Songs like Who Will Save You Now by Les Friction
Based on a tempo of (+/- 10%) and a similar genre
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Naked Woods
Share (I Had Dreams)
120 bpm • A min • 04:21 • -10db
12% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Sin Shake Sin
Lunatics and Slaves
120 bpm • A min • 03:12 • -3db
41% Popularity • 73% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 73% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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The Anix
Warning Signs
120 bpm • D min • 03:24 • -4db
21% Popularity • 46% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 46% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Faunts
M4, Pt. II
120 bpm • B min • 08:17 • -9.3db
37% Popularity • 55% Danceability • 79% Energy • 20% Liveness
23% Instrumentalness • 27% Positiveness
37% Popularity • 55% Danceability • 79% Energy • 20% Liveness
23% Instrumentalness • 27% Positiveness
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The Spiritual Machines
The Man Is Me
120 bpm • F Maj • 03:52 • -7.95db
7% Popularity • 58% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 58% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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David Michael Bennett
Fire Fire
120 bpm • D# Maj • 03:44 • -14.73db
23% Popularity • 72% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 72% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Thomas Bergersen
Into Darkness
120 bpm • D min • 09:20 • -4db
27% Popularity • 51% Danceability • 68% Energy • 10% Liveness
15% Instrumentalness • 10% Positiveness
27% Popularity • 51% Danceability • 68% Energy • 10% Liveness
15% Instrumentalness • 10% Positiveness
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Sin Shake Sin
Can't Go to Hell
120 bpm • E min • 03:28 • -2.28db
55% Popularity • 64% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
55% Popularity • 64% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Copilot Music + Sound
Born in the Month of Darkness
120 bpm • E min • 03:42 • -8db
24% Popularity • 40% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 40% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Cryoshell
Closer to the Truth
120 bpm • D min • 04:02 • -4.55db
36% Popularity • 45% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 45% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Chase Noseworthy
Hound
120 bpm • E min • 03:07 • -7db
34% Popularity • 56% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 56% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Les Friction
Who Will Save You Now
120 bpm • A# min • 05:42 • -10db
36% Popularity • 22% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
36% Popularity • 22% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Tommee Profitt
Onward & Upward
120 bpm • F min • 03:30 • -6db
38% Popularity • 48% Danceability • 90% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
38% Popularity • 48% Danceability • 90% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
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ROZEN
Amusement Park
120 bpm • G# Maj • 04:35 • -8db
29% Popularity • 47% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 47% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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4th Point
Sick of It All
120 bpm • C Maj • 03:13 • -7db
36% Popularity • 44% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 44% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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PHILDEL
Storm Song
120 bpm • G min • 03:50 • -7.48db
42% Popularity • 64% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
42% Popularity • 64% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Karliene
Become the Beast (Hunger Remix)
120 bpm • C# min • 05:23 • -10.33db
9% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Les Friction
Dark Matter
120 bpm • B min • 04:48 • -11.45db
38% Popularity • 52% Danceability • 42% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
38% Popularity • 52% Danceability • 42% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
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Tommee Profitt
I'm Not Afraid
120 bpm • A# Maj • 04:14 • -5.47db
43% Popularity • 61% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 61% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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Rachel Rose Mitchell
The Hollow
120 bpm • G# Maj • 03:49 • -10.34db
12% Popularity • 49% Danceability • 35% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
12% Popularity • 49% Danceability • 35% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
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Josh Whitehouse
A New Mission
120 bpm • A# min • 05:00 • -10db
28% Popularity • 56% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 56% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Wolfie's Just Fine
Trying to Sleep
120 bpm • A min • 04:11 • -6db
33% Popularity • 47% Danceability • 74% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
33% Popularity • 47% Danceability • 74% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Karliene
Become the Beast
120 bpm • C# min • 04:53 • -12.49db
45% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Les Friction
String Theory (Instrumental)
120 bpm • F# min • 04:05 • -13db
8% Popularity • 44% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 44% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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The Spiritual Machines
A Simple Plan
120 bpm • E min • 03:26 • -5.2db
8% Popularity • 63% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 63% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Griffinilla
The Fire
120 bpm • C min • 02:48 • -9db
37% Popularity • 73% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 73% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Broken Iris
The Scar
120 bpm • G# Maj • 03:43 • -5db
23% Popularity • 27% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 27% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Boy Epic
Up Down
120 bpm • C Maj • 03:32 • -6.64db
41% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Darren Korb
Setting Sail, Coming Home (End Theme)
120 bpm • C min • 02:54 • -5.08db
41% Popularity • 72% Danceability • 75% Energy • 21% Liveness
2% Instrumentalness • 58% Positiveness
41% Popularity • 72% Danceability • 75% Energy • 21% Liveness
2% Instrumentalness • 58% Positiveness
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Les Friction
Dark Matter (Instrumental)
120 bpm • B min • 04:48 • -13.95db
10% Popularity • 49% Danceability • 37% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
10% Popularity • 49% Danceability • 37% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Sunday Driver
Mechanical Angel
120 bpm • B min • 02:18 • -16db
36% Popularity • 71% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 55% Positiveness
36% Popularity • 71% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 55% Positiveness
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Karliene
Become the Beast (Predator Remix )
120 bpm • C# min • 04:53 • -11.74db
28% Popularity • 65% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 65% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Spiritual Machines
Witnesses and Criminals
120 bpm • F# Maj • 04:38 • -7.39db
9% Popularity • 45% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 45% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Halsey
Control
120 bpm • E min • 03:34 • -5.64db
70% Popularity • 55% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
70% Popularity • 55% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Black Math
Cover Me
120 bpm • F# min • 03:04 • -10db
30% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
30% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Les Friction
The End of the Beginning
120 bpm • D Maj • 04:53 • -7db
26% Popularity • 49% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 49% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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C21fx
Nightmare Realized
120 bpm • C min • 02:12 • -11.07db
9% Popularity • 51% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 51% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Christian Reindl
Claim Your Weapons
120 bpm • A min • 03:02 • -9.63db
39% Popularity • 49% Danceability • 61% Energy • 24% Liveness
1% Instrumentalness • 14% Positiveness
39% Popularity • 49% Danceability • 61% Energy • 24% Liveness
1% Instrumentalness • 14% Positiveness
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The Spiritual Machines
Aching to Live
120 bpm • C Maj • 02:53 • -5.43db
14% Popularity • 41% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 41% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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Hania Lee
Hear You Scream
120 bpm • D min • 03:46 • -11.7db
10% Popularity • 32% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 32% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Port Sulphur Band
Rise up Dead Man
120 bpm • D Maj • 03:18 • -13.7db
50% Popularity • 55% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 55% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Les Friction
String Theory
120 bpm • F# min • 04:06 • -9db
26% Popularity • 39% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
26% Popularity • 39% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Mourning Ritual
Bad Moon Rising
120 bpm • G Maj • 03:33 • -10.39db
38% Popularity • 36% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 36% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Hidden Citizens
Stay Alive
120 bpm • C# Maj • 04:10 • -9.68db
36% Popularity • 32% Danceability • 63% Energy • 10% Liveness
3% Instrumentalness • 9% Positiveness
36% Popularity • 32% Danceability • 63% Energy • 10% Liveness
3% Instrumentalness • 9% Positiveness
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The Spiritual Machines
My Heart Wants Blood
120 bpm • F min • 03:00 • -6db
17% Popularity • 23% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 23% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Ursine Vulpine
Do You Realize
120 bpm • A min • 03:12 • -13db
34% Popularity • 22% Danceability • 23% Energy • 28% Liveness
2% Instrumentalness • 8% Positiveness
34% Popularity • 22% Danceability • 23% Energy • 28% Liveness
2% Instrumentalness • 8% Positiveness
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Aurelio Voltaire
When You're Evil
119 bpm • D min • 04:36 • -12.59db
45% Popularity • 48% Danceability • 56% Energy • 44% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 48% Danceability • 56% Energy • 44% Liveness
0% Instrumentalness • 36% Positiveness
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Les Friction
Love Comes Home
120 bpm • E min • 04:30 • -9.57db
26% Popularity • 40% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 40% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Christian Reindl
Claim Your Weapons - Acoustic
119 bpm • A min • 04:28 • -13.08db
13% Popularity • 27% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 27% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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League of Legends
Fiddlesticks, the Harbinger of Doom
119 bpm • F min • 02:29 • -13.79db
39% Popularity • 28% Danceability • 32% Energy • 9% Liveness
18% Instrumentalness • 10% Positiveness
39% Popularity • 28% Danceability • 32% Energy • 9% Liveness
18% Instrumentalness • 10% Positiveness
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Wild Fire
The Resistance
121 bpm • G Maj • 01:44 • -10.72db
16% Popularity • 30% Danceability • 45% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
16% Popularity • 30% Danceability • 45% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Chase Noseworthy
Death to Cerberus
121 bpm • C# min • 03:57 • -19.74db
18% Popularity • 36% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 36% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Tal Richards
Between Two Worlds
121 bpm • D min • 03:03 • -13.48db
27% Popularity • 34% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 34% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Les Friction
Who Will Save You Now (Instrumental)
120 bpm • A# min • 05:42 • -10.94db
8% Popularity • 20% Danceability • 43% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
8% Popularity • 20% Danceability • 43% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Lawless
Likeness
119 bpm • G Maj • 04:17 • -8db
19% Popularity • 39% Danceability • 55% Energy • 9% Liveness
42% Instrumentalness • 26% Positiveness
19% Popularity • 39% Danceability • 55% Energy • 9% Liveness
42% Instrumentalness • 26% Positiveness
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Joseph William Morgan
What a Wonderful World
118 bpm • C Maj • 02:32 • -7.48db
36% Popularity • 40% Danceability • 58% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
36% Popularity • 40% Danceability • 58% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
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Warmer
Don't You Worry Love
122 bpm • A min • 03:49 • -11.09db
19% Popularity • 27% Danceability • 30% Energy • 7% Liveness
90% Instrumentalness • 16% Positiveness
19% Popularity • 27% Danceability • 30% Energy • 7% Liveness
90% Instrumentalness • 16% Positiveness
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Dan Avidan
Scarborough Fair
122 bpm • D Maj • 03:21 • -12.74db
36% Popularity • 56% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 56% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Tales of the Forgotten
Believe
118 bpm • E min • 04:47 • -12.83db
29% Popularity • 35% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
29% Popularity • 35% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Les Friction
The End of the Beginning
120 bpm • D Maj • 04:51 • -11.35db
20% Popularity • 47% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
20% Popularity • 47% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Cryoshell
The Room
118 bpm • B min • 04:04 • -5.11db
29% Popularity • 56% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 56% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Sybrid
New Divide
118 bpm • E min • 03:44 • -2.59db
12% Popularity • 42% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 42% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Black Math
Lapse
118 bpm • F min • 03:25 • -11.89db
38% Popularity • 26% Danceability • 25% Energy • 17% Liveness
5% Instrumentalness • 7% Positiveness
38% Popularity • 26% Danceability • 25% Energy • 17% Liveness
5% Instrumentalness • 7% Positiveness
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Anime Kei
Honor for All - Orchestral Mix
124 bpm • F min • 04:10 • -9.97db
11% Popularity • 55% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 55% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
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Brandon M. Dennis
Lonesome Road
124 bpm • C min • 01:35 • -14.74db
18% Popularity • 21% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 21% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Les Friction
Who Will Save You Now
120 bpm • A# min • 05:03 • -10db
27% Popularity • 39% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 39% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Cryoshell
Breakout
117 bpm • E min • 03:15 • -7.24db
30% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Copilot Music + Sound
The Coup
124 bpm • G Maj • 03:21 • -5.76db
25% Popularity • 65% Danceability • 61% Energy • 58% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 65% Danceability • 61% Energy • 58% Liveness
0% Instrumentalness • 62% Positiveness
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Alina Lesnik
Ezio's Family
124 bpm • D min • 04:19 • -6db
24% Popularity • 40% Danceability • 81% Energy • 8% Liveness
50% Instrumentalness • 18% Positiveness
24% Popularity • 40% Danceability • 81% Energy • 8% Liveness
50% Instrumentalness • 18% Positiveness
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Tribe Society
Bullet With Butterfly Wings
124 bpm • F# min • 04:16 • -7.29db
40% Popularity • 59% Danceability • 72% Energy • 78% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 59% Danceability • 72% Energy • 78% Liveness
0% Instrumentalness • 49% Positiveness
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Black Math
Whiplash
116 bpm • G Maj • 02:07 • -4.55db
41% Popularity • 59% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 59% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Les Friction
This Is a Call
120 bpm • D Maj • 04:58 • -10db
30% Popularity • 34% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 34% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Ruelle
Game Of Survival
116 bpm • B min • 02:58 • -5db
57% Popularity • 56% Danceability • 82% Energy • 31% Liveness
8% Instrumentalness • 15% Positiveness
57% Popularity • 56% Danceability • 82% Energy • 31% Liveness
8% Instrumentalness • 15% Positiveness
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MEG MYERS
Heart Heart Head
125 bpm • G# min • 04:11 • -8.23db
33% Popularity • 54% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 54% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Tommee Profitt
Tomorrow We Fight
125 bpm • D# min • 03:20 • -5db
46% Popularity • 53% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 53% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Digital Daggers
Come Crashing
125 bpm • B Maj • 04:33 • -5.63db
23% Popularity • 50% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 50% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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arai tasuku
Dear Alice
125 bpm • D min • 03:38 • -6.68db
32% Popularity • 55% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 55% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Les Friction
Your World Will Fail (Instrumental)
121 bpm • B min • 04:49 • -16.8db
9% Popularity • 20% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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The Spiritual Machines
If I Strike First
125 bpm • A min • 03:50 • -8.9db
16% Popularity • 54% Danceability • 75% Energy • 8% Liveness
10% Instrumentalness • 12% Positiveness
16% Popularity • 54% Danceability • 75% Energy • 8% Liveness
10% Instrumentalness • 12% Positiveness
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KDrew
Signals - Christian Reindl Remix
125 bpm • E min • 03:54 • -7.19db
30% Popularity • 56% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 56% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Lawless
In the Name of Nothing
115 bpm • A min • 03:58 • -9db
18% Popularity • 42% Danceability • 40% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
18% Popularity • 42% Danceability • 40% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
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Aram Zero
Toss A Coin To Your Witcher
125 bpm • A# min • 04:20 • -8db
28% Popularity • 42% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 42% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Karliene Reynolds
Blood Countess
115 bpm • C Maj • 04:28 • -9db
32% Popularity • 48% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 48% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Les Friction
World with No Sun
119 bpm • A# Maj • 05:21 • -11.8db
18% Popularity • 22% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 22% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Divide Music
Minus Human (Detroit: Become Human)
115 bpm • C Maj • 03:09 • -13.17db
12% Popularity • 79% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 76% Positiveness
12% Popularity • 79% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 76% Positiveness
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Troy Baker
My Religion
115 bpm • F# min • 02:28 • -4.96db
29% Popularity • 58% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 58% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Damned Anthem
Time Is Now
115 bpm • F min • 03:07 • -5.11db
17% Popularity • 49% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 49% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The EverLove
Cruel
115 bpm • E min • 03:47 • -8.47db
37% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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The Phantoms
We Carry On
115 bpm • C# min • 02:57 • -6db
34% Popularity • 63% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
34% Popularity • 63% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
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Les Friction
World on Fire (Instrumental)
118 bpm • D min • 03:50 • -8db
12% Popularity • 32% Danceability • 65% Energy • 11% Liveness
50% Instrumentalness • 6% Positiveness
12% Popularity • 32% Danceability • 65% Energy • 11% Liveness
50% Instrumentalness • 6% Positiveness
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Celldweller
Too Many Tears
115 bpm • C# min • 06:22 • -7.26db
28% Popularity • 52% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 52% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Chase Noseworthy
Mollymauk's Reprise
125 bpm • C# Maj • 03:13 • -11.92db
29% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Tommee Profitt
Shoot To Kill
115 bpm • C min • 03:48 • -6.03db
35% Popularity • 52% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 52% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Darren Korb
Lament of Orpheus
126 bpm • G min • 03:13 • -9.3db
44% Popularity • 50% Danceability • 33% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
44% Popularity • 50% Danceability • 33% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
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Cryoshell
Don't Look Down
126 bpm • C min • 04:03 • -6.16db
29% Popularity • 56% Danceability • 73% Energy • 87% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 56% Danceability • 73% Energy • 87% Liveness
0% Instrumentalness • 23% Positiveness
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Les Friction
World on Fire
118 bpm • D min • 03:51 • -6.65db
40% Popularity • 34% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 34% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Lawless
Dear God
126 bpm • G Maj • 04:31 • -11db
42% Popularity • 47% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
42% Popularity • 47% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
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Saint Mesa
Blackest Hand
114 bpm • C min • 05:42 • -12.23db
29% Popularity • 51% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
29% Popularity • 51% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
