Songs like Willesden To Cricklewood by Joe Strummer & The Mescaleros
Based on a tempo of (+/- 10%) and a similar genre
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Joe Strummer & The Mescaleros
Willesden To Cricklewood
98 bpm • G Maj • 06:46 • -12.66db
15% Popularity • 68% Danceability • 36% Energy • 9% Liveness
70% Instrumentalness • 62% Positiveness
15% Popularity • 68% Danceability • 36% Energy • 9% Liveness
70% Instrumentalness • 62% Positiveness
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Patti Smith
Beneath the Southern Cross
98 bpm • D Maj • 04:34 • -10.02db
20% Popularity • 50% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 50% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Shack
Captain's Table
98 bpm • D Maj • 04:14 • -12.39db
16% Popularity • 55% Danceability • 56% Energy • 13% Liveness
10% Instrumentalness • 52% Positiveness
16% Popularity • 55% Danceability • 56% Energy • 13% Liveness
10% Instrumentalness • 52% Positiveness
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Jonathan Richman & The Modern Lovers
Ice Cream Man
98 bpm • A Maj • 03:02 • -9.86db
29% Popularity • 61% Danceability • 35% Energy • 47% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 61% Danceability • 35% Energy • 47% Liveness
0% Instrumentalness • 65% Positiveness
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Gomez
78 Stone Wobble
98 bpm • G Maj • 04:21 • -12.3db
13% Popularity • 47% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 47% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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The Lemonheads
Brass Buttons
98 bpm • E Maj • 03:11 • -17.1db
18% Popularity • 75% Danceability • 16% Energy • 12% Liveness
51% Instrumentalness • 51% Positiveness
18% Popularity • 75% Danceability • 16% Energy • 12% Liveness
51% Instrumentalness • 51% Positiveness
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The Only Ones
From Here To Eternity
97 bpm • F# min • 03:04 • -14.18db
17% Popularity • 48% Danceability • 51% Energy • 41% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 48% Danceability • 51% Energy • 41% Liveness
0% Instrumentalness • 70% Positiveness
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The Go-Betweens
Apology Accepted - Remaster 2004
98 bpm • C Maj • 04:23 • -7.83db
14% Popularity • 60% Danceability • 69% Energy • 9% Liveness
5% Instrumentalness • 68% Positiveness
14% Popularity • 60% Danceability • 69% Energy • 9% Liveness
5% Instrumentalness • 68% Positiveness
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Ian Dury
Quiet
99 bpm • A Maj • 03:34 • -11.21db
20% Popularity • 73% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 73% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Leonard Cohen
Tower of Song
100 bpm • E Maj • 05:39 • -21db
44% Popularity • 80% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 80% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Roxy Music
Just Another High
96 bpm • A# Maj • 06:31 • -6.25db
25% Popularity • 50% Danceability • 84% Energy • 5% Liveness
5% Instrumentalness • 53% Positiveness
25% Popularity • 50% Danceability • 84% Energy • 5% Liveness
5% Instrumentalness • 53% Positiveness
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Dexys Midnight Runners
One Of Those Things
100 bpm • G Maj • 05:57 • -15.04db
18% Popularity • 67% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 74% Positiveness
18% Popularity • 67% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 74% Positiveness
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Robert Wyatt
Red Flag
96 bpm • F Maj • 03:10 • -17.95db
0% Popularity • 30% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 30% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Orange Juice
A Sad Lament
96 bpm • D Maj • 04:45 • -10.89db
10% Popularity • 56% Danceability • 42% Energy • 20% Liveness
23% Instrumentalness • 64% Positiveness
10% Popularity • 56% Danceability • 42% Energy • 20% Liveness
23% Instrumentalness • 64% Positiveness
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Mink DeVille
Venus Of Avenue D
100 bpm • E Maj • 05:02 • -13.12db
24% Popularity • 59% Danceability • 46% Energy • 33% Liveness
24% Instrumentalness • 96% Positiveness
24% Popularity • 59% Danceability • 46% Energy • 33% Liveness
24% Instrumentalness • 96% Positiveness
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Jonathan Richman & The Modern Lovers
Affection
100 bpm • B Maj • 04:05 • -16.64db
19% Popularity • 67% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 67% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Mott The Hoople
Sea Diver
101 bpm • C# Maj • 02:53 • -11.84db
20% Popularity • 31% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 31% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Robyn Hitchcock
I Often Dream of Trains
95 bpm • G Maj • 02:23 • -8.21db
23% Popularity • 47% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 47% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Gorky's Zygotic Mynci
This Summer's Been Good from the Start
95 bpm • E Maj • 02:39 • -15.39db
14% Popularity • 39% Danceability • 17% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
14% Popularity • 39% Danceability • 17% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
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A House
Endless Art
95 bpm • C Maj • 03:02 • -12db
23% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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BMX Bandits
Serious Drugs
95 bpm • D Maj • 03:26 • -15db
20% Popularity • 70% Danceability • 38% Energy • 5% Liveness
5% Instrumentalness • 81% Positiveness
20% Popularity • 70% Danceability • 38% Energy • 5% Liveness
5% Instrumentalness • 81% Positiveness
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Elvis Costello
Brilliant Mistake
95 bpm • C Maj • 03:45 • -6.09db
38% Popularity • 61% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 61% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Green On Red
We Shall Overcome
101 bpm • C Maj • 02:26 • -7.38db
9% Popularity • 38% Danceability • 49% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
9% Popularity • 38% Danceability • 49% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
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The Wedding Present
Getting Better
95 bpm • C Maj • 02:07 • -9.92db
11% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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The Waterboys
Old England - 2004 Remaster
101 bpm • C Maj • 05:31 • -10db
34% Popularity • 49% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 49% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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That Petrol Emotion
Natural Kind Of Joy
101 bpm • B min • 02:45 • -14db
17% Popularity • 70% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 70% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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The Selecter
Celebrate the Bullet
102 bpm • B Maj • 04:34 • -16.29db
29% Popularity • 73% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 73% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Jonathan Richman & The Modern Lovers
Rockin' Shopping Center
94 bpm • F Maj • 03:36 • -9.76db
13% Popularity • 65% Danceability • 67% Energy • 29% Liveness
4% Instrumentalness • 95% Positiveness
13% Popularity • 65% Danceability • 67% Energy • 29% Liveness
4% Instrumentalness • 95% Positiveness
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Green On Red
You Couldn't Get Arrested
102 bpm • C Maj • 05:49 • -16.79db
14% Popularity • 76% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 58% Positiveness
14% Popularity • 76% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 58% Positiveness
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Shack
As Long as I've Got You
94 bpm • D Maj • 02:11 • -12db
27% Popularity • 53% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 53% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Edwyn Collins
50 Shades of Blue
103 bpm • A Maj • 03:52 • -12.88db
21% Popularity • 48% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 48% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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That Petrol Emotion
Sweet Shiver Burn
102 bpm • F# Maj • 03:25 • -13db
13% Popularity • 62% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 62% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Aztec Camera
Down the Dip
94 bpm • A Maj • 02:21 • -14.89db
30% Popularity • 52% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 52% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Half Man Half Biscuit
Twenty Four Hour Garage People
94 bpm • E Maj • 02:42 • -15.48db
17% Popularity • 52% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 52% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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The Triffids
Hell Of A Summer
103 bpm • A# Maj • 04:30 • -7.09db
14% Popularity • 45% Danceability • 72% Energy • 22% Liveness
36% Instrumentalness • 42% Positiveness
14% Popularity • 45% Danceability • 72% Energy • 22% Liveness
36% Instrumentalness • 42% Positiveness
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Joe Strummer & The Mescaleros
Tony Adams
103 bpm • E min • 06:33 • -7db
27% Popularity • 73% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 73% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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The House of Love
Beatles And Stones
103 bpm • G Maj • 04:20 • -19.17db
33% Popularity • 52% Danceability • 40% Energy • 16% Liveness
1% Instrumentalness • 48% Positiveness
33% Popularity • 52% Danceability • 40% Energy • 16% Liveness
1% Instrumentalness • 48% Positiveness
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Ian Dury
Clevor Trever
93 bpm • A Maj • 04:55 • -13.24db
35% Popularity • 83% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 83% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Julian Cope
Las Vegas Basement
92 bpm • D Maj • 04:50 • -19.19db
23% Popularity • 42% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 42% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
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Half Man Half Biscuit
For What Is Chatteris...
93 bpm • G Maj • 02:03 • -8db
33% Popularity • 53% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 53% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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The Triffids
Too Hot To Move, Too Hot To Think
103 bpm • E Maj • 04:01 • -7.05db
8% Popularity • 50% Danceability • 57% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 50% Danceability • 57% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
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Joe Strummer & The Mescaleros
The Road To Rock 'n' Roll
104 bpm • G Maj • 03:58 • -9.36db
17% Popularity • 82% Danceability • 72% Energy • 10% Liveness
27% Instrumentalness • 82% Positiveness
17% Popularity • 82% Danceability • 72% Energy • 10% Liveness
27% Instrumentalness • 82% Positiveness
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Terry Hall
Dream A Little Dream
104 bpm • C Maj • 03:30 • -9.1db
24% Popularity • 44% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 44% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 17% Positiveness
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Cornershop
The Mighty Quinn
92 bpm • C Maj • 03:31 • -4.73db
16% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Julian Cope
East Easy Rider
92 bpm • F# Maj • 03:58 • -9.53db
18% Popularity • 68% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 68% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Isobel Campbell
Honey Child What Can I Do?
105 bpm • B Maj • 03:43 • -10.7db
22% Popularity • 56% Danceability • 65% Energy • 10% Liveness
35% Instrumentalness • 85% Positiveness
22% Popularity • 56% Danceability • 65% Energy • 10% Liveness
35% Instrumentalness • 85% Positiveness
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The Triffids
Stolen Property
92 bpm • E Maj • 06:47 • -7.72db
13% Popularity • 41% Danceability • 51% Energy • 10% Liveness
3% Instrumentalness • 32% Positiveness
13% Popularity • 41% Danceability • 51% Energy • 10% Liveness
3% Instrumentalness • 32% Positiveness
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Dexys Midnight Runners
Love, Pt. 1 (Poem) - 2000 Remaster
105 bpm • F Maj • 01:12 • -18.76db
15% Popularity • 53% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 53% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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The Velvet Underground
Sweet Jane
105 bpm • D Maj • 03:17 • -10.63db
49% Popularity • 63% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 63% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Television
Knockin' On Heavens Door
105 bpm • D Maj • 07:50 • -12.48db
13% Popularity • 34% Danceability • 52% Energy • 94% Liveness
1% Instrumentalness • 21% Positiveness
13% Popularity • 34% Danceability • 52% Energy • 94% Liveness
1% Instrumentalness • 21% Positiveness
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Iggy Pop
Avenue B
91 bpm • G Maj • 05:21 • -12.33db
20% Popularity • 49% Danceability • 42% Energy • 15% Liveness
73% Instrumentalness • 63% Positiveness
20% Popularity • 49% Danceability • 42% Energy • 15% Liveness
73% Instrumentalness • 63% Positiveness
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Green On Red
That's What Dreams Were Made For
106 bpm • G Maj • 04:23 • -5.27db
15% Popularity • 36% Danceability • 79% Energy • 18% Liveness
31% Instrumentalness • 66% Positiveness
15% Popularity • 36% Danceability • 79% Energy • 18% Liveness
31% Instrumentalness • 66% Positiveness
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Primal Scream
Star
91 bpm • A Maj • 04:24 • -8db
28% Popularity • 62% Danceability • 71% Energy • 42% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 62% Danceability • 71% Energy • 42% Liveness
0% Instrumentalness • 70% Positiveness
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Julian Cope
If You Loved Me At All
91 bpm • A Maj • 05:00 • -11.47db
15% Popularity • 66% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 66% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Jah Wobble's Invaders Of The Heart
Visions of You
91 bpm • G Maj • 05:36 • -12.27db
29% Popularity • 55% Danceability • 51% Energy • 6% Liveness
87% Instrumentalness • 67% Positiveness
29% Popularity • 55% Danceability • 51% Energy • 6% Liveness
87% Instrumentalness • 67% Positiveness
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The Wedding Present
Brassneck
90 bpm • G Maj • 04:52 • -12.77db
32% Popularity • 41% Danceability • 93% Energy • 30% Liveness
61% Instrumentalness • 60% Positiveness
32% Popularity • 41% Danceability • 93% Energy • 30% Liveness
61% Instrumentalness • 60% Positiveness
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New York Dolls
Trash
107 bpm • G Maj • 03:52 • -8.74db
8% Popularity • 71% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 71% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Beck
Jack-Ass
107 bpm • D Maj • 04:01 • -7.05db
34% Popularity • 71% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 71% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Patti Smith
Hey Joe - Version
107 bpm • C# Maj • 05:08 • -9.35db
25% Popularity • 45% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 45% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
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Joe Strummer & The Mescaleros
Nitcomb
90 bpm • G Maj • 04:30 • -10.61db
13% Popularity • 62% Danceability • 53% Energy • 10% Liveness
4% Instrumentalness • 32% Positiveness
13% Popularity • 62% Danceability • 53% Energy • 10% Liveness
4% Instrumentalness • 32% Positiveness
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Half Man Half Biscuit
Joy Division Oven Gloves
107 bpm • A Maj • 03:10 • -5.62db
33% Popularity • 48% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 48% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Ian Dury
This Is What We Find
90 bpm • F Maj • 04:10 • -8.95db
21% Popularity • 69% Danceability • 68% Energy • 51% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 69% Danceability • 68% Energy • 51% Liveness
0% Instrumentalness • 89% Positiveness
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The Go-Betweens
Quiet Heart - 2004 Digital Remaster
107 bpm • D Maj • 05:20 • -8.6db
22% Popularity • 61% Danceability • 84% Energy • 32% Liveness
2% Instrumentalness • 79% Positiveness
22% Popularity • 61% Danceability • 84% Energy • 32% Liveness
2% Instrumentalness • 79% Positiveness
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Julian Cope
Beautiful Love
107 bpm • C Maj • 03:13 • -11db
28% Popularity • 71% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 71% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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Willard Grant Conspiracy
Soft Hand
107 bpm • D Maj • 05:43 • -6.72db
17% Popularity • 74% Danceability • 59% Energy • 7% Liveness
15% Instrumentalness • 95% Positiveness
17% Popularity • 74% Danceability • 59% Energy • 7% Liveness
15% Instrumentalness • 95% Positiveness
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Richard Lloyd
Misty Eyes
107 bpm • A Maj • 03:51 • -11.63db
14% Popularity • 73% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 73% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Belle and Sebastian
Dog On Wheels
89 bpm • C# Maj • 03:11 • -8db
36% Popularity • 53% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 53% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Redskins
Keep On Keepin' On - Ted De Bono 12" Mix
107 bpm • F# min • 05:48 • -10db
8% Popularity • 62% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 62% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Thea Gilmore
I'm Not Down
108 bpm • E min • 02:59 • -9.34db
8% Popularity • 58% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 58% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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The Delgados
Pull the Wires from the Wall
88 bpm • C Maj • 04:08 • -7.89db
18% Popularity • 31% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 31% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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John Cooper Clarke
Night People
88 bpm • C Maj • 04:00 • -13.16db
8% Popularity • 67% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 67% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Frank Black
I Burn Today
89 bpm • C Maj • 04:05 • -10db
29% Popularity • 66% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 66% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Shane MacGowan & The Popes
Haunted
109 bpm • E Maj • 04:11 • -12.57db
45% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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The Go-Betweens
The Wrong Road - Remaster 2004
88 bpm • D Maj • 04:57 • -8.29db
6% Popularity • 54% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
6% Popularity • 54% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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XTC
All Along The Watchtower - 2001 Remaster
109 bpm • C Maj • 05:43 • -3db
19% Popularity • 70% Danceability • 94% Energy • 8% Liveness
3% Instrumentalness • 54% Positiveness
19% Popularity • 70% Danceability • 94% Energy • 8% Liveness
3% Instrumentalness • 54% Positiveness
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Joe Strummer & The Mescaleros
Sandpaper Blues
109 bpm • B Maj • 04:25 • -9.51db
15% Popularity • 66% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 66% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Robyn Hitchcock & The Egyptians
My Wife and My Dead Wife
109 bpm • G# Maj • 04:18 • -7.22db
14% Popularity • 58% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 58% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Nick Lowe
Heart of the City
88 bpm • A Maj • 02:07 • -9.71db
30% Popularity • 44% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 44% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Chris Bell
You And Your Sister - Single Version
109 bpm • G min • 03:10 • -13.62db
28% Popularity • 38% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 38% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Redskins
Bring It Down
109 bpm • A min • 04:35 • -6.28db
16% Popularity • 64% Danceability • 89% Energy • 33% Liveness
4% Instrumentalness • 51% Positiveness
16% Popularity • 64% Danceability • 89% Energy • 33% Liveness
4% Instrumentalness • 51% Positiveness
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Magazine
Thank You (Falettinme Be Mice Elf Agin) ...
88 bpm • C Maj • 03:40 • -12.22db
19% Popularity • 74% Danceability • 41% Energy • 6% Liveness
2% Instrumentalness • 74% Positiveness
19% Popularity • 74% Danceability • 41% Energy • 6% Liveness
2% Instrumentalness • 74% Positiveness
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Wreckless Eric
Semaphore Signals
110 bpm • B Maj • 02:57 • -11.05db
14% Popularity • 66% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 66% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Shack
Daniella
110 bpm • D# min • 03:31 • -13.18db
12% Popularity • 57% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 57% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Ian Dury
Bed O'Roses No.9
110 bpm • F# Maj • 05:19 • -6.08db
18% Popularity • 63% Danceability • 82% Energy • 7% Liveness
6% Instrumentalness • 79% Positiveness
18% Popularity • 63% Danceability • 82% Energy • 7% Liveness
6% Instrumentalness • 79% Positiveness
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The Fall
Telephone Thing
110 bpm • G Maj • 04:11 • -13.4db
28% Popularity • 63% Danceability • 80% Energy • 11% Liveness
84% Instrumentalness • 87% Positiveness
28% Popularity • 63% Danceability • 80% Energy • 11% Liveness
84% Instrumentalness • 87% Positiveness
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Redskins
Kick Over The Statues
110 bpm • G Maj • 02:28 • -4.29db
19% Popularity • 54% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 54% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Grant Lee Buffalo
Dixie Drug Store
87 bpm • A# min • 05:08 • -14db
30% Popularity • 52% Danceability • 61% Energy • 45% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 52% Danceability • 61% Energy • 45% Liveness
0% Instrumentalness • 54% Positiveness
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The Go-Betweens
The Clarke Sisters - Remaster 2004
110 bpm • E min • 03:20 • -11.09db
7% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jonathan Richman & The Modern Lovers
That Summer Feeling
110 bpm • A Maj • 03:56 • -12db
23% Popularity • 64% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 64% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Wild Willy Barrett
Beware Of The Flowers ('Cause I'm Sure T...
111 bpm • D Maj • 02:30 • -14.72db
16% Popularity • 38% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 38% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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The Fall
How I Wrote Elastic Man
111 bpm • A Maj • 04:21 • -11.33db
19% Popularity • 59% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 59% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Ian Dury
If I Was with a Woman
110 bpm • D Maj • 03:25 • -11.18db
23% Popularity • 89% Danceability • 70% Energy • 53% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 89% Danceability • 70% Energy • 53% Liveness
0% Instrumentalness • 84% Positiveness
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Evan Dando
Rudy with a Flashlight
111 bpm • A Maj • 02:37 • -15db
29% Popularity • 67% Danceability • 30% Energy • 12% Liveness
60% Instrumentalness • 43% Positiveness
29% Popularity • 67% Danceability • 30% Energy • 12% Liveness
60% Instrumentalness • 43% Positiveness
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Julian Cope
China Doll
111 bpm • D Maj • 03:29 • -14.31db
23% Popularity • 58% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 58% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Subway Sect
Stop That Girl
111 bpm • C# Maj • 02:59 • -6db
14% Popularity • 52% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 52% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Nick Cave & The Bad Seeds
More News from Nowhere
111 bpm • F Maj • 07:58 • -7.54db
36% Popularity • 63% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 63% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Iggy Pop
Don't Look Down
111 bpm • D Maj • 03:37 • -8.59db
22% Popularity • 56% Danceability • 68% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
22% Popularity • 56% Danceability • 68% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
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The Colorblind James Experience
A Different Bob
111 bpm • A Maj • 02:54 • -14.76db
9% Popularity • 71% Danceability • 42% Energy • 11% Liveness
72% Instrumentalness • 38% Positiveness
9% Popularity • 71% Danceability • 42% Energy • 11% Liveness
72% Instrumentalness • 38% Positiveness
