Songs like Why Do Fools Fall In Love by Frankie Lymon & The Teenagers
Based on a tempo of (+/- 10%) and a similar genre
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The Mystics
Don't Take The Stars
174 bpm • D Maj • 02:31 • -9.7db
31% Popularity • 35% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 35% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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The Valentines
Lily Maebelle
174 bpm • G# Maj • 02:16 • -4.85db
22% Popularity • 44% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 44% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The Five Keys
The Glory of Love
174 bpm • A# Maj • 03:09 • -11.66db
7% Popularity • 30% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 30% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Frankie Lymon & The Teenagers
Begin the Beguine
174 bpm • F Maj • 02:41 • -9.74db
1% Popularity • 40% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
1% Popularity • 40% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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The Hollywood Flames
Buzz, Buzz, Buzz
173 bpm • C Maj • 02:16 • -10db
35% Popularity • 60% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 60% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Curtis Lee
Gee How I Wish You Were Here
173 bpm • C# min • 03:21 • -10.75db
20% Popularity • 30% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 30% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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The Fascinators
Oh Rosemarie
175 bpm • C min • 02:13 • -4.84db
24% Popularity • 29% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 29% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
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Clyde McPhatter
Since You've Been Gone
176 bpm • C Maj • 02:26 • -8.41db
15% Popularity • 46% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 46% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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Frankie Lymon
I Want You to Be My Girl
173 bpm • E Maj • 02:56 • -6.46db
22% Popularity • 51% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 51% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Frankie Lymon & The Teenagers
Together
174 bpm • D Maj • 02:23 • -10.33db
1% Popularity • 42% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
1% Popularity • 42% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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The Hollywood Flames
Buzz Buzz Buzz
175 bpm • C Maj • 02:20 • -7.59db
14% Popularity • 45% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 45% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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The Videos
Trickle, Trickle - Alternate Take
176 bpm • A# Maj • 02:00 • -8.86db
22% Popularity • 49% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 49% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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The Cleftones
Neki-Hokey
176 bpm • C# Maj • 02:25 • -5.53db
10% Popularity • 55% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 55% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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The Harptones
Life Is but a Dream
176 bpm • D min • 02:42 • -10.94db
35% Popularity • 25% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 25% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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LaVern Baker
Jim Dandy
171 bpm • C# Maj • 02:10 • -7.93db
37% Popularity • 63% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 63% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
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Frankie Lymon & The Teenagers
Together
175 bpm • D Maj • 02:23 • -9.1db
0% Popularity • 39% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 39% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 85% Positiveness
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Lee Andrews
Teardrops
176 bpm • F Maj • 02:24 • -11.62db
21% Popularity • 34% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 34% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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The Mystics
Darling I Know Now
170 bpm • A# Maj • 02:21 • -9.76db
28% Popularity • 32% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 32% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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The Cleftones
Why Do You Do Me Like You Do
176 bpm • G Maj • 02:02 • -7.26db
11% Popularity • 38% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 38% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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The Diamonds
Chimes In My Heart
178 bpm • A# Maj • 02:25 • -9db
13% Popularity • 38% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 38% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Clyde McPhatter
Little Bitty Pretty One - Single Version
178 bpm • A Maj • 02:16 • -9db
14% Popularity • 42% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 42% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Frankie Lymon & The Teenagers
Why Do Fools Fall In Love - Rerecorded
177 bpm • C# Maj • 02:18 • -9.52db
8% Popularity • 25% Danceability • 57% Energy • 26% Liveness
1% Instrumentalness • 90% Positiveness
8% Popularity • 25% Danceability • 57% Energy • 26% Liveness
1% Instrumentalness • 90% Positiveness
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Bobby Day
You Made a Boo Boo
178 bpm • C Maj • 01:59 • -6.07db
11% Popularity • 62% Danceability • 86% Energy • 46% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 62% Danceability • 86% Energy • 46% Liveness
0% Instrumentalness • 97% Positiveness
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The Bopchords
Castle in the Sky
169 bpm • F Maj • 02:21 • -10.35db
8% Popularity • 36% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 36% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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The Rainbows
Mary Lee
168 bpm • G Maj • 02:30 • -7.16db
11% Popularity • 23% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 23% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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The Regents
Barbara Ann
168 bpm • F Maj • 02:15 • -13db
38% Popularity • 26% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 26% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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The Crystals
All Grown Up
167 bpm • A Maj • 02:52 • -7.91db
15% Popularity • 43% Danceability • 90% Energy • 17% Liveness
11% Instrumentalness • 64% Positiveness
15% Popularity • 43% Danceability • 90% Energy • 17% Liveness
11% Instrumentalness • 64% Positiveness
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Frankie Lymon & The Teenagers
Goody Goody
178 bpm • G# Maj • 02:09 • -1.99db
0% Popularity • 45% Danceability • 79% Energy • 46% Liveness
0% Instrumentalness • 94% Positiveness
0% Popularity • 45% Danceability • 79% Energy • 46% Liveness
0% Instrumentalness • 94% Positiveness
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The Five Satins
Wonderful Girl
181 bpm • C# Maj • 02:15 • -14db
22% Popularity • 32% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 32% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Charlie Gracie
Fabulous
166 bpm • D# Maj • 02:19 • -7.56db
23% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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LaVern Baker
Story of My Love - I Had a Dream
166 bpm • G# Maj • 02:04 • -11.89db
18% Popularity • 66% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 66% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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The Velours
Can't Come Over Tonight
184 bpm • F Maj • 02:22 • -8db
8% Popularity • 26% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 26% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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The Diamonds
One Summer Night
164 bpm • A Maj • 02:33 • -13.71db
22% Popularity • 34% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 34% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Frankie Lymon & The Teenagers
I Want You To Be My Gal
169 bpm • A Maj • 02:57 • -18.93db
0% Popularity • 48% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 48% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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The Capris
Morse Code of Love
163 bpm • G Maj • 02:39 • -11.82db
32% Popularity • 54% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 54% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The Crows
Gee - Alternate Take
163 bpm • D# Maj • 02:14 • -10.24db
12% Popularity • 51% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 51% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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The Safaris
Image of a Girl
186 bpm • D Maj • 02:42 • -9db
29% Popularity • 25% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 25% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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The Bopchords
When I Woke Up This Morning
186 bpm • E Maj • 02:51 • -9.34db
20% Popularity • 54% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 54% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Chubby Checker
I Could Have Danced All Night
163 bpm • D# Maj • 02:09 • -6db
18% Popularity • 60% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 60% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Frankie Lymon & The Teenagers
Teenage Love
179 bpm • F Maj • 02:13 • -7.36db
0% Popularity • 55% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 55% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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The Orlons
South Street
187 bpm • F Maj • 02:12 • -5.3db
29% Popularity • 57% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 57% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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The Silhouettes
Heading for the Poorhouse
161 bpm • C Maj • 02:23 • -8.96db
9% Popularity • 64% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 64% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
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The Belmonts
Tell Me Why
162 bpm • F Maj • 02:44 • -10.75db
11% Popularity • 20% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 20% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
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The Marcels
Love Her the Whole Week Through
161 bpm • F Maj • 02:00 • -14.56db
15% Popularity • 64% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 64% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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The Platters
Bark Battle And Ball
160 bpm • G# Maj • 02:27 • -10.25db
13% Popularity • 45% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 45% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Frankie Lymon & The Teenagers
Teenage Love
179 bpm • F Maj • 02:13 • -15.67db
0% Popularity • 54% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 54% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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The Cellos
Rang Tang Ding Dong (I Am the Japanese S...
157 bpm • F Maj • 02:51 • -11.66db
11% Popularity • 43% Danceability • 66% Energy • 68% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 43% Danceability • 66% Energy • 68% Liveness
0% Instrumentalness • 82% Positiveness
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Marv Johnson
Come To Me
156 bpm • C Maj • 02:20 • -7.05db
28% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Jan & Dean
Gee
156 bpm • D Maj • 02:15 • -5.62db
10% Popularity • 38% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 38% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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The Five Satins
To the Aisle
197 bpm • F Maj • 02:45 • -12db
39% Popularity • 32% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 32% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Penguins
Hey Senorita
152 bpm • G Maj • 01:46 • -5.97db
31% Popularity • 59% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 59% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Frankie Lymon & The Teenagers
I Want You to Be My Girl
168 bpm • E Maj • 02:58 • -9.79db
0% Popularity • 58% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 58% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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The Silhouettes
Bing Bong
199 bpm • G# Maj • 02:15 • -6.95db
18% Popularity • 39% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 39% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Vince Castro
Bong Bong
201 bpm • A# Maj • 02:44 • -8.03db
22% Popularity • 48% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 48% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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The Cleftones
Can't We Be Sweethearts
202 bpm • F Maj • 02:58 • -11.61db
7% Popularity • 42% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
7% Popularity • 42% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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The Five Satins
To the Aisle
196 bpm • F Maj • 02:44 • -10.02db
24% Popularity • 32% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 32% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Vito & The Salutations
Gloria
202 bpm • G Maj • 02:17 • -7.06db
9% Popularity • 19% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 19% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Frankie Lymon & The Teenagers
A Little Bit Wiser Now
167 bpm • F Maj • 02:58 • -7.5db
0% Popularity • 35% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 35% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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The Dovells
Bristol Twistin' Annie
203 bpm • A Maj • 02:16 • -7.37db
7% Popularity • 40% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
7% Popularity • 40% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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The Ad Libs
The Boy From New York City
149 bpm • B Maj • 03:01 • -5.11db
37% Popularity • 47% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 47% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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The Bobbettes
Mr. Lee
204 bpm • F min • 02:14 • -10db
32% Popularity • 52% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 52% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Clyde McPhatter
Just to Hold My Hand
149 bpm • E min • 02:21 • -10.12db
15% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Norman Fox & The Rob-Roys
Pizza Pie
205 bpm • G# Maj • 02:17 • -7.34db
16% Popularity • 38% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 38% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Frankie Lymon & The Teenagers
I Want You to Be My Girl
167 bpm • B Maj • 03:02 • -9.64db
0% Popularity • 55% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 55% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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The Dovells
Your Last Chance
203 bpm • D# Maj • 02:37 • -6.56db
6% Popularity • 33% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
6% Popularity • 33% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby Hendricks
Itchy Twitchy Feeling
148 bpm • D Maj • 02:28 • -7.44db
12% Popularity • 57% Danceability • 64% Energy • 6% Liveness
4% Instrumentalness • 95% Positiveness
12% Popularity • 57% Danceability • 64% Energy • 6% Liveness
4% Instrumentalness • 95% Positiveness
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The Earls
Cry Cry Cry
206 bpm • F Maj • 02:05 • -7.84db
22% Popularity • 23% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 23% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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The Shangri-Las
Duchess of Earl
206 bpm • D# min • 02:16 • -10.28db
22% Popularity • 40% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 40% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Lewis Lymon & The Teenchords
I'm so Happy (Tra-La La-La-La-La)
207 bpm • G# Maj • 02:44 • -1db
12% Popularity • 26% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 26% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
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Frankie Lymon & The Teenagers
Who Can Explain
182 bpm • G Maj • 02:14 • -9.1db
0% Popularity • 43% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 43% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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The Chantels
Congratulations
208 bpm • G# Maj • 02:18 • -8.03db
15% Popularity • 32% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 32% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Frankie Lymon & The Teenagers
Who Can Explain?
182 bpm • G Maj • 02:14 • -16.72db
0% Popularity • 42% Danceability • 25% Energy • 16% Liveness
2% Instrumentalness • 54% Positiveness
0% Popularity • 42% Danceability • 25% Energy • 16% Liveness
2% Instrumentalness • 54% Positiveness
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Frankie Lymon & The Teenagers
I Promise to Remember
198 bpm • G# Maj • 02:52 • -9.55db
0% Popularity • 41% Danceability • 54% Energy • 58% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 41% Danceability • 54% Energy • 58% Liveness
0% Instrumentalness • 90% Positiveness
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Frankie Lymon & The Teenagers
Out In The Cold Again
197 bpm • B Maj • 02:27 • -19.58db
0% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Frankie Lymon & The Teenagers
Waintin' in School
201 bpm • A# Maj • 02:04 • -7.83db
1% Popularity • 40% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
1% Popularity • 40% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
