Songs like Wieniawski : Variations on an original theme Op.15 by Henryk Wieniawski
Based on a tempo of (+/- 10%) and a similar genre
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
78 bpm • F min • 10:43 • -20.71db
34% Popularity • 24% Danceability • 14% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
34% Popularity • 24% Danceability • 14% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Béla Bartók
Bartók / Arr. Székely for Violin and P...
78 bpm • G Maj • 01:31 • -23.74db
0% Popularity • 43% Danceability • 3% Energy • 8% Liveness
5% Instrumentalness • 19% Positiveness
0% Popularity • 43% Danceability • 3% Energy • 8% Liveness
5% Instrumentalness • 19% Positiveness
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Henryk Wieniawski
Violin Concerto No. 2 in D Minor, Op. 22...
78 bpm • D Maj • 06:16 • -22.46db
1% Popularity • 35% Danceability • 18% Energy • 10% Liveness
74% Instrumentalness • 24% Positiveness
1% Popularity • 35% Danceability • 18% Energy • 10% Liveness
74% Instrumentalness • 24% Positiveness
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Antonín Dvořák
String Quartet No. 12 in F Major, Op. 96...
78 bpm • C Maj • 05:34 • -20db
28% Popularity • 28% Danceability • 7% Energy • 12% Liveness
61% Instrumentalness • 26% Positiveness
28% Popularity • 28% Danceability • 7% Energy • 12% Liveness
61% Instrumentalness • 26% Positiveness
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Henri Vieuxtemps
Violin Concerto No. 4 in D Minor, Op. 31...
78 bpm • D Maj • 08:35 • -18.75db
13% Popularity • 30% Danceability • 19% Energy • 7% Liveness
21% Instrumentalness • 18% Positiveness
13% Popularity • 30% Danceability • 19% Energy • 7% Liveness
21% Instrumentalness • 18% Positiveness
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Leoš Janáček
Sonata for Violin and Piano: 4. Adagio
78 bpm • E Maj • 04:31 • -19.87db
1% Popularity • 35% Danceability • 4% Energy • 9% Liveness
22% Instrumentalness • 9% Positiveness
1% Popularity • 35% Danceability • 4% Energy • 9% Liveness
22% Instrumentalness • 9% Positiveness
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Joseph Haydn
Piano Trio No. 39 in G Major, Hob. XV:25...
78 bpm • G Maj • 03:27 • -26.5db
4% Popularity • 45% Danceability • 12% Energy • 66% Liveness
90% Instrumentalness • 84% Positiveness
4% Popularity • 45% Danceability • 12% Energy • 66% Liveness
90% Instrumentalness • 84% Positiveness
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Franz Schubert
20 Waltzes (Letzte Waltzer) D 146, Op. 1...
79 bpm • G Maj • 01:10 • -17.5db
32% Popularity • 49% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 49% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Henryk Wieniawski
Wieniawski : Variations on an original t...
78 bpm • A Maj • 11:19 • -19.96db
23% Popularity • 30% Danceability • 12% Energy • 5% Liveness
2% Instrumentalness • 24% Positiveness
23% Popularity • 30% Danceability • 12% Energy • 5% Liveness
2% Instrumentalness • 24% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117/2, H. 220
77 bpm • F min • 01:02 • -24.72db
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
36% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Sofia Gubaidulina
Dialog: Ich und Du - Pt. 8
79 bpm • G Maj • 01:44 • -29.21db
2% Popularity • 14% Danceability • 5% Energy • 60% Liveness
68% Instrumentalness • 4% Positiveness
2% Popularity • 14% Danceability • 5% Energy • 60% Liveness
68% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Violin Concerto No. 1 In D, Op. 19: 1. A...
79 bpm • G Maj • 09:24 • -24.58db
21% Popularity • 21% Danceability • 12% Energy • 30% Liveness
76% Instrumentalness • 7% Positiveness
21% Popularity • 21% Danceability • 12% Energy • 30% Liveness
76% Instrumentalness • 7% Positiveness
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Louise Farrenc
Nonet in E-Flat Major, Op. 38: III. Sche...
79 bpm • C Maj • 05:07 • -25db
46% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
46% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
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Claude Debussy
Nocturnes, CD 98: II. Fêtes
79 bpm • A Maj • 06:15 • -20.03db
25% Popularity • 14% Danceability • 18% Energy • 8% Liveness
85% Instrumentalness • 7% Positiveness
25% Popularity • 14% Danceability • 18% Energy • 8% Liveness
85% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Oboe Sonata in D Major, Op. 166: I. Anda...
77 bpm • D Maj • 03:52 • -23.93db
23% Popularity • 26% Danceability • 5% Energy • 5% Liveness
90% Instrumentalness • 16% Positiveness
23% Popularity • 26% Danceability • 5% Energy • 5% Liveness
90% Instrumentalness • 16% Positiveness
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Ludwig van Beethoven
I. Adagio sostenuto - Presto
80 bpm • A min • 10:06 • -14db
31% Popularity • 41% Danceability • 20% Energy • 4% Liveness
44% Instrumentalness • 14% Positiveness
31% Popularity • 41% Danceability • 20% Energy • 4% Liveness
44% Instrumentalness • 14% Positiveness
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Franz Liszt
3 Études de Concert, S. 144: No. 3 in D...
76 bpm • C# Maj • 05:19 • -26.53db
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: II. ...
80 bpm • A# Maj • 08:35 • -20.96db
23% Popularity • 10% Danceability • 15% Energy • 15% Liveness
72% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 15% Energy • 15% Liveness
72% Instrumentalness • 4% Positiveness
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Henri Vieuxtemps
Capriccio for Viola Solo in C Minor, Op....
80 bpm • G# Maj • 03:34 • -25db
17% Popularity • 23% Danceability • 5% Energy • 12% Liveness
57% Instrumentalness • 22% Positiveness
17% Popularity • 23% Danceability • 5% Energy • 12% Liveness
57% Instrumentalness • 22% Positiveness
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Johann Sebastian Bach
Violin Partita No. 2 in D Minor, BWV 100...
76 bpm • D min • 05:12 • -22db
40% Popularity • 25% Danceability • 5% Energy • 14% Liveness
24% Instrumentalness • 46% Positiveness
40% Popularity • 25% Danceability • 5% Energy • 14% Liveness
24% Instrumentalness • 46% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
80 bpm • C min • 02:30 • -19.35db
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
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Édouard Lalo
Lalo: Symphonie espagnole in D minor, Op...
80 bpm • D min • 07:46 • -18.16db
15% Popularity • 28% Danceability • 14% Energy • 10% Liveness
19% Instrumentalness • 30% Positiveness
15% Popularity • 28% Danceability • 14% Energy • 10% Liveness
19% Instrumentalness • 30% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, L. 5: II...
80 bpm • F# min • 03:12 • -26db
39% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
39% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
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Sergei Rachmaninoff
Moment Musical, Op. 16 No. 4
80 bpm • C Maj • 03:11 • -18.42db
27% Popularity • 24% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 15% Positiveness
27% Popularity • 24% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 15% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
80 bpm • F Maj • 03:59 • -23db
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Bedřich Smetana
Charakterstücke, Op. 3, JB 1:65: No. 3,...
76 bpm • G# min • 01:49 • -23db
53% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
53% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Piano Concerto No. 1 in G Minor, Op. 25,...
80 bpm • G# Maj • 07:23 • -19db
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
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Tomaso Antonio Vitali
Chaconne in G Minor
80 bpm • G min • 09:31 • -9.84db
41% Popularity • 17% Danceability • 44% Energy • 51% Liveness
88% Instrumentalness • 7% Positiveness
41% Popularity • 17% Danceability • 44% Energy • 51% Liveness
88% Instrumentalness • 7% Positiveness
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Franz Liszt
Romance oubliee
76 bpm • F# min • 04:49 • -32db
30% Popularity • 12% Danceability • 1% Energy • 20% Liveness
15% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 1% Energy • 20% Liveness
15% Instrumentalness • 4% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz.56: I. Allegro ...
80 bpm • A min • 01:26 • -22.65db
30% Popularity • 35% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 36% Positiveness
30% Popularity • 35% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 36% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Piano Trio in A Minor, Op. ...
76 bpm • E Maj • 09:07 • -23.47db
0% Popularity • 19% Danceability • 6% Energy • 20% Liveness
32% Instrumentalness • 9% Positiveness
0% Popularity • 19% Danceability • 6% Energy • 20% Liveness
32% Instrumentalness • 9% Positiveness
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Pablo de Sarasate
Zigeunerweisen, Op. 20
81 bpm • G min • 09:07 • -25.39db
28% Popularity • 22% Danceability • 7% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
28% Popularity • 22% Danceability • 7% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • F# min • 04:09 • -17db
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
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Henryk Wieniawski
Wieniawski: Légende in G Minor, Op. 17
81 bpm • G min • 06:43 • -21.91db
13% Popularity • 13% Danceability • 8% Energy • 9% Liveness
32% Instrumentalness • 5% Positiveness
13% Popularity • 13% Danceability • 8% Energy • 9% Liveness
32% Instrumentalness • 5% Positiveness
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Giuseppe Tartini
Violin Sonata in G Minor, "Devil's Trill...
75 bpm • G min • 07:34 • -18db
43% Popularity • 28% Danceability • 10% Energy • 19% Liveness
3% Instrumentalness • 10% Positiveness
43% Popularity • 28% Danceability • 10% Energy • 19% Liveness
3% Instrumentalness • 10% Positiveness
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Edward Elgar
Serenade in E Minor, Op. 20: II. Larghet...
75 bpm • C Maj • 06:49 • -29.4db
20% Popularity • 7% Danceability • 2% Energy • 20% Liveness
41% Instrumentalness • 4% Positiveness
20% Popularity • 7% Danceability • 2% Energy • 20% Liveness
41% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Violin Concerto In E Minor, Op. 64, MWV ...
81 bpm • E min • 12:19 • -22.99db
34% Popularity • 22% Danceability • 10% Energy • 14% Liveness
10% Instrumentalness • 12% Positiveness
34% Popularity • 22% Danceability • 10% Energy • 14% Liveness
10% Instrumentalness • 12% Positiveness
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Sofia Gubaidulina
Dialog: Ich und Du - Pt. 6
75 bpm • C# Maj • 01:31 • -28.03db
3% Popularity • 15% Danceability • 5% Energy • 42% Liveness
16% Instrumentalness • 18% Positiveness
3% Popularity • 15% Danceability • 5% Energy • 42% Liveness
16% Instrumentalness • 18% Positiveness
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Johan Halvorsen
Passacaglia in G Minor (after G.F. Hande...
81 bpm • G min • 06:37 • -20.64db
15% Popularity • 36% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 23% Positiveness
15% Popularity • 36% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 23% Positiveness
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Henryk Wieniawski
Legende, Op. 17: Andante - Allegro moder...
75 bpm • G min • 07:41 • -22.89db
10% Popularity • 9% Danceability • 9% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
10% Popularity • 9% Danceability • 9% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
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Mela Tenenbaum
Russian Romance: P.Chernyetsky
81 bpm • C min • 02:51 • -21.23db
16% Popularity • 27% Danceability • 8% Energy • 10% Liveness
4% Instrumentalness • 20% Positiveness
16% Popularity • 27% Danceability • 8% Energy • 10% Liveness
4% Instrumentalness • 20% Positiveness
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Edward Elgar
Serenade for strings in E Minor, Op. 20
81 bpm • E min • 03:27 • -18.56db
27% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
27% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Johannes Brahms
Symphony No. 3 in F, Op. 90: 3. Poco all...
75 bpm • C min • 06:43 • -27.19db
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Henri Vieuxtemps
Violin Concerto No. 4 in D Minor, Op. 31...
75 bpm • D min • 10:01 • -22.86db
17% Popularity • 19% Danceability • 6% Energy • 7% Liveness
30% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 6% Energy • 7% Liveness
30% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
75 bpm • D Maj • 03:33 • -35.11db
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Édouard Lalo
Lalo: Symphonie espagnole, Op. 21: I. Al...
75 bpm • D min • 07:57 • -21.5db
19% Popularity • 32% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 27% Positiveness
19% Popularity • 32% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 27% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
35% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
String Quartet No. 19 in C Major, K. 465...
74 bpm • C Maj • 10:33 • -18.76db
15% Popularity • 35% Danceability • 12% Energy • 10% Liveness
56% Instrumentalness • 25% Positiveness
15% Popularity • 35% Danceability • 12% Energy • 10% Liveness
56% Instrumentalness • 25% Positiveness
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Sofia Gubaidulina
Dialog: Ich und Du - Pt. 11
75 bpm • A Maj • 02:56 • -29.03db
2% Popularity • 21% Danceability • 3% Energy • 30% Liveness
76% Instrumentalness • 3% Positiveness
2% Popularity • 21% Danceability • 3% Energy • 30% Liveness
76% Instrumentalness • 3% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: II. Lento assai
82 bpm • A min • 02:10 • -29.3db
26% Popularity • 17% Danceability • 6% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
26% Popularity • 17% Danceability • 6% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Etude in F Minor
82 bpm • F min • 01:55 • -24.37db
58% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
58% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Violin Concerto In D, Op. 61: 2. Larghet...
74 bpm • G Maj • 10:01 • -31.47db
42% Popularity • 11% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
42% Popularity • 11% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Five pieces for Two Violins and Piano: I...
82 bpm • B min • 02:26 • -31.1db
24% Popularity • 18% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 13% Positiveness
24% Popularity • 18% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 13% Positiveness
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Joseph Haydn
Piano Trio No. 39 in G Major, Hob. XV:25...
74 bpm • G Maj • 05:43 • -31.34db
5% Popularity • 23% Danceability • 3% Energy • 22% Liveness
20% Instrumentalness • 45% Positiveness
5% Popularity • 23% Danceability • 3% Energy • 22% Liveness
20% Instrumentalness • 45% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: IV. Danse languide
74 bpm • D# Maj • 01:24 • -40.61db
45% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
45% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
► Preview
Pablo de Sarasate
Zigeunerweisen, Op. 20
82 bpm • C min • 08:21 • -19.5db
20% Popularity • 24% Danceability • 20% Energy • 88% Liveness
8% Instrumentalness • 8% Positiveness
20% Popularity • 24% Danceability • 20% Energy • 88% Liveness
8% Instrumentalness • 8% Positiveness
► Preview
Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
37% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
37% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1: 3. Intermezzo
74 bpm • A# Maj • 02:33 • -30db
34% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
34% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
► Preview
Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
47% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
47% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
► Preview
Vladimir Ashkenazy
Piano Concerto No.2 in G Major, Op. 44: ...
73 bpm • D Maj • 08:14 • -22.69db
11% Popularity • 13% Danceability • 10% Energy • 24% Liveness
80% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 10% Energy • 24% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 1 in F Maj...
83 bpm • A# Maj • 01:55 • -28db
59% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
59% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
► Preview
Marek Pasieczny
Henryk Wieniawski: Chanson Polonaise, Ro...
83 bpm • D min • 02:30 • -16.22db
2% Popularity • 47% Danceability • 11% Energy • 12% Liveness
67% Instrumentalness • 7% Positiveness
2% Popularity • 47% Danceability • 11% Energy • 12% Liveness
67% Instrumentalness • 7% Positiveness
► Preview
Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Johann Sebastian Bach
Sonata for Violin Solo No. 2 in A Minor,...
83 bpm • A min • 05:49 • -17.44db
33% Popularity • 50% Danceability • 16% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
33% Popularity • 50% Danceability • 16% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
► Preview
Franz Liszt
Hungarian Rhapsody No. 2 in C Sharp Mino...
83 bpm • C# Maj • 09:03 • -21.03db
31% Popularity • 31% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
31% Popularity • 31% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
► Preview
Henryk Wieniawski
2 Mazurkas, Op. 19: No. 1. Obertass
83 bpm • G Maj • 02:08 • -18.77db
7% Popularity • 42% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
7% Popularity • 42% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso No. 8 in G Minor, Op. 6,...
73 bpm • G min • 02:27 • -13.92db
43% Popularity • 42% Danceability • 16% Energy • 31% Liveness
3% Instrumentalness • 56% Positiveness
43% Popularity • 42% Danceability • 16% Energy • 31% Liveness
3% Instrumentalness • 56% Positiveness
► Preview
Pierre Rode
24 Caprices en formes d'etudes: No. 2 in...
83 bpm • A min • 01:37 • -18.87db
36% Popularity • 51% Danceability • 22% Energy • 29% Liveness
92% Instrumentalness • 81% Positiveness
36% Popularity • 51% Danceability • 22% Energy • 29% Liveness
92% Instrumentalness • 81% Positiveness
► Preview
Claude Debussy
Debussy: Piano Trio in G Major, CD 5, L....
84 bpm • C Maj • 03:47 • -21.94db
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
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Marek Pasieczny
Henryk Wieniawski: Kujawiak in A minor (...
84 bpm • A min • 03:04 • -14.16db
1% Popularity • 51% Danceability • 16% Energy • 31% Liveness
81% Instrumentalness • 21% Positiveness
1% Popularity • 51% Danceability • 16% Energy • 31% Liveness
81% Instrumentalness • 21% Positiveness
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Serge Koussevitzky
Double Bass Concerto, Op. 3: I. Allegro
73 bpm • F# min • 05:05 • -21db
21% Popularity • 18% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
21% Popularity • 18% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
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Henryk Wieniawski
Romance
83 bpm • C min • 09:57 • -20.9db
20% Popularity • 24% Danceability • 14% Energy • 8% Liveness
14% Instrumentalness • 9% Positiveness
20% Popularity • 24% Danceability • 14% Energy • 8% Liveness
14% Instrumentalness • 9% Positiveness
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Moritz Moszkowski
Piano Concerto in E Major, Op. 59: IV. A...
84 bpm • E Maj • 09:35 • -21db
31% Popularity • 29% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
31% Popularity • 29% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
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Johann Sebastian Bach
Sonata for Violin Solo No. 1 in G Minor,...
84 bpm • G min • 04:44 • -20db
36% Popularity • 16% Danceability • 9% Energy • 68% Liveness
1% Instrumentalness • 18% Positiveness
36% Popularity • 16% Danceability • 9% Energy • 68% Liveness
1% Instrumentalness • 18% Positiveness
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Johannes Brahms
Symphony No. 4 in E Minor, Op. 98: IV. A...
84 bpm • E min • 09:11 • -19.19db
37% Popularity • 18% Danceability • 11% Energy • 11% Liveness
61% Instrumentalness • 7% Positiveness
37% Popularity • 18% Danceability • 11% Energy • 11% Liveness
61% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Elegie, Op. 24
72 bpm • G# Maj • 06:46 • -26db
32% Popularity • 15% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Etude in D-Sharp Minor, Op. 8, No. 12: P...
72 bpm • C# min • 02:10 • -16db
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
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Sofia Gubaidulina
Dialog: Ich und Du - Pt. 7
72 bpm • A# Maj • 01:35 • -27.95db
2% Popularity • 14% Danceability • 6% Energy • 13% Liveness
20% Instrumentalness • 3% Positiveness
2% Popularity • 14% Danceability • 6% Energy • 13% Liveness
20% Instrumentalness • 3% Positiveness
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Henryk Wieniawski
Polonaise No. 1, Op. 4
84 bpm • D Maj • 05:12 • -18.73db
0% Popularity • 26% Danceability • 15% Energy • 8% Liveness
54% Instrumentalness • 23% Positiveness
0% Popularity • 26% Danceability • 15% Energy • 8% Liveness
54% Instrumentalness • 23% Positiveness
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Felix Mendelssohn
Violin Concerto in E Minor, Op. 64, MWV ...
85 bpm • C Maj • 08:05 • -26.1db
26% Popularity • 12% Danceability • 5% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
26% Popularity • 12% Danceability • 5% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
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Samuel Barber
Violin Concerto, Op. 14: II. Andante
85 bpm • E Maj • 08:49 • -18db
15% Popularity • 14% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
85 bpm • G Maj • 02:44 • -26.75db
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Ilya Kaler
24 Caprices, Op. 1: No. 9 in E major
85 bpm • E Maj • 02:53 • -19.06db
35% Popularity • 64% Danceability • 12% Energy • 12% Liveness
60% Instrumentalness • 43% Positiveness
35% Popularity • 64% Danceability • 12% Energy • 12% Liveness
60% Instrumentalness • 43% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 1 in A Minor, BWV 10...
85 bpm • C Maj • 06:44 • -22.2db
31% Popularity • 24% Danceability • 11% Energy • 13% Liveness
42% Instrumentalness • 12% Positiveness
31% Popularity • 24% Danceability • 11% Energy • 13% Liveness
42% Instrumentalness • 12% Positiveness
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Sofia Gubaidulina
Dialog: Ich und Du - Pt. 2
85 bpm • A# Maj • 01:38 • -28.72db
4% Popularity • 35% Danceability • 2% Energy • 17% Liveness
56% Instrumentalness • 4% Positiveness
4% Popularity • 35% Danceability • 2% Energy • 17% Liveness
56% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Piano Trio in A Minor, Op. ...
71 bpm • A Maj • 07:48 • -24.18db
0% Popularity • 23% Danceability • 4% Energy • 10% Liveness
7% Instrumentalness • 7% Positiveness
0% Popularity • 23% Danceability • 4% Energy • 10% Liveness
7% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Violin Concerto in E Minor, Op. 64, MWV ...
85 bpm • E Maj • 06:30 • -18.99db
25% Popularity • 36% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 28% Positiveness
25% Popularity • 36% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 28% Positiveness
► Preview
Niccolò Paganini
Paganini / Arr. Príhoda: Capriccio on "...
85 bpm • G Maj • 08:41 • -20.02db
3% Popularity • 44% Danceability • 9% Energy • 29% Liveness
7% Instrumentalness • 34% Positiveness
3% Popularity • 44% Danceability • 9% Energy • 29% Liveness
7% Instrumentalness • 34% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: II. Un ba...
86 bpm • A Maj • 06:26 • -22.19db
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: Prelude No. 1 in C-Sharp Mi...
85 bpm • C# min • 04:25 • -20.87db
26% Popularity • 34% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
26% Popularity • 34% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Violin Concerto in D Major,...
85 bpm • B min • 09:58 • -26.91db
4% Popularity • 33% Danceability • 10% Energy • 11% Liveness
15% Instrumentalness • 18% Positiveness
4% Popularity • 33% Danceability • 10% Energy • 11% Liveness
15% Instrumentalness • 18% Positiveness
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Rousseau
Prelude in C# Minor (Op. 3 No. 2)
86 bpm • C# min • 03:26 • -12.03db
34% Popularity • 48% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 48% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Sonata for Piano and Violin in E Minor, ...
86 bpm • E min • 07:03 • -20db
39% Popularity • 38% Danceability • 16% Energy • 19% Liveness
52% Instrumentalness • 44% Positiveness
39% Popularity • 38% Danceability • 16% Energy • 19% Liveness
52% Instrumentalness • 44% Positiveness
