Songs like Wiggle in the Middle by Willie Clayton
Based on a tempo of (+/- 10%) and a similar genre
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Willie Clayton
Wiggle
174 bpm • C Maj • 04:47 • -6db
25% Popularity • 82% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 82% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Avail Hollywood
Country Road
173 bpm • F# Maj • 03:48 • -6.8db
23% Popularity • 68% Danceability • 62% Energy • 53% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 68% Danceability • 62% Energy • 53% Liveness
0% Instrumentalness • 57% Positiveness
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Jackie Neal
In Love With (Yo Stuff)
175 bpm • C# min • 04:29 • -9.84db
18% Popularity • 62% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 62% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Arthur Young
Knock It
172 bpm • F# min • 03:48 • -6.3db
32% Popularity • 65% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 65% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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LaMorris Williams
Get Close to Me
172 bpm • G Maj • 03:45 • -6.28db
12% Popularity • 76% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 76% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Latimore
Bad Risk
177 bpm • C min • 04:51 • -12.16db
19% Popularity • 70% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 70% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Willie Clayton
Wiggle in the Middle
174 bpm • G min • 04:18 • -4.42db
19% Popularity • 67% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 67% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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O. B. Buchana
I Can't Choose
171 bpm • F# Maj • 05:15 • -8.62db
13% Popularity • 68% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 68% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Donnie Ray
Too Many Mechanics
171 bpm • F# Maj • 05:48 • -7.19db
19% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Arthur Young
Mr. Bartender
172 bpm • B Maj • 03:41 • -6.82db
28% Popularity • 70% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 70% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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McKinley Mitchell
The End of the Rainbow
170 bpm • F# min • 03:38 • -10.93db
24% Popularity • 45% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 45% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Lebrado
Lebrado Like It Like That
178 bpm • C# Maj • 02:53 • -5.27db
10% Popularity • 84% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 84% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Willie Clayton
Living for the Weekend
172 bpm • A Maj • 03:44 • -5.91db
24% Popularity • 66% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 66% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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O. B. Buchana
That's My Song
170 bpm • G Maj • 04:58 • -6.05db
28% Popularity • 52% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 52% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Carl Sims
Trapped
170 bpm • C Maj • 07:11 • -6.38db
9% Popularity • 69% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 69% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Sheba Potts-Wright
I Can Hear Your Macaroni
170 bpm • A# min • 03:37 • -11.22db
41% Popularity • 79% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 79% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Jackie Neal
Zydeco Dance
169 bpm • C# Maj • 03:23 • -5.92db
26% Popularity • 73% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 73% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Jaye Hammer
Party at Home
180 bpm • F min • 05:22 • -7.87db
39% Popularity • 68% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 68% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Willie Clayton
Boot Scoot Dance
178 bpm • A# min • 04:41 • -3.35db
11% Popularity • 65% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 65% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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J. Blackfoot
Same Time, Same Place
180 bpm • C Maj • 04:14 • -6.62db
11% Popularity • 51% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 51% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Peggy Scott-Adams
Mr. Right or Mr. Wrong
180 bpm • E Maj • 04:00 • -6db
39% Popularity • 70% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 70% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Ms. Jody
Don't Back up off It
168 bpm • A# Maj • 04:22 • -6.26db
30% Popularity • 81% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 81% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Sheba Potts-Wright
Stay with Your Wife
168 bpm • D Maj • 04:41 • -6.57db
29% Popularity • 57% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 57% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Wilson Meadows
Just Like I Promised
180 bpm • D Maj • 03:31 • -9.59db
30% Popularity • 70% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 70% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Willie Clayton
Mine All Mine
170 bpm • A# min • 04:20 • -6.29db
23% Popularity • 64% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 64% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Tre Williams
3 Rounds
168 bpm • G# Maj • 03:38 • -5.82db
17% Popularity • 54% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 54% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Big Yayo
I'm Your Man
168 bpm • G# Maj • 04:30 • -11.33db
33% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Floyd Taylor
Old School Style
167 bpm • E min • 04:13 • -7.23db
25% Popularity • 67% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 67% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Vick Allen
I'm Tired of Being Grown
165 bpm • F# min • 04:03 • -6.88db
13% Popularity • 67% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 67% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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O. B. Buchana
I Want Both Of You
166 bpm • G min • 04:54 • -8.62db
17% Popularity • 74% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 74% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Jaye Hammer
Party Mood
184 bpm • A# min • 04:31 • -7.34db
49% Popularity • 76% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 76% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Sheba Potts-Wright
Cruise Control
164 bpm • D Maj • 04:45 • -7.69db
37% Popularity • 73% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
37% Popularity • 73% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Carl Sims
I'm Trapped, Pt. 2
164 bpm • B Maj • 04:31 • -16.44db
19% Popularity • 52% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 52% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Carl Marshall
Good Lovin Will Make You Cry, Pt. 2
164 bpm • F Maj • 05:43 • -8.47db
14% Popularity • 69% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 69% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Willie Clayton
I Feel A Cheatin' Coming On
164 bpm • F Maj • 04:14 • -9.5db
12% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Da Problem Solvas
The Same Thing (Running Out Of Lies Medl...
163 bpm • A Maj • 04:58 • -9.59db
18% Popularity • 81% Danceability • 37% Energy • 72% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 81% Danceability • 37% Energy • 72% Liveness
0% Instrumentalness • 72% Positiveness
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Floyd Taylor
I Love Being In Love With You
163 bpm • C Maj • 04:18 • -7.27db
21% Popularity • 79% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 79% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Reggie P
My Eyes are Raining
186 bpm • C Maj • 04:58 • -10db
10% Popularity • 70% Danceability • 50% Energy • 71% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 70% Danceability • 50% Energy • 71% Liveness
0% Instrumentalness • 78% Positiveness
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Carl Sims
Trapped
164 bpm • B Maj • 04:32 • -5.58db
17% Popularity • 43% Danceability • 80% Energy • 97% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 43% Danceability • 80% Energy • 97% Liveness
0% Instrumentalness • 72% Positiveness
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J. Blackfoot
Meow
162 bpm • D Maj • 06:29 • -6.19db
9% Popularity • 74% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 74% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Willie Clayton
Love Mechanic
188 bpm • C Maj • 03:43 • -8.6db
21% Popularity • 76% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 76% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Cupid
2 Step on My Haters
188 bpm • C# Maj • 04:07 • -7.13db
37% Popularity • 77% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
37% Popularity • 77% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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FATDADDY
Country Girl
189 bpm • G# Maj • 03:20 • -3.9db
32% Popularity • 72% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 72% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Reggie P
P's & Q's
160 bpm • C Maj • 06:09 • -16.81db
24% Popularity • 79% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 79% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Carl Sims
I'm Trapped, Pt. 1
164 bpm • B Maj • 07:41 • -14.88db
34% Popularity • 54% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 54% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Adrian Bagher
Chick on the Side
160 bpm • G# min • 04:39 • -13.49db
29% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Willie Clayton
So In Love
160 bpm • D Maj • 03:51 • -8.58db
10% Popularity • 67% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 67% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Jackie Neal
He Don't Love Me
159 bpm • B Maj • 04:57 • -7.02db
28% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Lacee
Move Something
190 bpm • G Maj • 03:56 • -6.23db
30% Popularity • 64% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 64% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Stan Butler
Start Eating
158 bpm • F Maj • 05:05 • -9.28db
13% Popularity • 58% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 58% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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Arthur Young
"This Time" It Was Me
156 bpm • E min • 05:38 • -8.86db
35% Popularity • 74% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 74% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Adrian Bagher
Willing & Able
160 bpm • G min • 04:25 • -7.7db
22% Popularity • 69% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 69% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Willie Clayton
Running Out of Lies
160 bpm • C# min • 04:58 • -4.75db
23% Popularity • 50% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 50% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Sheba Potts-Wright
Slow Roll It
156 bpm • E min • 04:50 • -8db
39% Popularity • 80% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 80% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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PC Band
Turn er' Loose
156 bpm • F min • 04:13 • -6.7db
29% Popularity • 69% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 69% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Tyrone Davis
Sure Wasn't Me
156 bpm • E min • 06:50 • -8.55db
38% Popularity • 75% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 75% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Karen Wolfe
Blues Me Up
154 bpm • C Maj • 04:18 • -7db
9% Popularity • 81% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 81% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Adrian Bagher
Don't Blame It On Jody
154 bpm • B Maj • 03:45 • -8.98db
26% Popularity • 74% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 74% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Ronnie Lovejoy
Sho Wasn't Me
154 bpm • E min • 07:11 • -8.12db
25% Popularity • 74% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 74% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Willie Clayton
I Can't Keep Loving You
154 bpm • G Maj • 04:52 • -6.38db
12% Popularity • 84% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 84% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Floyd Taylor
You Still Got It
153 bpm • F min • 04:30 • -7.48db
27% Popularity • 77% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 77% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Charles Wilson
Mississippi Boy
153 bpm • C# Maj • 03:09 • -6.37db
21% Popularity • 78% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 78% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Ronnie Bell
Confessing My Love Pains
153 bpm • E min • 04:46 • -19.76db
14% Popularity • 63% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 63% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Vick Allen
If They Can Beat Me Rockin
200 bpm • C Maj • 04:31 • -10.06db
18% Popularity • 57% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 57% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Wilson Meadows
That's Still My Love
200 bpm • F Maj • 03:22 • -9db
40% Popularity • 72% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 72% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Willie Clayton
Party Like We Use to Do
200 bpm • C Maj • 05:55 • -2db
30% Popularity • 68% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 68% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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J. Blackfoot
Mr. Bus Driver
201 bpm • B min • 05:16 • -8db
22% Popularity • 56% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 56% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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LaMorris Williams
It's You Baby
201 bpm • A# min • 04:04 • -7.18db
13% Popularity • 62% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 62% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Jeff Floyd
Somebody Is Gonna Lose A Good Woman
150 bpm • G Maj • 05:01 • -9.34db
29% Popularity • 76% Danceability • 42% Energy • 15% Liveness
1% Instrumentalness • 69% Positiveness
29% Popularity • 76% Danceability • 42% Energy • 15% Liveness
1% Instrumentalness • 69% Positiveness
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Adrian Bagher
Around the Corner
149 bpm • D min • 03:43 • -6.67db
35% Popularity • 72% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 72% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Avail Hollywood
Look Like We Did It Again
149 bpm • G min • 03:31 • -5.41db
21% Popularity • 72% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 72% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Nellie Tiger Travis
If I Back It Up
203 bpm • F min • 03:48 • -6db
39% Popularity • 66% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
39% Popularity • 66% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Cupid
Cornbread & Greens
204 bpm • D# min • 04:14 • -7.99db
38% Popularity • 69% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 69% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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LaMorris Williams
Ring On Your Finger
204 bpm • A# Maj • 03:32 • -2.53db
13% Popularity • 65% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 65% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Jeff Floyd
Where Do You Go
204 bpm • A min • 04:51 • -7db
14% Popularity • 68% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 68% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Carlin Taylor
Keep it 100
206 bpm • B min • 03:08 • -6.34db
26% Popularity • 66% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 66% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Peggy Scott-Adams
Part Time Lover, Full Time Fool
204 bpm • D Maj • 04:09 • -10db
32% Popularity • 66% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 66% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Ronnie Bell
Cotton Candy
206 bpm • A Maj • 03:41 • -9.25db
40% Popularity • 57% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 57% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
