Songs like Who Needs The Money? by MOSES
Based on a tempo of (+/- 10%) and a similar genre
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ONR
Kill TV
124 bpm • E Maj • 03:11 • -4.26db
17% Popularity • 62% Danceability • 95% Energy • 30% Liveness
1% Instrumentalness • 21% Positiveness
17% Popularity • 62% Danceability • 95% Energy • 30% Liveness
1% Instrumentalness • 21% Positiveness
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MOSES
Who Needs The Money?
124 bpm • B min • 03:25 • -6.46db
25% Popularity • 52% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 52% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Hello Operator
Decimator
124 bpm • F# min • 03:33 • -6db
8% Popularity • 42% Danceability • 91% Energy • 33% Liveness
1% Instrumentalness • 26% Positiveness
8% Popularity • 42% Danceability • 91% Energy • 33% Liveness
1% Instrumentalness • 26% Positiveness
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Drool
sncmh
124 bpm • A min • 02:23 • -6.23db
8% Popularity • 74% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 74% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Pale Seas
Someday
124 bpm • C min • 03:49 • -5.97db
26% Popularity • 57% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 57% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Joywave
Funny Thing About Opinions
124 bpm • G# Maj • 03:13 • -6.48db
32% Popularity • 63% Danceability • 80% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 63% Danceability • 80% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
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The Pale White
Take Your Time
124 bpm • A# Maj • 02:58 • -4.93db
23% Popularity • 63% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 63% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Black Pistol Fire
Black Halo
124 bpm • A min • 03:26 • -5db
34% Popularity • 44% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 44% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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MOSES
That's Who You Are
124 bpm • F Maj • 03:27 • -8db
1% Popularity • 34% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
1% Popularity • 34% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Shelters
Tangled Up
123 bpm • B min • 04:03 • -4db
20% Popularity • 57% Danceability • 82% Energy • 13% Liveness
3% Instrumentalness • 80% Positiveness
20% Popularity • 57% Danceability • 82% Energy • 13% Liveness
3% Instrumentalness • 80% Positiveness
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Barns Courtney
Fun Never Ends
123 bpm • F# Maj • 03:18 • -3db
42% Popularity • 47% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 47% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Troi Irons
Shakespeare
125 bpm • A# Maj • 02:45 • -4db
19% Popularity • 61% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 61% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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BAD CHILD
HI DEF
125 bpm • G# Maj • 02:37 • -5.28db
18% Popularity • 74% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 74% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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The Amazons
Heart Of Darkness
123 bpm • G# min • 03:23 • -4db
20% Popularity • 52% Danceability • 94% Energy • 24% Liveness
1% Instrumentalness • 51% Positiveness
20% Popularity • 52% Danceability • 94% Energy • 24% Liveness
1% Instrumentalness • 51% Positiveness
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MOSES
The Last Kick Of Melancholia
125 bpm • C# Maj • 04:18 • -7db
3% Popularity • 71% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
3% Popularity • 71% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Fizzy Blood
Illusion
125 bpm • G Maj • 03:28 • -7.12db
24% Popularity • 43% Danceability • 64% Energy • 19% Liveness
6% Instrumentalness • 32% Positiveness
24% Popularity • 43% Danceability • 64% Energy • 19% Liveness
6% Instrumentalness • 32% Positiveness
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The Messenger Birds
If No One's Going to Look My Way
126 bpm • C# Maj • 03:20 • -5.74db
27% Popularity • 65% Danceability • 98% Energy • 7% Liveness
36% Instrumentalness • 57% Positiveness
27% Popularity • 65% Danceability • 98% Energy • 7% Liveness
36% Instrumentalness • 57% Positiveness
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Micky James
Give It To Me Straight
122 bpm • G# Maj • 03:08 • -7.29db
21% Popularity • 62% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 62% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Glass Caves
Who Are You?
122 bpm • C# Maj • 03:09 • -5.56db
34% Popularity • 48% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 48% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Barns Courtney
The Kids Are Alright
122 bpm • D# Maj • 03:55 • -4.72db
33% Popularity • 55% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 55% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Circa Waves
Sorry I'm Yours
122 bpm • G# min • 03:48 • -9.65db
35% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Airways
Starting To Spin
122 bpm • G Maj • 03:26 • -6.23db
5% Popularity • 80% Danceability • 67% Energy • 11% Liveness
3% Instrumentalness • 67% Positiveness
5% Popularity • 80% Danceability • 67% Energy • 11% Liveness
3% Instrumentalness • 67% Positiveness
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Otherkin
On & On
122 bpm • A# min • 04:02 • -6.11db
14% Popularity • 57% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 57% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Stuck On Planet Earth
Rising
126 bpm • C# Maj • 02:59 • -5.99db
27% Popularity • 51% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 51% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Fizzy Blood
Black Sheep
126 bpm • G min • 04:52 • -6.38db
25% Popularity • 31% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 31% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Ooze2Nasty
Living Room Freestyle
122 bpm • A Maj • 02:37 • -11db
0% Popularity • 96% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 96% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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THE JACKS
Understand
127 bpm • E Maj • 03:14 • -5.28db
7% Popularity • 58% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
7% Popularity • 58% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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The Pale White
Trapped Nerve
126 bpm • F min • 02:47 • -4.37db
22% Popularity • 53% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 53% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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The Ninth Wave
I'm Only Going to Hurt You
121 bpm • B min • 04:41 • -10.62db
24% Popularity • 60% Danceability • 71% Energy • 23% Liveness
1% Instrumentalness • 54% Positiveness
24% Popularity • 60% Danceability • 71% Energy • 23% Liveness
1% Instrumentalness • 54% Positiveness
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The Zangwills
Judas on the Dancefloor
121 bpm • D min • 03:37 • -6.06db
14% Popularity • 44% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 44% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Saltwater Sun
The Great Deceiver
121 bpm • D Maj • 03:14 • -5.39db
15% Popularity • 59% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 59% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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The Amazons
Howlin
121 bpm • A# min • 04:46 • -4.09db
22% Popularity • 56% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 56% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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MOSES
Waiter
128 bpm • D# min • 04:22 • -5.29db
13% Popularity • 52% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 52% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Hello Operator
I Created a Monster
120 bpm • B Maj • 04:10 • -5.55db
33% Popularity • 37% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 37% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Pretty Vicious
Playing With Guns
120 bpm • G Maj • 05:01 • -4.15db
18% Popularity • 33% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
18% Popularity • 33% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Airways
Mate
128 bpm • B min • 03:28 • -4.45db
7% Popularity • 47% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 47% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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The Messenger Birds
Midwestern Mirage
128 bpm • B Maj • 03:48 • -5.06db
26% Popularity • 56% Danceability • 84% Energy • 66% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 56% Danceability • 84% Energy • 66% Liveness
0% Instrumentalness • 52% Positiveness
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BlackWaters
Long Way to the Sun
128 bpm • D Maj • 02:23 • -3.36db
32% Popularity • 66% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 66% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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The Pale White
Confession Box
128 bpm • D# Maj • 03:41 • -5.06db
22% Popularity • 57% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 57% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Micky James
Crybaby
128 bpm • E Maj • 03:17 • -6.68db
7% Popularity • 67% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 67% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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Midnight Fuckboys
Harry's Never Had a Girlfriend
128 bpm • F Maj • 03:53 • -7db
29% Popularity • 60% Danceability • 78% Energy • 64% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 60% Danceability • 78% Energy • 64% Liveness
0% Instrumentalness • 84% Positiveness
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hometown & young
Terrible 22's
128 bpm • D Maj • 04:02 • -8.3db
32% Popularity • 72% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 72% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Rad Horror
Stay Out
120 bpm • G min • 03:08 • -5.48db
7% Popularity • 58% Danceability • 85% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
7% Popularity • 58% Danceability • 85% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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The Zangwills
The Horrors of Sobriety
128 bpm • A min • 04:27 • -5db
18% Popularity • 60% Danceability • 97% Energy • 10% Liveness
34% Instrumentalness • 70% Positiveness
18% Popularity • 60% Danceability • 97% Energy • 10% Liveness
34% Instrumentalness • 70% Positiveness
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The Howl & The Hum
Human Contact
128 bpm • G Maj • 03:11 • -6.35db
23% Popularity • 50% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 50% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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IRONTOM
Down for Whatever
128 bpm • D# min • 02:55 • -2db
24% Popularity • 43% Danceability • 94% Energy • 36% Liveness
1% Instrumentalness • 40% Positiveness
24% Popularity • 43% Danceability • 94% Energy • 36% Liveness
1% Instrumentalness • 40% Positiveness
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The Blue Stones
Oceans
120 bpm • C# Maj • 05:09 • -9.12db
37% Popularity • 36% Danceability • 58% Energy • 11% Liveness
25% Instrumentalness • 27% Positiveness
37% Popularity • 36% Danceability • 58% Energy • 11% Liveness
25% Instrumentalness • 27% Positiveness
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George Barnett
bad for you
120 bpm • A min • 01:54 • -5.68db
47% Popularity • 55% Danceability • 78% Energy • 76% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 55% Danceability • 78% Energy • 76% Liveness
0% Instrumentalness • 60% Positiveness
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Drool
Playground Wars
120 bpm • F# min • 02:51 • -3.88db
32% Popularity • 54% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 54% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Grizfolk
Queen of the Desert
120 bpm • A Maj • 02:35 • -5.72db
25% Popularity • 53% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 53% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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*repeat repeat
Pressure
120 bpm • C# Maj • 03:33 • -6.51db
10% Popularity • 58% Danceability • 71% Energy • 7% Liveness
4% Instrumentalness • 61% Positiveness
10% Popularity • 58% Danceability • 71% Energy • 7% Liveness
4% Instrumentalness • 61% Positiveness
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Glass Caves
Float into Space
120 bpm • F min • 02:56 • -6.03db
25% Popularity • 62% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 62% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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The Pale White
That Dress - Demo
128 bpm • C Maj • 03:08 • -4.71db
42% Popularity • 57% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 57% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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George Barnett
Make It Rain
120 bpm • G# min • 03:24 • -6.84db
18% Popularity • 46% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 46% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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VANT
Atlas Falling
120 bpm • C Maj • 03:22 • -7.84db
13% Popularity • 57% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 57% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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The Man Who
Rio Grande
128 bpm • F min • 02:39 • -2db
27% Popularity • 64% Danceability • 92% Energy • 11% Liveness
1% Instrumentalness • 78% Positiveness
27% Popularity • 64% Danceability • 92% Energy • 11% Liveness
1% Instrumentalness • 78% Positiveness
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cleopatrick
PEPPERS GHOST
120 bpm • A Maj • 02:44 • -6.8db
34% Popularity • 56% Danceability • 84% Energy • 12% Liveness
2% Instrumentalness • 51% Positiveness
34% Popularity • 56% Danceability • 84% Energy • 12% Liveness
2% Instrumentalness • 51% Positiveness
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The Shelters
You're Different
129 bpm • B min • 03:06 • -3.21db
22% Popularity • 60% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 60% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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The Parlor Mob
Setting With The Sun
129 bpm • G Maj • 03:40 • -7.79db
32% Popularity • 60% Danceability • 80% Energy • 8% Liveness
94% Instrumentalness • 53% Positiveness
32% Popularity • 60% Danceability • 80% Energy • 8% Liveness
94% Instrumentalness • 53% Positiveness
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The Pale White
That Dress
129 bpm • C Maj • 03:20 • -6db
30% Popularity • 58% Danceability • 80% Energy • 45% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 58% Danceability • 80% Energy • 45% Liveness
0% Instrumentalness • 26% Positiveness
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VANT
Propaganda Machine
120 bpm • C# min • 03:28 • -6.14db
24% Popularity • 58% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 58% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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The Ninth Wave
Flower into Wounds
129 bpm • A Maj • 03:34 • -2.88db
14% Popularity • 42% Danceability • 85% Energy • 23% Liveness
30% Instrumentalness • 32% Positiveness
14% Popularity • 42% Danceability • 85% Energy • 23% Liveness
30% Instrumentalness • 32% Positiveness
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King No-One
Alcatraz
119 bpm • A min • 03:32 • -6.5db
38% Popularity • 65% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 65% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Fizzy Blood
Animals
129 bpm • F# min • 03:12 • -3.68db
15% Popularity • 45% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 45% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Kid Kapichi
Puppet Strings
119 bpm • G# Maj • 02:58 • -4.49db
35% Popularity • 54% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 54% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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The Pale White
Unnatural
129 bpm • C# min • 03:12 • -3.36db
24% Popularity • 45% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 45% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Demob Happy
Mother Machine
129 bpm • F# Maj • 03:36 • -9db
32% Popularity • 30% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 30% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Cold War Kids
Who’s Gonna Love Me Now
119 bpm • F# min • 02:51 • -3.61db
46% Popularity • 45% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 45% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
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HIMALAYAS
The Masquerade
130 bpm • D Maj • 03:19 • -6.19db
41% Popularity • 58% Danceability • 94% Energy • 52% Liveness
1% Instrumentalness • 49% Positiveness
41% Popularity • 58% Danceability • 94% Energy • 52% Liveness
1% Instrumentalness • 49% Positiveness
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MOSES
Findings
130 bpm • C# Maj • 03:21 • -5.55db
4% Popularity • 50% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
4% Popularity • 50% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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The Blinders
Brave New World - Edit
130 bpm • C# Maj • 02:40 • -5.5db
35% Popularity • 52% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
35% Popularity • 52% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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The Pale White
End of Time
130 bpm • B min • 03:37 • -4.52db
24% Popularity • 46% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 46% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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GRMLN
Why Won't They Leave Me Alone?
130 bpm • D Maj • 02:48 • -4.53db
11% Popularity • 51% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 51% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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cleopatrick
chromeo
130 bpm • C# Maj • 03:35 • -6db
37% Popularity • 55% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 55% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Big Spring
New Wave
130 bpm • D Maj • 03:04 • -3.86db
17% Popularity • 50% Danceability • 82% Energy • 2% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 50% Danceability • 82% Energy • 2% Liveness
0% Instrumentalness • 46% Positiveness
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The Tazers
A Bomb & A Bill
130 bpm • G# min • 03:56 • -8.95db
24% Popularity • 51% Danceability • 74% Energy • 10% Liveness
5% Instrumentalness • 35% Positiveness
24% Popularity • 51% Danceability • 74% Energy • 10% Liveness
5% Instrumentalness • 35% Positiveness
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MOSES
Crocodile
130 bpm • A min • 03:41 • -7db
9% Popularity • 57% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 57% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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BLOXX
Lay Down
130 bpm • A min • 03:20 • -5.45db
16% Popularity • 54% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 54% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Otherkin
Tombstone
131 bpm • C# Maj • 03:52 • -6.79db
14% Popularity • 53% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 53% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Troi Irons
Just Wanna
118 bpm • B min • 03:11 • -5.41db
16% Popularity • 65% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 65% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Kid Kapichi
Glitterati
131 bpm • C# Maj • 03:08 • -4.32db
37% Popularity • 58% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 58% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Ivy
Sinners Grin
131 bpm • C min • 03:25 • -4.75db
18% Popularity • 58% Danceability • 88% Energy • 38% Liveness
3% Instrumentalness • 64% Positiveness
18% Popularity • 58% Danceability • 88% Energy • 38% Liveness
3% Instrumentalness • 64% Positiveness
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Stuck On Planet Earth
Permanent
117 bpm • B min • 03:11 • -5.64db
19% Popularity • 54% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 54% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Cut Glass Kings
Dream in the Dark
132 bpm • C# min • 03:21 • -6.9db
9% Popularity • 43% Danceability • 83% Energy • 12% Liveness
24% Instrumentalness • 34% Positiveness
9% Popularity • 43% Danceability • 83% Energy • 12% Liveness
24% Instrumentalness • 34% Positiveness
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Rubber Jaw
Feeling Funny
132 bpm • C Maj • 03:15 • -6db
28% Popularity • 61% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 61% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Sad Boys Club
American Spirit
132 bpm • F min • 03:41 • -7.07db
13% Popularity • 55% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 55% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Circa Waves
Battered & Bruised
116 bpm • C min • 02:23 • -5.7db
31% Popularity • 79% Danceability • 84% Energy • 35% Liveness
3% Instrumentalness • 66% Positiveness
31% Popularity • 79% Danceability • 84% Energy • 35% Liveness
3% Instrumentalness • 66% Positiveness
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Bad Pony
Forever, My Love
116 bpm • E min • 03:23 • -7.32db
33% Popularity • 73% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 73% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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The Messenger Birds
Play Dead (Just for Tonight)
116 bpm • C# Maj • 06:18 • -5.22db
26% Popularity • 54% Danceability • 70% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
26% Popularity • 54% Danceability • 70% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
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Kid Kapichi
2019
133 bpm • A# min • 03:09 • -4.33db
31% Popularity • 52% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 52% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Fizzy Blood
Summer Of Luv
134 bpm • D Maj • 03:45 • -2.93db
19% Popularity • 32% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 32% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Hello Operator
Strangers in the Rain
115 bpm • G# min • 03:45 • -6.43db
7% Popularity • 41% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 41% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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FUKC
Everybody's Lonely
115 bpm • A Maj • 03:24 • -6.62db
18% Popularity • 65% Danceability • 89% Energy • 10% Liveness
33% Instrumentalness • 74% Positiveness
18% Popularity • 65% Danceability • 89% Energy • 10% Liveness
33% Instrumentalness • 74% Positiveness
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Oddnote
Velvet Clouds
115 bpm • G min • 02:36 • -7.09db
20% Popularity • 47% Danceability • 91% Energy • 11% Liveness
11% Instrumentalness • 57% Positiveness
20% Popularity • 47% Danceability • 91% Energy • 11% Liveness
11% Instrumentalness • 57% Positiveness
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The Messenger Birds
Phantom Limb
133 bpm • C# Maj • 03:47 • -2.93db
42% Popularity • 62% Danceability • 91% Energy • 7% Liveness
31% Instrumentalness • 46% Positiveness
42% Popularity • 62% Danceability • 91% Energy • 7% Liveness
31% Instrumentalness • 46% Positiveness
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Big Spring
Reset
115 bpm • G min • 03:30 • -4.91db
13% Popularity • 55% Danceability • 96% Energy • 51% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 55% Danceability • 96% Energy • 51% Liveness
0% Instrumentalness • 18% Positiveness
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THE JACKS
Threw It All Away
134 bpm • A min • 02:52 • -5.79db
12% Popularity • 57% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 57% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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My Kid Brother
Good News
115 bpm • C# min • 03:10 • -2.92db
21% Popularity • 71% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 71% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
