Songs like Will You? by Scott Frankel
Based on a tempo of (+/- 10%) and a similar genre
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Bob Cuccioli
I Don't Remember You / Sometimes a Day G...
85 bpm • G# Maj • 04:41 • -20.82db
10% Popularity • 29% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 29% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Original Broadway Cast Of 'Passion'
Happiness
85 bpm • B Maj • 05:10 • -18.57db
18% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Scott Frankel
Will You?
85 bpm • F Maj • 03:57 • -12.91db
16% Popularity • 24% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 24% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
29% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Anna DeNoia
How You Thought It Would Be
85 bpm • A Maj • 03:50 • -12.06db
13% Popularity • 36% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 36% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Shelly Burch
A Man Like You / Unusual Way / Duet
84 bpm • F# min • 05:53 • -14.1db
8% Popularity • 20% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 20% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Kelli Barrett
When the Music Played
84 bpm • F Maj • 04:54 • -14.73db
16% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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The Minnesota Opera Company
Handbills / Into the Back, Tom
84 bpm • D Maj • 05:03 • -15.33db
0% Popularity • 35% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 35% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 13% Positiveness
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Scott Frankel
The Five-Fifteen (Reprise)
84 bpm • C min • 01:18 • -22.77db
6% Popularity • 36% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 36% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Ross Lekites
I'll Go Home with Bonnie Jean
84 bpm • G Maj • 02:19 • -8.76db
12% Popularity • 61% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 61% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Maury Yeston
Barrett's Song
86 bpm • A min • 03:23 • -16.02db
27% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Patina Miller
Stay With Me
84 bpm • D# Maj • 02:54 • -12.1db
34% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Charles Strouse
Bye Bye Birdie - Original Broadway Cast:...
84 bpm • F# Maj • 02:51 • -14db
22% Popularity • 51% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 51% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Sheryl Lee Ralph
Only in New York
86 bpm • C# Maj • 03:40 • -12.92db
21% Popularity • 35% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 35% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Carolee Carmello
In His Eyes
84 bpm • A# Maj • 04:13 • -11.52db
29% Popularity • 25% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 25% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Jill Santoriello
Without a Word
86 bpm • A# min • 03:08 • -8.52db
14% Popularity • 29% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 29% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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Scott Frankel
The Telegram
86 bpm • B Maj • 01:37 • -13.28db
5% Popularity • 48% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
5% Popularity • 48% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Stewart Wallace
Hopper's Wife: Lazy Summer Days
84 bpm • G Maj • 04:52 • -12.56db
0% Popularity • 24% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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The Original Broadway Cast Of 'Curtains'
Thinking Of Him
86 bpm • C# Maj • 01:49 • -20db
26% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Drue Williams
Proud Lady
86 bpm • G Maj • 03:12 • -11db
13% Popularity • 36% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 36% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Liza Minnelli
A Quiet Thing
84 bpm • A Maj • 04:00 • -17.23db
14% Popularity • 31% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 31% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Jerry Herman
Song on the Sand
86 bpm • F# Maj • 04:41 • -15db
22% Popularity • 35% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 35% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Jake Gyllenhaal
Opening
84 bpm • D# Maj • 01:22 • -17.65db
19% Popularity • 54% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 54% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Andrea Burns
I'm Not Afraid of Anything
84 bpm • A Maj • 04:37 • -12.52db
28% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Tulsa and Louise
All I Need is the Girl
83 bpm • C Maj • 05:04 • -7.27db
16% Popularity • 42% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 42% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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The Minnesota Opera Company
We'll Find Work
83 bpm • D min • 01:15 • -14.24db
1% Popularity • 40% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
1% Popularity • 40% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Scott Frankel
Prologue
83 bpm • A Maj • 01:27 • -16.61db
1% Popularity • 23% Danceability • 17% Energy • 14% Liveness
23% Instrumentalness • 21% Positiveness
1% Popularity • 23% Danceability • 17% Energy • 14% Liveness
23% Instrumentalness • 21% Positiveness
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Katrina Lenk
Something Different
87 bpm • B min • 03:19 • -8db
26% Popularity • 42% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 42% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Patrick Wilson
You Are Never Away
87 bpm • A min • 01:45 • -12db
13% Popularity • 24% Danceability • 32% Energy • 16% Liveness
1% Instrumentalness • 39% Positiveness
13% Popularity • 24% Danceability • 32% Energy • 16% Liveness
1% Instrumentalness • 39% Positiveness
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Judy Holliday
It's A Perfect Relationship
83 bpm • G# Maj • 03:11 • -16db
8% Popularity • 60% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 60% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Brent Carver
Leo's Statement: It's hard to speak my h...
83 bpm • A Maj • 02:44 • -15.81db
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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Rosalie Craig
Being Alive
83 bpm • A# Maj • 05:01 • -12.55db
30% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Ross Lekites
Come to Me, Bend to Me
87 bpm • G Maj • 02:14 • -12db
14% Popularity • 28% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 28% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Lewis Flinn
Where Am I Now?
83 bpm • A# Maj • 04:09 • -8.85db
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Will Reynolds
The Truth Is
83 bpm • G min • 02:49 • -10.91db
13% Popularity • 41% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 41% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Maria Friedman
Loose Ends
83 bpm • G# Maj • 04:25 • -18.89db
16% Popularity • 36% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
16% Popularity • 36% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
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Christine Ebersole
'S Wonderful
87 bpm • C Maj • 03:02 • -8.37db
1% Popularity • 33% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 33% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Laura Benanti
Will He Like Me?
87 bpm • C# Maj • 03:36 • -10db
24% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Natasha Richardson
Maybe This Time
83 bpm • G Maj • 03:00 • -12.88db
41% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Rose and Herbie
Small World
83 bpm • B Maj • 03:31 • -10.82db
15% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Lisa O'Hare
Poor Monty
83 bpm • F min • 03:17 • -11db
23% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Richard Adler
The Pajama Game: Small Talk
83 bpm • C# Maj • 03:52 • -13.14db
13% Popularity • 33% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 33% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Sherman Edwards
1776: Yours, Yours, Yours
88 bpm • F# Maj • 02:12 • -16db
22% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Roger Rees
Love Who You Love
88 bpm • B Maj • 02:47 • -20db
14% Popularity • 31% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 31% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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The Minnesota Opera Company
Good Machine
88 bpm • D min • 02:01 • -15.29db
0% Popularity • 50% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 50% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Rebecca Luker
Come to My Garden / Lift Me Up
83 bpm • D# Maj • 02:51 • -19.81db
23% Popularity • 24% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 24% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
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Liza Minnelli
Colored Lights
88 bpm • A min • 05:37 • -15db
12% Popularity • 35% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 35% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Marin Mazzie
Our Children
82 bpm • B min • 03:29 • -14.45db
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Tam Mutu
Watch the Moon
88 bpm • D# Maj • 03:10 • -13.83db
9% Popularity • 22% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 22% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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David St. Louis
You Should Be Loved
82 bpm • F Maj • 05:20 • -9.8db
10% Popularity • 37% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 37% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Sophie Hayden
Somebody, Somewhere
88 bpm • F Maj • 02:12 • -16db
11% Popularity • 40% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 40% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Janet Dacal
You've Got Possibilities
88 bpm • C# Maj • 02:43 • -4db
15% Popularity • 61% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 61% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Rosalie Craig
Someone Is Waiting
88 bpm • B min • 02:47 • -16.12db
25% Popularity • 29% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 29% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Mark Jacoby
New Music
82 bpm • F Maj • 04:03 • -11.74db
24% Popularity • 23% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 23% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Jessie Mueller
What's The Use Of Wond'rin'?
88 bpm • C# Maj • 03:19 • -15db
25% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Minnesota Opera Company
Little Dead Moses
82 bpm • B min • 03:30 • -12.92db
3% Popularity • 15% Danceability • 44% Energy • 86% Liveness
7% Instrumentalness • 22% Positiveness
3% Popularity • 15% Danceability • 44% Energy • 86% Liveness
7% Instrumentalness • 22% Positiveness
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Laura Benanti
Vanilla Ice Cream
89 bpm • D Maj • 02:57 • -8.7db
31% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Mary Louise Wilson
It Couldn't Please Me More
81 bpm • D# Maj • 03:32 • -13.77db
26% Popularity • 40% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 40% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Original Broadway Cast Of 'Passion'
Farewell Letter
89 bpm • C# min • 03:09 • -18.49db
10% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Marin Mazzie
Back to Before
88 bpm • B min • 03:49 • -9db
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Carolee Carmello
You Don't Know This Man
89 bpm • C min • 02:12 • -11.76db
24% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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The Minnesota Opera Company
Hooverville's Anywhere
88 bpm • F Maj • 02:45 • -12.32db
1% Popularity • 44% Danceability • 33% Energy • 60% Liveness
0% Instrumentalness • 30% Positiveness
1% Popularity • 44% Danceability • 33% Energy • 60% Liveness
0% Instrumentalness • 30% Positiveness
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Janet Metz
Times Like This
89 bpm • B Maj • 03:35 • -16db
15% Popularity • 44% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 44% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Brent Carver
She's A Woman
81 bpm • C Maj • 02:40 • -18db
15% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Leanne Cope
The Man I Love
81 bpm • G# min • 01:59 • -17db
17% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Jill Santoriello
Out of Sight, out of Mind
89 bpm • G# min • 03:21 • -8db
21% Popularity • 21% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 21% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Solea Pfeiffer
I'm Not Afraid of Anything
81 bpm • D Maj • 04:49 • -9.13db
32% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Norbert Leo Butz
Nobody Needs to Know
89 bpm • G# Maj • 07:00 • -16.41db
26% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Stephanie J. Block, Marc Kudisch and Ensemble
The Dance o' Death
89 bpm • D Maj • 03:35 • -8.71db
27% Popularity • 44% Danceability • 39% Energy • 92% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 44% Danceability • 39% Energy • 92% Liveness
0% Instrumentalness • 38% Positiveness
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Raul Julia
The Bells of St. Sebastian
89 bpm • G min • 04:29 • -11db
8% Popularity • 35% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 35% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Marin Mazzie
Till We Reach That Day
81 bpm • G# Maj • 04:11 • -10.95db
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Original Broadway Cast Of 'Passion'
I Read
81 bpm • G# Maj • 05:27 • -20db
14% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Maria Friedman
Words, Words, Words
81 bpm • G# Maj • 04:48 • -19db
14% Popularity • 59% Danceability • 19% Energy • 88% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 59% Danceability • 19% Energy • 88% Liveness
0% Instrumentalness • 22% Positiveness
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Sherie Rene Scott
See I'm Smiling
81 bpm • A Maj • 05:11 • -13db
31% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Megan McGinnis
My Manhattan
81 bpm • D# Maj • 02:51 • -6.95db
22% Popularity • 38% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 38% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Julie Atherton
Wait A Bit
81 bpm • A Maj • 04:06 • -14.62db
20% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Scott Frankel
Another Winter in a Summer Town
80 bpm • E Maj • 05:00 • -13db
16% Popularity • 32% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 32% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Original Broadway Cast Of 'Passion'
Loving You
81 bpm • C# Maj • 02:07 • -24.97db
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Aaron Tveit
There's a World
80 bpm • A# Maj • 01:34 • -19.08db
32% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Original Broadway Cast "Boys From Syracuse"
Falling In Love With Love
80 bpm • C Maj • 03:11 • -11.59db
12% Popularity • 36% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 36% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Jordan Donica
If Ever I Would Leave You
80 bpm • A# Maj • 03:40 • -11.79db
24% Popularity • 31% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 31% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Mindi Dickstein
Astonishing
90 bpm • C# Maj • 04:35 • -7.96db
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Edith Adams
A Little Bit In Love
80 bpm • D# Maj • 02:47 • -13db
6% Popularity • 39% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
6% Popularity • 39% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Barbara Harris
What Did I Have That I Don't Have?
80 bpm • G# Maj • 04:23 • -13db
12% Popularity • 25% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 25% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Audra McDonald
Sarah Brown Eyes
90 bpm • C Maj • 03:27 • -19db
25% Popularity • 32% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 32% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
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Margo Seibert
I'm Done - Rocky Broadway Cast Recording
80 bpm • A Maj • 01:58 • -7.87db
26% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Burton Lane
How Are Things in Glocca Morra?
80 bpm • C# Maj • 02:58 • -15.44db
19% Popularity • 28% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Phillipa Soo
Natasha Lost
80 bpm • C min • 02:42 • -17db
25% Popularity • 39% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 39% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Gavin Spokes
Sorry-Grateful
80 bpm • D Maj • 03:41 • -18.77db
23% Popularity • 31% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 31% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Douglas Sills
Vivez
90 bpm • D Maj • 04:18 • -12.64db
20% Popularity • 38% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 38% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Kay McClelland
With Every Breath I Take
80 bpm • G min • 03:56 • -18db
16% Popularity • 18% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 18% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
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Jordan Donica
On the Street Where You Live
80 bpm • C Maj • 03:53 • -8db
26% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Corey Cott
Gigi
91 bpm • F Maj • 03:12 • -9.54db
12% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Jekyll
The Way Back
91 bpm • G min • 02:09 • -8.75db
25% Popularity • 21% Danceability • 53% Energy • 13% Liveness
8% Instrumentalness • 35% Positiveness
25% Popularity • 21% Danceability • 53% Energy • 13% Liveness
8% Instrumentalness • 35% Positiveness
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The Minnesota Opera Company
Dry Blue Night / We Can Be Quiet / Rest ...
80 bpm • G# Maj • 09:35 • -16.88db
1% Popularity • 18% Danceability • 22% Energy • 21% Liveness
1% Instrumentalness • 6% Positiveness
1% Popularity • 18% Danceability • 22% Energy • 21% Liveness
1% Instrumentalness • 6% Positiveness
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Lee Roy Reams
Young and Healthy
91 bpm • C Maj • 02:15 • -20.47db
20% Popularity • 48% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 48% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Chita Rivera
Kiss Of The Spider Woman
79 bpm • F# min • 02:32 • -14db
28% Popularity • 42% Danceability • 17% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 42% Danceability • 17% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness