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White Sedan
Songs like
White Sedan
by
Fazer
Based on a tempo of (+/- 10%) and a similar genre
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Fazer
White Sedan
124 bpm • C# min • 07:00 • -15db
33% Popularity • 62% Danceability • 45% Energy • 11% Liveness
89% Instrumentalness • 38% Positiveness
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Shabaka
Black Skin, Black Masks
124 bpm • D Maj • 07:02 • -12db
24% Popularity • 59% Danceability • 55% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
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Yazz Ahmed
The Space Between the Fish and the Moon
125 bpm • E Maj • 05:02 • -16.59db
15% Popularity • 28% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Ruby Rushton
Elephant & Castle
123 bpm • B Maj • 08:26 • -15.55db
16% Popularity • 54% Danceability • 41% Energy • 11% Liveness
74% Instrumentalness • 68% Positiveness
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Rosie Turton
The Unknown - Rework
125 bpm • F Maj • 06:53 • -12.15db
9% Popularity • 65% Danceability • 60% Energy • 9% Liveness
86% Instrumentalness • 38% Positiveness
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Raffy Bushman
Young and Lovely
123 bpm • A# min • 05:20 • -24.7db
12% Popularity • 70% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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Fazer
Twin Drum
123 bpm • D min • 03:30 • -15.06db
8% Popularity • 80% Danceability • 95% Energy • 7% Liveness
88% Instrumentalness • 43% Positiveness
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Richard Spaven
Tree of Life
125 bpm • D min • 05:39 • -10db
21% Popularity • 41% Danceability • 60% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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Kokoroko
Uman
123 bpm • G min • 05:12 • -10db
36% Popularity • 68% Danceability • 62% Energy • 31% Liveness
85% Instrumentalness • 7% Positiveness
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Ruby Rushton
Yardley Suite
125 bpm • A# min • 03:55 • -11.42db
34% Popularity • 58% Danceability • 53% Energy • 4% Liveness
88% Instrumentalness • 57% Positiveness
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The Expansions
Ivory Mountain
123 bpm • A min • 06:08 • -10.58db
10% Popularity • 35% Danceability • 72% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
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Waaju
Wassoulou
126 bpm • A# min • 08:01 • -17.69db
9% Popularity • 57% Danceability • 22% Energy • 30% Liveness
11% Instrumentalness • 37% Positiveness
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GoGo Penguin
Four Corners
122 bpm • G min • 04:29 • -11.13db
25% Popularity • 46% Danceability • 72% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
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Tenderlonious
Expansions
126 bpm • A min • 06:54 • -13db
26% Popularity • 39% Danceability • 57% Energy • 8% Liveness
64% Instrumentalness • 39% Positiveness
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Kokoroko
Adwa
123 bpm • A min • 05:56 • -10.3db
40% Popularity • 48% Danceability • 80% Energy • 31% Liveness
77% Instrumentalness • 69% Positiveness
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Neil Cowley Trio
Governance
122 bpm • F min • 03:29 • -13.05db
30% Popularity • 70% Danceability • 37% Energy • 17% Liveness
72% Instrumentalness • 33% Positiveness
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Yazz Ahmed
La Saboteuse
126 bpm • G# min • 04:31 • -18.46db
16% Popularity • 20% Danceability • 13% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
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The Comet Is Coming
Unity
126 bpm • G Maj • 04:13 • -11.45db
32% Popularity • 62% Danceability • 71% Energy • 11% Liveness
82% Instrumentalness • 72% Positiveness
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Ruby Rushton
Chrysalis
126 bpm • C# Maj • 03:15 • -12.51db
31% Popularity • 62% Danceability • 47% Energy • 11% Liveness
83% Instrumentalness • 32% Positiveness
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Triorität
Inelegant Peeing
126 bpm • C# Maj • 06:10 • -8.86db
11% Popularity • 47% Danceability • 58% Energy • 8% Liveness
97% Instrumentalness • 25% Positiveness
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Àbáse
Align
126 bpm • A# min • 06:27 • -11.28db
16% Popularity • 59% Danceability • 54% Energy • 16% Liveness
67% Instrumentalness • 47% Positiveness
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Aaron Parks
Attention, Earthlings
126 bpm • C# min • 05:59 • -12db
24% Popularity • 37% Danceability • 59% Energy • 8% Liveness
87% Instrumentalness • 56% Positiveness
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Web Web
Inner Revolution
126 bpm • A# Maj • 04:48 • -12db
27% Popularity • 57% Danceability • 43% Energy • 11% Liveness
63% Instrumentalness • 50% Positiveness
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Bremer/McCoy
Højt At Flyve
122 bpm • F min • 03:21 • -18.53db
41% Popularity • 44% Danceability • 18% Energy • 9% Liveness
94% Instrumentalness • 41% Positiveness
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Fazer
Fon
126 bpm • E min • 06:24 • -15.47db
16% Popularity • 70% Danceability • 48% Energy • 36% Liveness
85% Instrumentalness • 39% Positiveness
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Azymuth
Fall Afternoon
121 bpm • C Maj • 04:17 • -11.92db
20% Popularity • 65% Danceability • 59% Energy • 12% Liveness
95% Instrumentalness • 58% Positiveness
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Tingvall Trio
Sjuan
127 bpm • E min • 03:34 • -13db
40% Popularity • 43% Danceability • 64% Energy • 10% Liveness
92% Instrumentalness • 71% Positiveness
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Apifera
Notre Damn
127 bpm • B min • 03:43 • -9.86db
16% Popularity • 53% Danceability • 58% Energy • 12% Liveness
80% Instrumentalness • 41% Positiveness
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Mark de Clive-Lowe
Memories of Nanzenji
127 bpm • F Maj • 06:51 • -12.29db
11% Popularity • 53% Danceability • 40% Energy • 10% Liveness
65% Instrumentalness • 11% Positiveness
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Alfa Mist
Jjajja's Screen
127 bpm • D# Maj • 05:26 • -12.6db
28% Popularity • 60% Danceability • 40% Energy • 9% Liveness
87% Instrumentalness • 32% Positiveness
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Fazer
Nago
126 bpm • F# min • 03:56 • -14.73db
2% Popularity • 76% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 39% Positiveness
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Airelle Besson
The Sound of Your Voice, Pt. II
121 bpm • B min • 02:33 • -11.53db
36% Popularity • 53% Danceability • 45% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
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Neil Cowley Trio
Garden of Love
121 bpm • C Maj • 03:24 • -16.59db
33% Popularity • 89% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 55% Positiveness
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Ebi Soda
Libre
121 bpm • C# min • 03:39 • -9.68db
33% Popularity • 49% Danceability • 73% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
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Nubya Garcia
Fly Free
127 bpm • A# min • 09:41 • -14.31db
19% Popularity • 42% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 33% Positiveness
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Matthew Halsall
Colour Yes - Special Edition
127 bpm • A min • 08:41 • -12.47db
31% Popularity • 40% Danceability • 33% Energy • 17% Liveness
89% Instrumentalness • 28% Positiveness
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Tenderlonious
The Shakedown
121 bpm • G Maj • 06:27 • -16.38db
12% Popularity • 48% Danceability • 53% Energy • 7% Liveness
87% Instrumentalness • 40% Positiveness
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Leifur James
Uncle Blue
128 bpm • C# Maj • 04:26 • -8.7db
34% Popularity • 61% Danceability • 48% Energy • 10% Liveness
86% Instrumentalness • 30% Positiveness
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Chip Wickham
Sais (Egypt)
120 bpm • A min • 07:42 • -11.26db
24% Popularity • 53% Danceability • 41% Energy • 16% Liveness
93% Instrumentalness • 60% Positiveness
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Kinkajous
Jupiter
120 bpm • D min • 04:16 • -9.43db
14% Popularity • 33% Danceability • 53% Energy • 9% Liveness
84% Instrumentalness • 45% Positiveness
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Robohands
Free Expression
120 bpm • B min • 08:07 • -13.69db
8% Popularity • 57% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
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Matthew Halsall
Canopy & Stars
120 bpm • F min • 07:51 • -13db
30% Popularity • 66% Danceability • 46% Energy • 12% Liveness
85% Instrumentalness • 30% Positiveness
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Mammal Hands
Refuge
120 bpm • A# min • 03:41 • -12.2db
29% Popularity • 37% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Art Farmer
Petite Belle
120 bpm • G min • 09:44 • -14db
32% Popularity • 54% Danceability • 50% Energy • 15% Liveness
93% Instrumentalness • 58% Positiveness
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Maisha
Kaa
129 bpm • D# min • 10:22 • -10.87db
11% Popularity • 46% Danceability • 63% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
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Tenderlonious
Red Sky at Night
130 bpm • C min • 09:34 • -13.24db
11% Popularity • 42% Danceability • 68% Energy • 7% Liveness
81% Instrumentalness • 12% Positiveness
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Modha
Harzer Straße
130 bpm • D min • 03:43 • -10.4db
12% Popularity • 76% Danceability • 45% Energy • 7% Liveness
87% Instrumentalness • 54% Positiveness
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Slowly Rolling Camera
The Afternoon of Human Life
118 bpm • A# min • 07:03 • -10.65db
18% Popularity • 31% Danceability • 63% Energy • 12% Liveness
19% Instrumentalness • 10% Positiveness
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Raffy Bushman
Leap Frog
130 bpm • C# Maj • 03:43 • -20.6db
14% Popularity • 58% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 43% Positiveness
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Mark Lockheart
Jagdish
130 bpm • G Maj • 02:27 • -14db
15% Popularity • 50% Danceability • 34% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Aaron Parks
Nemesis
130 bpm • F# Maj • 06:14 • -10.81db
30% Popularity • 51% Danceability • 61% Energy • 14% Liveness
94% Instrumentalness • 20% Positiveness
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Fazer
Akom
130 bpm • G# min • 04:12 • -12.51db
21% Popularity • 63% Danceability • 58% Energy • 6% Liveness
87% Instrumentalness • 86% Positiveness
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Tenderlonious
Yussef's Groove
118 bpm • C# Maj • 05:47 • -13.53db
22% Popularity • 64% Danceability • 63% Energy • 8% Liveness
88% Instrumentalness • 75% Positiveness
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Theo Croker
Portrait of William
118 bpm • G# min • 03:14 • -10.71db
12% Popularity • 45% Danceability • 42% Energy • 18% Liveness
96% Instrumentalness • 36% Positiveness
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Nérija
Blume
118 bpm • G Maj • 02:46 • -14.34db
21% Popularity • 40% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Triorität
The Mental Traveller Theme - Triorität ...
131 bpm • F# Maj • 05:50 • -9.77db
19% Popularity • 34% Danceability • 71% Energy • 19% Liveness
91% Instrumentalness • 17% Positiveness
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Raffy Bushman
Beginner's Mind
117 bpm • D Maj • 04:00 • -10.74db
15% Popularity • 49% Danceability • 44% Energy • 12% Liveness
85% Instrumentalness • 20% Positiveness
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Fazer
Mara
117 bpm • D min • 05:08 • -15.63db
28% Popularity • 55% Danceability • 48% Energy • 14% Liveness
86% Instrumentalness • 48% Positiveness
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Nubya Garcia
The Message Continues
117 bpm • C# Maj • 06:44 • -10.33db
35% Popularity • 43% Danceability • 58% Energy • 8% Liveness
74% Instrumentalness • 34% Positiveness
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Kinkajous
Black Idiom, Pt. 1
131 bpm • G min • 02:32 • -12.59db
34% Popularity • 46% Danceability • 43% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Kamaal Williams
1989
117 bpm • F# Maj • 03:22 • -12db
32% Popularity • 56% Danceability • 33% Energy • 18% Liveness
60% Instrumentalness • 64% Positiveness
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Pachakuti
Arjuna's Fate
117 bpm • G Maj • 03:01 • -12.95db
28% Popularity • 57% Danceability • 46% Energy • 11% Liveness
87% Instrumentalness • 46% Positiveness
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Mark de Clive-Lowe
The Offering
117 bpm • C min • 07:18 • -13.82db
8% Popularity • 57% Danceability • 39% Energy • 18% Liveness
85% Instrumentalness • 11% Positiveness
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Okvsho
LS Shuffle
117 bpm • A# min • 04:33 • -10.82db
26% Popularity • 85% Danceability • 65% Energy • 6% Liveness
28% Instrumentalness • 66% Positiveness
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Fazer
Glow, Glow
117 bpm • A# min • 03:51 • -14.08db
21% Popularity • 57% Danceability • 42% Energy • 8% Liveness
86% Instrumentalness • 30% Positiveness
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Golden Mean
Orbit Trip
117 bpm • G# min • 05:40 • -9.69db
20% Popularity • 72% Danceability • 65% Energy • 10% Liveness
90% Instrumentalness • 87% Positiveness
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Vels Trio
Yellow Ochre, Pt. 2
132 bpm • A min • 05:45 • -13.58db
13% Popularity • 39% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 74% Positiveness
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Aaron Parks
Here
132 bpm • D# Maj • 05:44 • -12db
37% Popularity • 65% Danceability • 30% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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Takuya Kuroda
Mala
132 bpm • F min • 05:59 • -11.4db
28% Popularity • 54% Danceability • 62% Energy • 9% Liveness
89% Instrumentalness • 73% Positiveness
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Kinkajous
Bear of Paradise
132 bpm • G# min • 05:53 • -11.65db
14% Popularity • 59% Danceability • 51% Energy • 24% Liveness
90% Instrumentalness • 47% Positiveness
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Ruby Rushton
The Good Mixer
132 bpm • G Maj • 04:43 • -9.12db
20% Popularity • 50% Danceability • 57% Energy • 18% Liveness
96% Instrumentalness • 14% Positiveness
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Greg Foat
Anticipation
132 bpm • B min • 05:00 • -10.23db
16% Popularity • 32% Danceability • 47% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
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Portico Quartet
Too Many Cooks
132 bpm • C min • 05:33 • -13.67db
27% Popularity • 48% Danceability • 31% Energy • 11% Liveness
96% Instrumentalness • 72% Positiveness
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GODTET
Ensueño
116 bpm • A# Maj • 04:10 • -16.41db
38% Popularity • 70% Danceability • 33% Energy • 14% Liveness
80% Instrumentalness • 56% Positiveness
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Ill Considered
Upstart
116 bpm • B min • 06:10 • -9.34db
18% Popularity • 52% Danceability • 72% Energy • 6% Liveness
82% Instrumentalness • 25% Positiveness
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Nérija
Pinkham V
132 bpm • C Maj • 05:25 • -8db
13% Popularity • 48% Danceability • 57% Energy • 11% Liveness
75% Instrumentalness • 40% Positiveness
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Robohands
Nightshade
116 bpm • F Maj • 02:46 • -16.18db
48% Popularity • 83% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 54% Positiveness
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Oscar Jerome
Where Are Your Branches (Where Is Your F...
116 bpm • A# Maj • 05:28 • -12.75db
29% Popularity • 82% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 17% Positiveness
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44th Move
Broken
116 bpm • E min • 06:20 • -11.97db
19% Popularity • 50% Danceability • 66% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Aaron Parks
Travelers
133 bpm • A# min • 05:34 • -18db
31% Popularity • 40% Danceability • 51% Energy • 11% Liveness
93% Instrumentalness • 63% Positiveness
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Daniel Herskedal
Ice-free
115 bpm • C# Maj • 03:08 • -16.35db
17% Popularity • 62% Danceability • 33% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
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Foehn Trio
Danse pour Gaia
115 bpm • C# Maj • 06:36 • -12.96db
9% Popularity • 46% Danceability • 39% Energy • 16% Liveness
91% Instrumentalness • 37% Positiveness
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Black Flower
Deep Dive Down
115 bpm • D Maj • 07:27 • -13db
19% Popularity • 46% Danceability • 59% Energy • 12% Liveness
94% Instrumentalness • 45% Positiveness
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Matthew Halsall
Longshan Temple
115 bpm • C# Maj • 03:24 • -12.24db
19% Popularity • 56% Danceability • 42% Energy • 15% Liveness
24% Instrumentalness • 63% Positiveness
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Greg Foat
Symphonie Pacifique
114 bpm • A min • 04:54 • -12db
36% Popularity • 60% Danceability • 58% Energy • 11% Liveness
86% Instrumentalness • 72% Positiveness
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Nérija
The Fisherman
114 bpm • C# Maj • 05:41 • -8.29db
15% Popularity • 53% Danceability • 57% Energy • 9% Liveness
56% Instrumentalness • 57% Positiveness
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Theo Croker
Subconscious Flirtations and Titillation...
134 bpm • A min • 04:38 • -10.86db
12% Popularity • 39% Danceability • 66% Energy • 23% Liveness
97% Instrumentalness • 48% Positiveness
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Ill Considered
Tangled
135 bpm • B min • 06:03 • -10.41db
15% Popularity • 46% Danceability • 69% Energy • 11% Liveness
74% Instrumentalness • 36% Positiveness
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Aaron Parks
Roadside Distraction
135 bpm • F min • 02:44 • -15db
43% Popularity • 67% Danceability • 45% Energy • 9% Liveness
96% Instrumentalness • 71% Positiveness
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Matthew Halsall
When the World Was One
115 bpm • D min • 07:35 • -9db
26% Popularity • 42% Danceability • 51% Energy • 12% Liveness
91% Instrumentalness • 38% Positiveness
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Kamaal Williams
Big Rick
114 bpm • G# min • 03:27 • -10db
28% Popularity • 70% Danceability • 39% Energy • 23% Liveness
85% Instrumentalness • 64% Positiveness
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Slowly Rolling Camera
The Outlier
114 bpm • C# Maj • 05:31 • -11db
15% Popularity • 44% Danceability • 46% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
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Chip Wickham
Interstellar
114 bpm • D min • 08:29 • -9db
13% Popularity • 60% Danceability • 57% Energy • 27% Liveness
72% Instrumentalness • 59% Positiveness
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Petter Eldh
EAST CROYDON James Maddren
135 bpm • A# min • 06:22 • -8.66db
17% Popularity • 63% Danceability • 64% Energy • 8% Liveness
79% Instrumentalness • 68% Positiveness
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Jazzbois
Blunted Again
135 bpm • D Maj • 04:57 • -6.93db
28% Popularity • 48% Danceability • 68% Energy • 74% Liveness
88% Instrumentalness • 72% Positiveness
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Yussef Kamaal
Remembrance
135 bpm • G# min • 09:00 • -10.1db
37% Popularity • 50% Danceability • 70% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Kamaal Williams
Salaam
135 bpm • G# min • 08:33 • -11db
29% Popularity • 69% Danceability • 47% Energy • 7% Liveness
90% Instrumentalness • 44% Positiveness
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The Expansions
Miles Away
135 bpm • A min • 08:34 • -15db
10% Popularity • 42% Danceability • 26% Energy • 11% Liveness
77% Instrumentalness • 10% Positiveness
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Nubya Garcia
Red Sun
136 bpm • C# Maj • 08:17 • -14.59db
15% Popularity • 39% Danceability • 41% Energy • 9% Liveness
81% Instrumentalness • 9% Positiveness
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Matthew Halsall
Falling Water
136 bpm • A# min • 09:25 • -13.54db
25% Popularity • 43% Danceability • 26% Energy • 11% Liveness
74% Instrumentalness • 29% Positiveness
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White Sedan