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Whiskey River
Songs like
Whiskey River
by
Miko Marks
Based on a tempo of (+/- 10%) and a similar genre
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Alex Williams
Freak Flag
156 bpm • F# Maj • 04:16 • -5db
26% Popularity • 54% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Hailey Whitters
Black Sheep
156 bpm • E Maj • 03:21 • -5.74db
37% Popularity • 53% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Brent Cobb
Dust Under My Rug
156 bpm • F Maj • 03:22 • -9.58db
27% Popularity • 74% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Adam Hood
Business with Jesus
156 bpm • D Maj • 02:51 • -10.98db
13% Popularity • 66% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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JD Clayton
Beauty Queen
156 bpm • A Maj • 04:16 • -6.3db
24% Popularity • 55% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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John R. Miller
Coming Down
156 bpm • A Maj • 04:19 • -7db
30% Popularity • 45% Danceability • 60% Energy • 21% Liveness
1% Instrumentalness • 30% Positiveness
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Miko Marks
Whiskey River
156 bpm • F Maj • 04:31 • -8.37db
21% Popularity • 44% Danceability • 58% Energy • 28% Liveness
3% Instrumentalness • 86% Positiveness
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David Quinn
Country Fresh
155 bpm • F Maj • 02:17 • -7.23db
16% Popularity • 58% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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Muscadine Bloodline
Good Chunk of Change
157 bpm • G Maj • 03:19 • -10.79db
35% Popularity • 43% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Adam Hood
Broke Not Broken
157 bpm • G Maj • 02:59 • -13.07db
11% Popularity • 52% Danceability • 25% Energy • 12% Liveness
20% Instrumentalness • 30% Positiveness
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Tyler Childers
Purgatory - Hallelujah Version
154 bpm • E min • 04:24 • -6.15db
42% Popularity • 57% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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The Resurrectors
Crossings
158 bpm • G Maj • 04:30 • -10.24db
0% Popularity • 81% Danceability • 28% Energy • 7% Liveness
84% Instrumentalness • 90% Positiveness
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Miko Marks
Feel Like Going Home
155 bpm • D# Maj • 04:35 • -4db
29% Popularity • 51% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Ashley McBryde
First Thing I Reach For
158 bpm • C Maj • 03:14 • -5.46db
36% Popularity • 60% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Hayes Carll
The Way I Love You
154 bpm • F# Maj • 03:56 • -7.67db
13% Popularity • 67% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Brett James
Tell the People
154 bpm • E Maj • 03:38 • -3.46db
22% Popularity • 54% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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The Local Honeys
Better Than I Deserve
153 bpm • D# Maj • 04:52 • -7.34db
18% Popularity • 49% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Ellis Bullard
Biloxi By Two
159 bpm • A Maj • 03:22 • -6.22db
29% Popularity • 53% Danceability • 90% Energy • 32% Liveness
2% Instrumentalness • 96% Positiveness
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Channing Wilson
Ol' Dog
153 bpm • A# min • 02:54 • -7.02db
15% Popularity • 61% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Jenny Tolman
I Know Some Cowboys
159 bpm • D Maj • 03:15 • -3.32db
16% Popularity • 52% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Elijah Ocean
I Left My One Spot (Back at the 5 Spot)
153 bpm • G Maj • 03:00 • -5.96db
17% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Emily Nenni
On The Ranch
153 bpm • A Maj • 02:48 • -4.38db
34% Popularity • 62% Danceability • 70% Energy • 8% Liveness
26% Instrumentalness • 72% Positiveness
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Waylon Payne
Sins of the Father
153 bpm • C Maj • 03:04 • -7.13db
27% Popularity • 44% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Ellis Bullard
Stubborn Man
159 bpm • E Maj • 03:33 • -6db
26% Popularity • 55% Danceability • 93% Energy • 38% Liveness
2% Instrumentalness • 96% Positiveness
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Madeline Edwards
Best Revenge
160 bpm • E min • 03:18 • -6db
16% Popularity • 57% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Rob Baird
Ain't Nobody Got a Hold on Me
152 bpm • A Maj • 03:50 • -8.97db
31% Popularity • 54% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Miko Marks
River
160 bpm • F Maj • 03:48 • -8.25db
9% Popularity • 53% Danceability • 52% Energy • 11% Liveness
5% Instrumentalness • 66% Positiveness
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Hayes Carll
To Keep From Being Found
152 bpm • C Maj • 03:15 • -5.57db
40% Popularity • 57% Danceability • 92% Energy • 54% Liveness
0% Instrumentalness • 70% Positiveness
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Rissi Palmer
Still Here
152 bpm • F min • 03:41 • -8.12db
27% Popularity • 53% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Evan Felker
Bottoms Up
160 bpm • D Maj • 03:52 • -4.22db
25% Popularity • 58% Danceability • 46% Energy • 15% Liveness
1% Instrumentalness • 27% Positiveness
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Chris Knight
Crooked Mile
152 bpm • E min • 04:05 • -4.99db
21% Popularity • 46% Danceability • 64% Energy • 13% Liveness
3% Instrumentalness • 25% Positiveness
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Joe Stamm
Goodbye, John
160 bpm • G Maj • 04:08 • -12.52db
20% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Miko Marks
One More Night
152 bpm • A Maj • 03:47 • -5db
20% Popularity • 56% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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Adam Hood
Flesh and Blood
161 bpm • G Maj • 02:41 • -9.96db
19% Popularity • 66% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Vandoliers
Waiting on a Train
161 bpm • C Maj • 03:48 • -6.3db
10% Popularity • 50% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Jeremy Pinnell
Night Time Eagle
162 bpm • A Maj • 03:04 • -6.14db
23% Popularity • 57% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Mac Leaphart
That Train
162 bpm • G Maj • 05:42 • -5.36db
13% Popularity • 47% Danceability • 96% Energy • 48% Liveness
0% Instrumentalness • 79% Positiveness
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Margo Price
Prisoner Of The Highway
150 bpm • C Maj • 03:44 • -4.97db
22% Popularity • 40% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Miko Marks
Hold It Together
162 bpm • D Maj • 03:52 • -7.14db
9% Popularity • 58% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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JD Clayton
Heartaches After Heartbreak
150 bpm • A Maj • 04:19 • -5.43db
19% Popularity • 43% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Justin Wells
Going Down Grinnin'
150 bpm • G Maj • 04:26 • -8.27db
29% Popularity • 60% Danceability • 67% Energy • 33% Liveness
1% Instrumentalness • 82% Positiveness
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Jeremy Pinnell
Fightin' Man
150 bpm • D Maj • 03:37 • -5.58db
19% Popularity • 52% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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Adam Hood
Bad Days Better
150 bpm • G Maj • 02:46 • -13.17db
15% Popularity • 62% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Ian Noe
Lonesome as It Gets
149 bpm • D# Maj • 02:38 • -9.66db
33% Popularity • 42% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Aaron Vance
Cabin Fever
150 bpm • G# Maj • 02:53 • -9.46db
16% Popularity • 67% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Chris Stapleton
Hillbilly Blood
149 bpm • G Maj • 04:05 • -8.95db
49% Popularity • 55% Danceability • 58% Energy • 24% Liveness
8% Instrumentalness • 48% Positiveness
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John R. Miller
Lookin' Over My Shoulder
164 bpm • F Maj • 03:37 • -7.94db
34% Popularity • 62% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Joshua Hedley
Broke Again
164 bpm • F min • 02:31 • -4.58db
21% Popularity • 63% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Steeldrivers
Falling Man
148 bpm • F# min • 03:14 • -7.98db
31% Popularity • 43% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Damn Quails
Monsters
148 bpm • G Maj • 02:59 • -7.2db
25% Popularity • 55% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Eric Church
Where I Wanna Be
148 bpm • A Maj • 04:04 • -6.39db
44% Popularity • 54% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Cody Jinks
Mercy
148 bpm • D Maj • 02:54 • -10.89db
35% Popularity • 58% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Kelsey Waldon
Sam Stone
148 bpm • F Maj • 04:29 • -6.98db
8% Popularity • 63% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Miko Marks
Feel Like Going Home (OurVinyl Sessions)
165 bpm • G# Maj • 04:41 • -9.19db
16% Popularity • 52% Danceability • 67% Energy • 19% Liveness
1% Instrumentalness • 84% Positiveness
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Josh Abbott Band
Dead Skunk
148 bpm • A Maj • 02:54 • -4db
11% Popularity • 50% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
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Hogslop String Band
High Hopes
148 bpm • A Maj • 03:36 • -7.08db
16% Popularity • 39% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Keith Gattis
Big City Blues
147 bpm • D Maj • 03:42 • -10.33db
20% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Justin Wells
The Dogs
147 bpm • A# Maj • 04:13 • -9db
33% Popularity • 55% Danceability • 75% Energy • 8% Liveness
2% Instrumentalness • 48% Positiveness
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Channing Wilson
Running Down a Song
147 bpm • C# Maj • 04:08 • -6.9db
12% Popularity • 57% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Waylon Payne
7:28
147 bpm • E Maj • 04:02 • -8.99db
6% Popularity • 58% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Miko Marks
The Other Side
147 bpm • C Maj • 04:48 • -5.06db
7% Popularity • 53% Danceability • 60% Energy • 13% Liveness
23% Instrumentalness • 33% Positiveness
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Jason Eady
Back to Normal
165 bpm • A min • 04:25 • -9.43db
13% Popularity • 62% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Kayla Ray
Hell of a Day to Drink All Night
147 bpm • A Maj • 03:06 • -5db
9% Popularity • 47% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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The Wilder Blue
The Conversation
146 bpm • D Maj • 03:57 • -8.29db
22% Popularity • 55% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Red Shahan
Pipe Dream
146 bpm • E Maj • 03:57 • -6.96db
29% Popularity • 52% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Reckless Kelly
Snowfall
146 bpm • G Maj • 04:01 • -7.4db
12% Popularity • 49% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Erin Viancourt
Should've Known Better
146 bpm • F# Maj • 03:44 • -6.74db
23% Popularity • 56% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jason Eady
Possibilities
146 bpm • A Maj • 03:10 • -10.35db
12% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Aaron Raitiere
Single Wide Dreamer
146 bpm • F# Maj • 03:32 • -7.56db
20% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Adam Hood
She Don't Love Me
168 bpm • C Maj • 03:09 • -3.97db
27% Popularity • 47% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
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Jamie Lin Wilson
Alice
168 bpm • D Maj • 03:17 • -7.34db
19% Popularity • 57% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Reckless Kelly
Lost Inside the Groove
146 bpm • A Maj • 03:40 • -7.13db
10% Popularity • 60% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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Ashley McBryde
Play Ball
168 bpm • G Maj • 03:27 • -7.62db
40% Popularity • 55% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Emily Nenni
Useless
168 bpm • D Maj • 03:09 • -3.83db
28% Popularity • 47% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 83% Positiveness
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Kelsey Waldon
Dirty Old Town
168 bpm • G Maj • 02:41 • -6db
26% Popularity • 60% Danceability • 82% Energy • 17% Liveness
10% Instrumentalness • 83% Positiveness
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Adam Hood
Livin' Don't Give a Damn
168 bpm • E Maj • 03:06 • -10db
10% Popularity • 57% Danceability • 80% Energy • 16% Liveness
1% Instrumentalness • 80% Positiveness
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Brandon Jenkins
Wish You Were Here
168 bpm • D Maj • 04:06 • -14.89db
25% Popularity • 37% Danceability • 42% Energy • 68% Liveness
0% Instrumentalness • 38% Positiveness
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Lukas Nelson and Promise of the Real
Fool Me Once
144 bpm • F# Maj • 03:50 • -6.1db
41% Popularity • 70% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Jamie Lin Wilson
Oklahoma Stars
169 bpm • A# Maj • 03:40 • -8.01db
23% Popularity • 49% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Taylor McCall
The Devil Wants to Dance Again
144 bpm • F Maj • 05:28 • -5.18db
21% Popularity • 54% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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The Resurrectors
Coal Pusher
144 bpm • D# Maj • 03:09 • -7.92db
0% Popularity • 87% Danceability • 70% Energy • 11% Liveness
94% Instrumentalness • 97% Positiveness
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Jeremy Pinnell
Take the Wheel
144 bpm • C Maj • 03:15 • -9.72db
38% Popularity • 66% Danceability • 53% Energy • 11% Liveness
40% Instrumentalness • 88% Positiveness
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Hayes Carll
You Get It All
169 bpm • G# Maj • 03:08 • -5.99db
39% Popularity • 51% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Wade Sapp
Keep on Truckin' (OurVinyl Sessions)
169 bpm • A Maj • 03:26 • -9db
9% Popularity • 30% Danceability • 84% Energy • 13% Liveness
64% Instrumentalness • 40% Positiveness
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Texas Hill
Love Me When I'm Leaving
144 bpm • C Maj • 05:59 • -8.25db
24% Popularity • 57% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Kathryn Legendre
One Long Sad Song
170 bpm • B Maj • 05:21 • -6.01db
14% Popularity • 46% Danceability • 50% Energy • 5% Liveness
1% Instrumentalness • 43% Positiveness
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Kyle McKearney
Devil Water
170 bpm • A min • 03:49 • -8.86db
19% Popularity • 58% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Jeremy Pinnell
Red Roses
144 bpm • E Maj • 03:24 • -7.78db
13% Popularity • 57% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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The Steeldrivers
Glad I'm Gone
170 bpm • G Maj • 03:01 • -6.24db
37% Popularity • 55% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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JD Clayton
American Millionaire
143 bpm • E Maj • 05:17 • -6.51db
24% Popularity • 60% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Hayes Carll
Happy Hour
170 bpm • F Maj • 03:11 • -5.51db
30% Popularity • 31% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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The Band Of Heathens
Asheville Nashville Austin
143 bpm • G Maj • 04:10 • -4.07db
16% Popularity • 50% Danceability • 95% Energy • 64% Liveness
0% Instrumentalness • 61% Positiveness
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Prophets and Outlaws
Shine on Me
143 bpm • G# Maj • 03:33 • -6.99db
22% Popularity • 53% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Kelsey Waldon
Fixin' It Up
143 bpm • D Maj • 03:36 • -9.11db
10% Popularity • 55% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Jason Boland & The Stragglers
The Light Saw Me
171 bpm • G Maj • 03:12 • -8.66db
21% Popularity • 47% Danceability • 69% Energy • 58% Liveness
50% Instrumentalness • 57% Positiveness
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The Steeldrivers
Bad For You
142 bpm • D min • 03:55 • -4.94db
48% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Aaron Raitiere
Everybody Else
142 bpm • F# Maj • 02:57 • -5.73db
9% Popularity • 52% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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The Band Of Heathens
South by Somewhere
170 bpm • A Maj • 03:51 • -7.02db
17% Popularity • 36% Danceability • 66% Energy • 19% Liveness
73% Instrumentalness • 35% Positiveness
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The Buffalo Ruckus
Carolina Calls
142 bpm • G Maj • 04:15 • -6.77db
8% Popularity • 51% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Old Crow Medicine Show
Honey Chile
142 bpm • G Maj • 03:49 • -7.79db
17% Popularity • 33% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Whiskey River