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Why
by
Ali Gatie
Based on a tempo of (+/- 10%) and a similar genre
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Svlm
At All
150 bpm • D Maj • 03:58 • -9.7db
9% Popularity • 79% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Porsche Love
Hope You're Happy - Demo
150 bpm • F# Maj • 03:22 • -12.09db
17% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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AYLIVA
When I Cry
150 bpm • A min • 02:14 • -6.83db
54% Popularity • 55% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Ali Gatie
Make You Mine
150 bpm • E Maj • 02:50 • -5.2db
44% Popularity • 63% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Lil Loski
Drowning in My Sorrows
150 bpm • D Maj • 03:12 • -13.52db
12% Popularity • 67% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Leek Jack
I Feel Like
150 bpm • A min • 02:55 • -10.83db
17% Popularity • 69% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Fossa Beats
Please Believe
150 bpm • G min • 03:53 • -7.39db
2% Popularity • 76% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Lakshane
Groupie
150 bpm • B min • 03:40 • -6.7db
9% Popularity • 74% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Handsome Luke
O.G.
150 bpm • A# min • 02:26 • -6db
14% Popularity • 54% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Cyph
Moonchild
150 bpm • G# Maj • 02:59 • -10.32db
18% Popularity • 72% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Rapta
Farewell
150 bpm • C Maj • 04:38 • -7db
19% Popularity • 76% Danceability • 59% Energy • 2% Liveness
0% Instrumentalness • 18% Positiveness
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Ali Gatie
Why
150 bpm • F min • 02:47 • -7.43db
27% Popularity • 77% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Kid Trunks
Get Away
150 bpm • A min • 02:08 • -10db
27% Popularity • 80% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Gremlin
Remedy for a Broken Heart
150 bpm • C Maj • 03:02 • -7.73db
32% Popularity • 60% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 30% Positiveness
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Killumantii
Follow Me
150 bpm • F# min • 02:24 • -9.38db
33% Popularity • 74% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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PHADE
NOT PROUD
150 bpm • A min • 03:43 • -7.54db
14% Popularity • 69% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Social House
At Least We Can Say That We Tried
151 bpm • D# Maj • 02:36 • -7.8db
34% Popularity • 62% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Tmac5200
Rainy Nights
149 bpm • C min • 03:09 • -5.85db
41% Popularity • 63% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Ali Gatie
Assumptions - Live Version
149 bpm • C# min • 01:57 • -15.95db
45% Popularity • 52% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Gremlin
Hold on to You
151 bpm • F min • 03:05 • -10.21db
20% Popularity • 57% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
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Jpaulished
Too Late for That
151 bpm • C Maj • 03:10 • -7.7db
10% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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mike.
Mirrors on the Ceiling
148 bpm • F min • 03:34 • -11.59db
53% Popularity • 74% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Enesse
Focused
149 bpm • G Maj • 03:06 • -8.89db
20% Popularity • 42% Danceability • 32% Energy • 45% Liveness
0% Instrumentalness • 36% Positiveness
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Dylan Jacob
Best 4 You
148 bpm • C# Maj • 02:56 • -6.14db
10% Popularity • 72% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Ali Gatie
Shady
148 bpm • F min • 02:49 • -9.97db
29% Popularity • 82% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Dutch Revz
Treat Me Differently
152 bpm • F Maj • 04:06 • -8.87db
9% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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HEX
Paranoia
147 bpm • F min • 02:11 • -9.5db
25% Popularity • 69% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Skud Newbie
My Situation!
153 bpm • G# Maj • 02:48 • -10.51db
22% Popularity • 44% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
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benny blanco
Roses
147 bpm • G# Maj • 03:43 • -7.09db
65% Popularity • 61% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Dawin
Darkest Moment
153 bpm • B min • 03:14 • -5.63db
14% Popularity • 72% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Ali Gatie
Without You
148 bpm • B Maj • 03:02 • -10.99db
31% Popularity • 79% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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ASTN
Not In Love
147 bpm • C# min • 02:39 • -12.82db
25% Popularity • 57% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Reo Cragun
Say It Ain't So
154 bpm • G# Maj • 03:41 • -9.46db
17% Popularity • 56% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Leek Jack
Natural Beauty
154 bpm • C min • 02:31 • -6.96db
11% Popularity • 78% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Austin McBroom
Giddy Up
154 bpm • D Maj • 02:07 • -6.35db
31% Popularity • 81% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Keem Isaiah
Mood Change
146 bpm • F min • 02:54 • -8.84db
14% Popularity • 75% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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CaRter
Fake Stuff
146 bpm • C# Maj • 03:39 • -8.84db
23% Popularity • 83% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Adam Halliday
Trippin
146 bpm • A# min • 03:33 • -9.02db
20% Popularity • 68% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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benny blanco
Graduation
155 bpm • C Maj • 02:56 • -5.35db
60% Popularity • 73% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Ali Gatie
Can't Lie - Sped Up
145 bpm • A Maj • 02:57 • -10db
36% Popularity • 77% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Brayke
Before
155 bpm • F# min • 02:50 • -9.13db
15% Popularity • 70% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 33% Positiveness
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The Noise Unheard
Can't Be Yours
155 bpm • F min • 02:30 • -8.41db
24% Popularity • 67% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Tyla Yaweh
Gemini
155 bpm • A# Maj • 03:06 • -2.99db
41% Popularity • 80% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Pryde
message left on read
145 bpm • A Maj • 02:28 • -5.71db
24% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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benny blanco
Better to Lie
155 bpm • A# min • 02:55 • -7.55db
43% Popularity • 77% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Lambo Anlo
Blac Chyna
145 bpm • F# Maj • 02:38 • -4.06db
14% Popularity • 67% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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INTRN
Voicemail
155 bpm • C# Maj • 03:10 • -10db
18% Popularity • 40% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Jared Anthony
Real Ones
155 bpm • G# Maj • 03:05 • -7.2db
18% Popularity • 52% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Beach Boii
Work
156 bpm • C# Maj • 01:51 • -10.48db
15% Popularity • 73% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Social House
Why You Always Gotta Start Something
156 bpm • E min • 03:45 • -9.22db
24% Popularity • 37% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Blake and Miles
Palm Trees
156 bpm • F Maj • 03:47 • -9.86db
25% Popularity • 67% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Will Gittens
Seen
156 bpm • F# Maj • 02:08 • -8.43db
21% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
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Gnoir
Love or Lust
156 bpm • F min • 02:52 • -8.29db
14% Popularity • 67% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Alec King
Long Distance
144 bpm • B min • 03:41 • -5.79db
14% Popularity • 70% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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GEBUHR
You Should
156 bpm • F min • 03:05 • -12.23db
16% Popularity • 48% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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GIANNI TAYLOR
Gettin' Mine
144 bpm • D min • 03:06 • -5.3db
10% Popularity • 64% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Suriel Hess
Echo
144 bpm • A min • 02:55 • -11.82db
27% Popularity • 67% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Jerome The Prince
Sometimes I Feel Alone
157 bpm • G# min • 02:31 • -5.96db
10% Popularity • 66% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Hayk Keys
Sad Together
143 bpm • F# min • 03:13 • -10.13db
24% Popularity • 62% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Brennen
WHY?
143 bpm • A# min • 02:01 • -8.99db
21% Popularity • 85% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Rafi Malice
Bad To The Bone
157 bpm • E min • 03:04 • -7.84db
25% Popularity • 64% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Reo Cragun
Last Goodbyes
143 bpm • A# min • 03:19 • -11.19db
27% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Fantasy Camp
Till the Morning
158 bpm • D# Maj • 02:07 • -6.06db
17% Popularity • 58% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Social House
Love Me Back
158 bpm • D# Maj • 02:35 • -10.27db
36% Popularity • 56% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Egypxn
Summer Salt
142 bpm • G# Maj • 03:49 • -11.07db
11% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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PRETTYMUCH
Lying
142 bpm • B min • 03:23 • -3.69db
50% Popularity • 59% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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IKY
Hoops
142 bpm • C min • 03:47 • -9db
27% Popularity • 68% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Ali Gatie
Stay Up
142 bpm • G# min • 03:25 • -7.19db
32% Popularity • 79% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Zak Downtown
A Plus
142 bpm • C# min • 03:16 • -5db
15% Popularity • 77% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Miles Wesley
Feel The Same
159 bpm • C Maj • 02:43 • -4.61db
26% Popularity • 59% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Arizona Zervas
Drain Me
159 bpm • A# Maj • 03:16 • -4db
39% Popularity • 67% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Ant Saunders
Dial Tone
160 bpm • A min • 03:51 • -10.11db
21% Popularity • 50% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Safari
Late Night Lover
141 bpm • F# min • 02:33 • -7.1db
17% Popularity • 48% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Ali Gatie
Lies
159 bpm • E min • 03:13 • -12db
31% Popularity • 72% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Rayy Dubb
Limit
160 bpm • C Maj • 03:11 • -8.13db
22% Popularity • 62% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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PatricKxxLee
Hurts To Feel
160 bpm • C Maj • 03:48 • -6.64db
16% Popularity • 65% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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FRANC3
Malibu Coke
160 bpm • F# Maj • 03:21 • -7db
17% Popularity • 75% Danceability • 66% Energy • 10% Liveness
62% Instrumentalness • 29% Positiveness
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SK8
Take Me There
160 bpm • C# Maj • 02:25 • -7db
14% Popularity • 54% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Drama Relax
On The Side
160 bpm • A Maj • 02:39 • -6.55db
12% Popularity • 62% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Ali Gatie
Losing You
160 bpm • G# Maj • 02:44 • -9.47db
40% Popularity • 70% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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ADYM
Bxnnie & Clxde
160 bpm • C min • 02:36 • -7.14db
9% Popularity • 72% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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5am
Track Meet
160 bpm • E min • 03:18 • -11db
14% Popularity • 71% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Blake and Miles
Ride In
160 bpm • C# Maj • 03:42 • -7.1db
14% Popularity • 85% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Dboy
Frostbite
160 bpm • G# min • 02:57 • -10.75db
8% Popularity • 46% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Seezyn
High With Me
160 bpm • B min • 02:49 • -11.68db
10% Popularity • 55% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Arizona Zervas
No I in Team
140 bpm • C# min • 03:01 • -5db
53% Popularity • 74% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Ali Gatie
Holding On
140 bpm • E min • 02:17 • -6.95db
36% Popularity • 63% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Matt Corman
Broken Screens
140 bpm • C# Maj • 03:42 • -9.78db
31% Popularity • 60% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Joe Trufant
Aquafina
140 bpm • F# min • 02:58 • -9db
21% Popularity • 83% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Cameron Dallas
Used To Me
140 bpm • C Maj • 02:54 • -10db
22% Popularity • 82% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Alexcis
The Life
140 bpm • D Maj • 03:25 • -8.31db
21% Popularity • 68% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Arizona Zervas
Homies
140 bpm • C# Maj • 03:40 • -3.65db
45% Popularity • 78% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Ali Gatie
Only One
140 bpm • C# min • 03:18 • -7.58db
34% Popularity • 83% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Brendan Bennett
We Used To
140 bpm • D Maj • 03:29 • -8db
7% Popularity • 67% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Reo Cragun
The Feels
140 bpm • B min • 03:53 • -8.71db
22% Popularity • 62% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Curlybamm
Adore U
162 bpm • A# min • 03:54 • -8.57db
24% Popularity • 51% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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JXN
Going Off
139 bpm • A min • 02:41 • -5.42db
16% Popularity • 75% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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UPSTAIRS
Pretty Little Liar
138 bpm • D Maj • 03:05 • -7.83db
8% Popularity • 70% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Ali Gatie
Sunshine
140 bpm • G Maj • 02:47 • -6.69db
37% Popularity • 64% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Vxder
Intoxicated
138 bpm • F# min • 03:00 • -7.48db
23% Popularity • 74% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Why