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Will There Really Be a Morning?
Songs like
Will There Really Be a Morning?
by
Richard Hundley
Based on a tempo of (+/- 10%) and a similar genre
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Richard Hundley
Will There Really Be a Morning?
75 bpm • A# Maj • 02:21 • -14.89db
1% Popularity • 38% Danceability • 11% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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Carl Orff
Carmina Burana: In trutina
75 bpm • D Maj • 02:16 • -23.03db
17% Popularity • 23% Danceability • 6% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
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Maurice Ravel
2 Mélodies hébraïques, M.22: 1. Kaddi...
75 bpm • C min • 05:05 • -21.74db
9% Popularity • 21% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Charlotte Hoather
Dream Valley
75 bpm • F Maj • 02:08 • -15.78db
8% Popularity • 40% Danceability • 12% Energy • 27% Liveness
0% Instrumentalness • 18% Positiveness
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Maurice Duruflé
Requiem, Op. 9: Pie Jesu
75 bpm • F min • 03:40 • -25.64db
8% Popularity • 8% Danceability • 3% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
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Liza Lehmann
Evensong
75 bpm • G# Maj • 02:36 • -26.6db
12% Popularity • 29% Danceability • 2% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Francesco Durante
Danza, danza, fanciulla gentile
75 bpm • A# min • 01:38 • -20.51db
8% Popularity • 28% Danceability • 7% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
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Richard Hundley
Birds, U.S.A.
74 bpm • F Maj • 01:00 • -16.75db
0% Popularity • 41% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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Maurice Ravel
Ravel: L'enfant et les sortilèges, M. 7...
75 bpm • D min • 09:02 • -19.73db
0% Popularity • 30% Danceability • 16% Energy • 26% Liveness
1% Instrumentalness • 11% Positiveness
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Alessandro Parisotti
Se tu m'ami (formerly attributed to Perg...
76 bpm • F min • 02:31 • -22.73db
30% Popularity • 43% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Traditional
Traditional / Arr. Moore: Blow the Wind ...
74 bpm • G Maj • 03:07 • -20.03db
9% Popularity • 38% Danceability • 15% Energy • 86% Liveness
0% Instrumentalness • 28% Positiveness
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Teresa Berganza
El majo tÃmido
74 bpm • A# Maj • 00:56 • -30.37db
13% Popularity • 49% Danceability • 1% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Hector Berlioz
Les nuits d'été, H 81: No. 2, Le spect...
74 bpm • D Maj • 05:45 • -19.2db
12% Popularity • 24% Danceability • 7% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Aimons-nous
74 bpm • A# Maj • 03:36 • -18.05db
8% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Hundley
A Package of Cookies
74 bpm • A Maj • 01:30 • -19.12db
0% Popularity • 42% Danceability • 8% Energy • 20% Liveness
4% Instrumentalness • 23% Positiveness
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Cecilia Livingston
Breath Alone: Paula Modersohn-Becker (Ve...
74 bpm • G min • 07:13 • -20.93db
14% Popularity • 17% Danceability • 8% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
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Richard Strauss
Sechs Lieder op.19: 2. Breit über mein ...
76 bpm • C# Maj • 02:45 • -23.37db
13% Popularity • 24% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Johannes Brahms
Fünf Lieder, Op. 105: No. 1, Wie Melodi...
74 bpm • C Maj • 02:33 • -22db
9% Popularity • 26% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 3: "Sous le ciel to...
74 bpm • C min • 02:46 • -27.77db
8% Popularity • 25% Danceability • 4% Energy • 8% Liveness
55% Instrumentalness • 15% Positiveness
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Maurice Ravel
Ravel: 5 Mélodies populaires grecques, ...
74 bpm • E Maj • 01:17 • -15.93db
12% Popularity • 34% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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César Franck
Sept paroles du Christ en croix: Parole ...
76 bpm • C min • 06:30 • -24.21db
7% Popularity • 7% Danceability • 4% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Gia il sole dal gange
76 bpm • G# Maj • 01:50 • -21.87db
28% Popularity • 34% Danceability • 12% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
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Komitas
Armenian Songs: Mankakan aghotq - Hayr M...
76 bpm • D Maj • 00:58 • -23.28db
9% Popularity • 32% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Hundley
For Your Delight
76 bpm • D min • 03:01 • -20.93db
0% Popularity • 42% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Gerald Finzi
Let us garlands bring, Op. 18: Who is Si...
77 bpm • F Maj • 01:34 • -22.11db
8% Popularity • 50% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Gabriel Fauré
Fauré: 2 Mélodies, Op. 4: No. 2, Lydia
77 bpm • G min • 02:25 • -27.22db
14% Popularity • 25% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Robert Schumann
Frauenliebe und -leben Op. 42: 4. Du Rin...
77 bpm • D# Maj • 03:10 • -28.18db
8% Popularity • 29% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
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Gustav Mahler
Symphony No. 4 in G: 4. Sehr behaglich: ...
73 bpm • E min • 08:35 • -29.35db
2% Popularity • 16% Danceability • 3% Energy • 6% Liveness
10% Instrumentalness • 8% Positiveness
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Jean Sibelius
Maan virsi (Hymn to the Earth), Op. 95
73 bpm • C Maj • 07:43 • -22.76db
11% Popularity • 8% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Claudio Monteverdi
Lasciatemi morire!
77 bpm • F min • 01:24 • -16.4db
17% Popularity • 32% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Frank Martin
Golgotha, Première Partie: II. Les Rame...
77 bpm • G# min • 09:37 • -20.46db
9% Popularity • 10% Danceability • 12% Energy • 11% Liveness
22% Instrumentalness • 3% Positiveness
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Giacomo Meyerbeer
Meyerbeer: Les Huguenots, Act 1: "Plus b...
73 bpm • A# Maj • 03:26 • -22.2db
10% Popularity • 19% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492, Act IV: Aria....
77 bpm • F Maj • 03:04 • -23.99db
24% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Petite Messe Solennelle / Credo: Crucifi...
77 bpm • G# Maj • 03:19 • -23.43db
10% Popularity • 23% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
14 Romances, Op. 34: No. 14, Vocalise
77 bpm • C# min • 06:06 • -23.49db
14% Popularity • 23% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
77 bpm • E min • 03:19 • -20.86db
13% Popularity • 31% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Joseph Canteloube
Chants d'Auvergne, Vol. 1: No. 1. Pastou...
77 bpm • A min • 03:19 • -19.72db
9% Popularity • 23% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Alma Mahler
5 Lieder: No. 3. Laue Sommernacht
73 bpm • A Maj • 01:53 • -30db
9% Popularity • 23% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Leonard Bernstein
Bernstein - I hate music!: I hate music!
77 bpm • E min • 01:29 • -16db
9% Popularity • 44% Danceability • 10% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
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Marilyn Hill Smith
The Pirates of Penzance: Oh! Is There No...
77 bpm • C# Maj • 04:04 • -27.54db
8% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Francesco Durante
Danza, danza, fanciulla gentile
77 bpm • C# Maj • 01:01 • -20.11db
16% Popularity • 49% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
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Joose Vähäsöyrinki
Resitatiivi, Kun Jeesus Oli Vangittu
77 bpm • G Maj • 04:13 • -21db
12% Popularity • 23% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Théodore Dubois
Chansons de Marjolie: No. 7, En paradis
73 bpm • C Maj • 02:41 • -21.21db
9% Popularity • 18% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Alma Mahler
5 Lieder: No. 2. In meines Vaters Garten
77 bpm • A Maj • 06:37 • -30.04db
8% Popularity • 27% Danceability • 1% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
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Benjamin Britten
Quatre chansons françaises: No. 2, Sage...
77 bpm • C# Maj • 03:07 • -17.68db
9% Popularity • 18% Danceability • 12% Energy • 8% Liveness
51% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Messa di Gloria: XVII. Benedictus
73 bpm • A# Maj • 02:14 • -23.41db
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
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Francesco Durante
Il mio bel foco
73 bpm • A min • 04:31 • -21db
3% Popularity • 27% Danceability • 7% Energy • 70% Liveness
0% Instrumentalness • 8% Positiveness
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Edward Elgar
From the Bavarian Highlands, Op. 27 (Ver...
73 bpm • D Maj • 03:17 • -29.26db
14% Popularity • 26% Danceability • 5% Energy • 13% Liveness
58% Instrumentalness • 14% Positiveness
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Richard Strauss
Strauss, R: Mädchenblumen, Op. 22: No. ...
73 bpm • F# Maj • 03:30 • -21.51db
13% Popularity • 41% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Richard Hundley
Ballad on Queen Anne' Death
78 bpm • F min • 01:36 • -35.94db
0% Popularity • 29% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 12% Positiveness
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Charles Koechlin
4 Poèmes d'Edmond Haraucourt, Op. 7: No...
77 bpm • F Maj • 04:09 • -19.07db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Chanson d'amour, Op. 27 No. 1
72 bpm • C Maj • 02:17 • -29db
8% Popularity • 32% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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George Frideric Handel
Saul: Act I, Scene I, Air. "An Infant Ra...
78 bpm • B min • 01:37 • -21.11db
9% Popularity • 33% Danceability • 13% Energy • 11% Liveness
18% Instrumentalness • 5% Positiveness
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Matthew Coleridge
Requiem: Lacrimosa
72 bpm • D min • 05:14 • -27.71db
8% Popularity • 13% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Gustav Mahler
Wer hat dies Liedlein erdacht
78 bpm • F Maj • 02:05 • -27db
9% Popularity • 45% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Reynaldo Hahn
Si mes vers avaient des ailes
78 bpm • E Maj • 01:50 • -23.64db
11% Popularity • 33% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Maurice Ravel
3 Poèmes de Stéphane Mallarmé, M. 64:...
72 bpm • D Maj • 04:16 • -21.01db
9% Popularity • 25% Danceability • 7% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
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Ned Rorem
Rorem : "Early in the morning"
72 bpm • C min • 02:02 • -27db
8% Popularity • 39% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Clara Schumann
3 Lieder, Op. 12: 2. Liebst du um Schonh...
78 bpm • C# Maj • 02:31 • -28db
17% Popularity • 30% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Cécile Chaminade
Labsente
78 bpm • C Maj • 02:49 • -13.72db
20% Popularity • 29% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Messa di Gloria: IV. Gratias
72 bpm • C# Maj • 03:40 • -22.16db
15% Popularity • 22% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
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Gian Carlo Menotti
The Medium, Act I: "the Sun has fallen" ...
78 bpm • G min • 02:08 • -26db
9% Popularity • 22% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Final...
72 bpm • E Maj • 05:01 • -23.99db
10% Popularity • 19% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Hundley
Come Ready and See Me
78 bpm • F# Maj • 02:07 • -28.06db
0% Popularity • 25% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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James Whitbourn
Annelies (chamber version): V. Life in h...
78 bpm • A min • 10:44 • -20.73db
10% Popularity • 31% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Per L'efon, Serie 4, No. 3
78 bpm • A# min • 02:45 • -28.51db
8% Popularity • 23% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: II. Offertoire
72 bpm • D Maj • 08:07 • -23.37db
12% Popularity • 9% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: No. 7, How Fair Thi...
72 bpm • A Maj • 02:01 • -24db
16% Popularity • 34% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Anonymous
Ah ! toi belle hirondelle (Arr. for Sopr...
79 bpm • D# Maj • 03:41 • -19.05db
9% Popularity • 25% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Richard Hundley
Isaac Greentree
79 bpm • G# min • 01:21 • -27.16db
0% Popularity • 31% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
L'Heure exquise
79 bpm • C# Maj • 02:28 • -33.12db
26% Popularity • 24% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Maurice Ravel
Ravel: 3 Chansons, M. 69: No. 2, Trois b...
79 bpm • G# Maj • 02:19 • -17.71db
9% Popularity • 37% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Alma Mahler
Laue Sommernacht - Vocal
79 bpm • E Maj • 01:50 • -24db
10% Popularity • 27% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
Songs of Travel: Let Beauty awake
71 bpm • C# min • 01:55 • -20.87db
16% Popularity • 30% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 11% Positiveness
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Felix Mendelssohn
Elijah, Op. 70: "If With All Your Hearts...
79 bpm • D# Maj • 02:33 • -26.69db
8% Popularity • 25% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Richard Hundley
Come Ready And See Me
79 bpm • F# Maj • 02:23 • -20.19db
1% Popularity • 28% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Théodore Dubois
Seven Last Words - Introduction - Theodo...
79 bpm • G min • 05:58 • -28.96db
11% Popularity • 10% Danceability • 3% Energy • 17% Liveness
25% Instrumentalness • 3% Positiveness
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Karl Jenkins
Truth
79 bpm • C Maj • 04:15 • -14.51db
9% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Fernando Obradors
Del cabello mas sutil
79 bpm • F# Maj • 01:44 • -33db
16% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Rebecca Clarke
Down by the Salley Gardens
79 bpm • E min • 01:41 • -27db
13% Popularity • 35% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Jules Massenet
Poème d'amour: No. 3, Ouvre tes yeux bl...
79 bpm • G Maj • 02:09 • -18.77db
15% Popularity • 35% Danceability • 10% Energy • 16% Liveness
14% Instrumentalness • 11% Positiveness
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Richard Hundley
Isaac Greentree: I. Isaac Greentree (S. ...
79 bpm • G# Maj • 01:33 • -25.01db
0% Popularity • 42% Danceability • 5% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Moy geniy, moy angel, moy drug (My Geniu...
79 bpm • C min • 01:45 • -26.38db
16% Popularity • 25% Danceability • 3% Energy • 8% Liveness
54% Instrumentalness • 10% Positiveness
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Cécile Chaminade
Rosemonde
79 bpm • E Maj • 03:02 • -17.13db
19% Popularity • 36% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Petite messe solennelle: VI. Gloria. Gra...
71 bpm • A Maj • 04:55 • -22.97db
10% Popularity • 17% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492, Act III: Duet...
80 bpm • A# Maj • 02:38 • -20.84db
14% Popularity • 23% Danceability • 12% Energy • 39% Liveness
0% Instrumentalness • 19% Positiveness
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Reynaldo Hahn
Études Latines: "Phyllis"
80 bpm • D# Maj • 03:09 • -25.21db
8% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Richard Hundley
Come Ready And See Me
79 bpm • D# Maj • 03:22 • -30.27db
4% Popularity • 24% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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James MacMillan
Seven Last Words from the Cross: I. Fath...
80 bpm • B Maj • 05:48 • -25.9db
9% Popularity • 14% Danceability • 17% Energy • 23% Liveness
5% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
The House of Life: Silent Noon
80 bpm • F Maj • 04:36 • -27db
13% Popularity • 22% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Cheri Rose Katz
Brahm's Lullaby
71 bpm • C# Maj • 02:33 • -15db
15% Popularity • 30% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Greta Bradman
Les Berceaux
70 bpm • D# min • 03:14 • -17.93db
8% Popularity • 23% Danceability • 6% Energy • 15% Liveness
3% Instrumentalness • 11% Positiveness
► Preview
Robert Schumann
Frauenliebe und -leben Op. 42: 2. Er, de...
70 bpm • D# Maj • 03:07 • -22.18db
9% Popularity • 35% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Richard Hundley
Spring Song
80 bpm • G min • 01:10 • -30.33db
0% Popularity • 41% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Reynaldo Hahn
À Chloris
70 bpm • D Maj • 03:09 • -25.39db
14% Popularity • 17% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
L'Abbandono
70 bpm • C min • 04:14 • -16.75db
9% Popularity • 28% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Felix Mendelssohn
12 Gesange, Op. 8: No. 8. Hexenlied, MWV...
80 bpm • C min • 02:27 • -21db
9% Popularity • 42% Danceability • 17% Energy • 64% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Johannes Brahms
Ein deutsches Requiem, Op. 45: Wie liebl...
80 bpm • D# Maj • 04:55 • -25.58db
8% Popularity • 14% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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Robert Schumann
Myrthen, Op. 25: 3. Der Nussbaum
70 bpm • G Maj • 02:46 • -26db
11% Popularity • 33% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Richard Hundley
The Astronomers
80 bpm • C# Maj • 01:58 • -29.71db
0% Popularity • 29% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Will There Really Be a Morning?