03:20 • -6.61db
33% Popularity • 66% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 66% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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AFTRHOURS
She Kind of Looks Like You
95 bpm • F# Maj • 03:24 • -13db
19% Popularity • 90% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 90% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Brett Young
Here Tonight - The Acoustic Sessions
95 bpm • A# Maj • 03:18 • -8.18db
42% Popularity • 53% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 53% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Devin Dawson
I Don't Care Who Sees - Songs in the Key...
104 bpm • F Maj • 03:34 • -7.74db
9% Popularity • 76% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 76% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Seaforth
Love That - Reimagined
95 bpm • D# Maj • 03:11 • -6.3db
19% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Ryan Kinder
Still Believe in Crazy Love
106 bpm • G# Maj • 03:56 • -6.6db
35% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Lauren Alaina
Getting Good
94 bpm • B Maj • 03:20 • -5.45db
42% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jerrod Niemann
But I Do
94 bpm • B min • 03:44 • -7.65db
34% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Trey Kennedy
Hey Baby
94 bpm • G Maj • 03:55 • -10.67db
25% Popularity • 56% Danceability • 64% Energy • 19% Liveness
6% Instrumentalness • 18% Positiveness
25% Popularity • 56% Danceability • 64% Energy • 19% Liveness
6% Instrumentalness • 18% Positiveness
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Russell Dickerson
Every Little Thing - Stripped
94 bpm • C# Maj • 03:12 • -4.75db
24% Popularity • 67% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 67% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Mat Kearney
Money
94 bpm • C# min • 02:29 • -5.49db
48% Popularity • 74% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
48% Popularity • 74% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Taylor Acorn
Your Body Is a Wonderland
94 bpm • E Maj • 03:37 • -6.72db
39% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Garrett Jacobs
Have You Ever Seen the Rain
107 bpm • A# Maj • 02:50 • -13.28db
27% Popularity • 67% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 67% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Devin Dawson
Symptoms - Songs in the Key of F; Live
93 bpm • D min • 04:27 • -8.35db
10% Popularity • 38% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 38% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Brandon Lay
Let It
107 bpm • F# Maj • 02:28 • -5.67db
37% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Keith Urban
Happier - Recorded At Sound Stage Studio...
93 bpm • D min • 03:45 • -10.6db
38% Popularity • 67% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 67% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Mat Kearney
Better Than I Used To Be - Acoustic
94 bpm • A Maj • 03:13 • -7.81db
22% Popularity • 73% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 73% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Ingrid Andress
Lady Like
93 bpm • F# min • 03:26 • -7.16db
33% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Patrick Cornell
Stay With Me
93 bpm • G Maj • 02:59 • -7.92db
18% Popularity • 69% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 69% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Logan Mize
Cool Girl (Acoustic Sessions)
93 bpm • E Maj • 03:35 • -7.4db
21% Popularity • 69% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 69% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Max Frost
Stranger to Me Now
93 bpm • E Maj • 03:00 • -3db
20% Popularity • 69% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 69% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jillian Jacqueline
I Feel It Coming (Recorded At Sound Stag...
93 bpm • F Maj • 04:03 • -10.46db
31% Popularity • 67% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 67% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Carrie Underwood
End Up With You
93 bpm • A# min • 03:13 • -4.23db
41% Popularity • 57% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 57% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Kassi Ashton
Pretty Shiny Things
108 bpm • C Maj • 03:08 • -10.82db
29% Popularity • 58% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 58% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Ross Ellis
Barefoot Dancer
108 bpm • C# Maj • 03:19 • -4.94db
25% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Sammy Arriaga
Break Up a Band
92 bpm • F# min • 03:03 • -7.87db
20% Popularity • 71% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 71% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Matt Wertz
Gun Shy (Change)
92 bpm • B Maj • 03:32 • -6db
20% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Levi Hummon
Stupid
92 bpm • A# Maj • 03:03 • -4.9db
35% Popularity • 59% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 59% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Dan + Shay
Lately
92 bpm • C Maj • 04:03 • -6db
47% Popularity • 62% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 62% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Seth Ennis
Fast Girl
92 bpm • D# Maj • 02:51 • -6db
22% Popularity • 65% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 65% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Ryland James
In My Head
92 bpm • B Maj • 03:25 • -7.79db
40% Popularity • 66% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 66% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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Dan Rodriguez
25 Years
92 bpm • G Maj • 03:22 • -7.62db
25% Popularity • 54% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 54% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 52% Positiveness
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A R I Z O N A
Electric Touch - Recorded at Spotify Stu...
92 bpm • C Maj • 03:28 • -11db
30% Popularity • 65% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 65% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Levi Hummon
Stupid - Acoustic
92 bpm • A# Maj • 03:06 • -7.5db
11% Popularity • 70% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 70% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Thomas Rhett
Gateway Love
91 bpm • C Maj • 03:26 • -7.08db
34% Popularity • 69% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 69% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Seth Ennis
Play It Cool
92 bpm • C# Maj • 02:43 • -5.53db
22% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Jake Scott
I Don't Miss You
110 bpm • G Maj • 03:55 • -9.91db
40% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Jackson Penn
Streetlights on Mars
91 bpm • C# min • 03:48 • -10db
25% Popularity • 43% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 43% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Eli Young Band
Where Were You
110 bpm • D Maj • 03:10 • -5db
37% Popularity • 60% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 60% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Levi Hummon
Patient
91 bpm • C# Maj • 02:51 • -7.53db
23% Popularity • 66% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 66% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Ryland James
Good To You
110 bpm • C Maj • 03:09 • -9.16db
32% Popularity • 78% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
32% Popularity • 78% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Lewis Canner
You Make Me Feel
111 bpm • B Maj • 03:39 • -13.23db
15% Popularity • 46% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 46% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Oak Hollow Sessions
Pretend
111 bpm • F Maj • 03:27 • -8.1db
25% Popularity • 67% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 67% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
