Songs like Who Knows It, Feels It by Yami Bolo
Based on a tempo of (+/- 10%) and a similar genre
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Leroy Smart
Talk Bout Friend
166 bpm • E min • 02:21 • -13db
24% Popularity • 78% Danceability • 49% Energy • 66% Liveness
18% Instrumentalness • 96% Positiveness
24% Popularity • 78% Danceability • 49% Energy • 66% Liveness
18% Instrumentalness • 96% Positiveness
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Black Am I
Jah in My Corner
166 bpm • C Maj • 03:53 • -6db
32% Popularity • 72% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 72% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Thriller U
Groove My Mind
166 bpm • B Maj • 03:44 • -10db
36% Popularity • 80% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 80% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Tony Rebel & Swade
Just Friends
166 bpm • C Maj • 03:51 • -6db
28% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Yami Bolo
Gun War
167 bpm • F# min • 04:16 • -8.4db
6% Popularity • 71% Danceability • 77% Energy • 48% Liveness
0% Instrumentalness • 77% Positiveness
6% Popularity • 71% Danceability • 77% Energy • 48% Liveness
0% Instrumentalness • 77% Positiveness
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Tony Curtis
Heaven Only Knows
165 bpm • B Maj • 03:22 • -6db
32% Popularity • 62% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 62% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Everton Blender
Bubbaru
167 bpm • G Maj • 04:10 • -4.31db
22% Popularity • 66% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 66% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Admiral Bailey
Big Belly Man
167 bpm • G Maj • 03:21 • -11.38db
24% Popularity • 84% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 84% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Josey Wales
Let Go Mi Hand
165 bpm • A# min • 03:56 • -16db
28% Popularity • 79% Danceability • 33% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 79% Danceability • 33% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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Frankie Paul
I Know the Score
164 bpm • C# min • 03:29 • -10.38db
34% Popularity • 77% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 77% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Yami Bolo
Lady In Love
167 bpm • B min • 03:54 • -12.05db
1% Popularity • 61% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
1% Popularity • 61% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Jahmali
El Shaddai
168 bpm • C min • 04:02 • -6.99db
36% Popularity • 60% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 60% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Tiger
Bam Bam
164 bpm • F# min • 03:32 • -2.38db
17% Popularity • 77% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 77% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Colin Roach
Champion Sound
164 bpm • F# Maj • 03:39 • -16.45db
7% Popularity • 74% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 74% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Little Twitch
Spanish Fly
168 bpm • C# min • 01:18 • -9db
23% Popularity • 77% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 77% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Natty King
Evil Surround Me
168 bpm • A min • 04:22 • -7db
18% Popularity • 74% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 74% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Yami Bolo
Non-Stop Loving
167 bpm • F min • 03:35 • -6.72db
17% Popularity • 73% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 73% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Jahmali
El Shaddai
168 bpm • C min • 03:33 • -7.09db
12% Popularity • 60% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 60% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Admiral Bailey
No Way No Better than Yard
168 bpm • C Maj • 03:16 • -8db
25% Popularity • 72% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 72% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Pinchers
Send Another One Come
168 bpm • B Maj • 03:54 • -13db
21% Popularity • 82% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 82% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Admiral Tibet
Serious Time
169 bpm • A# min • 03:15 • -13db
35% Popularity • 78% Danceability • 39% Energy • 6% Liveness
1% Instrumentalness • 71% Positiveness
35% Popularity • 78% Danceability • 39% Energy • 6% Liveness
1% Instrumentalness • 71% Positiveness
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Thriller U
Stone Love Is
169 bpm • D Maj • 01:17 • -6db
36% Popularity • 56% Danceability • 71% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 56% Danceability • 71% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
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Yami Bolo
Dub Business Nuh Play Thing
164 bpm • F# Maj • 01:25 • -9db
19% Popularity • 68% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 68% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Nicodemus
Old Veteran
162 bpm • C# min • 03:37 • -16db
10% Popularity • 88% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 88% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Akae Beka
Firmness
170 bpm • G min • 04:40 • -8.34db
23% Popularity • 69% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 69% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Pinchers
Agony - Remastered
168 bpm • G Maj • 03:25 • -5.71db
31% Popularity • 82% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 82% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Admiral Tibet
Be Mine Tonight
163 bpm • C# Maj • 03:08 • -13.62db
31% Popularity • 82% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 82% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Exco Levi
Welcome the King
170 bpm • A# min • 03:23 • -7.48db
31% Popularity • 51% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 51% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Jo Mersa Marley
No Way Out
170 bpm • A# min • 03:25 • -5.89db
34% Popularity • 53% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 53% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Mr Easy
Strangest Thing
170 bpm • C# Maj • 03:50 • -4.77db
22% Popularity • 54% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 54% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Iba Mahr
Street & Lane
162 bpm • G min • 03:40 • -7db
18% Popularity • 60% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 60% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Pinchers
I'm a Don - Remastered
162 bpm • D# min • 03:27 • -5.64db
32% Popularity • 82% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 82% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Ras Shiloh
On to the Grave They Go
162 bpm • A# min • 01:23 • -8db
29% Popularity • 45% Danceability • 78% Energy • 62% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 45% Danceability • 78% Energy • 62% Liveness
0% Instrumentalness • 53% Positiveness
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Admiral Tibet
Fussing and Fighting
169 bpm • F# min • 03:08 • -13.99db
21% Popularity • 79% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 79% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Jahmali
Ancestors
171 bpm • A# min • 03:35 • -9.63db
12% Popularity • 74% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 74% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Ranking Dread
Lots Of Loving
161 bpm • G Maj • 03:57 • -6.19db
21% Popularity • 52% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 52% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Courtney Melody
Bad Boy
172 bpm • C# Maj • 03:37 • -5db
22% Popularity • 81% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 81% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Pinchers
Champion Bubbler - Remastered
171 bpm • B min • 03:32 • -5db
29% Popularity • 70% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 70% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Louie Culture
Rudie Don't Fear
172 bpm • A# Maj • 03:43 • -12.37db
20% Popularity • 78% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 78% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Admiral Tibet
Running from Reality
170 bpm • A min • 03:39 • -11.85db
16% Popularity • 71% Danceability • 53% Energy • 8% Liveness
77% Instrumentalness • 70% Positiveness
16% Popularity • 71% Danceability • 53% Energy • 8% Liveness
77% Instrumentalness • 70% Positiveness
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Ras Shiloh
Praises To Jah
171 bpm • C# Maj • 03:44 • -7.78db
29% Popularity • 79% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 79% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Niyorah
Light of Jah
172 bpm • B Maj • 04:38 • -7.09db
32% Popularity • 80% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 80% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Courtney Melody
Modern Girl
160 bpm • C Maj • 03:33 • -4.23db
23% Popularity • 75% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 75% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Yami Bolo
I Love Jah So
172 bpm • G Maj • 03:40 • -12.23db
2% Popularity • 69% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
2% Popularity • 69% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Nitty Gritty
Good Morning Teacher - Original Version
172 bpm • F# Maj • 03:12 • -8.54db
20% Popularity • 67% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 67% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Admiral Tibet
Come into the Light
169 bpm • C Maj • 03:16 • -13.72db
29% Popularity • 82% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 82% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Ras Shiloh
So Proud
172 bpm • G Maj • 03:37 • -6.83db
21% Popularity • 69% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 69% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Brigadier Jerry
What King Of World
172 bpm • C# Maj • 01:24 • -7.11db
22% Popularity • 69% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 69% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Jahmali
Cry People
172 bpm • G min • 04:13 • -5.18db
15% Popularity • 63% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 63% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Addis Pablo
Giving Thanks
160 bpm • A min • 03:26 • -9db
24% Popularity • 72% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 72% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Yami Bolo
Isn't She Lovely
172 bpm • D Maj • 03:37 • -14.86db
25% Popularity • 66% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 66% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Nando Productions
Weapons - V1
160 bpm • G# Maj • 04:03 • -8.21db
0% Popularity • 64% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 64% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Ready Ink
You're unique
172 bpm • A# Maj • 01:37 • -8.13db
25% Popularity • 71% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 71% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Ras Attitude
Warrior Status
173 bpm • C Maj • 03:47 • -4.73db
15% Popularity • 57% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 57% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Daweh Congo
Jah Call Them
173 bpm • A min • 04:06 • -13db
11% Popularity • 75% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 75% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Nitty Gritty
Hog Inna Minty
173 bpm • F# Maj • 03:17 • -8.12db
14% Popularity • 80% Danceability • 66% Energy • 11% Liveness
8% Instrumentalness • 85% Positiveness
14% Popularity • 80% Danceability • 66% Energy • 11% Liveness
8% Instrumentalness • 85% Positiveness
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Everton Blender
Ghetto People Song
159 bpm • A# min • 03:46 • -10db
26% Popularity • 81% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 81% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Admiral Tibet
Trouble To A Man
174 bpm • F# Maj • 01:45 • -5.46db
29% Popularity • 68% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 68% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 89% Positiveness
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Kabaka Pyramid
Teach Di Youths
174 bpm • D# min • 04:03 • -4.18db
12% Popularity • 35% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 35% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Ras Shiloh
Only King Selassie
157 bpm • F# Maj • 03:32 • -6.87db
22% Popularity • 73% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 73% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Yami Bolo
Youth Man
157 bpm • G# Maj • 03:11 • -12.13db
5% Popularity • 53% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
5% Popularity • 53% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Soul Rebel Sound
Count My Blessings
176 bpm • A# min • 03:35 • -7.36db
30% Popularity • 71% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 71% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Everton Blender
Ghetto People Song
158 bpm • A# min • 03:47 • -7.45db
45% Popularity • 81% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 81% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Admiral Tibet
Leave People Business
174 bpm • C# Maj • 04:11 • -10.43db
25% Popularity • 83% Danceability • 55% Energy • 7% Liveness
2% Instrumentalness • 74% Positiveness
25% Popularity • 83% Danceability • 55% Energy • 7% Liveness
2% Instrumentalness • 74% Positiveness
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Kabaka Pyramid
World Wide Love
175 bpm • A min • 04:24 • -7.88db
22% Popularity • 56% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 56% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Midnite
Cradle Of Joy
176 bpm • D Maj • 05:39 • -8.28db
12% Popularity • 75% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 75% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Addis Pablo
Evolution
156 bpm • C Maj • 03:54 • -9.4db
20% Popularity • 82% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 82% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Natty King
Born to Be Free
156 bpm • D min • 03:28 • -6.68db
10% Popularity • 71% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 71% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Everton Blender
I Love Jah Jah
156 bpm • G Maj • 03:33 • -7.06db
34% Popularity • 77% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 77% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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Beres Hammond & Zap Pow
Last War
155 bpm • F# min • 04:02 • -8.1db
41% Popularity • 68% Danceability • 79% Energy • 64% Liveness
51% Instrumentalness • 96% Positiveness
41% Popularity • 68% Danceability • 79% Energy • 64% Liveness
51% Instrumentalness • 96% Positiveness
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Admiral Tibet
Leave People Business Alone
177 bpm • C# Maj • 01:20 • -6.8db
51% Popularity • 81% Danceability • 78% Energy • 30% Liveness
2% Instrumentalness • 73% Positiveness
51% Popularity • 81% Danceability • 78% Energy • 30% Liveness
2% Instrumentalness • 73% Positiveness
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Tanya Stephens
Weather Change
155 bpm • C Maj • 01:29 • -1.84db
46% Popularity • 67% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
46% Popularity • 67% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
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Pressure
Show Love
154 bpm • C Maj • 03:35 • -5db
39% Popularity • 66% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 66% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Echo Minott
Lazy Body
154 bpm • C# Maj • 01:14 • -4.79db
35% Popularity • 78% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 78% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Natty King
Jah Name
154 bpm • G# Maj • 04:08 • -11.09db
13% Popularity • 74% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 74% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Little John
Smoke Ganja Hard
154 bpm • A Maj • 03:19 • -7.8db
22% Popularity • 64% Danceability • 64% Energy • 31% Liveness
6% Instrumentalness • 48% Positiveness
22% Popularity • 64% Danceability • 64% Energy • 31% Liveness
6% Instrumentalness • 48% Positiveness
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Tony Curtis
Jah I Thank You
154 bpm • A Maj • 04:00 • -5.11db
27% Popularity • 74% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 74% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Exco Levi
Irie J.A.
154 bpm • G# min • 02:50 • -6.46db
18% Popularity • 74% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 74% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Niyorah
Clowns Around Us
154 bpm • F# min • 03:37 • -5.67db
40% Popularity • 85% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 85% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Frankie Paul
Sara
179 bpm • G# Maj • 03:12 • -7.72db
35% Popularity • 69% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 69% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Chuck Fenda
Gwaan Plant
154 bpm • A# min • 02:57 • -6db
34% Popularity • 80% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
34% Popularity • 80% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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General Trees
Minibus
179 bpm • G# Maj • 02:25 • -6.32db
17% Popularity • 74% Danceability • 90% Energy • 7% Liveness
24% Instrumentalness • 93% Positiveness
17% Popularity • 74% Danceability • 90% Energy • 7% Liveness
24% Instrumentalness • 93% Positiveness
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Jah Bouks
No Slave
154 bpm • A# Maj • 03:22 • -3.71db
27% Popularity • 62% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 62% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Richie Stephens
My Girl Dis
154 bpm • A Maj • 03:18 • -5.78db
38% Popularity • 69% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
38% Popularity • 69% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Leroy Smart
Babylon Don't Like Dreadlocks
153 bpm • G# min • 03:23 • -7db
15% Popularity • 72% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 72% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Pressure
The Rain
153 bpm • C Maj • 04:57 • -5.09db
29% Popularity • 58% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 58% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Iba Mahr
Travelling
152 bpm • E min • 04:12 • -3.13db
8% Popularity • 70% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 70% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Natty King
Real Herbalist
152 bpm • D Maj • 04:15 • -7db
17% Popularity • 70% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 70% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Apple Gabriel
Tower of Babel
152 bpm • F min • 04:02 • -10.49db
28% Popularity • 83% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 83% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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The Silvertones
Wonderland of Green
152 bpm • D min • 03:55 • -6db
24% Popularity • 78% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 78% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Jahmali
Ready Done - Mindset Riddim
152 bpm • E min • 04:06 • -5.72db
16% Popularity • 71% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 71% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Yami Bolo
Bingi Man
182 bpm • D# min • 02:16 • -12db
13% Popularity • 66% Danceability • 55% Energy • 58% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 66% Danceability • 55% Energy • 58% Liveness
0% Instrumentalness • 94% Positiveness
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Tarrus Riley
Rebel
151 bpm • A# min • 03:38 • -5.17db
17% Popularity • 70% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 70% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Pinchers
Loving That You Want
181 bpm • A# min • 03:22 • -7.23db
0% Popularity • 62% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 62% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Natty King
Purge Dem
151 bpm • A# min • 03:48 • -6db
10% Popularity • 76% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 76% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Charlie Chaplin
Bubbling Telephone (Chalice)
150 bpm • C# Maj • 03:24 • -4.77db
19% Popularity • 81% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 81% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Tenor Saw
I Got To Be There (Roll Call)
151 bpm • G Maj • 03:48 • -4db
22% Popularity • 70% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 70% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Micah Shemaiah
Roots I Vision
150 bpm • C# min • 04:41 • -8.03db
29% Popularity • 81% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 81% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
