Songs like Whomsoever Dwells - London Sessions by Sinéad O'Connor
Based on a tempo of (+/- 10%) and a similar genre
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Joni Mitchell
Both Sides Now
78 bpm • D Maj • 05:45 • -13.52db
48% Popularity • 26% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 26% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Roxy Music
Jealous Guy
78 bpm • E min • 04:57 • -7.65db
61% Popularity • 51% Danceability • 62% Energy • 13% Liveness
1% Instrumentalness • 39% Positiveness
61% Popularity • 51% Danceability • 62% Energy • 13% Liveness
1% Instrumentalness • 39% Positiveness
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The Bangles
Eternal Flame
79 bpm • E min • 03:58 • -12.57db
55% Popularity • 52% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 52% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Take That
Back for Good - Radio Mix
79 bpm • F Maj • 04:02 • -9.76db
72% Popularity • 60% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
72% Popularity • 60% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Heart
These Dreams
79 bpm • B Maj • 04:14 • -9.87db
65% Popularity • 54% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
65% Popularity • 54% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Massive Attack
Teardrop
77 bpm • B min • 05:30 • -8.8db
71% Popularity • 62% Danceability • 42% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
71% Popularity • 62% Danceability • 42% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
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Chris de Burgh
The Lady In Red
77 bpm • A# Maj • 04:16 • -17.11db
76% Popularity • 55% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
76% Popularity • 55% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Norah Jones
Come Away With Me
77 bpm • C Maj • 03:18 • -13.27db
75% Popularity • 44% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
75% Popularity • 44% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Macy Gray
I Try
76 bpm • D Maj • 03:59 • -7.28db
74% Popularity • 59% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
74% Popularity • 59% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Alanis Morissette
Head over Feet - 2015 Remaster
80 bpm • C Maj • 04:27 • -7.18db
64% Popularity • 48% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
64% Popularity • 48% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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John Lennon
Woman - Remastered 2010
80 bpm • D# Maj • 03:32 • -6.37db
71% Popularity • 59% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
71% Popularity • 59% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Sinéad O'Connor
Scorn Not His Simplicity
80 bpm • C Maj • 04:26 • -20.21db
31% Popularity • 44% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 44% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Simon & Garfunkel
Bridge Over Troubled Water
80 bpm • D# Maj • 04:53 • -13.89db
70% Popularity • 15% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
70% Popularity • 15% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Dire Straits
Brothers In Arms
76 bpm • G# min • 06:59 • -9.45db
67% Popularity • 21% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
67% Popularity • 21% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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Armand Amar
A New Born Child
80 bpm • D# min • 03:29 • -13db
33% Popularity • 40% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
33% Popularity • 40% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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No Doubt
Don't Speak
76 bpm • F min • 04:23 • -7.13db
79% Popularity • 52% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
79% Popularity • 52% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Dido
Thank You
80 bpm • C# min • 03:38 • -9.94db
75% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
75% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Maria McKee
Show Me Heaven - Acoustic Demo Version
80 bpm • A# min • 03:43 • -6.47db
59% Popularity • 57% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 57% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
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Sinéad O'Connor
Fire on Babylon
80 bpm • F# min • 05:11 • -8.3db
38% Popularity • 47% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 47% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Lisa Loeb & Nine Stories
Stay (I Missed You)
80 bpm • C# Maj • 03:03 • -6.89db
60% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
60% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ultravox
Vienna - 2008 Remaster
80 bpm • F Maj • 04:56 • -10.24db
59% Popularity • 60% Danceability • 58% Energy • 12% Liveness
19% Instrumentalness • 33% Positiveness
59% Popularity • 60% Danceability • 58% Energy • 12% Liveness
19% Instrumentalness • 33% Positiveness
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Peter Gabriel
Don't Give Up
81 bpm • D# Maj • 06:34 • -14.2db
60% Popularity • 67% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 67% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Roxette
It Must Have Been Love
81 bpm • F Maj • 04:18 • -6.66db
78% Popularity • 52% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
78% Popularity • 52% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Skunk Anansie
Hedonism (Just Because You Feel Good)
81 bpm • A# Maj • 03:27 • -9.49db
55% Popularity • 56% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 56% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Foreigner
I Want to Know What Love Is - 1999 Remas...
81 bpm • F# Maj • 05:04 • -10.04db
81% Popularity • 48% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
81% Popularity • 48% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Tracy Chapman
Baby Can I Hold You
74 bpm • D Maj • 03:13 • -10.53db
77% Popularity • 69% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
77% Popularity • 69% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Edie Brickell & New Bohemians
Circle
82 bpm • D Maj • 03:10 • -13.61db
50% Popularity • 61% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 61% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Alanis Morissette
That I Would Be Good
82 bpm • B min • 04:16 • -12.94db
44% Popularity • 49% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
44% Popularity • 49% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Paula Cole
Feelin' Love
82 bpm • A# Maj • 05:37 • -9.97db
44% Popularity • 71% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
44% Popularity • 71% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Sinéad O'Connor
I Do Not Want What I Haven't Got
83 bpm • D# Maj • 05:48 • -12.59db
34% Popularity • 34% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 34% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Joan Osborne
St. Teresa
83 bpm • A min • 05:20 • -8db
41% Popularity • 58% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 58% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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The Velvet Underground
Pale Blue Eyes
83 bpm • F Maj • 05:39 • -18.76db
66% Popularity • 64% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
66% Popularity • 64% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Sophie B. Hawkins
As I Lay Me Down
83 bpm • A# Maj • 04:08 • -8.7db
56% Popularity • 52% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
56% Popularity • 52% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Dido
Life for Rent
83 bpm • D# Maj • 03:41 • -7.26db
61% Popularity • 49% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
61% Popularity • 49% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Sharon Shannon
The Seven Rejoices of Mary
83 bpm • A Maj • 04:59 • -10.46db
7% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Sinéad O'Connor
This Is to Mother You
83 bpm • G Maj • 03:12 • -10.98db
45% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Joe Cocker
You Are So Beautiful
83 bpm • C# Maj • 02:39 • -10.94db
70% Popularity • 30% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
70% Popularity • 30% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Mr. Big
To Be With You - 2021 Remastered
83 bpm • E Maj • 03:28 • -13.58db
69% Popularity • 69% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
69% Popularity • 69% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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The Cars
Drive - 2017 Remaster
83 bpm • F# Maj • 03:54 • -7.87db
73% Popularity • 26% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
73% Popularity • 26% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Dido
Here With Me
83 bpm • B min • 04:15 • -7.94db
68% Popularity • 56% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
68% Popularity • 56% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Natacha Atlas
Simple Heart
84 bpm • A# min • 04:45 • -7.95db
10% Popularity • 57% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 57% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Sinéad O'Connor
Last Day of Our Acquaintance
83 bpm • D# Maj • 04:38 • -13db
51% Popularity • 34% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 34% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Wet Wet Wet
Love Is All Around
84 bpm • A# Maj • 04:06 • -6.58db
70% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
70% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Joni Mitchell
Big Yellow Taxi
86 bpm • E Maj • 02:14 • -9.14db
55% Popularity • 61% Danceability • 47% Energy • 58% Liveness
0% Instrumentalness • 97% Positiveness
55% Popularity • 61% Danceability • 47% Energy • 58% Liveness
0% Instrumentalness • 97% Positiveness
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Tom Waits
I Hope That I Don't Fall In Love With Yo...
86 bpm • C Maj • 03:53 • -11.74db
59% Popularity • 54% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 55% Positiveness
59% Popularity • 54% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 55% Positiveness
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Simply Red
Holding Back the Years - 2008 Remaster
86 bpm • A min • 04:29 • -8.89db
72% Popularity • 71% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
72% Popularity • 71% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Bruce Springsteen
Secret Garden
87 bpm • C Maj • 04:26 • -14.22db
65% Popularity • 52% Danceability • 33% Energy • 12% Liveness
4% Instrumentalness • 12% Positiveness
65% Popularity • 52% Danceability • 33% Energy • 12% Liveness
4% Instrumentalness • 12% Positiveness
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Sinéad O'Connor
Just Like U Said It Would B
83 bpm • A min • 04:31 • -12db
48% Popularity • 58% Danceability • 26% Energy • 4% Liveness
0% Instrumentalness • 25% Positiveness
48% Popularity • 58% Danceability • 26% Energy • 4% Liveness
0% Instrumentalness • 25% Positiveness
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Tracy Chapman
She's Got Her Ticket
87 bpm • G Maj • 03:54 • -13.82db
53% Popularity • 76% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
53% Popularity • 76% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Tears For Fears
Sowing The Seeds Of Love
87 bpm • G min • 06:19 • -7.57db
66% Popularity • 33% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
66% Popularity • 33% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Enigma
Return To Innocence
88 bpm • A# Maj • 04:15 • -12.36db
66% Popularity • 48% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
66% Popularity • 48% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Dire Straits
Romeo And Juliet
88 bpm • F Maj • 06:00 • -12db
70% Popularity • 61% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
70% Popularity • 61% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
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Annie Lennox
Don't Let It Bring You Down
69 bpm • F Maj • 03:36 • -6.67db
45% Popularity • 42% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 42% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Sinéad O'Connor
Hold Back the Night
73 bpm • G Maj • 04:10 • -7.92db
25% Popularity • 13% Danceability • 78% Energy • 34% Liveness
32% Instrumentalness • 12% Positiveness
25% Popularity • 13% Danceability • 78% Energy • 34% Liveness
32% Instrumentalness • 12% Positiveness
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Bruce Springsteen
I'm On Fire
89 bpm • C# min • 02:35 • -14.45db
77% Popularity • 62% Danceability • 45% Energy • 7% Liveness
3% Instrumentalness • 87% Positiveness
77% Popularity • 62% Danceability • 45% Energy • 7% Liveness
3% Instrumentalness • 87% Positiveness
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The Verve
Sonnet
89 bpm • C Maj • 04:21 • -7.3db
65% Popularity • 43% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 43% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Crowded House
Four Seasons In One Day
89 bpm • G Maj • 02:50 • -17.2db
55% Popularity • 52% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
55% Popularity • 52% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Peter Gabriel
In Your Eyes
89 bpm • B min • 05:27 • -7.25db
58% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
58% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Willie Nelson
Don't Give Up
89 bpm • C min • 06:58 • -14db
36% Popularity • 57% Danceability • 33% Energy • 8% Liveness
3% Instrumentalness • 18% Positiveness
36% Popularity • 57% Danceability • 33% Energy • 8% Liveness
3% Instrumentalness • 18% Positiveness
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Sinéad O'Connor
Don't Cry for Me Argentina
71 bpm • A# Maj • 05:34 • -13.84db
46% Popularity • 17% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 17% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 10% Positiveness
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Billy Joel
The River of Dreams
90 bpm • G Maj • 04:07 • -8.15db
67% Popularity • 63% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 63% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Nelly Furtado
I'm Like A Bird
90 bpm • A# Maj • 04:03 • -5.11db
73% Popularity • 62% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
73% Popularity • 62% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Fiona Apple
Criminal
90 bpm • G min • 05:41 • -7.91db
65% Popularity • 60% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
65% Popularity • 60% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Kate Bush
The Man with the Child in His Eyes
90 bpm • C Maj • 02:38 • -10.59db
53% Popularity • 25% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 25% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Nick Drake
Northern Sky
90 bpm • F min • 03:44 • -18db
63% Popularity • 53% Danceability • 26% Energy • 13% Liveness
69% Instrumentalness • 49% Positiveness
63% Popularity • 53% Danceability • 26% Energy • 13% Liveness
69% Instrumentalness • 49% Positiveness
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Sinéad O'Connor
Famine
90 bpm • F min • 04:56 • -10.6db
37% Popularity • 75% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
37% Popularity • 75% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
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Whitney Houston
I Will Always Love You
68 bpm • E Maj • 04:31 • -12.52db
78% Popularity • 33% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
78% Popularity • 33% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Tanita Tikaram
I Love You
67 bpm • E min • 02:45 • -19.07db
38% Popularity • 56% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 56% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Pat Benatar
Love Is A Battlefield
91 bpm • D min • 04:05 • -11.9db
68% Popularity • 67% Danceability • 63% Energy • 10% Liveness
2% Instrumentalness • 86% Positiveness
68% Popularity • 67% Danceability • 63% Energy • 10% Liveness
2% Instrumentalness • 86% Positiveness
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Annie Lennox
Why
91 bpm • C Maj • 04:53 • -9.27db
64% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
64% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Alannah Myles
Black Velvet
91 bpm • G# Maj • 04:47 • -10.07db
72% Popularity • 75% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
72% Popularity • 75% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Martika
Love...Thy Will Be Done
91 bpm • D Maj • 05:02 • -11db
41% Popularity • 66% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 66% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Don McLean
Vincent
92 bpm • G Maj • 04:03 • -19.39db
70% Popularity • 42% Danceability • 8% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
70% Popularity • 42% Danceability • 8% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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The Chieftains
The Foggy Dew
91 bpm • E min • 05:21 • -12.09db
47% Popularity • 26% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 26% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Extreme
More Than Words
92 bpm • F# Maj • 05:34 • -14.9db
75% Popularity • 63% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
75% Popularity • 63% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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George Michael
Freedom! '90 - Remastered
92 bpm • F Maj • 06:30 • -10.35db
66% Popularity • 67% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
66% Popularity • 67% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Dido
Hunter
92 bpm • C min • 03:57 • -6.94db
57% Popularity • 59% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
57% Popularity • 59% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Simon & Garfunkel
Mrs. Robinson
92 bpm • F# min • 04:04 • -14.04db
76% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
76% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Moby
Harbour
92 bpm • D Maj • 06:27 • -13.11db
38% Popularity • 55% Danceability • 38% Energy • 9% Liveness
47% Instrumentalness • 10% Positiveness
38% Popularity • 55% Danceability • 38% Energy • 9% Liveness
47% Instrumentalness • 10% Positiveness
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Culture Club
Karma Chameleon - Remastered 2002
92 bpm • A# Maj • 04:12 • -7.18db
77% Popularity • 67% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
77% Popularity • 67% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Alanis Morissette
Thank U
92 bpm • C Maj • 04:18 • -5.76db
65% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
65% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Fleetwood Mac
Songbird - 2004 Remaster
92 bpm • F Maj • 03:20 • -15.52db
66% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
66% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Peter Gabriel
Mercy Street
93 bpm • C# min • 06:17 • -16.68db
47% Popularity • 57% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
47% Popularity • 57% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Crash Test Dummies
Mmm Mmm Mmm Mmm
93 bpm • D# Maj • 03:55 • -7.72db
66% Popularity • 58% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
66% Popularity • 58% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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INXS
By My Side
93 bpm • B min • 03:05 • -8.72db
61% Popularity • 52% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
61% Popularity • 52% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Simon & Garfunkel
The Boxer
93 bpm • B Maj • 05:08 • -14.46db
71% Popularity • 44% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
71% Popularity • 44% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Alanis Morissette
Hand in My Pocket - 2015 Remaster
92 bpm • C Maj • 03:42 • -8.3db
68% Popularity • 66% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
68% Popularity • 66% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Natalie Merchant
Kind & Generous
93 bpm • D# Maj • 04:01 • -7db
56% Popularity • 59% Danceability • 61% Energy • 60% Liveness
53% Instrumentalness • 47% Positiveness
56% Popularity • 59% Danceability • 61% Energy • 60% Liveness
53% Instrumentalness • 47% Positiveness
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Janis Joplin
Me and Bobby McGee
93 bpm • D Maj • 04:31 • -10.96db
70% Popularity • 43% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
70% Popularity • 43% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Joan Armatrading
Love And Affection
93 bpm • E Maj • 04:28 • -13.25db
53% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Kansas
Dust in the Wind
94 bpm • G Maj • 03:26 • -10.69db
78% Popularity • 48% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
78% Popularity • 48% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Brandi Carlile
The Story
94 bpm • B Maj • 03:58 • -8.25db
65% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
65% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Stranglers
Golden Brown
94 bpm • F# Maj • 03:26 • -15.47db
70% Popularity • 56% Danceability • 38% Energy • 14% Liveness
12% Instrumentalness • 60% Positiveness
70% Popularity • 56% Danceability • 38% Energy • 14% Liveness
12% Instrumentalness • 60% Positiveness
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Bruce Springsteen
Streets of Philadelphia - Single Edit
94 bpm • F Maj • 03:15 • -13.25db
73% Popularity • 74% Danceability • 29% Energy • 9% Liveness
12% Instrumentalness • 44% Positiveness
73% Popularity • 74% Danceability • 29% Energy • 9% Liveness
12% Instrumentalness • 44% Positiveness
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Tracy Chapman
Mountains O' Things
94 bpm • A min • 04:39 • -14.52db
53% Popularity • 85% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
53% Popularity • 85% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Eric Clapton
Layla - Acoustic Live
94 bpm • D min • 04:49 • -11.64db
70% Popularity • 56% Danceability • 52% Energy • 93% Liveness
0% Instrumentalness • 65% Positiveness
70% Popularity • 56% Danceability • 52% Energy • 93% Liveness
0% Instrumentalness • 65% Positiveness
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Dido
Don't Think of Me
94 bpm • G# min • 04:32 • -8db
48% Popularity • 51% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 51% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Sinéad O'Connor
I Am Stretched on Your Grave
94 bpm • G# min • 05:33 • -8.04db
40% Popularity • 71% Danceability • 65% Energy • 13% Liveness
7% Instrumentalness • 55% Positiveness
40% Popularity • 71% Danceability • 65% Energy • 13% Liveness
7% Instrumentalness • 55% Positiveness
