Songs like Why Am I Falling? by Ramin Karimloo
Based on a tempo of (+/- 10%) and a similar genre
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Mindi Dickstein
Five Forever
131 bpm • E Maj • 02:38 • -8.05db
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Nancy Opel
It's a Privilege to Pee
131 bpm • C min • 03:47 • -11db
33% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Daniel and Laura Curtis
Why Am I Falling
131 bpm • C Maj • 04:37 • -14db
16% Popularity • 29% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 29% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Andy Karl
Day One
131 bpm • D Maj • 10:19 • -7.26db
31% Popularity • 48% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 48% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Jenn Colella
28 Hours / Wherever We Are
131 bpm • E min • 07:33 • -8.57db
42% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Zachary Levi
Good Morning, Good Day
131 bpm • B Maj • 03:07 • -8.93db
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Michael James Scott
Welcome to the Renaissance
131 bpm • C Maj • 04:45 • -7.22db
42% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Lea Michele
Don't Rain on My Parade
130 bpm • A Maj • 02:38 • -8.59db
44% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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The Clockmaker's Daughter Studio Cast
Finale Act I - Raise A Glass
132 bpm • C Maj • 08:37 • -10.34db
17% Popularity • 40% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 40% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Cole Thompson
Giants In The Sky
132 bpm • A# min • 02:23 • -10.78db
38% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Ramin Karimloo
Losing
133 bpm • A Maj • 04:31 • -7.66db
12% Popularity • 35% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 35% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Andrea Martin
No Time at All
133 bpm • A min • 05:54 • -8db
33% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Stephanie D'Abruzzo
There's a Fine, Fine Line
129 bpm • G Maj • 02:39 • -9.98db
29% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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'Anything Goes' New Broadway Cast Ensemble
There's No Cure Like Travel / Bon Voyage
129 bpm • G Maj • 01:54 • -7.8db
30% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Bebe Neuwirth
Just Around The Corner
129 bpm • F# Maj • 03:58 • -10db
39% Popularity • 57% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 57% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Lilla Crawford
I Know Things Now
133 bpm • C Maj • 02:04 • -13.54db
43% Popularity • 68% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 68% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Marissa Jaret Winokur
Good Morning Baltimore
133 bpm • G# Maj • 03:40 • -5.01db
39% Popularity • 69% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 69% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Jeanine Tesori
Days and Days
133 bpm • C# Maj • 03:28 • -12.89db
30% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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'Something Rotten' Company
Finale
129 bpm • C Maj • 02:31 • -6.17db
33% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Luke Brady
Never in A Million Years - Reprise
133 bpm • B min • 01:09 • -18.93db
26% Popularity • 32% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 32% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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John Bolton
Learn to Do It
129 bpm • G Maj • 04:07 • -10.74db
48% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
48% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Liz Callaway
Meadowlark (The Baker's Wife)
129 bpm • E Maj • 05:31 • -8.37db
25% Popularity • 30% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 30% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
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Sarah Jessica Parker
Happily Ever After
134 bpm • F Maj • 04:10 • -15db
22% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Anna Kendrick
A Summer in Ohio
134 bpm • C min • 04:05 • -7.32db
40% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Capathia Jenkins
That's Rich
134 bpm • F Maj • 02:32 • -10.26db
42% Popularity • 64% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 64% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Lucy, Ensemble
Good 'n' Evil
128 bpm • C# min • 03:10 • -10.35db
29% Popularity • 40% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 40% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Derek Klena
My Petersburg
134 bpm • A Maj • 02:30 • -9db
48% Popularity • 56% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
48% Popularity • 56% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Sean Palmer as Prince Eric
Her Voice
134 bpm • D Maj • 03:15 • -17.71db
37% Popularity • 31% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 31% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Tracie Thoms
Tango: Maureen
128 bpm • G Maj • 03:55 • -4.99db
47% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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The Last Match: A Pro-Wrestling Rock Experience
When It All Falls Down
134 bpm • E Maj • 07:44 • -9.93db
3% Popularity • 52% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
3% Popularity • 52% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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John Dossett
The Bottom Line (Reprise)
128 bpm • G Maj • 00:57 • -13.46db
39% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Jessie Mueller
What Baking Can Do
128 bpm • F# Maj • 03:30 • -5.96db
52% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Liam Tamne
Make It Right
134 bpm • C Maj • 03:18 • -8.57db
31% Popularity • 28% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
31% Popularity • 28% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Ramin Karimloo
Every Day - Bonus Track
128 bpm • F Maj • 04:08 • -14.7db
2% Popularity • 41% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
2% Popularity • 41% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Daniel Huttlestone
Giants in the Sky
128 bpm • D Maj • 02:26 • -13.14db
46% Popularity • 64% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 64% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Mary Faber
Been A Long Day
128 bpm • D# Maj • 03:15 • -11.89db
22% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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'Come From Away' Company
38 Planes
128 bpm • D min • 01:09 • -9.02db
45% Popularity • 58% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 58% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Jekyll
This Is the Moment
135 bpm • D# Maj • 03:14 • -8.69db
34% Popularity • 32% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 32% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Kelsey Grammer
Live By The Hook - Original Broadway Cas...
127 bpm • D Maj • 03:47 • -8.5db
25% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Ramin Karimloo
Bring Him Home
135 bpm • A Maj • 04:31 • -14.35db
18% Popularity • 26% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 26% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Company - Into the Woods (Motion Picture Cast)
Finale/Children Will Listen (Pt. 2)
127 bpm • C# Maj • 01:44 • -14.59db
36% Popularity • 61% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 61% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Carly Paoli
A Million Dreams - The Greatest Showman
135 bpm • C Maj • 04:48 • -10.35db
3% Popularity • 26% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
3% Popularity • 26% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Reeve Carney
Epic I
127 bpm • F Maj • 03:12 • -11.52db
51% Popularity • 62% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 62% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Bryce Pinkham
Stop! Wait! What?!
127 bpm • G min • 01:48 • -10.89db
25% Popularity • 75% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 75% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
32% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Daniel Breaker
Don't Let Me Go
127 bpm • D Maj • 02:49 • -6.14db
46% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Mindi Dickstein
Off to Massachusetts
136 bpm • A Maj • 01:40 • -10.32db
29% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Lucy, Jekyll
Dangerous Game
136 bpm • E min • 03:34 • -11.02db
32% Popularity • 34% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 34% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Lauren Ambrose
I Could Have Danced All Night
136 bpm • C Maj • 03:48 • -6.46db
23% Popularity • 36% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 36% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Ramin Karimloo
Song of the Human Heart
136 bpm • B Maj • 05:45 • -7.87db
5% Popularity • 41% Danceability • 53% Energy • 52% Liveness
0% Instrumentalness • 13% Positiveness
5% Popularity • 41% Danceability • 53% Energy • 52% Liveness
0% Instrumentalness • 13% Positiveness
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Christy Altomare
Once Upon a December (Reprise)
136 bpm • A min • 00:57 • -19.79db
38% Popularity • 47% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 47% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Jennifer Damiano
Perfect for You
126 bpm • D Maj • 02:03 • -12.95db
34% Popularity • 54% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 54% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jenn Colella
Me And The Sky
136 bpm • C# Maj • 04:36 • -7.15db
50% Popularity • 67% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 67% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Christopher Fitzgerald
I Love You Like a Table
126 bpm • G# Maj • 01:56 • -5.46db
46% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Anna Kendrick
Climbing Uphill
136 bpm • E min • 03:29 • -8db
36% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Hunter Parrish
All for the Best
136 bpm • G Maj • 03:16 • -10.76db
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Christopher Sieber
The Ballad Of Farquaad
126 bpm • C# Maj • 03:32 • -6.8db
37% Popularity • 56% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 56% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Melanie Moore
Matchmaker
126 bpm • E Maj • 04:33 • -8.1db
29% Popularity • 54% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 54% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Erin Davie
I Will Never Leave You
126 bpm • F Maj • 03:08 • -9db
23% Popularity • 40% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 40% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Mike Faist
Disappear
137 bpm • G# Maj • 04:35 • -6.65db
51% Popularity • 45% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 45% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Amber Gray
We Raise Our Cups
126 bpm • C# min • 02:05 • -11.06db
45% Popularity • 60% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
45% Popularity • 60% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Brian D'Arcy James
What Is It About Her?
125 bpm • F min • 02:53 • -5.87db
29% Popularity • 51% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 51% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Michael Berresse
Cell Block Tango
137 bpm • F Maj • 06:14 • -12.75db
41% Popularity • 64% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 64% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Caroline O'Connor
The Press Conference
137 bpm • C Maj • 02:05 • -9db
38% Popularity • 74% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 74% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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'Come From Away' Company
In The Bar / Heave Away
137 bpm • D Maj • 01:22 • -5db
42% Popularity • 58% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 58% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 82% Positiveness
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Sierra Boggess as Ariel
Part of Your World
137 bpm • G Maj • 03:24 • -20.02db
43% Popularity • 42% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 42% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Faith Prince
Marry the Man Today
125 bpm • C min • 02:35 • -18db
30% Popularity • 68% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 68% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Alan Zachary
In Love With You
137 bpm • C Maj • 03:53 • -6db
29% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Kalevala The Musical
The Wrath of Louhi
138 bpm • G Maj • 03:51 • -6.14db
1% Popularity • 34% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
1% Popularity • 34% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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John Dossett
The Bottom Line
138 bpm • G Maj • 02:16 • -11.94db
42% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Krysta Rodriguez
Pulled
125 bpm • C Maj • 02:59 • -7.96db
51% Popularity • 51% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 51% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Sara Bareilles
It Takes Two
139 bpm • A# Maj • 02:49 • -10.59db
38% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Tituss Burgess as Sebastian
Kiss the Girl
124 bpm • F Maj • 03:10 • -17.58db
35% Popularity • 55% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 55% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Alan Zachary
The Things I Never Said
138 bpm • G# Maj • 03:23 • -8.21db
23% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Carla J. Hargrove
Skid Row (Downtown)
139 bpm • A# Maj • 04:06 • -8.5db
44% Popularity • 54% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 54% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Newsies Original Broadway Cast
Brooklyn's Here
139 bpm • G Maj • 01:53 • -8.07db
46% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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'Come From Away' Company
Blankets And Bedding
124 bpm • E min • 02:51 • -6.8db
44% Popularity • 63% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 63% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Ramin Karimloo
Our Hearts Must Take Control
139 bpm • D# Maj • 03:41 • -7.61db
4% Popularity • 25% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
4% Popularity • 25% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Susan Egan
Belle
124 bpm • D Maj • 05:16 • -17db
39% Popularity • 54% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 54% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Zachary Levi
She Loves Me
124 bpm • G# Maj • 02:50 • -8.24db
32% Popularity • 53% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 53% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
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Caissie Levy
Dangerous to Dream
139 bpm • A Maj • 05:03 • -8.44db
44% Popularity • 31% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 31% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Caitlin Kinnunen
Unruly Heart
139 bpm • F Maj • 03:57 • -7.77db
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Luke Brady
Footprints on The Sand
139 bpm • C Maj • 03:23 • -11db
32% Popularity • 39% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 39% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Ramin Karimloo
Music of the Night
123 bpm • C# Maj • 04:17 • -8.02db
25% Popularity • 35% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 35% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Gavin Creel
Agony
139 bpm • E Maj • 02:26 • -11db
40% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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John Bolton
A Rumor in St. Petersburg
123 bpm • C Maj • 05:39 • -10db
46% Popularity • 70% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 70% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Emily Blunt
Moments in the Woods
140 bpm • D Maj • 03:07 • -17.64db
38% Popularity • 57% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 57% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Anna Kendrick
A Part of That
140 bpm • F min • 04:00 • -8db
38% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Susan Egan
Something There
123 bpm • D Maj • 05:27 • -23.98db
34% Popularity • 44% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 44% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Jenn Colella
38 Planes (Reprise) / Somewhere In The M...
140 bpm • D Maj • 04:22 • -6.03db
43% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Matthew James Thomas
With You
140 bpm • B Maj • 05:39 • -8.87db
31% Popularity • 35% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 35% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Kalevala The Musical
Forge
140 bpm • C# Maj • 03:14 • -7.87db
1% Popularity • 48% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
1% Popularity • 48% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Ramin Karimloo
Eyes of a Child
140 bpm • A# Maj • 03:20 • -6.82db
7% Popularity • 43% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 43% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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'Something Rotten' Ensemble
The Black Death
140 bpm • E Maj • 01:15 • -8.96db
39% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Brian D'Arcy James
Overture/Big Bright Beautiful World
122 bpm • D Maj • 05:43 • -6.97db
42% Popularity • 57% Danceability • 57% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 57% Danceability • 57% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
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Andrew Lloyd Webber
‘Til I Hear You Sing
122 bpm • F Maj • 04:19 • -15.33db
37% Popularity • 29% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
37% Popularity • 29% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Patina Miller
Raise Your Voice
141 bpm • C Maj • 06:23 • -5.3db
36% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
