Songs like Whitacre: Three Songs Of Faith: I Thank You God For Most This Amazing Day by Eric Whitacre
Based on a tempo of (+/- 10%) and a similar genre
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Jean Mouton
Nesciens mater
126 bpm • G Maj • 06:51 • -30.95db
13% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: Three Songs Of Faith: I Thank ...
126 bpm • C Maj • 06:56 • -27.52db
18% Popularity • 17% Danceability • 6% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
18% Popularity • 17% Danceability • 6% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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Henryk Górecki
Miserere, Op. 44: 6. Domine Deus noster-...
126 bpm • C Maj • 04:34 • -38.75db
9% Popularity • 17% Danceability • 1% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
9% Popularity • 17% Danceability • 1% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Epilogue: N...
126 bpm • F Maj • 06:06 • -15.49db
17% Popularity • 30% Danceability • 28% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
17% Popularity • 30% Danceability • 28% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
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Samuel Barber
Reincarnations, Op. 16: III. The Coolin'
126 bpm • G min • 04:42 • -32db
13% Popularity • 17% Danceability • 2% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 2% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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Anton Bruckner
Locus iste, WAB 23
125 bpm • C Maj • 03:21 • -26.29db
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
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Cristobal de Morales
Officium defunctorum: Invitatorium: Anti...
125 bpm • F Maj • 03:10 • -25.36db
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
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Eric Whitacre
Whitacre: Sleep
127 bpm • C min • 05:33 • -24.96db
39% Popularity • 17% Danceability • 4% Energy • 18% Liveness
5% Instrumentalness • 3% Positiveness
39% Popularity • 17% Danceability • 4% Energy • 18% Liveness
5% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
Ave generosa
127 bpm • C# Maj • 02:21 • -39db
11% Popularity • 19% Danceability • 0% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 0% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Partita No. 2 in D Minor, BWV 1004: I. A...
125 bpm • D min • 03:29 • -33.89db
9% Popularity • 31% Danceability • 1% Energy • 24% Liveness
2% Instrumentalness • 46% Positiveness
9% Popularity • 31% Danceability • 1% Energy • 24% Liveness
2% Instrumentalness • 46% Positiveness
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Samuel Barber
Reincarnations, Op. 16: I. Mary Hynes
126 bpm • C Maj • 02:36 • -26.3db
8% Popularity • 24% Danceability • 7% Energy • 33% Liveness
1% Instrumentalness • 6% Positiveness
8% Popularity • 24% Danceability • 7% Energy • 33% Liveness
1% Instrumentalness • 6% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Nordic Chamber Choir - Nicol Matt
La Rose Complete
125 bpm • C# Maj • 04:10 • -33.25db
12% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Eric Whitacre
Lux Nova
125 bpm • C# min • 03:54 • -19.04db
5% Popularity • 23% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
5% Popularity • 23% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Cyrillus Kreek
Taaveti laulud (Psalms of David): Onnis ...
125 bpm • A min • 03:25 • -24.74db
11% Popularity • 20% Danceability • 8% Energy • 15% Liveness
17% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 8% Energy • 15% Liveness
17% Instrumentalness • 4% Positiveness
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Sjaella
Ave Maria
127 bpm • A# min • 02:40 • -25db
29% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Henry Purcell
Motet for five Voices: Psalm 3: Jehova, ...
127 bpm • G# min • 06:16 • -23.61db
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Howard Goodall
Eternal Light: A Requiem (2008): Hymn: L...
127 bpm • F Maj • 02:14 • -20.46db
16% Popularity • 28% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
16% Popularity • 28% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
14% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
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The Choir Of Waltham Abbey
Brahms: How Lovely are Thy Dwellings
125 bpm • D# Maj • 05:19 • -24db
9% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: Agnus Dei
125 bpm • E min • 05:05 • -26.37db
10% Popularity • 18% Danceability • 4% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
10% Popularity • 18% Danceability • 4% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
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Pavel Chesnokov
All Night Vigil, Op. 9: No. 18, Bless Th...
127 bpm • C Maj • 03:07 • -26db
13% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
13% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
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Henry Purcell
Evening Service in G Minor (Z. 231): Mag...
125 bpm • G# min • 04:00 • -26.14db
8% Popularity • 26% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 26% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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William Croft
Burial Sentences: VI. Thou Knowest, Lord
124 bpm • A# Maj • 02:14 • -26db
18% Popularity • 21% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Adrian Batten
O sing joyfully
128 bpm • G# Maj • 01:35 • -21.5db
16% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Eric Whitacre
Three Songs of Faith: II. I thank you Go...
128 bpm • C Maj • 07:00 • -26.01db
5% Popularity • 18% Danceability • 7% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
5% Popularity • 18% Danceability • 7% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Majorstua Kammerkor & Tore Erik Mohn
Sunrise
128 bpm • D Maj • 10:23 • -22db
12% Popularity • 17% Danceability • 12% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 12% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
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Sven-David Sandström
Four Songs of Love: I. Let Him Kiss Me
124 bpm • D# Maj • 02:00 • -33.16db
11% Popularity • 17% Danceability • 3% Energy • 15% Liveness
85% Instrumentalness • 3% Positiveness
11% Popularity • 17% Danceability • 3% Energy • 15% Liveness
85% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
The Blue Bird, Op. 119 No. 3
124 bpm • F# Maj • 03:47 • -31.49db
11% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
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Jake Runestad
I Will Lift Mine Eyes
128 bpm • C# Maj • 04:36 • -26db
16% Popularity • 17% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Hans Leo Hassler
Cantate Domino canticum novum
128 bpm • D Maj • 01:39 • -19.4db
27% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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William Walton
A Litany: Drop, Drop Slow Tears
128 bpm • C Maj • 03:12 • -29.79db
7% Popularity • 17% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
7% Popularity • 17% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Samuel Barber
Agnus Dei
128 bpm • A# min • 08:38 • -25.02db
11% Popularity • 19% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
11% Popularity • 19% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Healey Willan
Rise Up My Love
124 bpm • C# Maj • 01:53 • -28.97db
10% Popularity • 18% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
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The University Of Utah Singers
Muie Rendera
124 bpm • E Maj • 03:56 • -25.69db
13% Popularity • 30% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 30% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
129 bpm • D min • 06:04 • -28db
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
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Eric Whitacre
Sainte-Chapelle
129 bpm • G min • 06:51 • -25.04db
7% Popularity • 17% Danceability • 3% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
7% Popularity • 17% Danceability • 3% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
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Giacomo Carissimi
Jephte: Plorate filii Israel plorate (Ch...
129 bpm • F# Maj • 04:49 • -25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Jonathan Dove
Into Thy Hands
129 bpm • E Maj • 05:44 • -23.15db
10% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
10% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
O Frondens Virga
129 bpm • G Maj • 02:52 • -23.42db
15% Popularity • 22% Danceability • 4% Energy • 5% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 22% Danceability • 4% Energy • 5% Liveness
0% Instrumentalness • 9% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
124 bpm • D min • 05:09 • -24db
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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PÄ“teris Vasks
Klusas dziemas (silent songs): I. Nosapi...
129 bpm • F min • 03:38 • -31.84db
14% Popularity • 17% Danceability • 2% Energy • 24% Liveness
34% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 2% Energy • 24% Liveness
34% Instrumentalness • 3% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Daniel Elder
The Heart's Reflection
123 bpm • D Maj • 05:15 • -24.07db
16% Popularity • 18% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Eric Whitacre
Five Hebrew Love Songs 2. Kala Kalla
123 bpm • E min • 03:21 • -18.24db
11% Popularity • 27% Danceability • 18% Energy • 9% Liveness
9% Instrumentalness • 9% Positiveness
11% Popularity • 27% Danceability • 18% Energy • 9% Liveness
9% Instrumentalness • 9% Positiveness
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Jackson Hill
Ma fin est mon commencement
129 bpm • G# min • 06:18 • -22.34db
7% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
21% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Anton Bruckner
Locus iste
129 bpm • C Maj • 03:41 • -27.37db
14% Popularity • 16% Danceability • 5% Energy • 6% Liveness
3% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 5% Energy • 6% Liveness
3% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: IV. Sanctus - Ben...
122 bpm • D Maj • 04:13 • -21.14db
13% Popularity • 21% Danceability • 15% Energy • 6% Liveness
69% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 15% Energy • 6% Liveness
69% Instrumentalness • 4% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 2. Lullaby
130 bpm • F# Maj • 03:01 • -27db
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
130 bpm • A Maj • 11:35 • -25.06db
9% Popularity • 17% Danceability • 12% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 12% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
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Henry Purcell
Evening Service in G Minor (Z. 231): Nun...
130 bpm • G# min • 03:43 • -25.34db
8% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 10. Domine Deus noster...
130 bpm • A min • 02:58 • -26.55db
9% Popularity • 16% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for unaccompanied double choir: I. ...
130 bpm • E min • 05:52 • -27db
11% Popularity • 18% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
11% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
11% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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Nathan Jones
I Would Live in Your Love
121 bpm • A# Maj • 04:55 • -31db
25% Popularity • 17% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 3% Positiveness
25% Popularity • 17% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 3% Positiveness
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Alexander Dmitriyevich Kastalsky
Znamenny Chant: Today the Virgin, Op. 7b
131 bpm • A# Maj • 01:53 • -24.06db
9% Popularity • 18% Danceability • 15% Energy • 15% Liveness
84% Instrumentalness • 15% Positiveness
9% Popularity • 18% Danceability • 15% Energy • 15% Liveness
84% Instrumentalness • 15% Positiveness
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Charles Villiers Stanford
Magnificat in B-Flat
131 bpm • A# Maj • 03:58 • -26db
12% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
12% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
► Preview
Ola Gjeilo
Ola Gjeilo: Tota pulchra es
131 bpm • E Maj • 06:27 • -26.08db
12% Popularity • 18% Danceability • 6% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 6% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: I. En Une Seule ...
131 bpm • C# Maj • 02:36 • -27db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Eric Whitacre
The Sacred Veil: XI. You Rise, I Fall
131 bpm • C min • 09:59 • -20.31db
15% Popularity • 16% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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The Wartburg Choir
Adoramus Te, Christe
131 bpm • E Maj • 02:02 • -30.19db
29% Popularity • 16% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Chamber Choir Versija
O Weisheit
131 bpm • A Maj • 02:17 • -19.36db
21% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Craig Hella Johnson
Considering Matthew Shepard, Prologue: N...
121 bpm • C Maj • 07:13 • -21.18db
17% Popularity • 27% Danceability • 6% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
17% Popularity • 27% Danceability • 6% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Jeff Beal
Poor in Spirit - Live
132 bpm • A Maj • 06:48 • -24.26db
4% Popularity • 19% Danceability • 10% Energy • 69% Liveness
96% Instrumentalness • 5% Positiveness
4% Popularity • 19% Danceability • 10% Energy • 69% Liveness
96% Instrumentalness • 5% Positiveness
► Preview
Hildegard von Bingen
IV. O virtus Sapientiae
120 bpm • A min • 01:34 • -9.56db
12% Popularity • 26% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 26% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Eric Whitacre
The Seal Lullaby
132 bpm • D Maj • 04:21 • -25.12db
6% Popularity • 25% Danceability • 6% Energy • 11% Liveness
64% Instrumentalness • 9% Positiveness
6% Popularity • 25% Danceability • 6% Energy • 11% Liveness
64% Instrumentalness • 9% Positiveness
► Preview
Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
► Preview
Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Steve Dobrogosz
Mass: III. Gloria
133 bpm • G min • 06:09 • -21.58db
11% Popularity • 26% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 26% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Herbert Sumsion
Nunc dimittis in G Major
119 bpm • E min • 02:32 • -24.51db
10% Popularity • 19% Danceability • 6% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 6% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
10% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
21% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Hildegard von Bingen
Columba aspexit
134 bpm • F Maj • 07:20 • -29.83db
14% Popularity • 26% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 26% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Sjaella
Christ fuhr gen Himmel
134 bpm • E min • 02:17 • -24.65db
30% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Kalá ...
134 bpm • E min • 03:08 • -23.21db
25% Popularity • 26% Danceability • 8% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
25% Popularity • 26% Danceability • 8% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
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Benjamin Britten
A Hymn To The Virgin
134 bpm • A min • 03:49 • -27.1db
14% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os justi meditabitur sapientiam, WAB 30
135 bpm • C Maj • 05:25 • -24.13db
12% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
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Cantare Houston, Kevin Riehle & Ola Gjeilo
Luminous Night of the Soul
118 bpm • C Maj • 09:09 • -21db
17% Popularity • 21% Danceability • 10% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 10% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Jefferey L. Ames
I've Been in the Storm So Long (version ...
135 bpm • E min • 04:58 • -25.5db
8% Popularity • 17% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Eric Whitacre
Sing Gently (Arr. for String Quartet and...
118 bpm • G Maj • 03:38 • -18.44db
17% Popularity • 20% Danceability • 12% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
17% Popularity • 20% Danceability • 12% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
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Peter Philips
Ecce vicit Leo
118 bpm • A# Maj • 02:24 • -18.87db
13% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
118 bpm • G# Maj • 06:46 • -24.16db
14% Popularity • 19% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: IV. La Rose Comp...
135 bpm • C# Maj • 03:59 • -28.65db
10% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
10% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
► Preview
Veljo Tormis
Looduspildid No. 3 "Sügismaastikud": Lo...
135 bpm • E min • 01:36 • -30.68db
12% Popularity • 23% Danceability • 3% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 3% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Eric Whitacre
Ghost Train Triptych: III. The Motive Re...
117 bpm • C min • 07:56 • -20.05db
4% Popularity • 31% Danceability • 19% Energy • 6% Liveness
55% Instrumentalness • 4% Positiveness
4% Popularity • 31% Danceability • 19% Energy • 6% Liveness
55% Instrumentalness • 4% Positiveness
► Preview
Benjamin Britten
Rejoice in the Lamb, Op. 30: For the Mou...
135 bpm • D# min • 00:57 • -41.13db
11% Popularity • 23% Danceability • 1% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 23% Danceability • 1% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Andrea Gabrieli
Communion: O sacrum convivium à 5
135 bpm • C Maj • 03:59 • -32db
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: II. Soneto De La Noche
135 bpm • F# Maj • 05:45 • -24.3db
10% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
