Songs like Why Do Lovers Break Each Other's Heart? by Daryl Hall & John Oates
Based on a tempo of (+/- 10%) and a similar genre
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Andy Gibb
One More Look At The Night
121 bpm • D Maj • 03:47 • -9.55db
44% Popularity • 71% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
44% Popularity • 71% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Daryl Hall & John Oates
Back Together Again
121 bpm • A min • 03:23 • -6db
37% Popularity • 59% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 59% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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John Mellencamp
Ain't Even Done With The Night
121 bpm • B Maj • 04:39 • -6.96db
58% Popularity • 79% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
58% Popularity • 79% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Jefferson Starship
With Your Love - Remastered
121 bpm • D Maj • 03:36 • -11.09db
43% Popularity • 54% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 54% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Ace
The Real Feeling
121 bpm • G Maj • 02:24 • -12.21db
35% Popularity • 76% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 76% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Crosby, Stills & Nash
Live It Up
121 bpm • C Maj • 03:55 • -9.25db
13% Popularity • 81% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 81% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Ringo Starr
Oh My My
121 bpm • C Maj • 04:19 • -15.18db
33% Popularity • 71% Danceability • 78% Energy • 22% Liveness
4% Instrumentalness • 96% Positiveness
33% Popularity • 71% Danceability • 78% Energy • 22% Liveness
4% Instrumentalness • 96% Positiveness
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Daryl Hall & John Oates
Why Do Lovers Break Each Other's Heart?
121 bpm • A# min • 03:12 • -10.49db
17% Popularity • 71% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 71% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Crosby, Stills, Nash & Young
Got It Made
120 bpm • C Maj • 04:56 • -14.64db
24% Popularity • 72% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 72% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Starbuck
Moonlight Feels Right (Remastered)
120 bpm • G Maj • 04:13 • -8.52db
27% Popularity • 63% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 63% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Terence Boylan
Don't Hang up Those Dancing Shoes
120 bpm • D# min • 03:28 • -8.47db
40% Popularity • 65% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 65% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
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Eddie Money
Baby Hold On (2022 Remaster)
120 bpm • D Maj • 03:33 • -12.44db
57% Popularity • 64% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
57% Popularity • 64% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Burton Cummings
Burch Magic
122 bpm • E min • 03:52 • -9.02db
8% Popularity • 70% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 70% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
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Daryl Hall & John Oates
Waterwheel
120 bpm • D Maj • 03:53 • -16.3db
17% Popularity • 45% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 45% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
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Christopher Cross
The Light Is On
120 bpm • B Maj • 04:11 • -17.68db
37% Popularity • 71% Danceability • 40% Energy • 5% Liveness
9% Instrumentalness • 66% Positiveness
37% Popularity • 71% Danceability • 40% Energy • 5% Liveness
9% Instrumentalness • 66% Positiveness
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Steely Dan
Josie
122 bpm • E min • 04:33 • -14.76db
57% Popularity • 72% Danceability • 31% Energy • 7% Liveness
1% Instrumentalness • 58% Positiveness
57% Popularity • 72% Danceability • 31% Energy • 7% Liveness
1% Instrumentalness • 58% Positiveness
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Fleetwood Mac
Dreams - 2004 Remaster
120 bpm • C Maj • 04:17 • -9.74db
86% Popularity • 83% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
86% Popularity • 83% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Bachman-Turner Overdrive
Lookin' Out For #1
122 bpm • E Maj • 05:19 • -9db
36% Popularity • 61% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 61% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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David Roberts
Boys of Autumn
120 bpm • C# Maj • 04:14 • -9.19db
46% Popularity • 73% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
46% Popularity • 73% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Daryl Hall & John Oates
Love You Like a Brother
120 bpm • G Maj • 03:23 • -7.39db
15% Popularity • 72% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 72% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Christopher Cross
I Really Don't Know Anymore
122 bpm • E Maj • 03:53 • -13db
39% Popularity • 65% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 65% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Steely Dan
Hey Nineteen
120 bpm • D Maj • 05:09 • -18.34db
62% Popularity • 94% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
62% Popularity • 94% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Player
If Looks Could Kill
122 bpm • A# min • 03:34 • -11.51db
19% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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The Cars
All Mixed Up
122 bpm • B min • 04:17 • -8db
44% Popularity • 52% Danceability • 74% Energy • 32% Liveness
5% Instrumentalness • 78% Positiveness
44% Popularity • 52% Danceability • 74% Energy • 32% Liveness
5% Instrumentalness • 78% Positiveness
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Foreigner
Blue Morning, Blue Day
120 bpm • B min • 03:12 • -6.14db
48% Popularity • 65% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 65% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Daryl Hall & John Oates
I Don't Wanna Lose You
122 bpm • C Maj • 03:46 • -14.1db
21% Popularity • 77% Danceability • 52% Energy • 9% Liveness
4% Instrumentalness • 81% Positiveness
21% Popularity • 77% Danceability • 52% Energy • 9% Liveness
4% Instrumentalness • 81% Positiveness
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Dane Donohue
Casablanca
122 bpm • A# Maj • 04:03 • -8db
41% Popularity • 47% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 47% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Rupert Holmes
You'll Love Me Again
122 bpm • A min • 03:15 • -12.82db
9% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Christopher Cross
Never Stop Believing
122 bpm • A Maj • 03:57 • -12.65db
35% Popularity • 78% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 78% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Carl Wilson
What You Do to Me
122 bpm • F# Maj • 03:54 • -6.93db
14% Popularity • 71% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 71% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Crosby, Stills & Nash
Too Much Love to Hide - 2005 Remaster
123 bpm • D Maj • 03:57 • -10.28db
33% Popularity • 69% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 69% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Daryl Hall & John Oates
All Our Love
120 bpm • A Maj • 02:43 • -18.18db
20% Popularity • 66% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 66% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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The Spinners
Cupid / I've Loved You for a Long Time -...
123 bpm • A Maj • 03:55 • -6.04db
35% Popularity • 76% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 76% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Atlanta Rhythm Section
Alien
123 bpm • F min • 04:54 • -9.87db
42% Popularity • 52% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 73% Positiveness
42% Popularity • 52% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 73% Positiveness
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Faragher Brothers
Follow My Heart
119 bpm • A Maj • 04:18 • -7.72db
38% Popularity • 57% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 57% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Steely Dan
Don't Take Me Alive
119 bpm • G min • 04:16 • -10db
53% Popularity • 62% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
53% Popularity • 62% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Pilot
You're My No. 1
123 bpm • C Maj • 03:22 • -8.04db
14% Popularity • 62% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 62% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Daryl Hall & John Oates
Big Kids
122 bpm • C Maj • 03:38 • -13.34db
26% Popularity • 78% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 78% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Rupert Holmes
In You I Trust
123 bpm • A# min • 04:51 • -13.76db
18% Popularity • 72% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 72% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Dave Mason
Takin' The Time To Find
119 bpm • B min • 04:32 • -9.34db
16% Popularity • 43% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 43% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Steve Miller Band
Cool Magic
123 bpm • E Maj • 04:25 • -10.94db
20% Popularity • 62% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 62% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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Andy Gibb
Why
119 bpm • B min • 04:31 • -8.28db
36% Popularity • 65% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
36% Popularity • 65% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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The Cars
It's All I Can Do
119 bpm • G Maj • 03:45 • -10db
50% Popularity • 60% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 60% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Daryl Hall & John Oates
What's Important To Me
122 bpm • E min • 03:44 • -11.23db
20% Popularity • 76% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 76% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Eddie Money
Jealousys (2022 Remaster)
119 bpm • C Maj • 04:02 • -12.5db
19% Popularity • 66% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 66% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Bruce Roberts
Cool Fool
119 bpm • B Maj • 04:25 • -11.83db
40% Popularity • 75% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 75% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Gerry Rafferty
Days Gone Down (Still Got the Light in Y...
124 bpm • A# Maj • 06:27 • -12.64db
36% Popularity • 55% Danceability • 56% Energy • 9% Liveness
6% Instrumentalness • 52% Positiveness
36% Popularity • 55% Danceability • 56% Energy • 9% Liveness
6% Instrumentalness • 52% Positiveness
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Carole King
Jazzman
118 bpm • F Maj • 03:43 • -10db
44% Popularity • 58% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
44% Popularity • 58% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Steve Miller Band
Goodbye Love
124 bpm • E Maj • 02:56 • -10.45db
20% Popularity • 60% Danceability • 78% Energy • 16% Liveness
3% Instrumentalness • 83% Positiveness
20% Popularity • 60% Danceability • 78% Energy • 16% Liveness
3% Instrumentalness • 83% Positiveness
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Daryl Hall & John Oates
Las Vegas Turnaround (The Stewardess Son...
119 bpm • F Maj • 02:56 • -16.07db
42% Popularity • 71% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
42% Popularity • 71% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Orleans
Cold Spell
118 bpm • F# min • 04:18 • -12.23db
6% Popularity • 62% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
6% Popularity • 62% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Eddie Money
Passing By the Graveyard
118 bpm • A# Maj • 03:07 • -11db
28% Popularity • 65% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 65% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Ace
You're All That I Need
118 bpm • C Maj • 03:45 • -14.69db
38% Popularity • 57% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
38% Popularity • 57% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
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Climax Blues Band
Hold On to Your Heart
118 bpm • A Maj • 02:37 • -8.7db
20% Popularity • 61% Danceability • 63% Energy • 4% Liveness
4% Instrumentalness • 77% Positiveness
20% Popularity • 61% Danceability • 63% Energy • 4% Liveness
4% Instrumentalness • 77% Positiveness
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Rod Stewart
Ain't Love a Bitch - 2008 Remaster
124 bpm • A min • 04:39 • -9.66db
29% Popularity • 61% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 61% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Daryl Hall & John Oates
Some Things Are Better Left Unsaid
119 bpm • A min • 05:26 • -8.01db
33% Popularity • 71% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 71% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Michael McDonald
Playin' by the Rules
118 bpm • D Maj • 05:00 • -16.62db
33% Popularity • 76% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
33% Popularity • 76% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Paul McCartney
No More Lonely Nights - Play Out Version
124 bpm • F Maj • 03:55 • -11.93db
13% Popularity • 87% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 87% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Lauren Wood
Please Don't Leave
124 bpm • D Maj • 03:58 • -13.51db
19% Popularity • 78% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 78% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Christopher Cross
Ride Like the Wind
124 bpm • C min • 04:35 • -13.66db
63% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
63% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Loggins & Messina
Wasting Our Time
118 bpm • A Maj • 02:51 • -7.32db
14% Popularity • 49% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 49% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Daryl Hall & John Oates
Looking For A Good Sign
119 bpm • C Maj • 03:55 • -7.43db
34% Popularity • 86% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 86% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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England Dan & John Ford Coley
In It for Love
125 bpm • C Maj • 03:38 • -11db
35% Popularity • 77% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 77% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Bob Seger
Till It Shines
118 bpm • C Maj • 03:54 • -4.25db
57% Popularity • 67% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
57% Popularity • 67% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Steve Miller Band
Something Special
125 bpm • D Maj • 03:33 • -11.54db
31% Popularity • 68% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 68% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Jerry Corbetta
Sensitive Soul
117 bpm • G Maj • 03:22 • -8.9db
40% Popularity • 73% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 73% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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The Police
Every Breath You Take
117 bpm • C# Maj • 04:13 • -9.8db
89% Popularity • 82% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
89% Popularity • 82% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Daryl Hall & John Oates
At Tension
123 bpm • C Maj • 06:15 • -11.87db
25% Popularity • 81% Danceability • 56% Energy • 3% Liveness
2% Instrumentalness • 93% Positiveness
25% Popularity • 81% Danceability • 56% Energy • 3% Liveness
2% Instrumentalness • 93% Positiveness
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Orleans
Spring Fever
117 bpm • F min • 04:06 • -12db
21% Popularity • 70% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 70% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Fleetwood Mac
Hold Me
125 bpm • A# Maj • 03:45 • -13.25db
64% Popularity • 71% Danceability • 57% Energy • 11% Liveness
1% Instrumentalness • 78% Positiveness
64% Popularity • 71% Danceability • 57% Energy • 11% Liveness
1% Instrumentalness • 78% Positiveness
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Wings
Silly Love Songs
125 bpm • C Maj • 05:54 • -11.05db
46% Popularity • 74% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 88% Positiveness
46% Popularity • 74% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 88% Positiveness
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Heart
White Lightning And Wine
117 bpm • B min • 03:53 • -12.11db
44% Popularity • 70% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 70% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Bill LaBounty
Trail To Your Heart (Sailing Without A S...
117 bpm • C# min • 03:15 • -13.36db
32% Popularity • 67% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 67% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Daryl Hall & John Oates
Unguarded Minute
123 bpm • F min • 04:09 • -6.98db
23% Popularity • 69% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 69% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Grand Funk Railroad
Bad Time - Remastered 2002
125 bpm • A min • 02:55 • -3db
49% Popularity • 55% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
49% Popularity • 55% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Rupert Holmes
Nearsighted
117 bpm • D Maj • 02:52 • -14db
23% Popularity • 40% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 40% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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TOTO
I'll Supply the Love
125 bpm • C# min • 03:44 • -5.79db
51% Popularity • 74% Danceability • 85% Energy • 6% Liveness
77% Instrumentalness • 77% Positiveness
51% Popularity • 74% Danceability • 85% Energy • 6% Liveness
77% Instrumentalness • 77% Positiveness
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Andy Gibb
After Dark
117 bpm • E min • 04:21 • -7.13db
36% Popularity • 76% Danceability • 74% Energy • 73% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 76% Danceability • 74% Energy • 73% Liveness
0% Instrumentalness • 96% Positiveness
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England Dan & John Ford Coley
Gone Too Far - Single Version
125 bpm • A Maj • 02:57 • -11db
41% Popularity • 60% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 60% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Daryl Hall & John Oates
The Last Time
118 bpm • C Maj • 02:51 • -17.36db
18% Popularity • 56% Danceability • 52% Energy • 18% Liveness
51% Instrumentalness • 82% Positiveness
18% Popularity • 56% Danceability • 52% Energy • 18% Liveness
51% Instrumentalness • 82% Positiveness
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Amy Holland
How Do I Survive
117 bpm • F min • 04:02 • -8.96db
18% Popularity • 78% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 78% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Stevie Woods
Just Can't Win 'Em All
125 bpm • C# min • 04:10 • -8.45db
39% Popularity • 74% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 74% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Nigel Olsson
Little Bit of Soap
117 bpm • E Maj • 03:27 • -11.78db
13% Popularity • 83% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 83% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Steve Winwood
The Finer Things
125 bpm • F Maj • 05:49 • -14.53db
37% Popularity • 80% Danceability • 49% Energy • 6% Liveness
8% Instrumentalness • 74% Positiveness
37% Popularity • 80% Danceability • 49% Energy • 6% Liveness
8% Instrumentalness • 74% Positiveness
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Roger Voudouris
Don't Turn My Music Down
117 bpm • A Maj • 03:08 • -8.72db
42% Popularity • 76% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
42% Popularity • 76% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Daryl Hall & John Oates
Out of Me, Out of You
117 bpm • E min • 03:26 • -10.66db
24% Popularity • 81% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 81% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Randy VanWarmer
Gotta Get Out of Here
117 bpm • C# min • 03:03 • -12db
11% Popularity • 68% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 68% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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John Mellencamp
Hand To Hold On To
117 bpm • A Maj • 03:25 • -5db
52% Popularity • 75% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
52% Popularity • 75% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Patrick Simmons
Why You Givin' Up
117 bpm • F# min • 04:00 • -7.46db
39% Popularity • 58% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 58% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Dave Mason
Paralyzed
126 bpm • A min • 03:32 • -6.75db
11% Popularity • 52% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 52% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Steely Dan
Rikki Don't Lose That Number
116 bpm • D Maj • 04:32 • -14.97db
67% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
67% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Daryl Hall & John Oates
How Does It Feel To Be Back
117 bpm • D Maj • 04:35 • -12.6db
32% Popularity • 62% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 62% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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The Tubes
The Monkey Time
126 bpm • E Maj • 03:53 • -8db
18% Popularity • 77% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 77% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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David Gates
Playin' on My Guitar
116 bpm • A Maj • 02:48 • -17db
26% Popularity • 64% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 64% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Player
Every Which Way
126 bpm • A Maj • 03:46 • -9db
28% Popularity • 77% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 77% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Robert Palmer
Back In My Arms
116 bpm • D Maj • 03:33 • -15.44db
21% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Tom Petty and the Heartbreakers
A Woman In Love (It's Not Me)
127 bpm • A Maj • 04:19 • -7db
46% Popularity • 56% Danceability • 58% Energy • 82% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 56% Danceability • 58% Energy • 82% Liveness
0% Instrumentalness • 56% Positiveness
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Glenn Frey
Don't Give Up
127 bpm • A Maj • 04:48 • -8.79db
13% Popularity • 67% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 67% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
