Songs like White Christmas by Aimee Mann
Based on a tempo of (+/- 10%) and a similar genre
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Basia Bulat
Snakes And Ladders
95 bpm • F# min • 03:09 • -4.68db
29% Popularity • 40% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 40% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Elvis Costello
Brilliant Mistake
95 bpm • C Maj • 03:45 • -6.09db
37% Popularity • 61% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 61% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Sinéad O'Connor
Feel so Different
95 bpm • A min • 06:46 • -13.69db
41% Popularity • 48% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 48% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Jesca Hoop
Murder of Birds
94 bpm • G# Maj • 04:28 • -11db
18% Popularity • 47% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 47% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Aimee Mann
Long Shot
96 bpm • A Maj • 03:13 • -9.65db
27% Popularity • 54% Danceability • 80% Energy • 5% Liveness
30% Instrumentalness • 96% Positiveness
27% Popularity • 54% Danceability • 80% Energy • 5% Liveness
30% Instrumentalness • 96% Positiveness
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Katell Keineg
One Hell Of A Life
94 bpm • D Maj • 03:35 • -6.94db
13% Popularity • 58% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 58% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Crooked Fingers
When U Were Mine
96 bpm • D Maj • 05:10 • -15.93db
14% Popularity • 66% Danceability • 27% Energy • 7% Liveness
2% Instrumentalness • 20% Positiveness
14% Popularity • 66% Danceability • 27% Energy • 7% Liveness
2% Instrumentalness • 20% Positiveness
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Basia Bulat
The Pilgriming Vine
96 bpm • A Maj • 04:36 • -6.29db
18% Popularity • 46% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 46% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Marc Cohn
No Matter What
94 bpm • D Maj • 03:41 • -9.97db
8% Popularity • 67% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 67% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Tift Merritt
Mixtape
96 bpm • B min • 03:18 • -10db
30% Popularity • 71% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 71% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Eels
Love Of The Loveless
96 bpm • F Maj • 03:31 • -7.12db
41% Popularity • 78% Danceability • 48% Energy • 10% Liveness
79% Instrumentalness • 50% Positiveness
41% Popularity • 78% Danceability • 48% Energy • 10% Liveness
79% Instrumentalness • 50% Positiveness
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Edie Brickell & New Bohemians
Woyaho
94 bpm • E min • 02:34 • -10.7db
29% Popularity • 63% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 63% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Andrew Bird
Left Handed Kisses
97 bpm • E min • 03:14 • -9.12db
45% Popularity • 42% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 42% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Hank Dogs
18 Dogs
93 bpm • D min • 05:19 • -9.13db
11% Popularity • 45% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 45% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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The Decemberists
The Engine Driver
97 bpm • E min • 04:15 • -6.52db
44% Popularity • 42% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 42% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Belle and Sebastian
This Is Just a Modern Rock Song
93 bpm • D Maj • 07:12 • -10.96db
24% Popularity • 30% Danceability • 37% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
24% Popularity • 30% Danceability • 37% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
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Amy Millan
Losin' You
93 bpm • C Maj • 02:24 • -10db
10% Popularity • 46% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 46% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Edie Brickell
Volcano
97 bpm • E min • 04:41 • -10.43db
9% Popularity • 61% Danceability • 51% Energy • 5% Liveness
1% Instrumentalness • 45% Positiveness
9% Popularity • 61% Danceability • 51% Energy • 5% Liveness
1% Instrumentalness • 45% Positiveness
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Weeping Tile
In the Road
93 bpm • A Maj • 04:11 • -12db
9% Popularity • 35% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 35% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Badly Drawn Boy
The Shining
93 bpm • E Maj • 05:18 • -14db
44% Popularity • 42% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 18% Positiveness
44% Popularity • 42% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 18% Positiveness
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Aimee Mann
That's Just What You Are
93 bpm • A# Maj • 04:25 • -8db
35% Popularity • 65% Danceability • 75% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 65% Danceability • 75% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Jenny Lewis
Happy
92 bpm • E Maj • 04:16 • -11.41db
12% Popularity • 36% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 36% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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R.E.M.
At My Most Beautiful
98 bpm • F Maj • 03:35 • -13db
46% Popularity • 58% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
46% Popularity • 58% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Sharon Van Etten
Afraid of Nothing
92 bpm • G Maj • 04:05 • -9.18db
34% Popularity • 15% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 15% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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The Frames
Lay Me Down
98 bpm • D Maj • 03:09 • -11db
34% Popularity • 60% Danceability • 54% Energy • 14% Liveness
14% Instrumentalness • 50% Positiveness
34% Popularity • 60% Danceability • 54% Energy • 14% Liveness
14% Instrumentalness • 50% Positiveness
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Joan Osborne
Lumina
98 bpm • G Maj • 03:08 • -15.17db
34% Popularity • 50% Danceability • 22% Energy • 26% Liveness
26% Instrumentalness • 26% Positiveness
34% Popularity • 50% Danceability • 22% Energy • 26% Liveness
26% Instrumentalness • 26% Positiveness
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Aimee Mann
Knock It Off
92 bpm • A# Maj • 03:01 • -7.9db
21% Popularity • 42% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 42% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Jane Siberry
Sail Across the Water
98 bpm • G Maj • 05:26 • -11.5db
13% Popularity • 57% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 57% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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The Decemberists
June Hymn
98 bpm • A Maj • 03:57 • -6.41db
43% Popularity • 59% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 59% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Sharon Van Etten
(What's So Funny 'Bout) Peace, Love and ...
98 bpm • G Maj • 04:26 • -10.46db
30% Popularity • 48% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
30% Popularity • 48% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Edie Brickell
Lost In The Moment
92 bpm • D Maj • 06:04 • -15.87db
17% Popularity • 67% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 67% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Indigo Girls
Closer to Fine
98 bpm • A Maj • 04:01 • -6db
62% Popularity • 54% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
62% Popularity • 54% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
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The Magnetic Fields
The Book of Love
99 bpm • G Maj • 02:42 • -13.29db
60% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Dawn Landes
Straight Lines
92 bpm • F# Maj • 02:57 • -8.9db
30% Popularity • 70% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 70% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Michael Penn
Coal
91 bpm • A Maj • 03:33 • -8.68db
11% Popularity • 69% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 69% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Aimee Mann
You Do
99 bpm • C# Maj • 03:45 • -11.78db
32% Popularity • 67% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 67% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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k.d. lang
You're OK
99 bpm • G# min • 03:03 • -12db
19% Popularity • 67% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 67% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Indigo Girls
Share The Moon
99 bpm • E Maj • 03:34 • -12db
41% Popularity • 58% Danceability • 40% Energy • 11% Liveness
15% Instrumentalness • 20% Positiveness
41% Popularity • 58% Danceability • 40% Energy • 11% Liveness
15% Instrumentalness • 20% Positiveness
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Califone
The Orchids
99 bpm • E Maj • 02:55 • -11.58db
24% Popularity • 32% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 32% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Jonatha Brooke & The Story
Nothing Sacred
99 bpm • A min • 04:05 • -7.47db
17% Popularity • 64% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 64% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Rickie Lee Jones
Flying Cowboys
91 bpm • C# Maj • 05:05 • -14.4db
26% Popularity • 58% Danceability • 39% Energy • 26% Liveness
1% Instrumentalness • 23% Positiveness
26% Popularity • 58% Danceability • 39% Energy • 26% Liveness
1% Instrumentalness • 23% Positiveness
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Cowboy Junkies
I'm So Lonesome I Could Cry
99 bpm • G# Maj • 05:25 • -25.16db
34% Popularity • 33% Danceability • 6% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
34% Popularity • 33% Danceability • 6% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Mary Lou Lord
Shake Sugaree
100 bpm • G Maj • 02:21 • -13.14db
15% Popularity • 65% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 65% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Edie Brickell & New Bohemians
He Said
90 bpm • G Maj • 05:30 • -12.71db
19% Popularity • 67% Danceability • 48% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 67% Danceability • 48% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
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Rilo Kiley
Go Ahead
100 bpm • C Maj • 03:34 • -12db
38% Popularity • 49% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 23% Positiveness
38% Popularity • 49% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 23% Positiveness
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Sharon Van Etten
Every Time the Sun Comes Up
100 bpm • C# Maj • 04:22 • -8.74db
62% Popularity • 66% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
62% Popularity • 66% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Clem Snide
Joan Jett of Arc
90 bpm • D Maj • 03:54 • -14.44db
6% Popularity • 36% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
6% Popularity • 36% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Conor Oberst
Lua
90 bpm • D Maj • 05:53 • -9.89db
29% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Pernice Brothers
Amazing Glow
100 bpm • D Maj • 03:05 • -5.86db
20% Popularity • 57% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 57% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Nick Drake
One Of These Things First
90 bpm • E Maj • 04:50 • -18.45db
57% Popularity • 60% Danceability • 37% Energy • 10% Liveness
35% Instrumentalness • 67% Positiveness
57% Popularity • 60% Danceability • 37% Energy • 10% Liveness
35% Instrumentalness • 67% Positiveness
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Stephin Merritt
One April Day
100 bpm • G# Maj • 01:54 • -7db
31% Popularity • 47% Danceability • 48% Energy • 19% Liveness
78% Instrumentalness • 63% Positiveness
31% Popularity • 47% Danceability • 48% Energy • 19% Liveness
78% Instrumentalness • 63% Positiveness
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Sinéad O'Connor
All Apologies
100 bpm • E Maj • 02:37 • -28db
60% Popularity • 74% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
60% Popularity • 74% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
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10,000 Maniacs
What's the Matter Here?
100 bpm • A Maj • 04:49 • -16.31db
39% Popularity • 59% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 59% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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The New Pornographers
The Bleeding Heart Show
90 bpm • F Maj • 04:27 • -5.54db
39% Popularity • 22% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 22% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Cowboy Junkies
This Street, That Man, This Life
100 bpm • C Maj • 03:13 • -21db
26% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Nick Drake
Northern Sky
90 bpm • F min • 03:44 • -18db
63% Popularity • 53% Danceability • 26% Energy • 13% Liveness
69% Instrumentalness • 49% Positiveness
63% Popularity • 53% Danceability • 26% Energy • 13% Liveness
69% Instrumentalness • 49% Positiveness
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Billy Bragg
From Red to Blue
90 bpm • F Maj • 03:20 • -9.6db
17% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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She & Him
Please, Please, Please, Let Me Get What ...
100 bpm • C Maj • 02:12 • -10.06db
37% Popularity • 45% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
37% Popularity • 45% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
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10,000 Maniacs
Circle Dream
100 bpm • C Maj • 03:25 • -10.4db
21% Popularity • 56% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 56% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Fiona Apple
Criminal
90 bpm • G min • 05:41 • -7.91db
65% Popularity • 60% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
65% Popularity • 60% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Paula Cole
Carmen
101 bpm • B Maj • 03:45 • -17.84db
25% Popularity • 71% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 71% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Nick Drake
Black Eyed Dog
101 bpm • G Maj • 03:27 • -16db
39% Popularity • 65% Danceability • 18% Energy • 13% Liveness
20% Instrumentalness • 25% Positiveness
39% Popularity • 65% Danceability • 18% Energy • 13% Liveness
20% Instrumentalness • 25% Positiveness
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Joni Mitchell
A Case of You
101 bpm • C# Maj • 04:23 • -9.9db
58% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
58% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Jane Siberry
Temple
89 bpm • C Maj • 04:49 • -12.05db
12% Popularity • 65% Danceability • 54% Energy • 34% Liveness
16% Instrumentalness • 53% Positiveness
12% Popularity • 65% Danceability • 54% Energy • 34% Liveness
16% Instrumentalness • 53% Positiveness
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k.d. lang
Save Me
89 bpm • C Maj • 04:32 • -13.9db
33% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Camera Obscura
Dory Previn
102 bpm • A Maj • 04:16 • -8.31db
28% Popularity • 43% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
28% Popularity • 43% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Gillian Welch
Everything Is Free
102 bpm • C Maj • 04:47 • -14.77db
38% Popularity • 69% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 69% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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The Jayhawks
Two Hearts
102 bpm • D Maj • 03:22 • -9.81db
30% Popularity • 73% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 73% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Edie Brickell
Once In A Blue Moon
88 bpm • E Maj • 04:22 • -10.66db
15% Popularity • 48% Danceability • 49% Energy • 10% Liveness
13% Instrumentalness • 31% Positiveness
15% Popularity • 48% Danceability • 49% Energy • 10% Liveness
13% Instrumentalness • 31% Positiveness
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Indigo Girls
Galileo
103 bpm • F Maj • 04:12 • -8db
49% Popularity • 49% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 49% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Tom Waits
Time - 2023 Remaster
88 bpm • D Maj • 03:55 • -24.05db
45% Popularity • 34% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 34% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Camera Obscura
Country Mile
102 bpm • A# Maj • 03:59 • -13.94db
33% Popularity • 26% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 26% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Edie Brickell & New Bohemians
Nothing
88 bpm • C Maj • 04:49 • -12.64db
38% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Crooked Fingers
Sleep All Summer
103 bpm • A Maj • 04:42 • -11.08db
28% Popularity • 41% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
28% Popularity • 41% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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Rickie Lee Jones
Nobody Knows My Name
87 bpm • F Maj • 03:26 • -6.56db
12% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Sinéad O'Connor
Black Boys on Mopeds
104 bpm • E Maj • 03:52 • -15db
48% Popularity • 54% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 54% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Jane Siberry
Love Is Everything - Harmony Version
87 bpm • C Maj • 05:51 • -14.69db
11% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Jump, Little Children
Cathedrals
87 bpm • A Maj • 03:55 • -8db
33% Popularity • 36% Danceability • 28% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
33% Popularity • 36% Danceability • 28% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
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Tracy Bonham
Something Beautiful
104 bpm • G Maj • 04:17 • -5.06db
22% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Edie Brickell & New Bohemians
Times Like This
104 bpm • G Maj • 02:56 • -20db
32% Popularity • 64% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 64% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Belle and Sebastian
I Don't Love Anyone
104 bpm • F# Maj • 03:56 • -9.48db
36% Popularity • 41% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 41% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Sinéad O'Connor
Three Babies
104 bpm • C Maj • 04:43 • -12.9db
44% Popularity • 43% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
44% Popularity • 43% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
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Grant Lee Buffalo
Honey Don't Think
105 bpm • B Maj • 02:43 • -8.98db
38% Popularity • 56% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 56% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
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Sparklehorse
Wish You Were Here
105 bpm • D Maj • 06:58 • -16db
36% Popularity • 79% Danceability • 13% Energy • 22% Liveness
79% Instrumentalness • 9% Positiveness
36% Popularity • 79% Danceability • 13% Energy • 22% Liveness
79% Instrumentalness • 9% Positiveness
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10,000 Maniacs
Candy Everybody Wants
105 bpm • A# Maj • 03:05 • -6.31db
42% Popularity • 62% Danceability • 88% Energy • 10% Liveness
1% Instrumentalness • 87% Positiveness
42% Popularity • 62% Danceability • 88% Energy • 10% Liveness
1% Instrumentalness • 87% Positiveness
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Indigo Girls
Kid Fears
86 bpm • E min • 04:34 • -7.8db
36% Popularity • 23% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 23% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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The Magnetic Fields
All My Little Words
105 bpm • G# Maj • 02:46 • -8db
54% Popularity • 48% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
54% Popularity • 48% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Kimon Kirk
Baby Who Knows
106 bpm • F# min • 05:00 • -7.5db
2% Popularity • 58% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
2% Popularity • 58% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Calexico
History of Lovers
106 bpm • D Maj • 03:09 • -8.28db
40% Popularity • 65% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
40% Popularity • 65% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
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Sparklehorse
Shade And Honey
105 bpm • C Maj • 04:08 • -11db
38% Popularity • 72% Danceability • 55% Energy • 10% Liveness
18% Instrumentalness • 54% Positiveness
38% Popularity • 72% Danceability • 55% Energy • 10% Liveness
18% Instrumentalness • 54% Positiveness
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Fiona Apple
Extraordinary Machine
85 bpm • C# Maj • 03:43 • -12db
49% Popularity • 70% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 70% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Freedy Johnston
Darlin'
106 bpm • A Maj • 03:02 • -7.68db
15% Popularity • 66% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 66% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Cowboy Junkies
Sun Comes Up, It's Tuesday Morning
106 bpm • E Maj • 03:56 • -13.67db
36% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Indigo Girls
Least Complicated
106 bpm • A Maj • 04:10 • -10db
45% Popularity • 58% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 58% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Rilo Kiley
With Arms Outstretched
106 bpm • E Maj • 03:43 • -7db
47% Popularity • 40% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
47% Popularity • 40% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Bill Callahan
Jim Cain
106 bpm • D Maj • 04:39 • -13.04db
48% Popularity • 70% Danceability • 30% Energy • 11% Liveness
78% Instrumentalness • 56% Positiveness
48% Popularity • 70% Danceability • 30% Energy • 11% Liveness
78% Instrumentalness • 56% Positiveness
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Basia Bulat
Birds Of Paradise
85 bpm • E Maj • 04:08 • -9.5db
22% Popularity • 42% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 42% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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The Lemonheads
The Outdoor Type
85 bpm • B min • 02:36 • -9db
40% Popularity • 43% Danceability • 57% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
40% Popularity • 43% Danceability • 57% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
