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Will The Circle Be Unbroken
Songs like
Will The Circle Be Unbroken
by
Ramblin' Jack Elliott
Based on a tempo of (+/- 10%) and a similar genre
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Patsy Montana
Old Nevada Moon
115 bpm • D Maj • 02:56 • -11.95db
25% Popularity • 71% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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The Nashville Bluegrass Band
The Boys Are Back In Town
115 bpm • A Maj • 02:16 • -18.37db
30% Popularity • 65% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Wilf Carter
Calgary Roundup
115 bpm • F# Maj • 03:09 • -9.84db
4% Popularity • 80% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Willie Watson
Samson And Delilah
115 bpm • G Maj • 03:03 • -12db
21% Popularity • 72% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Ramblin' Jack Elliott
Will The Circle Be Unbroken
115 bpm • D Maj • 02:36 • -10.02db
13% Popularity • 58% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Dick Curless
Big Wheel Cannonball
114 bpm • G Maj • 02:32 • -10.22db
35% Popularity • 71% Danceability • 65% Energy • 12% Liveness
43% Instrumentalness • 96% Positiveness
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Hank Thompson
The Wild Side Of Life
116 bpm • D Maj • 02:44 • -10.31db
46% Popularity • 60% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Cowboy Copas
God Put A Rainbow In The Clouds
114 bpm • D Maj • 02:11 • -10.11db
15% Popularity • 73% Danceability • 49% Energy • 43% Liveness
0% Instrumentalness • 88% Positiveness
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Jim Lauderdale
Deep Well of Sadness
114 bpm • F# min • 03:49 • -5.74db
25% Popularity • 62% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Willie Watson
Long John Dean
114 bpm • E Maj • 02:54 • -12.3db
15% Popularity • 74% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Ramblin' Jack Elliott
Talking Blues
114 bpm • G# Maj • 02:26 • -15.55db
3% Popularity • 61% Danceability • 28% Energy • 19% Liveness
5% Instrumentalness • 75% Positiveness
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Blaze Foley
New Wave Blues
116 bpm • C# Maj • 02:11 • -12.25db
25% Popularity • 72% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Bob Wills
Stay All Night (Stay A Little Longer)
114 bpm • G Maj • 03:06 • -11.16db
36% Popularity • 83% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 93% Positiveness
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Charlie Monroe
Penitentiary Blues
114 bpm • G Maj • 01:51 • -7db
21% Popularity • 65% Danceability • 85% Energy • 31% Liveness
62% Instrumentalness • 91% Positiveness
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Alison Krauss
Steel Rails
114 bpm • E Maj • 02:19 • -8db
33% Popularity • 70% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Willie Watson
The Cuckoo Bird
114 bpm • D Maj • 03:12 • -11.25db
16% Popularity • 68% Danceability • 33% Energy • 6% Liveness
2% Instrumentalness • 80% Positiveness
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Ramblin' Jack Elliott
Railroad Bill
114 bpm • D Maj • 05:07 • -22.85db
9% Popularity • 66% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
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Hank Snow
Ninety Miles An Hour (Down A Dead End St...
114 bpm • A# Maj • 02:36 • -9.4db
27% Popularity • 44% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Gibson Brothers
Ring the Bell
116 bpm • C Maj • 03:51 • -8db
11% Popularity • 66% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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The Delmore Brothers
Sweet Sweet Thing
113 bpm • D# Maj • 02:52 • -13.21db
16% Popularity • 59% Danceability • 37% Energy • 18% Liveness
78% Instrumentalness • 70% Positiveness
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The New Lost City Ramblers
Cotton Eyed Joe
117 bpm • F Maj • 01:15 • -15.68db
32% Popularity • 51% Danceability • 32% Energy • 28% Liveness
75% Instrumentalness • 96% Positiveness
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The Bluegrass Cardinals
I Wonder Where You Are Tonight
117 bpm • G Maj • 02:41 • -8.73db
22% Popularity • 44% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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Ramblin' Jack Elliott
John Henry
116 bpm • D# Maj • 02:27 • -14.67db
3% Popularity • 57% Danceability • 32% Energy • 12% Liveness
2% Instrumentalness • 79% Positiveness
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The Nashville Bluegrass Band
That High Lonesome Sound
113 bpm • A Maj • 03:11 • -16db
26% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Lefty Frizzell
Always Late (With Your Kisses)
117 bpm • A Maj • 03:11 • -10db
29% Popularity • 76% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Stonewall Jackson
Blues Plus Booze (Means I Lose)
113 bpm • E Maj • 02:43 • -10.9db
20% Popularity • 69% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Tommy Collins
If You Can't Bite, Don't Growl
113 bpm • D Maj • 01:59 • -9.02db
28% Popularity • 62% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Wilf Carter
A Little Old Log Shack I Always Call My ...
113 bpm • G Maj • 03:10 • -13.75db
14% Popularity • 79% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Ramblin' Jack Elliott
Streets of Glory
114 bpm • D# Maj • 01:44 • -11.65db
2% Popularity • 60% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Cisco Houston
Little Joe, The Wrangler
117 bpm • A# Maj • 02:41 • -19.68db
14% Popularity • 67% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 75% Positiveness
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Lefty Frizzell
Watermelon Time In Georgia - Single Vers...
113 bpm • A Maj • 02:14 • -12.92db
19% Popularity • 67% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 91% Positiveness
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Kitty Wells
Hey Joe
113 bpm • A# Maj • 02:39 • -10.05db
35% Popularity • 76% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Ricky Skaggs and John Starling
Drifting Too Far From The Shore
113 bpm • F# Maj • 02:11 • -14db
23% Popularity • 56% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Faron Young
Goin' Steady
118 bpm • C Maj • 02:41 • -8.15db
30% Popularity • 73% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Ramblin' Jack Elliott
Sadie Brown
117 bpm • D# Maj • 02:06 • -17.53db
3% Popularity • 61% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Cisco Houston
Whoopie Ti-Yi-Yo, Get Along Little Dogie...
118 bpm • C Maj • 02:03 • -17db
12% Popularity • 80% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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The Doc Watson Family
Darling Corey
112 bpm • D Maj • 02:37 • -11.94db
17% Popularity • 50% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Kitty Wells
Amigo's Guitar
118 bpm • G Maj • 02:41 • -14db
34% Popularity • 59% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Webb Pierce
Back Street Affair
112 bpm • G Maj • 02:48 • -10.32db
18% Popularity • 65% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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The Carter Sisters
He's Solid Gone
118 bpm • C Maj • 02:25 • -10.37db
13% Popularity • 72% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Ramblin' Jack Elliott
This Land Is Your Land
113 bpm • E Maj • 02:24 • -22.48db
4% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Blue Highway
Lonesome Pine
112 bpm • B Maj • 03:08 • -9.48db
31% Popularity • 72% Danceability • 58% Energy • 21% Liveness
9% Instrumentalness • 89% Positiveness
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Rhonda Vincent
Lonesome Wind Blues
118 bpm • C Maj • 03:03 • -5.58db
16% Popularity • 63% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Dock Boggs
Sugar Baby
118 bpm • G# min • 02:57 • -13db
26% Popularity • 71% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Webb Pierce
Slowly
112 bpm • C Maj • 02:31 • -7.65db
19% Popularity • 60% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Steve Goodman
You Never Even Call Me By My Name
118 bpm • C min • 04:19 • -5.87db
24% Popularity • 66% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Ramblin' Jack Elliott
Diamond Joe
113 bpm • G Maj • 02:56 • -16.16db
12% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Jim Lauderdale
Lost in the Lonesome Pines
111 bpm • F Maj • 03:47 • -8.41db
22% Popularity • 55% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Jean Shepard
Second Fiddle (To An Old Guitar)
119 bpm • C Maj • 02:12 • -9.37db
39% Popularity • 77% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Dock Boggs
Wild Bill Jones
112 bpm • F# min • 02:14 • -12.22db
27% Popularity • 57% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Woody Guthrie
Hard, Ain't It Hard
111 bpm • D# Maj • 02:44 • -12.87db
4% Popularity • 52% Danceability • 30% Energy • 16% Liveness
11% Instrumentalness • 60% Positiveness
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Webb Pierce
Good Lord Giveth And Uncle Sam Taketh Aw...
118 bpm • D min • 02:38 • -7.93db
12% Popularity • 72% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Ramblin' Jack Elliott
Talking Columbia
118 bpm • E Maj • 02:42 • -17.59db
3% Popularity • 61% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Johnny Paycheck
Motel Time Again
111 bpm • F# Maj • 02:17 • -15db
32% Popularity • 65% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Ola Belle Reed
I've Always Been A Rambler
111 bpm • D Maj • 03:18 • -12.96db
14% Popularity • 58% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Mike Seeger
Worried Blues
111 bpm • G Maj • 03:29 • -12.31db
8% Popularity • 52% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Woody Guthrie
Talking Hard Work
111 bpm • E Maj • 03:26 • -14.09db
3% Popularity • 62% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Larry Sparks
When I Lay My Burdens Down
119 bpm • F# Maj • 03:57 • -20.04db
12% Popularity • 44% Danceability • 2% Energy • 11% Liveness
15% Instrumentalness • 19% Positiveness
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Ramblin' Jack Elliott
Salty Dog
117 bpm • G# min • 02:45 • -13.72db
4% Popularity • 44% Danceability • 44% Energy • 33% Liveness
1% Instrumentalness • 53% Positiveness
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Bob Wills
Miss Molly
119 bpm • G Maj • 02:20 • -15.09db
30% Popularity • 79% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Betty Fisher
Home to the Mountains
111 bpm • E Maj • 03:24 • -13.48db
20% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Cisco Houston
Chisholm Trail
111 bpm • C# Maj • 01:59 • -18.26db
25% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Rhonda Vincent
Is the Grass Any Bluer
111 bpm • E Maj • 02:44 • -5.23db
17% Popularity • 70% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Larry Sparks
Kentucky Girl
111 bpm • D Maj • 02:53 • -13.98db
16% Popularity • 67% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Hazel Dickens
West Virginia My Home
119 bpm • D# Maj • 04:32 • -6db
18% Popularity • 58% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Ramblin' Jack Elliott
Dust Storm Disaster
113 bpm • C# Maj • 02:46 • -18.46db
2% Popularity • 62% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Buck Owens And His Buckaroos
Sweet Rosie Jones
111 bpm • D Maj • 03:36 • -9.26db
21% Popularity • 61% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Dock Boggs
Country Blues
111 bpm • C# Maj • 03:55 • -9.78db
16% Popularity • 57% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Blue Highway
In The Gravel Yard
111 bpm • F# min • 03:05 • -9.7db
31% Popularity • 72% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Hank Snow
The Golden Rocket
120 bpm • E Maj • 02:45 • -8.15db
32% Popularity • 71% Danceability • 76% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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Red Foley
Old Shep
110 bpm • G Maj • 03:16 • -14db
31% Popularity • 41% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Ramblin' Jack Elliott
Talking Fisherman
118 bpm • D# Maj • 04:00 • -10.94db
14% Popularity • 50% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 49% Positiveness
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Woody Guthrie
Rambling Round
120 bpm • D Maj • 02:15 • -17.22db
22% Popularity • 56% Danceability • 21% Energy • 12% Liveness
60% Instrumentalness • 70% Positiveness
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Doyle Lawson & Quicksilver
The Girl from West Virginia
110 bpm • B Maj • 02:56 • -10.94db
22% Popularity • 64% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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The Doc Watson Family
Ground Hog
120 bpm • G Maj • 02:21 • -8.2db
14% Popularity • 61% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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The New Lost City Ramblers
Roving Gambler
110 bpm • E Maj • 02:51 • -14.4db
10% Popularity • 60% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Don Reno
Hot Corn - Cold Corn
110 bpm • D Maj • 01:55 • -11.51db
23% Popularity • 61% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Ramblin' Jack Elliott
Girl of the North Country
112 bpm • E Maj • 03:00 • -14.88db
3% Popularity • 48% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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The Kentucky Colonels
In The Pines
110 bpm • E Maj • 02:24 • -12.8db
29% Popularity • 53% Danceability • 46% Energy • 73% Liveness
0% Instrumentalness • 71% Positiveness
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Dick Curless
A Tombstone Every Mile
110 bpm • C Maj • 03:03 • -10db
38% Popularity • 70% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Billy Joe Shaver
Old Five and Dimers Like Me
110 bpm • A Maj • 02:41 • -20db
27% Popularity • 62% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
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Mother Maybelle
Root, Hog Or Die
120 bpm • A# Maj • 02:31 • -9.05db
15% Popularity • 85% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Woody Guthrie
I Ain't Got No Home In This World Anymor...
120 bpm • G Maj • 02:43 • -11.81db
31% Popularity • 58% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Ramblin' Jack Elliott
The Cuckoo
112 bpm • E Maj • 02:13 • -21.87db
3% Popularity • 60% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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Ola Belle Reed
I Believe in the Old Time Way
120 bpm • G Maj • 03:00 • -7.63db
10% Popularity • 45% Danceability • 59% Energy • 61% Liveness
0% Instrumentalness • 78% Positiveness
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The Browns
I Heard the Bluebirds Sing
109 bpm • E Maj • 02:36 • -4.63db
34% Popularity • 72% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Cisco Houston
The John B. Sails (Sloop John B.)
109 bpm • D Maj • 01:52 • -17.21db
18% Popularity • 66% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Jerry Jeff Walker
Ramblin', Scramblin'
109 bpm • G Maj • 04:23 • -15.74db
29% Popularity • 68% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Woody Guthrie
Little Black Train
110 bpm • A min • 02:30 • -15.85db
27% Popularity • 52% Danceability • 16% Energy • 19% Liveness
1% Instrumentalness • 55% Positiveness
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Ramblin' Jack Elliott
Tom Joad
121 bpm • E Maj • 06:13 • -21.1db
4% Popularity • 67% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Kitty Wells
Will Your Lawyer Talk To God?
121 bpm • A Maj • 02:30 • -13db
28% Popularity • 66% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Ola Belle Reed
Fly Around My Pretty Little Miss
120 bpm • D Maj • 02:00 • -10.46db
26% Popularity • 60% Danceability • 53% Energy • 31% Liveness
65% Instrumentalness • 90% Positiveness
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Uncle Dave Macon
When The Train Comes Along
121 bpm • D# Maj • 03:02 • -12db
15% Popularity • 76% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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The Grascals
Mystery Train
121 bpm • A Maj • 03:21 • -10.39db
18% Popularity • 66% Danceability • 74% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Dave Van Ronk
Stackerlee
109 bpm • C Maj • 03:34 • -12.45db
22% Popularity • 62% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Ramblin' Jack Elliott
Candy Man
112 bpm • G# Maj • 02:42 • -24.28db
2% Popularity • 57% Danceability • 10% Energy • 10% Liveness
17% Instrumentalness • 88% Positiveness
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Hank Snow
The Prisoner's Song
121 bpm • A# Maj • 02:58 • -13.47db
19% Popularity • 56% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Hoyt Axton
Thunder 'N Lightnin'
121 bpm • E min • 02:45 • -7.67db
25% Popularity • 83% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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Ola Belle Reed
I've Endured
121 bpm • G Maj • 02:40 • -9.15db
14% Popularity • 44% Danceability • 71% Energy • 79% Liveness
0% Instrumentalness • 96% Positiveness
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Tony Rice Unit
Nine Pound Hammer
121 bpm • A Maj • 02:55 • -11.16db
34% Popularity • 62% Danceability • 56% Energy • 33% Liveness
16% Instrumentalness • 84% Positiveness
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Will The Circle Be Unbroken