Songs like Will You Still Love Me Tomorrow by Herb Johnson
Based on a tempo of (+/- 10%) and a similar genre
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Sonny Ace
Little Girl
110 bpm • G Maj • 01:53 • -7.5db
15% Popularity • 55% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 55% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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The Chantels
Look in My Eyes (Alternative Take)
110 bpm • F# Maj • 02:19 • -9.16db
22% Popularity • 51% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 51% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Jan Bradley
Behind The Curtains
110 bpm • D min • 02:02 • -6.65db
12% Popularity • 60% Danceability • 45% Energy • 79% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 60% Danceability • 45% Energy • 79% Liveness
0% Instrumentalness • 54% Positiveness
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Falcons
Standing On Guard
110 bpm • F min • 02:35 • -9.31db
2% Popularity • 60% Danceability • 52% Energy • 15% Liveness
5% Instrumentalness • 71% Positiveness
2% Popularity • 60% Danceability • 52% Energy • 15% Liveness
5% Instrumentalness • 71% Positiveness
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Herb Johnson
Will You Still Love Me Tomorrow
110 bpm • G min • 02:48 • -12.01db
0% Popularity • 86% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 86% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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The Shirelles
Things I Want to Hear (Pretty Words)
111 bpm • C# Maj • 02:42 • -12.5db
20% Popularity • 55% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 55% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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The Marvelettes
Strange I Know - Stereo Version
109 bpm • C Maj • 02:20 • -3.41db
19% Popularity • 63% Danceability • 76% Energy • 17% Liveness
4% Instrumentalness • 95% Positiveness
19% Popularity • 63% Danceability • 76% Energy • 17% Liveness
4% Instrumentalness • 95% Positiveness
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The Chantels
Whoever You Are
110 bpm • A min • 02:33 • -9.01db
13% Popularity • 37% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 37% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Commands
No Time for You
109 bpm • D# Maj • 03:08 • -6.73db
18% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Brenton Wood
Ooh La-Da-Dee
111 bpm • D# min • 02:08 • -9.86db
30% Popularity • 80% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 80% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Phil Phillips
Darling
111 bpm • D# min • 02:17 • -9.64db
20% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Herb Johnson
Crying Blues
111 bpm • C Maj • 02:04 • -10.77db
0% Popularity • 55% Danceability • 41% Energy • 26% Liveness
1% Instrumentalness • 60% Positiveness
0% Popularity • 55% Danceability • 41% Energy • 26% Liveness
1% Instrumentalness • 60% Positiveness
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The Mad Lads
She's the One
109 bpm • A# Maj • 02:04 • -11.22db
18% Popularity • 80% Danceability • 46% Energy • 7% Liveness
5% Instrumentalness • 96% Positiveness
18% Popularity • 80% Danceability • 46% Energy • 7% Liveness
5% Instrumentalness • 96% Positiveness
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The Chantels
Every Night (I Pray)
111 bpm • A# Maj • 02:06 • -8.49db
20% Popularity • 47% Danceability • 36% Energy • 22% Liveness
6% Instrumentalness • 51% Positiveness
20% Popularity • 47% Danceability • 36% Energy • 22% Liveness
6% Instrumentalness • 51% Positiveness
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Shirley & Lee
I'm Gone
112 bpm • E min • 02:20 • -11.32db
28% Popularity • 49% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 49% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Brenton Wood
Give It Up
112 bpm • G Maj • 02:22 • -8.3db
20% Popularity • 92% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 92% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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The Solitaires
Girl of Mine - Remastered
108 bpm • F Maj • 02:43 • -9.76db
10% Popularity • 34% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 34% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Herb Johnson
Two Steps Ahead (Of a Woman)
112 bpm • D Maj • 02:23 • -5.71db
1% Popularity • 74% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
1% Popularity • 74% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Harlem Meat Company
I'm Not Gonna Be Anybody's Fool
108 bpm • F Maj • 03:08 • -10.28db
21% Popularity • 52% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 52% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Robert & Johnny
I Believe in You
108 bpm • E Maj • 02:44 • -11.83db
15% Popularity • 69% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 69% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Little Jr. Jesse & The Tear Drops
Ain't No Big Thing
108 bpm • A# Maj • 02:46 • -6.73db
14% Popularity • 51% Danceability • 54% Energy • 23% Liveness
1% Instrumentalness • 46% Positiveness
14% Popularity • 51% Danceability • 54% Energy • 23% Liveness
1% Instrumentalness • 46% Positiveness
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Brenton Wood
Lovey Dovey Kinda Lovin'
108 bpm • A# min • 02:05 • -6.87db
45% Popularity • 83% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
45% Popularity • 83% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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E J & The Echoes
Put a Smile on Your Face
107 bpm • A min • 02:48 • -10.99db
12% Popularity • 65% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 65% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 80% Positiveness
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Herb Johnson
Two Steps Ahead Of A Woman
112 bpm • B min • 02:20 • -8.03db
0% Popularity • 79% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
0% Popularity • 79% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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The Chantels
I've Lied
107 bpm • F Maj • 01:58 • -9.41db
15% Popularity • 54% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 54% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Entertainers IV
Temptation Walk
113 bpm • B min • 02:21 • -12.81db
10% Popularity • 64% Danceability • 36% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 64% Danceability • 36% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
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Bobby Moore & The Rhythm Aces
Try My Love Again
113 bpm • A Maj • 02:04 • -9.53db
27% Popularity • 63% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 63% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Brenton Wood
Diamonds
113 bpm • C Maj • 02:39 • -8db
17% Popularity • 57% Danceability • 44% Energy • 50% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 57% Danceability • 44% Energy • 50% Liveness
0% Instrumentalness • 58% Positiveness
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Four Tops
Love Has Gone
113 bpm • D min • 02:49 • -6.62db
23% Popularity • 52% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 52% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Herb Johnson
The Story Of My Life
112 bpm • A Maj • 03:36 • -13.08db
0% Popularity • 66% Danceability • 57% Energy • 16% Liveness
39% Instrumentalness • 93% Positiveness
0% Popularity • 66% Danceability • 57% Energy • 16% Liveness
39% Instrumentalness • 93% Positiveness
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The Elgins
Darling Baby - Mono
113 bpm • C min • 02:35 • -3.4db
38% Popularity • 54% Danceability • 78% Energy • 54% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 54% Danceability • 78% Energy • 54% Liveness
0% Instrumentalness • 82% Positiveness
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Rosie And Ron
Bring Me Happiness - Remastered
107 bpm • C# Maj • 02:10 • -9.81db
39% Popularity • 52% Danceability • 48% Energy • 21% Liveness
81% Instrumentalness • 96% Positiveness
39% Popularity • 52% Danceability • 48% Energy • 21% Liveness
81% Instrumentalness • 96% Positiveness
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The Shells
What's in an Angels Eyes
107 bpm • G# Maj • 02:15 • -9db
4% Popularity • 42% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
4% Popularity • 42% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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The Mark-Keys
Heavenly Thing
113 bpm • F Maj • 03:03 • -8.15db
21% Popularity • 66% Danceability • 55% Energy • 10% Liveness
95% Instrumentalness • 66% Positiveness
21% Popularity • 66% Danceability • 55% Energy • 10% Liveness
95% Instrumentalness • 66% Positiveness
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The Moovers
One Little Dance
113 bpm • F# min • 02:26 • -5.77db
10% Popularity • 42% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 42% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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Herb Johnson
Damph Faint
108 bpm • C Maj • 03:34 • -7.87db
5% Popularity • 76% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
5% Popularity • 76% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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The Stoppers
Come Back Baby
113 bpm • G Maj • 02:27 • -9db
15% Popularity • 52% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 52% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 91% Positiveness
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The Younghearts
I've Got Love For My Baby - Remastered
107 bpm • B Maj • 03:29 • -14.92db
23% Popularity • 69% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 69% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Brenton Wood
Best Thing I Ever Had
106 bpm • F Maj • 02:27 • -8.46db
38% Popularity • 81% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 81% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Broken Hearts Inc.
Please Don't Walk Away
106 bpm • E Maj • 03:54 • -8.57db
26% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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The Marvelettes
Goddess Of Love
114 bpm • D min • 02:45 • -4.8db
10% Popularity • 68% Danceability • 57% Energy • 17% Liveness
1% Instrumentalness • 90% Positiveness
10% Popularity • 68% Danceability • 57% Energy • 17% Liveness
1% Instrumentalness • 90% Positiveness
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Herb Johnson
(Unlisted Track)
114 bpm • A# Maj • 02:29 • -14.55db
0% Popularity • 36% Danceability • 29% Energy • 13% Liveness
80% Instrumentalness • 41% Positiveness
0% Popularity • 36% Danceability • 29% Energy • 13% Liveness
80% Instrumentalness • 41% Positiveness
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The Three Degrees
Gee Baby (I'm Sorry)
106 bpm • B Maj • 02:04 • -10.48db
12% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Sam Cox
Destination
106 bpm • A# Maj • 02:43 • -6.03db
17% Popularity • 62% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 62% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Brenton Wood
Little Happy-Go-Lucky Girl
114 bpm • E Maj • 02:57 • -10.49db
19% Popularity • 67% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 67% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Wardell Quezerque
I've Learned My Lesson
105 bpm • C min • 02:31 • -3.9db
13% Popularity • 56% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
13% Popularity • 56% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
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The Originals
The Bells
115 bpm • F Maj • 02:55 • -11.85db
44% Popularity • 34% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 34% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Johnnie & Joe
Over The Mountain - Part 2
115 bpm • G# Maj • 02:20 • -8.34db
8% Popularity • 38% Danceability • 54% Energy • 27% Liveness
26% Instrumentalness • 66% Positiveness
8% Popularity • 38% Danceability • 54% Energy • 27% Liveness
26% Instrumentalness • 66% Positiveness
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The Brothers Of Soul
Hurry, Don't Linger
115 bpm • A min • 02:47 • -9.14db
11% Popularity • 55% Danceability • 45% Energy • 46% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 55% Danceability • 45% Energy • 46% Liveness
0% Instrumentalness • 68% Positiveness
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Young Ladies
I'm Tired of Running Around
105 bpm • D Maj • 02:13 • -7.8db
15% Popularity • 71% Danceability • 60% Energy • 51% Liveness
3% Instrumentalness • 96% Positiveness
15% Popularity • 71% Danceability • 60% Energy • 51% Liveness
3% Instrumentalness • 96% Positiveness
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Brenton Wood
I Think You've Got Your Fools Mixed Up
105 bpm • A# min • 02:15 • -7.94db
52% Popularity • 85% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
52% Popularity • 85% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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The Commands
I've Got Love for My Baby
116 bpm • B Maj • 03:10 • -7.44db
13% Popularity • 42% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 42% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 88% Positiveness
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The Quinns
Oh Starlight
116 bpm • C Maj • 02:42 • -9.48db
9% Popularity • 47% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 47% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Baby Washington
Your Fool
105 bpm • D# Maj • 02:08 • -8.64db
11% Popularity • 72% Danceability • 60% Energy • 90% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 72% Danceability • 60% Energy • 90% Liveness
0% Instrumentalness • 85% Positiveness
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The Brothers Of Soul
You Better Believe It
104 bpm • F min • 03:11 • -12.54db
15% Popularity • 66% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 66% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Little Tony & The Hawks
The Tears
104 bpm • A# min • 02:38 • -5.1db
9% Popularity • 47% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 47% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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J T Rhythm
My Sweet Baby
117 bpm • E Maj • 02:40 • -6.13db
22% Popularity • 70% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
22% Popularity • 70% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
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The Sapphires
Gee I'm Sorry Baby
104 bpm • F min • 03:10 • -10.1db
9% Popularity • 49% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 49% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Herb Johnson
Help
117 bpm • C Maj • 02:13 • -7.37db
0% Popularity • 61% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 61% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Frankie Karl & The Dreams
Don't Be Afraid (Do As I Say)
117 bpm • D min • 02:20 • -11.1db
43% Popularity • 72% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 72% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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The Brothers Of Soul
I'd Be Grateful
117 bpm • F Maj • 02:33 • -8.74db
13% Popularity • 71% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 71% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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The Soul Superbs
Just Ask Me
117 bpm • A Maj • 04:30 • -6.51db
15% Popularity • 61% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 61% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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The Sweets
Something About My Baby
103 bpm • D# Maj • 02:33 • -10.08db
12% Popularity • 50% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 50% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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The Capris
Endless Love
117 bpm • E min • 02:36 • -10.96db
26% Popularity • 41% Danceability • 46% Energy • 42% Liveness
19% Instrumentalness • 61% Positiveness
26% Popularity • 41% Danceability • 46% Energy • 42% Liveness
19% Instrumentalness • 61% Positiveness
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Ronnie Walker
Thanks To You
117 bpm • F Maj • 03:15 • -10.4db
10% Popularity • 51% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 51% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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The Temprees
Out Of My Reach
117 bpm • C Maj • 06:11 • -13.12db
40% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Brothers Of Soul
Dream
103 bpm • F min • 03:02 • -9.89db
19% Popularity • 50% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 50% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Cynthia
Hey Boy (I Love You)
103 bpm • A# min • 02:58 • -4.76db
18% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Patti Drew
He's The One
118 bpm • A min • 02:27 • -7.84db
28% Popularity • 62% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 62% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The Persuaders
Let's Get Down Together
119 bpm • B Maj • 03:55 • -9.7db
18% Popularity • 50% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 50% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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The Enkays
Say Yes
102 bpm • E min • 02:31 • -10.89db
11% Popularity • 60% Danceability • 26% Energy • 14% Liveness
1% Instrumentalness • 82% Positiveness
11% Popularity • 60% Danceability • 26% Energy • 14% Liveness
1% Instrumentalness • 82% Positiveness
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The Marvelettes
You Should Know
101 bpm • F min • 02:25 • -6.59db
9% Popularity • 53% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 53% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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The Artistics
I'll Leave It Up to You
119 bpm • G# Maj • 02:17 • -7.64db
8% Popularity • 65% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 65% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Brenton Wood
Goodnight Baby
101 bpm • D# Maj • 02:21 • -10.34db
33% Popularity • 73% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 73% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Patti Drew
Workin' On A Groovy Thing
102 bpm • G Maj • 03:11 • -7db
45% Popularity • 36% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 36% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 89% Positiveness
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Lee Jones
Only True Love
101 bpm • C Maj • 01:55 • -7.83db
12% Popularity • 57% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 57% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Billy Butler
Can't Live Without Her
120 bpm • G# Maj • 02:15 • -7.75db
13% Popularity • 67% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 67% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Little Willie John
Walk Slow
120 bpm • A# Maj • 01:51 • -7.8db
15% Popularity • 49% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 49% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Bob & Gene
Which Love
100 bpm • D Maj • 03:03 • -7.43db
25% Popularity • 52% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 52% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Brenton Wood
Too Much Too Soon
120 bpm • E Maj • 02:31 • -6.41db
19% Popularity • 80% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 80% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Frankie Karl & The Dreams
I'm So Glad
121 bpm • F Maj • 02:05 • -12.19db
35% Popularity • 72% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 72% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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The Spaniels
Red Sails In The Sunset
100 bpm • F Maj • 02:16 • -20db
12% Popularity • 53% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 53% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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The Spinners
Tomorrow May Never Come
100 bpm • G# Maj • 02:32 • -11.99db
8% Popularity • 42% Danceability • 42% Energy • 16% Liveness
25% Instrumentalness • 77% Positiveness
8% Popularity • 42% Danceability • 42% Energy • 16% Liveness
25% Instrumentalness • 77% Positiveness
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The Vows
I Wanna Chance
100 bpm • G# Maj • 02:37 • -9.19db
21% Popularity • 61% Danceability • 36% Energy • 21% Liveness
30% Instrumentalness • 54% Positiveness
21% Popularity • 61% Danceability • 36% Energy • 21% Liveness
30% Instrumentalness • 54% Positiveness
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The Autographs
Love's Gonna Do You In
100 bpm • G Maj • 03:22 • -8.69db
17% Popularity • 53% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 53% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Brenton Wood
Come Here Girl
120 bpm • F Maj • 02:32 • -6.1db
26% Popularity • 61% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 61% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Perez Bros
Truly Truly Yours
100 bpm • B min • 02:16 • -9.45db
20% Popularity • 55% Danceability • 44% Energy • 9% Liveness
4% Instrumentalness • 36% Positiveness
20% Popularity • 55% Danceability • 44% Energy • 9% Liveness
4% Instrumentalness • 36% Positiveness
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Five Secrets
See You Next Year
100 bpm • G# Maj • 02:40 • -8.92db
22% Popularity • 67% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 67% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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A. Debbie
Here Is My Heart
99 bpm • G Maj • 02:08 • -9.85db
23% Popularity • 56% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 56% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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The Mad Lads
I Don't Want To Lose Your Love
99 bpm • A# Maj • 02:22 • -14.03db
18% Popularity • 76% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 76% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Cadillacs
Always My Darling
99 bpm • A# Maj • 02:22 • -11.59db
10% Popularity • 47% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 47% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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The Sapphires
Hearts Are Made To Be Broken
122 bpm • F# Maj • 02:47 • -11.97db
17% Popularity • 54% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 54% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Diabolics
I Bet You Never Knew
99 bpm • F# Maj • 05:30 • -10.72db
24% Popularity • 40% Danceability • 39% Energy • 17% Liveness
42% Instrumentalness • 54% Positiveness
24% Popularity • 40% Danceability • 39% Energy • 17% Liveness
42% Instrumentalness • 54% Positiveness
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The M-M's And The Peanuts
Open up Your Eyes
99 bpm • F# Maj • 02:49 • -8.75db
23% Popularity • 59% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 59% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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The Classics
Looking for a Love (Of My Own)
99 bpm • A# min • 02:50 • -9.83db
16% Popularity • 60% Danceability • 47% Energy • 12% Liveness
30% Instrumentalness • 58% Positiveness
16% Popularity • 60% Danceability • 47% Energy • 12% Liveness
30% Instrumentalness • 58% Positiveness
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The Chantels
Memories (My Memories of You)
99 bpm • C Maj • 02:16 • -9.84db
15% Popularity • 42% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 42% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Baby Washington
That's How Heartaches Are Made
99 bpm • C# min • 02:41 • -11.22db
32% Popularity • 54% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 54% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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The Sapphires
How Could I Say Goodbye
99 bpm • A Maj • 02:37 • -12.16db
24% Popularity • 66% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 66% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
