Songs like Wilson's Blues No. 1 by James Wilson
Based on a tempo of (+/- 10%) and a similar genre
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Alec Wilder
Wilder: Suite No. 1 for Horn, Tuba, and ...
153 bpm • A min • 01:45 • -20.77db
0% Popularity • 42% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 37% Positiveness
0% Popularity • 42% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 37% Positiveness
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Sister Rosetta Tharpe
Down By The Riverside (Live)
153 bpm • A# min • 03:33 • -10.51db
24% Popularity • 53% Danceability • 66% Energy • 69% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 53% Danceability • 66% Energy • 69% Liveness
0% Instrumentalness • 68% Positiveness
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James Wilson
Wilson's Blues No. 1
153 bpm • D min • 02:28 • -10.07db
0% Popularity • 47% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
0% Popularity • 47% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Jesse Powell
Love To Spare
153 bpm • G# Maj • 02:09 • -5.87db
8% Popularity • 54% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 54% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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The Delmore Brothers
Blues You Never Lose
152 bpm • A Maj • 02:29 • -10.53db
7% Popularity • 58% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 58% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Roger Miller
Dad Blame Anything A Man Can't Quit
151 bpm • C Maj • 01:56 • -7.82db
9% Popularity • 63% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 63% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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The Eagles
Don't You Wanna Be Mine
152 bpm • F min • 02:21 • -7.68db
14% Popularity • 67% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 67% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Blind Blake
Hard Pushin' Papa
151 bpm • A Maj • 02:36 • -7db
13% Popularity • 52% Danceability • 57% Energy • 57% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 52% Danceability • 57% Energy • 57% Liveness
0% Instrumentalness • 79% Positiveness
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James Wilson
Wilson Blues No.1
152 bpm • A# Maj • 02:27 • -8.27db
1% Popularity • 50% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
1% Popularity • 50% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Jimmie Rodgers
Blue Yodel No. 6
151 bpm • G Maj • 03:06 • -10.65db
10% Popularity • 56% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 56% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Screamin' Jay Hawkins
Talk About Me
155 bpm • F# Maj • 02:34 • -11.1db
7% Popularity • 56% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 56% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Clyde Marcellus
Breakfast Beer
151 bpm • A Maj • 02:48 • -6.57db
23% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Alec Wilder
Wilder: Suite No. 1 for Horn, Tuba, and ...
155 bpm • A# min • 03:09 • -24.81db
0% Popularity • 35% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
0% Popularity • 35% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Louis Jordan
Ain't Nobody Here But Us Chicken
151 bpm • D min • 03:05 • -11.23db
9% Popularity • 73% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 73% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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James Wilson
3 Playthings, Op. 97: No. 2, Quarter Not...
152 bpm • G min • 01:11 • -26.99db
0% Popularity • 57% Danceability • 6% Energy • 11% Liveness
68% Instrumentalness • 69% Positiveness
0% Popularity • 57% Danceability • 6% Energy • 11% Liveness
68% Instrumentalness • 69% Positiveness
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Tex Williams
Brother, Drop Dead
150 bpm • G Maj • 02:30 • -9.34db
10% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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AkaMikeBerry
Fuck Y'all
150 bpm • C# Maj • 02:33 • -4.39db
0% Popularity • 63% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 63% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Lloyd Price
Mary Anne
150 bpm • F Maj • 02:35 • -10.41db
8% Popularity • 45% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 45% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Urshan College Choir
Let There Be Faith
150 bpm • G# Maj • 06:19 • -7.18db
4% Popularity • 23% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
4% Popularity • 23% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Bob Wills & His Texas Playboys
My Little Rock Candy Baby
156 bpm • C Maj • 02:39 • -8.38db
8% Popularity • 56% Danceability • 41% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 56% Danceability • 41% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Doris Day
Live It Up
156 bpm • F# Maj • 02:02 • -10.38db
8% Popularity • 57% Danceability • 51% Energy • 73% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 57% Danceability • 51% Energy • 73% Liveness
0% Instrumentalness • 88% Positiveness
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James Wilson
Wilson Blues Number 1
156 bpm • A# Maj • 02:24 • -8.91db
0% Popularity • 58% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 58% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Jimmie Davis
Cowboy'S Home Sweet Home
150 bpm • C# Maj • 03:27 • -11.13db
2% Popularity • 63% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
2% Popularity • 63% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Blind Blake
Southbound Rag
149 bpm • B Maj • 03:19 • -13.26db
2% Popularity • 72% Danceability • 35% Energy • 11% Liveness
48% Instrumentalness • 90% Positiveness
2% Popularity • 72% Danceability • 35% Energy • 11% Liveness
48% Instrumentalness • 90% Positiveness
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Percy Mayfield
Baby, You're Rich
149 bpm • F min • 02:18 • -10.67db
10% Popularity • 64% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 64% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Lazy Lester
If You Think You've Lost Me
149 bpm • G Maj • 02:16 • -11.49db
9% Popularity • 47% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 47% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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AkaMikeBerry
OJ Simpson
157 bpm • F# Maj • 03:02 • -4.4db
0% Popularity • 74% Danceability • 78% Energy • 49% Liveness
1% Instrumentalness • 62% Positiveness
0% Popularity • 74% Danceability • 78% Energy • 49% Liveness
1% Instrumentalness • 62% Positiveness
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Wynonie Harris
I Get A Thrill
149 bpm • C Maj • 02:28 • -13.12db
7% Popularity • 62% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 62% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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The Hi-Stakes
Please Don't Subjectify Me
148 bpm • C Maj • 02:04 • -6.14db
11% Popularity • 69% Danceability • 76% Energy • 18% Liveness
11% Instrumentalness • 97% Positiveness
11% Popularity • 69% Danceability • 76% Energy • 18% Liveness
11% Instrumentalness • 97% Positiveness
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J.B. Lenoir
Five Years
146 bpm • D# Maj • 01:44 • -8db
15% Popularity • 68% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 68% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Wild Bill Moore
Hey Spo-Dee-O-Dee
160 bpm • G# Maj • 02:43 • -9.55db
8% Popularity • 54% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 54% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Fats Waller
(Oh Susannah)Dust Off That Old Pianna
145 bpm • C Maj • 02:34 • -11.93db
9% Popularity • 69% Danceability • 57% Energy • 11% Liveness
67% Instrumentalness • 96% Positiveness
9% Popularity • 69% Danceability • 57% Energy • 11% Liveness
67% Instrumentalness • 96% Positiveness
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AkaMikeBerry
Ain't Got Shit on Me
160 bpm • G Maj • 02:24 • -4.55db
0% Popularity • 62% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 62% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Lonnie Johnson
Moaning Blues
145 bpm • C Maj • 04:03 • -18.12db
11% Popularity • 57% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 35% Positiveness
11% Popularity • 57% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 35% Positiveness
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Chris Mason
Smart Bombs – Intelligent Carnage
145 bpm • F# min • 01:56 • -20.19db
0% Popularity • 36% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 36% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Blind Willie Johnson
When the War Was on
145 bpm • A# Maj • 03:04 • -9db
9% Popularity • 76% Danceability • 46% Energy • 13% Liveness
2% Instrumentalness • 96% Positiveness
9% Popularity • 76% Danceability • 46% Energy • 13% Liveness
2% Instrumentalness • 96% Positiveness
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Hiroto Suwa
Love's journey
145 bpm • A# Maj • 02:47 • -15.98db
14% Popularity • 55% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 55% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Texas Jim Robertson
IfYou've Got The Money
144 bpm • C Maj • 02:34 • -16.97db
9% Popularity • 45% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 45% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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AkaMikeBerry
Pencil
162 bpm • F# min • 03:48 • -4.42db
0% Popularity • 63% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 63% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Frank Bridge
Novelletten: II. Presto: Allegretto
162 bpm • A Maj • 02:31 • -23.98db
0% Popularity • 29% Danceability • 9% Energy • 57% Liveness
57% Instrumentalness • 10% Positiveness
0% Popularity • 29% Danceability • 9% Energy • 57% Liveness
57% Instrumentalness • 10% Positiveness
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Stringbean
Hey Old Man (Can You Play A Banjo)
144 bpm • C# Maj • 01:57 • -10.76db
19% Popularity • 50% Danceability • 68% Energy • 11% Liveness
4% Instrumentalness • 96% Positiveness
19% Popularity • 50% Danceability • 68% Energy • 11% Liveness
4% Instrumentalness • 96% Positiveness
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Champion Jack Dupree
Shim Sham Shimmy
163 bpm • D# min • 02:43 • -5.81db
15% Popularity • 56% Danceability • 88% Energy • 69% Liveness
5% Instrumentalness • 56% Positiveness
15% Popularity • 56% Danceability • 88% Energy • 69% Liveness
5% Instrumentalness • 56% Positiveness
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Sanford Clark
Till My Baby Comes Back
143 bpm • D# Maj • 02:05 • -7.17db
10% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Beatrice Ojima
Remember Me Lord
143 bpm • G# Maj • 01:28 • -15.1db
26% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Julia Lee
The Spinach Song (I Didn'T Like It the F...
164 bpm • D# Maj • 02:55 • -9.01db
10% Popularity • 69% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 69% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Texas Jim Robertson
A Cowboy's Dream
143 bpm • D Maj • 02:33 • -19.98db
10% Popularity • 50% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 50% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Frank Bridge
String Quartet in E Minor, "Bologna": IV...
143 bpm • E min • 06:02 • -21.17db
0% Popularity • 28% Danceability • 11% Energy • 11% Liveness
75% Instrumentalness • 18% Positiveness
0% Popularity • 28% Danceability • 11% Energy • 11% Liveness
75% Instrumentalness • 18% Positiveness
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Lowell Fulson
I'm a Night Owl, Pt. 1
142 bpm • F# Maj • 02:32 • -8.73db
8% Popularity • 57% Danceability • 36% Energy • 20% Liveness
2% Instrumentalness • 61% Positiveness
8% Popularity • 57% Danceability • 36% Energy • 20% Liveness
2% Instrumentalness • 61% Positiveness
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Linda Manning
Walking on a Cloud
142 bpm • A Maj • 01:40 • -13.83db
16% Popularity • 66% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 66% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Nappy Brown
Don't Be Angry
164 bpm • C Maj • 02:24 • -9.79db
8% Popularity • 35% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
8% Popularity • 35% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Trini Lopez
This Little Girl Of Mine
142 bpm • C Maj • 02:22 • -9.15db
10% Popularity • 64% Danceability • 60% Energy • 15% Liveness
91% Instrumentalness • 86% Positiveness
10% Popularity • 64% Danceability • 60% Energy • 15% Liveness
91% Instrumentalness • 86% Positiveness
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Chuck Berry
Rock and Roll Music - 1956 version
165 bpm • G# Maj • 02:32 • -12.24db
14% Popularity • 72% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 72% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Wilf Carter
I Long For Old Wyoming
165 bpm • A# Maj • 03:14 • -12.38db
18% Popularity • 57% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 57% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Elton Britt
Pinto Pal (Opening)
141 bpm • G# Maj • 01:05 • -7.79db
14% Popularity • 61% Danceability • 59% Energy • 14% Liveness
3% Instrumentalness • 96% Positiveness
14% Popularity • 61% Danceability • 59% Energy • 14% Liveness
3% Instrumentalness • 96% Positiveness
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Texas Jim Robertson
I Love You So Much It Hurts
142 bpm • G Maj • 03:04 • -20.27db
10% Popularity • 59% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 59% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Lloyd Price
Talking About Love
166 bpm • C min • 02:12 • -8.36db
8% Popularity • 43% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
8% Popularity • 43% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
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J.B. Lenoir
Five Years
141 bpm • D Maj • 01:46 • -10.36db
12% Popularity • 70% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 70% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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James Wilson
Brighter
141 bpm • B min • 03:41 • -7.1db
0% Popularity • 66% Danceability • 84% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
0% Popularity • 66% Danceability • 84% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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Lowell Fulson
Check Yourself
141 bpm • F min • 03:01 • -14.61db
13% Popularity • 61% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 61% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
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Chuck Berry
How High The Moon
141 bpm • C Maj • 03:11 • -9.06db
10% Popularity • 43% Danceability • 81% Energy • 31% Liveness
86% Instrumentalness • 57% Positiveness
10% Popularity • 43% Danceability • 81% Energy • 31% Liveness
86% Instrumentalness • 57% Positiveness
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AkaMikeBerry
Names
140 bpm • F# min • 03:16 • -6.22db
0% Popularity • 81% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 81% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Blind Blake
Fighin' The Jug
140 bpm • F Maj • 02:55 • -17.43db
8% Popularity • 49% Danceability • 13% Energy • 16% Liveness
10% Instrumentalness • 58% Positiveness
8% Popularity • 49% Danceability • 13% Energy • 16% Liveness
10% Instrumentalness • 58% Positiveness
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Lou Mac
Views
168 bpm • C min • 02:31 • -7.51db
36% Popularity • 66% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 66% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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James Wilson
Tree
166 bpm • C# Maj • 04:17 • -8.02db
0% Popularity • 49% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 49% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Professor Longhair
501 Boogie
167 bpm • F Maj • 02:16 • -12.59db
10% Popularity • 50% Danceability • 55% Energy • 15% Liveness
87% Instrumentalness • 86% Positiveness
10% Popularity • 50% Danceability • 55% Energy • 15% Liveness
87% Instrumentalness • 86% Positiveness
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Ray Charles
I'll Do Anything But Work - Take 2
139 bpm • F Maj • 02:40 • -15db
10% Popularity • 75% Danceability • 29% Energy • 14% Liveness
9% Instrumentalness • 75% Positiveness
10% Popularity • 75% Danceability • 29% Energy • 14% Liveness
9% Instrumentalness • 75% Positiveness
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AkaMikeBerry
Alright
139 bpm • D Maj • 05:07 • -8.91db
0% Popularity • 68% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 68% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Sandra Antoinette
Crocodile Meat
139 bpm • A# min • 03:31 • -13.46db
26% Popularity • 74% Danceability • 30% Energy • 17% Liveness
33% Instrumentalness • 82% Positiveness
26% Popularity • 74% Danceability • 30% Energy • 17% Liveness
33% Instrumentalness • 82% Positiveness
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Blind Blake
That'll Never Happen No More
168 bpm • F Maj • 03:01 • -11.95db
9% Popularity • 45% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 45% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Ferlin Husky
I Wouldn't Treat a Dog Like You're Treat...
138 bpm • E Maj • 02:15 • -8.74db
7% Popularity • 72% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
7% Popularity • 72% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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James Wilson
Calm Space
141 bpm • C Maj • 02:02 • -39.19db
0% Popularity • 14% Danceability • 0% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
0% Popularity • 14% Danceability • 0% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Roy Rogers
It's Home Sweet Home To Me
169 bpm • C Maj • 01:38 • -9.69db
8% Popularity • 62% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 62% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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T-Bone Walker
T-Bone Shuffle
138 bpm • G Maj • 03:00 • -10.52db
15% Popularity • 78% Danceability • 35% Energy • 8% Liveness
14% Instrumentalness • 71% Positiveness
15% Popularity • 78% Danceability • 35% Energy • 8% Liveness
14% Instrumentalness • 71% Positiveness
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Big Bill Broonzy
When I Been Drinking
138 bpm • G Maj • 02:50 • -20.34db
8% Popularity • 65% Danceability • 8% Energy • 12% Liveness
6% Instrumentalness • 78% Positiveness
8% Popularity • 65% Danceability • 8% Energy • 12% Liveness
6% Instrumentalness • 78% Positiveness
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Little Willie John
(I've Got) Spring Fever
138 bpm • C Maj • 02:10 • -8.94db
13% Popularity • 72% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 72% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Sandra Antoinette
This Is It
170 bpm • D# Maj • 04:02 • -13db
26% Popularity • 56% Danceability • 43% Energy • 16% Liveness
40% Instrumentalness • 72% Positiveness
26% Popularity • 56% Danceability • 43% Energy • 16% Liveness
40% Instrumentalness • 72% Positiveness
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James Wilson
Pause
169 bpm • E Maj • 01:42 • -27.29db
0% Popularity • 8% Danceability • 6% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
0% Popularity • 8% Danceability • 6% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Huey "Piano" Smith
Well I'll Be John Brown
137 bpm • C min • 02:29 • -4.59db
15% Popularity • 66% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 66% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Paul Basler
Basler: Ken Bits: I. Jua Kali Repairman
137 bpm • G min • 01:32 • -25.22db
0% Popularity • 59% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
0% Popularity • 59% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
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Alan Young
Don't Sell It, Don't Give It Away
136 bpm • G Maj • 02:53 • -19.03db
7% Popularity • 58% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 58% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Snooks Eaglin
(Mama) Talk to Your Daughter
136 bpm • C Maj • 02:17 • -12.43db
17% Popularity • 61% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 61% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Dizzy Gillespie
Tour De Force - Remastered 2024
170 bpm • G# Maj • 05:10 • -19.65db
15% Popularity • 45% Danceability • 24% Energy • 50% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 45% Danceability • 24% Energy • 50% Liveness
0% Instrumentalness • 50% Positiveness
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Jim Reeves
Jeopardy - New demo
136 bpm • D Maj • 01:27 • -10db
10% Popularity • 69% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 69% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Chris Barber
Railroad Bill
172 bpm • A Maj • 02:26 • -17.44db
8% Popularity • 55% Danceability • 29% Energy • 71% Liveness
1% Instrumentalness • 81% Positiveness
8% Popularity • 55% Danceability • 29% Energy • 71% Liveness
1% Instrumentalness • 81% Positiveness
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Roy Rogers
Square Dance
136 bpm • D Maj • 01:55 • -5.34db
13% Popularity • 80% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 80% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Sandra Antoinette
Bartender
136 bpm • F Maj • 03:52 • -13.41db
26% Popularity • 78% Danceability • 36% Energy • 13% Liveness
8% Instrumentalness • 89% Positiveness
26% Popularity • 78% Danceability • 36% Energy • 13% Liveness
8% Instrumentalness • 89% Positiveness
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Lesley Riddle
The Cannon Ball
172 bpm • C Maj • 02:41 • -20.41db
7% Popularity • 53% Danceability • 14% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 53% Danceability • 14% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Hank Thompson
Hangover Heart
135 bpm • A# Maj • 02:03 • -18.77db
8% Popularity • 65% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 65% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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Ray Conniff
Piggy Bank Boogie
135 bpm • G# Maj • 02:26 • -15.13db
9% Popularity • 53% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 53% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 81% Positiveness
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AkaMikeBerry
Chung Lee
135 bpm • B min • 03:42 • -5.66db
0% Popularity • 63% Danceability • 58% Energy • 45% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 63% Danceability • 58% Energy • 45% Liveness
0% Instrumentalness • 29% Positiveness
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Trygve Madsen
Madsen: Divertimento for Horn, Tuba and ...
135 bpm • A min • 03:32 • -22.09db
0% Popularity • 35% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
0% Popularity • 35% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Sonny Boy Williamson
Jivin' The Blues
174 bpm • G Maj • 02:49 • -25db
21% Popularity • 53% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 82% Positiveness
21% Popularity • 53% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 82% Positiveness
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Spade Cooley
Cowbell Polka
135 bpm • A Maj • 01:50 • -12.12db
23% Popularity • 78% Danceability • 39% Energy • 3% Liveness
82% Instrumentalness • 97% Positiveness
23% Popularity • 78% Danceability • 39% Energy • 3% Liveness
82% Instrumentalness • 97% Positiveness
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Pinetop Smith
I'm Sober Now
135 bpm • C min • 03:11 • -13.32db
15% Popularity • 62% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 62% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Clarence "Frogman" Henry
Lost Without You
134 bpm • G Maj • 02:03 • -0.07db
2% Popularity • 70% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
2% Popularity • 70% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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AkaMikeBerry
Blowin Og
135 bpm • D Maj • 03:35 • -7.22db
0% Popularity • 74% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 74% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Bill Haley & His Comets
I'm Gonna Dry Every Tear with a Kiss
135 bpm • D min • 02:11 • -6.84db
9% Popularity • 63% Danceability • 58% Energy • 15% Liveness
60% Instrumentalness • 92% Positiveness
9% Popularity • 63% Danceability • 58% Energy • 15% Liveness
60% Instrumentalness • 92% Positiveness
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Dave Rich
Chicken House
134 bpm • B min • 02:03 • -11.67db
7% Popularity • 84% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 84% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
