Songs like Wild Cat Blues by Chris Barber's Jazz Band
Based on a tempo of (+/- 10%) and a similar genre
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Chris Barber's Jazz Band
Wild Cat Blues
185 bpm • C Maj • 02:58 • -11.17db
28% Popularity • 49% Danceability • 26% Energy • 13% Liveness
97% Instrumentalness • 81% Positiveness
28% Popularity • 49% Danceability • 26% Energy • 13% Liveness
97% Instrumentalness • 81% Positiveness
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Cantovano and His Orchestra
Les Copains D'abord
186 bpm • D min • 02:30 • -6.73db
16% Popularity • 51% Danceability • 57% Energy • 5% Liveness
94% Instrumentalness • 80% Positiveness
16% Popularity • 51% Danceability • 57% Energy • 5% Liveness
94% Instrumentalness • 80% Positiveness
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Eddie Calvert
The Poor People of Paris - 2005 Remaster
187 bpm • D# Maj • 01:41 • -13db
32% Popularity • 40% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 85% Positiveness
32% Popularity • 40% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 85% Positiveness
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Monty Sunshine's Jazz Band
Marie
183 bpm • F Maj • 05:01 • -13.3db
15% Popularity • 49% Danceability • 47% Energy • 13% Liveness
90% Instrumentalness • 78% Positiveness
15% Popularity • 49% Danceability • 47% Energy • 13% Liveness
90% Instrumentalness • 78% Positiveness
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New Orleans Delight
If Those Lips Could Only Speak
187 bpm • F min • 04:55 • -9db
11% Popularity • 46% Danceability • 47% Energy • 5% Liveness
64% Instrumentalness • 85% Positiveness
11% Popularity • 46% Danceability • 47% Energy • 5% Liveness
64% Instrumentalness • 85% Positiveness
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Acker Bilk & His Paramount Jazz Band
C'est Si Bon
182 bpm • A# Maj • 03:58 • -11.57db
27% Popularity • 47% Danceability • 46% Energy • 69% Liveness
3% Instrumentalness • 72% Positiveness
27% Popularity • 47% Danceability • 46% Energy • 69% Liveness
3% Instrumentalness • 72% Positiveness
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Charlie Barnet
Spanish Kick
181 bpm • D# Maj • 02:49 • -11db
32% Popularity • 53% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
32% Popularity • 53% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
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Mr. Acker Bilk & His Paramount Jazz Band
My Heart Belongs to Daddy
181 bpm • D# min • 03:19 • -12.46db
26% Popularity • 50% Danceability • 40% Energy • 9% Liveness
93% Instrumentalness • 92% Positiveness
26% Popularity • 50% Danceability • 40% Energy • 9% Liveness
93% Instrumentalness • 92% Positiveness
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The Dukes Of Dixieland
Down By the Riverside
181 bpm • F Maj • 03:33 • -11.3db
23% Popularity • 57% Danceability • 36% Energy • 12% Liveness
84% Instrumentalness • 71% Positiveness
23% Popularity • 57% Danceability • 36% Energy • 12% Liveness
84% Instrumentalness • 71% Positiveness
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Monty Sunshine's Jazz Band
You Are My Sunshine
182 bpm • C Maj • 02:40 • -10.69db
22% Popularity • 39% Danceability • 47% Energy • 6% Liveness
5% Instrumentalness • 65% Positiveness
22% Popularity • 39% Danceability • 47% Energy • 6% Liveness
5% Instrumentalness • 65% Positiveness
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Benny Goodman Trio
Stompin' At The Savoy - Instrumental
189 bpm • C# Maj • 02:51 • -16.4db
34% Popularity • 49% Danceability • 37% Energy • 16% Liveness
40% Instrumentalness • 86% Positiveness
34% Popularity • 49% Danceability • 37% Energy • 16% Liveness
40% Instrumentalness • 86% Positiveness
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Baguette Quartette
Reine de musette
188 bpm • A Maj • 02:38 • -6.78db
40% Popularity • 36% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 73% Positiveness
40% Popularity • 36% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 73% Positiveness
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George Lewis
St. Louis Blues
181 bpm • D min • 02:46 • -9.02db
20% Popularity • 52% Danceability • 56% Energy • 38% Liveness
96% Instrumentalness • 93% Positiveness
20% Popularity • 52% Danceability • 56% Energy • 38% Liveness
96% Instrumentalness • 93% Positiveness
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Monty Sunshine
Hushabye
181 bpm • G min • 03:03 • -12.99db
16% Popularity • 36% Danceability • 25% Energy • 8% Liveness
82% Instrumentalness • 54% Positiveness
16% Popularity • 36% Danceability • 25% Energy • 8% Liveness
82% Instrumentalness • 54% Positiveness
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Gunhild Carling
Bei Mir Bist Du Schn
189 bpm • A min • 03:38 • -14.56db
12% Popularity • 44% Danceability • 37% Energy • 62% Liveness
5% Instrumentalness • 66% Positiveness
12% Popularity • 44% Danceability • 37% Energy • 62% Liveness
5% Instrumentalness • 66% Positiveness
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Chris Barber's Jazz & Blues Band
My Old Kentucky Home
180 bpm • D# Maj • 04:25 • -9.57db
13% Popularity • 48% Danceability • 58% Energy • 8% Liveness
93% Instrumentalness • 95% Positiveness
13% Popularity • 48% Danceability • 58% Energy • 8% Liveness
93% Instrumentalness • 95% Positiveness
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Woody Herman & His Orchestra
Woodchopper's Ball
180 bpm • F min • 03:14 • -8.67db
36% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
36% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
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Kurt Edelhagen
Foxtrott: 46 Takte Pro Minute - Dinah; W...
180 bpm • F Maj • 02:58 • -10.68db
32% Popularity • 42% Danceability • 64% Energy • 20% Liveness
89% Instrumentalness • 66% Positiveness
32% Popularity • 42% Danceability • 64% Energy • 20% Liveness
89% Instrumentalness • 66% Positiveness
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George Lewis
Down by the Riverside
179 bpm • G min • 02:54 • -7db
36% Popularity • 59% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 86% Positiveness
36% Popularity • 59% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 86% Positiveness
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Eddie Condon
Chicago
180 bpm • D# Maj • 02:56 • -14.05db
28% Popularity • 40% Danceability • 41% Energy • 24% Liveness
29% Instrumentalness • 96% Positiveness
28% Popularity • 40% Danceability • 41% Energy • 24% Liveness
29% Instrumentalness • 96% Positiveness
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Wilbur De Paris
Hot Lips
191 bpm • A# Maj • 04:54 • -9db
28% Popularity • 53% Danceability • 48% Energy • 12% Liveness
26% Instrumentalness • 93% Positiveness
28% Popularity • 53% Danceability • 48% Energy • 12% Liveness
26% Instrumentalness • 93% Positiveness
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Gentlemen Of Jazz
We'll Meet Again
191 bpm • C min • 04:04 • -9db
12% Popularity • 58% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 58% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Ottilie Patterson
Mama, He Treats Your Daughter Mean
179 bpm • D# Maj • 02:33 • -9.89db
2% Popularity • 47% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
2% Popularity • 47% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Monty Sunshine's Jazz Band
Till We Meet Again
178 bpm • C Maj • 04:22 • -11.27db
11% Popularity • 40% Danceability • 45% Energy • 7% Liveness
12% Instrumentalness • 50% Positiveness
11% Popularity • 40% Danceability • 45% Energy • 7% Liveness
12% Instrumentalness • 50% Positiveness
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Joe Loss & His Orchestra
At the Woodchoppers Ball
178 bpm • F min • 03:21 • -15db
14% Popularity • 52% Danceability • 31% Energy • 13% Liveness
64% Instrumentalness • 86% Positiveness
14% Popularity • 52% Danceability • 31% Energy • 13% Liveness
64% Instrumentalness • 86% Positiveness
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Eddie Calvert
Zambesi
178 bpm • D# Maj • 02:42 • -8.24db
18% Popularity • 45% Danceability • 65% Energy • 32% Liveness
16% Instrumentalness • 92% Positiveness
18% Popularity • 45% Danceability • 65% Energy • 32% Liveness
16% Instrumentalness • 92% Positiveness
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Wilbur De Paris
Flow Gently, Sweet Afton
177 bpm • A# Maj • 04:48 • -10.79db
11% Popularity • 66% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 66% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Tony Bennett
The Good Life
176 bpm • A# Maj • 02:14 • -13.71db
54% Popularity • 18% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 21% Positiveness
54% Popularity • 18% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 21% Positiveness
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King Curtis
Melancholy Serenade - Remastered
195 bpm • F min • 02:08 • -14.81db
28% Popularity • 22% Danceability • 20% Energy • 10% Liveness
65% Instrumentalness • 20% Positiveness
28% Popularity • 22% Danceability • 20% Energy • 10% Liveness
65% Instrumentalness • 20% Positiveness
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Pee Wee Hunt
The Darktown Strutters Ball
195 bpm • D min • 02:45 • -7.38db
11% Popularity • 46% Danceability • 55% Energy • 4% Liveness
13% Instrumentalness • 92% Positiveness
11% Popularity • 46% Danceability • 55% Energy • 4% Liveness
13% Instrumentalness • 92% Positiveness
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Wingy Manone
Alexander'S Ragtime Band
175 bpm • G min • 02:18 • -13.98db
19% Popularity • 64% Danceability • 40% Energy • 6% Liveness
75% Instrumentalness • 88% Positiveness
19% Popularity • 64% Danceability • 40% Energy • 6% Liveness
75% Instrumentalness • 88% Positiveness
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Members Of The Glenn Miller Orchestra
Habanera
175 bpm • C Maj • 01:58 • -13.7db
41% Popularity • 36% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
41% Popularity • 36% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
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Peoria Jazzband
Tell Me Your Dreams
175 bpm • C Maj • 04:29 • -10.42db
8% Popularity • 54% Danceability • 44% Energy • 8% Liveness
54% Instrumentalness • 71% Positiveness
8% Popularity • 54% Danceability • 44% Energy • 8% Liveness
54% Instrumentalness • 71% Positiveness
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Horst Jankowski
Berlin Stroll
175 bpm • F Maj • 02:24 • -13.16db
36% Popularity • 53% Danceability • 31% Energy • 11% Liveness
78% Instrumentalness • 67% Positiveness
36% Popularity • 53% Danceability • 31% Energy • 11% Liveness
78% Instrumentalness • 67% Positiveness
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Mr. Acker Bilk & His Paramount Jazz Band
Creole Jazz
196 bpm • A# Maj • 02:43 • -9db
31% Popularity • 50% Danceability • 53% Energy • 6% Liveness
92% Instrumentalness • 96% Positiveness
31% Popularity • 50% Danceability • 53% Energy • 6% Liveness
92% Instrumentalness • 96% Positiveness
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Kenny Ball
Midnight In Moscow
174 bpm • C min • 02:54 • -10.35db
22% Popularity • 44% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
22% Popularity • 44% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
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Camille Howard
Boogie In "G"
197 bpm • G Maj • 02:34 • -12.82db
32% Popularity • 49% Danceability • 52% Energy • 15% Liveness
94% Instrumentalness • 95% Positiveness
32% Popularity • 49% Danceability • 52% Energy • 15% Liveness
94% Instrumentalness • 95% Positiveness
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Wilbur De Paris
Wunderbar
174 bpm • G Maj • 04:36 • -6.91db
20% Popularity • 54% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 54% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 82% Positiveness
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Monty Sunshine's Jazz Band
Spinning Wheel
197 bpm • C Maj • 05:28 • -11db
13% Popularity • 46% Danceability • 66% Energy • 52% Liveness
13% Instrumentalness • 73% Positiveness
13% Popularity • 46% Danceability • 66% Energy • 52% Liveness
13% Instrumentalness • 73% Positiveness
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Horst Jankowski
A Walk In The Black Forest
174 bpm • D Maj • 02:32 • -9.16db
23% Popularity • 63% Danceability • 47% Energy • 29% Liveness
28% Instrumentalness • 69% Positiveness
23% Popularity • 63% Danceability • 47% Energy • 29% Liveness
28% Instrumentalness • 69% Positiveness
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Ottilie Patterson
Let Him Go, Let Him Tarry
173 bpm • F min • 02:33 • -10.37db
12% Popularity • 51% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 51% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Rose Murphy
I Wanna Be Loved By You
173 bpm • A# Maj • 02:21 • -13db
26% Popularity • 79% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 91% Positiveness
26% Popularity • 79% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 91% Positiveness
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W.C. Handy
St. Louis Blues - Live
173 bpm • D Maj • 03:52 • -14.9db
3% Popularity • 50% Danceability • 8% Energy • 80% Liveness
0% Instrumentalness • 34% Positiveness
3% Popularity • 50% Danceability • 8% Energy • 80% Liveness
0% Instrumentalness • 34% Positiveness
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Benny Goodman Quartet
Sweet Georgia Brown - 1996 Remastered
173 bpm • F min • 03:04 • -11.87db
27% Popularity • 76% Danceability • 27% Energy • 7% Liveness
20% Instrumentalness • 82% Positiveness
27% Popularity • 76% Danceability • 27% Energy • 7% Liveness
20% Instrumentalness • 82% Positiveness
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Lester Lanin
This Could Be The Start Of Something - S...
199 bpm • D# Maj • 02:12 • -14.13db
30% Popularity • 64% Danceability • 34% Energy • 6% Liveness
83% Instrumentalness • 96% Positiveness
30% Popularity • 64% Danceability • 34% Energy • 6% Liveness
83% Instrumentalness • 96% Positiveness
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Johnny Maddox
Memphis Blues
172 bpm • F Maj • 02:23 • -13.97db
18% Popularity • 45% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 97% Positiveness
18% Popularity • 45% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 97% Positiveness
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George Lewis
Salty Dog
172 bpm • D# Maj • 02:51 • -10db
28% Popularity • 63% Danceability • 40% Energy • 9% Liveness
90% Instrumentalness • 92% Positiveness
28% Popularity • 63% Danceability • 40% Energy • 9% Liveness
90% Instrumentalness • 92% Positiveness
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Joe Loss & His Orchestra
A Room with a View
199 bpm • G min • 02:28 • -11db
13% Popularity • 44% Danceability • 29% Energy • 22% Liveness
1% Instrumentalness • 67% Positiveness
13% Popularity • 44% Danceability • 29% Energy • 22% Liveness
1% Instrumentalness • 67% Positiveness
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Monty Sunshine's Jazz Band
Wildcat Blues
200 bpm • C Maj • 03:12 • -7.27db
16% Popularity • 44% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 44% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Second Line Jazzband
If You Were the Only Girl in the World
172 bpm • F min • 04:49 • -9.77db
10% Popularity • 59% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 59% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Ottilie Patterson
Jailhouse Blues
171 bpm • G# Maj • 04:12 • -11.97db
2% Popularity • 44% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 40% Positiveness
2% Popularity • 44% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 40% Positiveness
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Johnny Dodds
Wild Man Blues
171 bpm • F# min • 03:11 • -11.65db
31% Popularity • 66% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 74% Positiveness
31% Popularity • 66% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 74% Positiveness
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Peoria Jazzband
Ti-Pi-Tin
171 bpm • A# Maj • 04:36 • -8db
9% Popularity • 66% Danceability • 52% Energy • 6% Liveness
2% Instrumentalness • 93% Positiveness
9% Popularity • 66% Danceability • 52% Energy • 6% Liveness
2% Instrumentalness • 93% Positiveness
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Chris Barber's Jazz Band
April Showers
201 bpm • G# Maj • 05:53 • -5.51db
7% Popularity • 45% Danceability • 66% Energy • 17% Liveness
88% Instrumentalness • 88% Positiveness
7% Popularity • 45% Danceability • 66% Energy • 17% Liveness
88% Instrumentalness • 88% Positiveness
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Perry Como
Glendora
170 bpm • C min • 02:43 • -11.25db
8% Popularity • 54% Danceability • 42% Energy • 43% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 54% Danceability • 42% Energy • 43% Liveness
0% Instrumentalness • 84% Positiveness
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Horst Jankowski
Play A Simple Melody
170 bpm • A# Maj • 02:36 • -12db
35% Popularity • 46% Danceability • 40% Energy • 12% Liveness
29% Instrumentalness • 45% Positiveness
35% Popularity • 46% Danceability • 40% Energy • 12% Liveness
29% Instrumentalness • 45% Positiveness
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Ottilie Patterson
Tain't No Sin
200 bpm • D# Maj • 02:31 • -9.59db
4% Popularity • 61% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
4% Popularity • 61% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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ザ・リバーフロント・スタジオ・オーケストラ
チャールストン
201 bpm • A# Maj • 02:04 • -11db
18% Popularity • 46% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 46% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Chris Barber
My Old Kentucky Home
170 bpm • G# Maj • 03:14 • -7.87db
15% Popularity • 46% Danceability • 69% Energy • 26% Liveness
86% Instrumentalness • 78% Positiveness
15% Popularity • 46% Danceability • 69% Energy • 26% Liveness
86% Instrumentalness • 78% Positiveness
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Chris Barber's Jazz Band
Whistling Rufus
201 bpm • G# Maj • 02:59 • -5.79db
17% Popularity • 48% Danceability • 58% Energy • 8% Liveness
93% Instrumentalness • 97% Positiveness
17% Popularity • 48% Danceability • 58% Energy • 8% Liveness
93% Instrumentalness • 97% Positiveness
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James P. Johnson
Charleston
202 bpm • G min • 02:34 • -16db
32% Popularity • 44% Danceability • 26% Energy • 11% Liveness
81% Instrumentalness • 74% Positiveness
32% Popularity • 44% Danceability • 26% Energy • 11% Liveness
81% Instrumentalness • 74% Positiveness
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Svend Asmussen
June Night
169 bpm • G min • 02:30 • -24db
20% Popularity • 52% Danceability • 10% Energy • 9% Liveness
57% Instrumentalness • 64% Positiveness
20% Popularity • 52% Danceability • 10% Energy • 9% Liveness
57% Instrumentalness • 64% Positiveness
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Kenny Ball & His Jazzmen
Green Leaves of Summer (Rerecorded)
169 bpm • F min • 02:40 • -14db
22% Popularity • 49% Danceability • 41% Energy • 9% Liveness
79% Instrumentalness • 71% Positiveness
22% Popularity • 49% Danceability • 41% Energy • 9% Liveness
79% Instrumentalness • 71% Positiveness
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Ladyva
8 to the Bar
169 bpm • C Maj • 02:03 • -11db
34% Popularity • 57% Danceability • 69% Energy • 7% Liveness
95% Instrumentalness • 98% Positiveness
34% Popularity • 57% Danceability • 69% Energy • 7% Liveness
95% Instrumentalness • 98% Positiveness
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Joe Loss & His Orchestra
In the Mood
168 bpm • G# Maj • 03:35 • -14.02db
17% Popularity • 47% Danceability • 33% Energy • 10% Liveness
4% Instrumentalness • 75% Positiveness
17% Popularity • 47% Danceability • 33% Energy • 10% Liveness
4% Instrumentalness • 75% Positiveness
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Chris Barber's Jazz Band
Whistlin Rufus
201 bpm • G# Maj • 03:01 • -5.1db
10% Popularity • 54% Danceability • 63% Energy • 6% Liveness
96% Instrumentalness • 96% Positiveness
10% Popularity • 54% Danceability • 63% Energy • 6% Liveness
96% Instrumentalness • 96% Positiveness
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Marlene Dietrich
You Do Something To Me
168 bpm • G Maj • 03:02 • -12.42db
24% Popularity • 19% Danceability • 25% Energy • 26% Liveness
52% Instrumentalness • 22% Positiveness
24% Popularity • 19% Danceability • 25% Energy • 26% Liveness
52% Instrumentalness • 22% Positiveness
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Ottilie Patterson
There'll Be a Hot Time in the Old Town T...
168 bpm • F min • 03:13 • -8.42db
3% Popularity • 46% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
3% Popularity • 46% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Kenny Ball & His Jazzmen
Acapulco 1922
169 bpm • D min • 02:16 • -7.59db
28% Popularity • 52% Danceability • 59% Energy • 8% Liveness
93% Instrumentalness • 87% Positiveness
28% Popularity • 52% Danceability • 59% Energy • 8% Liveness
93% Instrumentalness • 87% Positiveness
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The Paris Musette
Under Paris Skies
167 bpm • F min • 02:08 • -16.01db
45% Popularity • 37% Danceability • 16% Energy • 14% Liveness
85% Instrumentalness • 57% Positiveness
45% Popularity • 37% Danceability • 16% Energy • 14% Liveness
85% Instrumentalness • 57% Positiveness
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Wingy Manone
Besame Mucho
167 bpm • G# min • 02:41 • -9.37db
28% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Chris Barber's Jazz Band
Thriller Rag
202 bpm • G# Maj • 02:59 • -5.3db
10% Popularity • 54% Danceability • 66% Energy • 16% Liveness
94% Instrumentalness • 96% Positiveness
10% Popularity • 54% Danceability • 66% Energy • 16% Liveness
94% Instrumentalness • 96% Positiveness
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Acker Bilk
Just a Closer Walk with Thee
167 bpm • A# Maj • 06:26 • -15.67db
22% Popularity • 49% Danceability • 41% Energy • 97% Liveness
68% Instrumentalness • 87% Positiveness
22% Popularity • 49% Danceability • 41% Energy • 97% Liveness
68% Instrumentalness • 87% Positiveness
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Black Bottom Stompers
Potato Head Blues
167 bpm • F Maj • 03:14 • -16db
22% Popularity • 65% Danceability • 19% Energy • 26% Liveness
93% Instrumentalness • 91% Positiveness
22% Popularity • 65% Danceability • 19% Energy • 26% Liveness
93% Instrumentalness • 91% Positiveness
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The Temperance Seven
You're Driving Me Crazy
166 bpm • D# Maj • 03:56 • -12.32db
13% Popularity • 53% Danceability • 28% Energy • 8% Liveness
22% Instrumentalness • 82% Positiveness
13% Popularity • 53% Danceability • 28% Energy • 8% Liveness
22% Instrumentalness • 82% Positiveness
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Ottilie Patterson
Backwater Blues
166 bpm • G Maj • 06:33 • -11.45db
4% Popularity • 53% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
4% Popularity • 53% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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Jan Preston
Jan's Boogie Jam
166 bpm • F Maj • 02:49 • -18.13db
23% Popularity • 39% Danceability • 33% Energy • 18% Liveness
82% Instrumentalness • 66% Positiveness
23% Popularity • 39% Danceability • 33% Energy • 18% Liveness
82% Instrumentalness • 66% Positiveness
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Chris Barber's Jazz Band
Shout 'Em Aunt Tillie
169 bpm • D min • 02:18 • -7.79db
28% Popularity • 54% Danceability • 46% Energy • 6% Liveness
65% Instrumentalness • 93% Positiveness
28% Popularity • 54% Danceability • 46% Energy • 6% Liveness
65% Instrumentalness • 93% Positiveness
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Dutch Swing College Band
Creole Jazz
164 bpm • A# Maj • 02:54 • -10.79db
30% Popularity • 58% Danceability • 41% Energy • 7% Liveness
79% Instrumentalness • 80% Positiveness
30% Popularity • 58% Danceability • 41% Energy • 7% Liveness
79% Instrumentalness • 80% Positiveness
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Carmen McRae
Take Five - Single Version
164 bpm • C min • 02:17 • -12.45db
46% Popularity • 62% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 62% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Slim Gaillard
Jump Session
163 bpm • F min • 02:36 • -17db
32% Popularity • 67% Danceability • 30% Energy • 24% Liveness
27% Instrumentalness • 86% Positiveness
32% Popularity • 67% Danceability • 30% Energy • 24% Liveness
27% Instrumentalness • 86% Positiveness
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Les Paul & Mary Ford
Mockin' Bird Hill
165 bpm • C# Maj • 02:17 • -11.12db
9% Popularity • 60% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 60% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Wilbur De Paris
Mack the Knife
162 bpm • C Maj • 03:11 • -15.08db
17% Popularity • 53% Danceability • 24% Energy • 12% Liveness
34% Instrumentalness • 68% Positiveness
17% Popularity • 53% Danceability • 24% Energy • 12% Liveness
34% Instrumentalness • 68% Positiveness
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Chris Barber's Jazz Band
The Lonesome Road (Live)
165 bpm • A# Maj • 02:37 • -10.5db
8% Popularity • 56% Danceability • 56% Energy • 49% Liveness
1% Instrumentalness • 70% Positiveness
8% Popularity • 56% Danceability • 56% Energy • 49% Liveness
1% Instrumentalness • 70% Positiveness
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Lester Lanin
Just In Time - Moderate Society
162 bpm • F Maj • 02:06 • -14.87db
32% Popularity • 69% Danceability • 32% Energy • 5% Liveness
50% Instrumentalness • 81% Positiveness
32% Popularity • 69% Danceability • 32% Energy • 5% Liveness
50% Instrumentalness • 81% Positiveness
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Les & Larry Elgart
Caravan
161 bpm • F min • 02:10 • -12db
19% Popularity • 44% Danceability • 57% Energy • 15% Liveness
50% Instrumentalness • 84% Positiveness
19% Popularity • 44% Danceability • 57% Energy • 15% Liveness
50% Instrumentalness • 84% Positiveness
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Claude Bolling
Borsalino Swing
159 bpm • C# Maj • 03:07 • -11db
33% Popularity • 47% Danceability • 35% Energy • 49% Liveness
93% Instrumentalness • 58% Positiveness
33% Popularity • 47% Danceability • 35% Energy • 49% Liveness
93% Instrumentalness • 58% Positiveness
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Billy Maxted and His Manhattan Jazz Band
Rose Of Washington Square
159 bpm • D min • 03:34 • -14.35db
13% Popularity • 40% Danceability • 45% Energy • 5% Liveness
2% Instrumentalness • 84% Positiveness
13% Popularity • 40% Danceability • 45% Energy • 5% Liveness
2% Instrumentalness • 84% Positiveness
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Wilbur De Paris
Martinique
162 bpm • A# min • 05:18 • -14.22db
16% Popularity • 57% Danceability • 42% Energy • 16% Liveness
81% Instrumentalness • 81% Positiveness
16% Popularity • 57% Danceability • 42% Energy • 16% Liveness
81% Instrumentalness • 81% Positiveness
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Chris Barber's Jazz & Blues Band
The Martinique - The Studio Sessions
159 bpm • G min • 04:15 • -12.14db
16% Popularity • 52% Danceability • 41% Energy • 7% Liveness
95% Instrumentalness • 89% Positiveness
16% Popularity • 52% Danceability • 41% Energy • 7% Liveness
95% Instrumentalness • 89% Positiveness
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Chris Barber's Jazz Band
The Entertainer
163 bpm • C Maj • 03:47 • -15.49db
14% Popularity • 58% Danceability • 27% Energy • 6% Liveness
88% Instrumentalness • 83% Positiveness
14% Popularity • 58% Danceability • 27% Energy • 6% Liveness
88% Instrumentalness • 83% Positiveness
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Bunk Johnson
Careless Love
158 bpm • F Maj • 02:17 • -13db
26% Popularity • 72% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 96% Positiveness
26% Popularity • 72% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 96% Positiveness
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Charlie Kunz
You Made Me Love You
159 bpm • G Maj • 00:52 • -25.27db
32% Popularity • 61% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 62% Positiveness
32% Popularity • 61% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 62% Positiveness
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Kid Ory
Joshua Fit the Battle of Jericho - Remas...
158 bpm • F min • 02:58 • -6.74db
23% Popularity • 67% Danceability • 44% Energy • 7% Liveness
27% Instrumentalness • 85% Positiveness
23% Popularity • 67% Danceability • 44% Energy • 7% Liveness
27% Instrumentalness • 85% Positiveness
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Si Zentner
Up A Lazy River
158 bpm • E min • 02:04 • -6db
29% Popularity • 44% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 89% Positiveness
29% Popularity • 44% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 89% Positiveness
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The Charleston Kids
Yes Sir, That's My Baby
217 bpm • A# Maj • 01:56 • -7.04db
19% Popularity • 51% Danceability • 77% Energy • 20% Liveness
28% Instrumentalness • 97% Positiveness
19% Popularity • 51% Danceability • 77% Energy • 20% Liveness
28% Instrumentalness • 97% Positiveness
