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Why and How
Songs like
Why and How
by
Mark Murphy
Based on a tempo of (+/- 10%) and a similar genre
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Miles Davis
Concert on the Runway
164 bpm • A min • 04:13 • -10.33db
15% Popularity • 46% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Mark Murphy
Why and How
164 bpm • D# min • 02:57 • -15db
22% Popularity • 52% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Tina Brooks
Stranger In Paradise - Remastered 1999
165 bpm • C min • 07:32 • -11db
13% Popularity • 47% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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The Three Sounds
Yeh Yeh
167 bpm • G# Maj • 03:42 • -9.2db
2% Popularity • 53% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Bud Powell
Duid Deed - Remastered 2003/Rudy Van Gel...
167 bpm • D# min • 05:08 • -14.56db
19% Popularity • 50% Danceability • 35% Energy • 31% Liveness
18% Instrumentalness • 68% Positiveness
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Milt Jackson Quartet
A Thrill from the Blues
167 bpm • C Maj • 05:47 • -20db
8% Popularity • 42% Danceability • 20% Energy • 11% Liveness
10% Instrumentalness • 50% Positiveness
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The Modern Jazz Quartet
Django
168 bpm • F min • 04:35 • -20db
33% Popularity • 40% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Eddie Jefferson
See If You Can Git To That
159 bpm • C min • 02:45 • -14.34db
9% Popularity • 55% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Joe Williams
Get Out Of My Life Woman
169 bpm • G# min • 03:21 • -11db
28% Popularity • 44% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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Baby Face Willette
Somethin' Strange - Remastered 2007/Rudy...
170 bpm • F min • 06:42 • -8db
10% Popularity • 48% Danceability • 56% Energy • 20% Liveness
12% Instrumentalness • 75% Positiveness
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Art Farmer
Mox Nix - Remastered
171 bpm • D min • 04:41 • -16db
19% Popularity • 46% Danceability • 21% Energy • 7% Liveness
38% Instrumentalness • 50% Positiveness
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The Three Sounds
Repeat After Me
157 bpm • C Maj • 06:42 • -9.76db
23% Popularity • 54% Danceability • 70% Energy • 23% Liveness
10% Instrumentalness • 71% Positiveness
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Monty Alexander
Here Comes the Sun
171 bpm • A# min • 04:55 • -24.08db
20% Popularity • 41% Danceability • 31% Energy • 27% Liveness
52% Instrumentalness • 82% Positiveness
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Sheila Jordan
Falling In Love With Love
171 bpm • F# Maj • 02:31 • -14.34db
24% Popularity • 43% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Joe Williams
'S Wonderful
169 bpm • D min • 02:36 • -12.14db
15% Popularity • 41% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Joe Farrell
Canned Funk
171 bpm • C Maj • 07:21 • -5db
24% Popularity • 44% Danceability • 94% Energy • 5% Liveness
76% Instrumentalness • 84% Positiveness
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Art Blakey
Message From Kenya
156 bpm • E min • 04:35 • -12.91db
7% Popularity • 42% Danceability • 63% Energy • 11% Liveness
48% Instrumentalness • 66% Positiveness
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Kenny Dorham
Sao Paulo - Remastered
155 bpm • D# min • 07:20 • -9.55db
23% Popularity • 54% Danceability • 41% Energy • 11% Liveness
50% Instrumentalness • 51% Positiveness
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Charles Lloyd Quartet
Sombrero Sam
173 bpm • C Maj • 05:13 • -14db
10% Popularity • 51% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Mark Murphy
Make Me Rainbows
155 bpm • B min • 03:08 • -13.28db
1% Popularity • 55% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Abbey Lincoln
Lonely House - Remastered
174 bpm • G Maj • 03:38 • -19.86db
13% Popularity • 29% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Shirley Horn
Mack The Knife
174 bpm • G# Maj • 03:02 • -12.97db
26% Popularity • 46% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Andy Bey
I Know This Love Can't Be Wrong
154 bpm • C min • 04:19 • -14.03db
17% Popularity • 52% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Horace Silver
The Jody Grind
154 bpm • F min • 05:50 • -9db
33% Popularity • 53% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Art Blakey
Tin Tin Deo
154 bpm • F# Maj • 02:47 • -10.12db
6% Popularity • 66% Danceability • 46% Energy • 9% Liveness
30% Instrumentalness • 96% Positiveness
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Mark Murphy
This Could Be the Start of Something - T...
174 bpm • C min • 03:41 • -16.39db
3% Popularity • 48% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Eddie Jefferson
Mercy, Mercy, Mercy
175 bpm • A# Maj • 02:58 • -15.27db
10% Popularity • 50% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Wouter Hamel
Come and Get Me
175 bpm • G min • 04:51 • -11.02db
0% Popularity • 42% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Hank Mobley
The Morning After
175 bpm • D min • 09:45 • -14.76db
20% Popularity • 35% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Kenny Dorham
Mamacita - Remastered 2014
153 bpm • C min • 11:03 • -13.57db
28% Popularity • 53% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 81% Positiveness
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The Three Sounds
O Sole Mio
151 bpm • C Maj • 03:59 • -20.5db
7% Popularity • 64% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Mark Murphy
Waters Of March
153 bpm • G Maj • 03:38 • -11.94db
11% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Helen Merrill
'S Wonderful
153 bpm • G# Maj • 03:12 • -17db
21% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Dave Pike
Devilette
151 bpm • D min • 06:04 • -8.46db
14% Popularity • 44% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
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Junior Mance
Junior's Tune
151 bpm • G# Maj • 03:35 • -19.37db
52% Popularity • 68% Danceability • 21% Energy • 12% Liveness
84% Instrumentalness • 74% Positiveness
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Eddie Jefferson
So What
179 bpm • G min • 04:25 • -15.76db
13% Popularity • 45% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Mose Allison
The Seventh Son
150 bpm • C# Maj • 02:37 • -15db
44% Popularity • 63% Danceability • 40% Energy • 12% Liveness
24% Instrumentalness • 96% Positiveness
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Mark Murphy
Just Give Me Time
176 bpm • A min • 02:35 • -19.09db
11% Popularity • 51% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Courtney Pine
Rules
150 bpm • D Maj • 03:12 • -10.86db
28% Popularity • 70% Danceability • 54% Energy • 6% Liveness
12% Instrumentalness • 85% Positiveness
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Horace Silver
Liberated Brother
150 bpm • D min • 05:23 • -8.46db
29% Popularity • 53% Danceability • 72% Energy • 15% Liveness
40% Instrumentalness • 59% Positiveness
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Yellowtail
Seasons In My Mind - Emanative Rework
180 bpm • G Maj • 06:05 • -9.12db
1% Popularity • 34% Danceability • 75% Energy • 9% Liveness
78% Instrumentalness • 22% Positiveness
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Ike Quebec
Me 'N You
149 bpm • C min • 05:59 • -18.18db
28% Popularity • 56% Danceability • 12% Energy • 9% Liveness
79% Instrumentalness • 51% Positiveness
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Jimmy Heath
Gemini
181 bpm • G# Maj • 06:12 • -17.35db
17% Popularity • 31% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Mark Murphy
Ridin' High
150 bpm • A# Maj • 02:31 • -10.5db
3% Popularity • 50% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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James Moody
Disappointed
149 bpm • F Maj • 02:10 • -11.35db
28% Popularity • 54% Danceability • 43% Energy • 53% Liveness
0% Instrumentalness • 66% Positiveness
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Sheila Jordan
I'm A Fool To Want You
149 bpm • E min • 04:55 • -27.79db
7% Popularity • 27% Danceability • 2% Energy • 10% Liveness
5% Instrumentalness • 6% Positiveness
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Horace Silver
Senor Blues
149 bpm • A# min • 07:01 • -11db
35% Popularity • 51% Danceability • 35% Energy • 11% Liveness
84% Instrumentalness • 68% Positiveness
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Gary Burton
Boston Marathon
181 bpm • C Maj • 07:22 • -8.94db
10% Popularity • 46% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Abbey Lincoln
Long As You're Living - Remastered
148 bpm • A# min • 02:33 • -14.41db
10% Popularity • 59% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Mark Murphy
The Lady Is A Tramp - This Could Be the ...
150 bpm • C Maj • 03:11 • -15.75db
0% Popularity • 46% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Jimmy Scott
On Broadway
182 bpm • C# Maj • 03:34 • -16db
23% Popularity • 30% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Bill Evans
Tomato Kiss
147 bpm • B Maj • 05:24 • -15db
17% Popularity • 37% Danceability • 32% Energy • 12% Liveness
56% Instrumentalness • 42% Positiveness
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Etta Jones
Yes Sir, That's My Baby
147 bpm • G# Maj • 04:20 • -8.39db
44% Popularity • 63% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Sonny Clark
Somethin' Special
184 bpm • G min • 06:19 • -12db
31% Popularity • 49% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Lindberg Hemmer Foundation
Little Things
146 bpm • G min • 05:35 • -9.27db
5% Popularity • 72% Danceability • 67% Energy • 11% Liveness
41% Instrumentalness • 86% Positiveness
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Mark Murphy
It's Not for Me to Say - Mark Murphy's H...
148 bpm • D min • 02:31 • -14.4db
1% Popularity • 56% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Waters
Sitting Here All Alone
145 bpm • F# Maj • 03:30 • -8.4db
8% Popularity • 59% Danceability • 81% Energy • 18% Liveness
38% Instrumentalness • 83% Positiveness
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Yusef Lateef
Nubian Lady - 1972
145 bpm • B min • 06:38 • -15db
28% Popularity • 44% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 78% Positiveness
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Kurt Elling
Steppin' Out
145 bpm • G# Maj • 04:48 • -14db
28% Popularity • 50% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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The Latin Jazz Quintet
Sunday Go Meetin'
144 bpm • C min • 05:50 • -14.69db
8% Popularity • 50% Danceability • 37% Energy • 9% Liveness
3% Instrumentalness • 56% Positiveness
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Abbey Lincoln
Afro Blue - Remastered
144 bpm • C min • 03:16 • -17db
24% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Mark Murphy
You're My Alter Ego
183 bpm • G Maj • 06:14 • -14.57db
4% Popularity • 41% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Helen Merrill
Falling In Love With Love
144 bpm • D min • 03:55 • -16db
24% Popularity • 54% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Leon Thomas
Let the Rain Fall on Me
143 bpm • D# Maj • 05:27 • -18.3db
13% Popularity • 35% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Mongo Santamaria
Sweet 'Tater Pie
143 bpm • F min • 02:40 • -10.8db
25% Popularity • 72% Danceability • 62% Energy • 14% Liveness
53% Instrumentalness • 89% Positiveness
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Johnny Hodges
Echoes Of Harlem
142 bpm • F min • 04:03 • -14.18db
9% Popularity • 44% Danceability • 41% Energy • 40% Liveness
89% Instrumentalness • 68% Positiveness
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Chico Hamilton Quintet
Passin' Thru
142 bpm • D Maj • 08:19 • -12.22db
9% Popularity • 42% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Mark Murphy
If I Could Be With You (One Hour Tonight...
184 bpm • G Maj • 02:38 • -17.44db
3% Popularity • 36% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Howard McGhee
Sleep Talk
142 bpm • C min • 02:54 • -23db
15% Popularity • 56% Danceability • 10% Energy • 12% Liveness
8% Instrumentalness • 47% Positiveness
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Leon Thomas
Damn Nam (Ain't Goin' to Vietnam)
142 bpm • C Maj • 04:44 • -10.58db
8% Popularity • 48% Danceability • 47% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
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Cedar Walton
Another Star
142 bpm • G# Maj • 08:31 • -23.01db
8% Popularity • 36% Danceability • 29% Energy • 15% Liveness
56% Instrumentalness • 47% Positiveness
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Herbie Mann with Tamiko Jones
1-2-3
141 bpm • C Maj • 02:15 • -14.83db
12% Popularity • 68% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Sheila Jordan
Hum Drum Blues
141 bpm • G# min • 02:15 • -16.67db
36% Popularity • 55% Danceability • 8% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Mark Murphy
Put The Blame On Mame
146 bpm • C# Maj • 02:49 • -9.87db
5% Popularity • 56% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Dave Pike
You've Got Your Troubles
141 bpm • B min • 04:09 • -10.02db
13% Popularity • 48% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Dorothy Dandridge
Smooth Operator
140 bpm • A# min • 03:06 • -10.52db
31% Popularity • 62% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Yusef Lateef
Russell and Eliot
140 bpm • A min • 04:53 • -13.83db
25% Popularity • 56% Danceability • 41% Energy • 6% Liveness
78% Instrumentalness • 62% Positiveness
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Jazzmeia Horn
I Remember You
139 bpm • F min • 02:12 • -12db
33% Popularity • 60% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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James Moody
I'm In the Mood for Love
140 bpm • C min • 02:48 • -13.67db
28% Popularity • 54% Danceability • 20% Energy • 16% Liveness
85% Instrumentalness • 48% Positiveness
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Mark Murphy
Why Don't You Do Right
144 bpm • F min • 02:31 • -8.06db
32% Popularity • 66% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Morgana King
Watch What Happens
210 bpm • E min • 02:52 • -13.52db
18% Popularity • 26% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Mark Murphy
Stolen Moments (1st reprise)
143 bpm • C min • 01:03 • -15.93db
2% Popularity • 57% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Mark Murphy
Honeysuckle Rose
140 bpm • D# Maj • 03:08 • -13.26db
7% Popularity • 66% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Mark Murphy
Witchcraft
139 bpm • F Maj • 02:38 • -15.2db
3% Popularity • 73% Danceability • 31% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Mark Murphy
Jump for Joy
199 bpm • G# Maj • 04:41 • -16.08db
7% Popularity • 44% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Why and How