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Wide Open Skies
Songs like
Wide Open Skies
by
James Graydon
Based on a tempo of (+/- 10%) and a similar genre
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Mr. Fastfinger
Mystery
120 bpm • F Maj • 04:02 • -7.35db
12% Popularity • 65% Danceability • 70% Energy • 10% Liveness
78% Instrumentalness • 44% Positiveness
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Dave Martone
Coming Clean
120 bpm • D# Maj • 05:35 • -9db
14% Popularity • 66% Danceability • 32% Energy • 10% Liveness
48% Instrumentalness • 6% Positiveness
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Harry Valentine
Live It up Tonight
120 bpm • D Maj • 02:57 • -7.22db
0% Popularity • 63% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Andy Wood
Forgotten Secrets
120 bpm • B min • 03:46 • -6.52db
26% Popularity • 56% Danceability • 92% Energy • 11% Liveness
82% Instrumentalness • 66% Positiveness
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Guthrie Govan
Hollywood Woman
120 bpm • D Maj • 01:56 • -5db
46% Popularity • 64% Danceability • 72% Energy • 13% Liveness
73% Instrumentalness • 66% Positiveness
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Marco Sfogli
Homeland
120 bpm • B min • 05:08 • -5.6db
30% Popularity • 65% Danceability • 84% Energy • 9% Liveness
76% Instrumentalness • 53% Positiveness
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Mr. Fastfinger
Effortless
120 bpm • A# Maj • 05:24 • -8.73db
16% Popularity • 70% Danceability • 55% Energy • 12% Liveness
87% Instrumentalness • 33% Positiveness
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Al Joseph
I Just Wish
120 bpm • A# Maj • 05:59 • -6.1db
27% Popularity • 41% Danceability • 72% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Harry Valentine
Supernatural Disco
120 bpm • B min • 02:54 • -7.8db
0% Popularity • 65% Danceability • 82% Energy • 78% Liveness
0% Instrumentalness • 75% Positiveness
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Cosmosquad
Swink
120 bpm • B Maj • 03:58 • -5.38db
15% Popularity • 66% Danceability • 91% Energy • 61% Liveness
61% Instrumentalness • 60% Positiveness
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Luca Mantovanelli
Bluex
120 bpm • F min • 05:35 • -8db
23% Popularity • 58% Danceability • 80% Energy • 24% Liveness
73% Instrumentalness • 82% Positiveness
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Guthrie Govan
The Cost of Loving
120 bpm • B min • 02:13 • -7.01db
40% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Mr. Fastfinger
Ocean of Neon
120 bpm • A min • 04:26 • -9.53db
20% Popularity • 62% Danceability • 55% Energy • 9% Liveness
93% Instrumentalness • 31% Positiveness
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Jeff Kollman
Journey Through Life
120 bpm • F# min • 04:52 • -11.59db
18% Popularity • 54% Danceability • 81% Energy • 33% Liveness
87% Instrumentalness • 55% Positiveness
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Harry Valentine
Getting Hot
120 bpm • B min • 02:30 • -6.87db
5% Popularity • 76% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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James Graydon
Big Tasty
120 bpm • D Maj • 03:25 • -11.54db
0% Popularity • 63% Danceability • 64% Energy • 9% Liveness
81% Instrumentalness • 96% Positiveness
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Luca Mantovanelli
Sunflower Fields
120 bpm • E min • 04:14 • -8.56db
24% Popularity • 32% Danceability • 68% Energy • 9% Liveness
56% Instrumentalness • 22% Positiveness
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Guthrie Govan
Uptown
120 bpm • G Maj • 02:19 • -7.02db
43% Popularity • 55% Danceability • 67% Energy • 9% Liveness
31% Instrumentalness • 61% Positiveness
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Greg Howe
Throw Down
120 bpm • A min • 04:25 • -4.31db
19% Popularity • 51% Danceability • 95% Energy • 29% Liveness
80% Instrumentalness • 65% Positiveness
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John Petrucci
Lost Without You
120 bpm • G min • 04:56 • -9.15db
34% Popularity • 46% Danceability • 50% Energy • 13% Liveness
40% Instrumentalness • 19% Positiveness
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Jan Cyrka
Rip Roaring
120 bpm • G Maj • 01:38 • -4.89db
33% Popularity • 40% Danceability • 76% Energy • 12% Liveness
97% Instrumentalness • 69% Positiveness
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James Graydon
Count on Me
120 bpm • E Maj • 03:08 • -10.74db
0% Popularity • 56% Danceability • 67% Energy • 16% Liveness
93% Instrumentalness • 38% Positiveness
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Sessiz Sedasız Blues Band
Galaksinin En Güzel Aşk Şarkısı
120 bpm • C# Maj • 01:12 • -11.26db
8% Popularity • 54% Danceability • 30% Energy • 30% Liveness
74% Instrumentalness • 5% Positiveness
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Carlos Castillo
Endless
120 bpm • A# min • 02:14 • -12.87db
13% Popularity • 58% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Greg Koch
Funk Force Five
120 bpm • E min • 03:09 • -3.02db
25% Popularity • 51% Danceability • 88% Energy • 15% Liveness
68% Instrumentalness • 86% Positiveness
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Shawn Lane
The Hurt, The Joy
120 bpm • A Maj • 04:07 • -10.29db
16% Popularity • 59% Danceability • 49% Energy • 15% Liveness
87% Instrumentalness • 14% Positiveness
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Tal Wilkenfeld
BC
119 bpm • D Maj • 06:21 • -6.25db
33% Popularity • 47% Danceability • 89% Energy • 11% Liveness
80% Instrumentalness • 78% Positiveness
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James Graydon
Edge of Heaven
120 bpm • E Maj • 01:06 • -7.42db
0% Popularity • 45% Danceability • 87% Energy • 37% Liveness
86% Instrumentalness • 11% Positiveness
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Greg Howe
Jump Start
121 bpm • C# min • 04:42 • -8.37db
29% Popularity • 56% Danceability • 92% Energy • 24% Liveness
52% Instrumentalness • 52% Positiveness
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Richie Kotzen
Tilt
121 bpm • D Maj • 05:27 • -6.57db
16% Popularity • 58% Danceability • 94% Energy • 2% Liveness
75% Instrumentalness • 72% Positiveness
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Harry Valentine
Summer of Your Love
119 bpm • F Maj • 03:17 • -7.68db
4% Popularity • 58% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Gábor Vermes Group
Brothers Jam
119 bpm • E min • 03:18 • -6.42db
35% Popularity • 66% Danceability • 89% Energy • 6% Liveness
84% Instrumentalness • 70% Positiveness
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Steve Vai
Windows to the Soul
121 bpm • A min • 06:25 • -6.59db
28% Popularity • 52% Danceability • 74% Energy • 21% Liveness
15% Instrumentalness • 54% Positiveness
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James Graydon
Three Card Trick
119 bpm • C Maj • 03:09 • -9.23db
0% Popularity • 63% Danceability • 74% Energy • 10% Liveness
94% Instrumentalness • 90% Positiveness
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Shawn Lane
Epilogue: Bach for Lisa (Ich Ruf Zu Dir)
122 bpm • D# min • 02:27 • -14.48db
19% Popularity • 30% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Steve Smith
The Spirit of Dundun
121 bpm • E min • 02:32 • -11.63db
17% Popularity • 69% Danceability • 78% Energy • 13% Liveness
93% Instrumentalness • 68% Positiveness
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Harry Valentine
Shiny Things
119 bpm • A min • 02:29 • -9.11db
0% Popularity • 64% Danceability • 88% Energy • 7% Liveness
14% Instrumentalness • 62% Positiveness
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James Nisbet
Sonik Boom
122 bpm • A# Maj • 02:43 • -8.1db
0% Popularity • 49% Danceability • 86% Energy • 19% Liveness
90% Instrumentalness • 58% Positiveness
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Jeff Kollman
Shedding Skin
122 bpm • E min • 04:58 • -10.61db
20% Popularity • 56% Danceability • 85% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
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James Graydon
Happy Go Lively
118 bpm • A Maj • 02:11 • -12.78db
0% Popularity • 78% Danceability • 45% Energy • 6% Liveness
74% Instrumentalness • 73% Positiveness
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Joe Hankins
Go Away
122 bpm • G min • 05:35 • -9.62db
28% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Cosmosquad
Always Remember the Love
117 bpm • C Maj • 05:12 • -7.62db
10% Popularity • 59% Danceability • 58% Energy • 11% Liveness
86% Instrumentalness • 31% Positiveness
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Dixie Dregs
Sleeveless in Seattle
123 bpm • F Maj • 05:10 • -12.97db
9% Popularity • 38% Danceability • 36% Energy • 23% Liveness
94% Instrumentalness • 13% Positiveness
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Anika Nilles
Wild Boy - 2018
117 bpm • C# Maj • 03:38 • -14.51db
25% Popularity • 61% Danceability • 68% Energy • 35% Liveness
79% Instrumentalness • 44% Positiveness
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Jan Cyrka
El Dorado
117 bpm • A min • 02:38 • -13db
31% Popularity • 54% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Mike Stern
Nu Som
124 bpm • D Maj • 05:28 • -7.97db
28% Popularity • 63% Danceability • 74% Energy • 26% Liveness
86% Instrumentalness • 26% Positiveness
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Shawn Lane
Minarets
124 bpm • E Maj • 03:30 • -7.2db
13% Popularity • 37% Danceability • 77% Energy • 14% Liveness
81% Instrumentalness • 52% Positiveness
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Tomo Fujita
Just Funky
124 bpm • A Maj • 04:44 • -7.44db
23% Popularity • 66% Danceability • 76% Energy • 22% Liveness
43% Instrumentalness • 79% Positiveness
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James Graydon
Show Me the Money
116 bpm • D Maj • 03:08 • -9.88db
0% Popularity • 65% Danceability • 84% Energy • 11% Liveness
90% Instrumentalness • 64% Positiveness
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Lucinda Barry
Walk That Line - Instrumental Version
116 bpm • E min • 03:25 • -10.22db
1% Popularity • 56% Danceability • 38% Energy • 11% Liveness
77% Instrumentalness • 12% Positiveness
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Jan Cyrka
Aching Heart
124 bpm • A# Maj • 01:47 • -8.79db
35% Popularity • 50% Danceability • 36% Energy • 6% Liveness
57% Instrumentalness • 38% Positiveness
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Stuart Hamm
Prelude in C
115 bpm • C Maj • 02:31 • -19.59db
12% Popularity • 53% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 91% Positiveness
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Charles Berthoud
Bass Is Easy
115 bpm • B min • 01:51 • -11.41db
24% Popularity • 44% Danceability • 43% Energy • 10% Liveness
86% Instrumentalness • 92% Positiveness
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Luca Mantovanelli
Caffeine
125 bpm • D Maj • 01:07 • -13.94db
29% Popularity • 78% Danceability • 67% Energy • 11% Liveness
86% Instrumentalness • 89% Positiveness
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Harry Valentine
Everybody
125 bpm • G Maj • 02:49 • -9.27db
0% Popularity • 63% Danceability • 84% Energy • 34% Liveness
13% Instrumentalness • 84% Positiveness
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Joe Robinson
The Gremlin
125 bpm • C# Maj • 03:31 • -9.61db
15% Popularity • 75% Danceability • 56% Energy • 13% Liveness
74% Instrumentalness • 82% Positiveness
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Feodor Dosumov
Flying Swallow
125 bpm • G Maj • 05:27 • -8db
20% Popularity • 63% Danceability • 44% Energy • 9% Liveness
70% Instrumentalness • 19% Positiveness
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Al Joseph
Clock the Pain
125 bpm • B Maj • 05:57 • -7db
20% Popularity • 43% Danceability • 85% Energy • 10% Liveness
74% Instrumentalness • 35% Positiveness
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Steve Smith
Isle of Few
115 bpm • A Maj • 01:36 • -15.77db
24% Popularity • 45% Danceability • 27% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
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Charles Berthoud
Tapping Into the Universe
125 bpm • F Maj • 01:46 • -23.87db
20% Popularity • 58% Danceability • 19% Energy • 30% Liveness
92% Instrumentalness • 32% Positiveness
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Vital Techtones
Puhtainin' Tuh
125 bpm • C# min • 05:17 • -9.59db
9% Popularity • 75% Danceability • 44% Energy • 15% Liveness
81% Instrumentalness • 50% Positiveness
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Kiko Loureiro
Beautiful Language
125 bpm • G min • 02:00 • -16.66db
31% Popularity • 60% Danceability • 36% Energy • 12% Liveness
96% Instrumentalness • 55% Positiveness
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Jeff Kollman
Where's The One
115 bpm • A# min • 03:57 • -10db
8% Popularity • 64% Danceability • 83% Energy • 18% Liveness
72% Instrumentalness • 68% Positiveness
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Dave Meniketti
Until The Next time
115 bpm • A min • 04:59 • -8db
30% Popularity • 63% Danceability • 52% Energy • 12% Liveness
76% Instrumentalness • 24% Positiveness
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Pete Thorn
Remember
125 bpm • D min • 04:29 • -7.62db
20% Popularity • 30% Danceability • 59% Energy • 11% Liveness
84% Instrumentalness • 17% Positiveness
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Harry Valentine
Get Your Party On
115 bpm • A min • 02:56 • -6.36db
0% Popularity • 68% Danceability • 82% Energy • 5% Liveness
1% Instrumentalness • 82% Positiveness
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Andy Wood
Junktown
115 bpm • F# min • 03:16 • -5.1db
32% Popularity • 59% Danceability • 93% Energy • 10% Liveness
90% Instrumentalness • 80% Positiveness
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Steve Lukather
Tumescent
115 bpm • F Maj • 04:02 • -8db
22% Popularity • 56% Danceability • 68% Energy • 35% Liveness
8% Instrumentalness • 34% Positiveness
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Jeff Kollman
Cosmo Ray Vaughn
115 bpm • G Maj • 05:29 • -8db
13% Popularity • 65% Danceability • 82% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
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Shawn Lane
The Way It Has to Be
115 bpm • D# Maj • 04:43 • -6.65db
29% Popularity • 44% Danceability • 70% Energy • 16% Liveness
16% Instrumentalness • 31% Positiveness
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Pete Thorn
10th Street
115 bpm • C Maj • 03:22 • -4.93db
19% Popularity • 57% Danceability • 71% Energy • 9% Liveness
82% Instrumentalness • 25% Positiveness
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Scott Henderson
Continuum
115 bpm • E Maj • 04:00 • -14.13db
15% Popularity • 53% Danceability • 52% Energy • 33% Liveness
62% Instrumentalness • 62% Positiveness
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Nick Johnston
As I Slowly Turn to Stone
115 bpm • E Maj • 02:42 • -15.11db
26% Popularity • 45% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
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Charles Berthoud
Resurrection
126 bpm • C Maj • 02:59 • -18.94db
20% Popularity • 21% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 25% Positiveness
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Philip Sayce
Alchemy
115 bpm • D# min • 05:06 • -6.43db
50% Popularity • 55% Danceability • 55% Energy • 15% Liveness
72% Instrumentalness • 14% Positiveness
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The Aristocrats
Stupid 7
114 bpm • C# min • 03:52 • -8.97db
28% Popularity • 44% Danceability • 84% Energy • 21% Liveness
72% Instrumentalness • 47% Positiveness
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James Graydon
Younger Days
126 bpm • F# min • 03:15 • -10.3db
0% Popularity • 64% Danceability • 40% Energy • 6% Liveness
77% Instrumentalness • 51% Positiveness
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Joe Robinson
Lethal Injection
126 bpm • G Maj • 03:27 • -8db
29% Popularity • 63% Danceability • 82% Energy • 19% Liveness
72% Instrumentalness • 68% Positiveness
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Cosmosquad
Slowburn
114 bpm • D min • 05:57 • -14db
17% Popularity • 48% Danceability • 29% Energy • 9% Liveness
71% Instrumentalness • 35% Positiveness
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Lee Henry
Bring the House Down
114 bpm • E min • 03:35 • -4.72db
1% Popularity • 73% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Guthrie Govan
Ner Ner
127 bpm • G min • 08:04 • -5db
36% Popularity • 31% Danceability • 92% Energy • 11% Liveness
16% Instrumentalness • 39% Positiveness
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The Aristocrats
Last Orders
126 bpm • C min • 08:32 • -13db
25% Popularity • 59% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
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James Graydon
Mr Big
126 bpm • A Maj • 02:56 • -9.28db
0% Popularity • 74% Danceability • 58% Energy • 7% Liveness
6% Instrumentalness • 70% Positiveness
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Marty Friedman
Tibet
127 bpm • E Maj • 02:35 • -11.74db
29% Popularity • 51% Danceability • 28% Energy • 13% Liveness
69% Instrumentalness • 6% Positiveness
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Jan Cyrka
Stomp and Roll
127 bpm • B Maj • 01:17 • -7db
34% Popularity • 60% Danceability • 73% Energy • 39% Liveness
57% Instrumentalness • 94% Positiveness
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Stuart Hamm
I Want to Know
127 bpm • B Maj • 05:43 • -11.86db
9% Popularity • 67% Danceability • 58% Energy • 9% Liveness
88% Instrumentalness • 54% Positiveness
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Marco Sfogli
Andromeda
113 bpm • E Maj • 06:30 • -3.68db
25% Popularity • 20% Danceability • 79% Energy • 28% Liveness
81% Instrumentalness • 19% Positiveness
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The Aristocrats
Flatlands
127 bpm • A min • 07:13 • -7.71db
33% Popularity • 68% Danceability • 54% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Greg Howe
Tempest Pulse
113 bpm • B min • 05:20 • -5.84db
29% Popularity • 67% Danceability • 88% Energy • 13% Liveness
92% Instrumentalness • 85% Positiveness
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James Graydon
Two-tone Suit
126 bpm • D Maj • 03:02 • -8.04db
0% Popularity • 65% Danceability • 70% Energy • 12% Liveness
98% Instrumentalness • 76% Positiveness
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Shawn Lane
I Only Want to Know (Bonus Track)
113 bpm • G# Maj • 04:19 • -7.54db
12% Popularity • 59% Danceability • 71% Energy • 11% Liveness
59% Instrumentalness • 53% Positiveness
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Brett Garsed
Swarming Goblets
113 bpm • E Maj • 07:24 • -6.05db
8% Popularity • 51% Danceability • 82% Energy • 59% Liveness
29% Instrumentalness • 51% Positiveness
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Guthrie Govan
Jelly Bean
113 bpm • D Maj • 02:19 • -6.03db
46% Popularity • 57% Danceability • 60% Energy • 10% Liveness
65% Instrumentalness • 47% Positiveness
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The Aristocrats
ZZ Top
127 bpm • A Maj • 05:14 • -8db
21% Popularity • 43% Danceability • 70% Energy • 16% Liveness
83% Instrumentalness • 49% Positiveness
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Anika Nilles
Neon
113 bpm • F min • 04:19 • -8.45db
30% Popularity • 64% Danceability • 86% Energy • 7% Liveness
80% Instrumentalness • 53% Positiveness
► Preview
James Graydon
Clear Skies
114 bpm • E min • 02:44 • -10.58db
0% Popularity • 64% Danceability • 51% Energy • 11% Liveness
80% Instrumentalness • 50% Positiveness
► Preview
Michael Angelo Batio
Dreamin' of 1986
128 bpm • G min • 01:47 • -18.91db
27% Popularity • 38% Danceability • 16% Energy • 15% Liveness
88% Instrumentalness • 19% Positiveness
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Richie Kotzen
Slow Blues
113 bpm • E Maj • 04:22 • -12.7db
10% Popularity • 62% Danceability • 50% Energy • 11% Liveness
75% Instrumentalness • 54% Positiveness
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Guthrie Govan
T&C
113 bpm • C Maj • 02:25 • -5.31db
42% Popularity • 41% Danceability • 71% Energy • 8% Liveness
67% Instrumentalness • 46% Positiveness
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Jeff Kollman
Song for James
128 bpm • A Maj • 05:53 • -8.48db
12% Popularity • 47% Danceability • 48% Energy • 11% Liveness
24% Instrumentalness • 28% Positiveness
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Wide Open Skies