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Wind Song
Songs like
Wind Song
by
Emile Mosseri
Based on a tempo of (+/- 10%) and a similar genre
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Eiko Ishibashi
Drive My Car
113 bpm • F min • 05:04 • -14.95db
35% Popularity • 33% Danceability • 34% Energy • 16% Liveness
46% Instrumentalness • 30% Positiveness
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Emile Mosseri
Wind Song
113 bpm • F Maj • 02:41 • -13.32db
38% Popularity • 50% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Lomelda
M for Magic
113 bpm • A min • 01:16 • -17db
39% Popularity • 61% Danceability • 12% Energy • 11% Liveness
76% Instrumentalness • 12% Positiveness
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Oberhofer
Entering The Dream
113 bpm • D min • 01:03 • -17.79db
33% Popularity • 29% Danceability • 21% Energy • 11% Liveness
96% Instrumentalness • 48% Positiveness
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Jesse Gallagher
Tuatha Dé Dunsany
113 bpm • D Maj • 02:27 • -17.55db
15% Popularity • 75% Danceability • 19% Energy • 12% Liveness
73% Instrumentalness • 58% Positiveness
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Kaitlyn Aurelia Smith
Radio Replacement
113 bpm • C Maj • 03:12 • -16.35db
18% Popularity • 17% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
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Evgueni Galperine
Mira Is Leaving
113 bpm • B min • 02:51 • -19db
16% Popularity • 24% Danceability • 12% Energy • 43% Liveness
16% Instrumentalness • 6% Positiveness
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Emile Mosseri
Old Dolio's Plan
113 bpm • A Maj • 02:52 • -19.9db
31% Popularity • 69% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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David Fleming
EOD
112 bpm • B Maj • 01:53 • -19.55db
35% Popularity • 32% Danceability • 22% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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DeVotchKa
Do You Think There's a Heaven?
114 bpm • A# Maj • 01:23 • -17.48db
33% Popularity • 28% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
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Jon Brion
Lady Bird Kiss
114 bpm • A Maj • 01:45 • -21.88db
36% Popularity • 70% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Kaitlyn Aurelia Smith
Standing In Your Light
114 bpm • D# Maj • 01:55 • -18.85db
21% Popularity • 24% Danceability • 31% Energy • 11% Liveness
63% Instrumentalness • 39% Positiveness
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Kim Neundorf
Lotus Aria
112 bpm • C# Maj • 01:49 • -12.3db
33% Popularity • 50% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 85% Positiveness
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Emile Mosseri
Paul's Antiphony
114 bpm • C Maj • 01:54 • -14.7db
39% Popularity • 23% Danceability • 29% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
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David Fleming
Domestic Bliss No. 1
114 bpm • C Maj • 02:15 • -12.91db
27% Popularity • 53% Danceability • 41% Energy • 13% Liveness
91% Instrumentalness • 23% Positiveness
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Nico Muhly
Young Sunja
114 bpm • G Maj • 01:39 • -12.18db
15% Popularity • 28% Danceability • 33% Energy • 7% Liveness
64% Instrumentalness • 5% Positiveness
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Carter Burwell
Walking Home Alone
114 bpm • G# Maj • 01:17 • -21.56db
32% Popularity • 56% Danceability • 4% Energy • 16% Liveness
95% Instrumentalness • 16% Positiveness
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Yehezkel Raz
Slowly Understanding
112 bpm • C min • 02:07 • -38.12db
47% Popularity • 46% Danceability • 0% Energy • 15% Liveness
85% Instrumentalness • 18% Positiveness
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Kim Neundorf
Hungover
112 bpm • C# Maj • 01:30 • -13.23db
29% Popularity • 55% Danceability • 43% Energy • 11% Liveness
97% Instrumentalness • 17% Positiveness
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Emile Mosseri
Rock Fight (Demo)
114 bpm • C# Maj • 01:19 • -18.06db
18% Popularity • 50% Danceability • 15% Energy • 14% Liveness
86% Instrumentalness • 27% Positiveness
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Kaitlyn Aurelia Smith
Brush
112 bpm • C# Maj • 01:20 • -19.2db
45% Popularity • 42% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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Eiko Ishibashi
We'll live through the long, long days, ...
114 bpm • C# Maj • 04:53 • -19.95db
27% Popularity • 45% Danceability • 51% Energy • 38% Liveness
93% Instrumentalness • 38% Positiveness
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Devonté Hynes
Amorous Love
111 bpm • A min • 01:14 • -7.41db
8% Popularity • 58% Danceability • 68% Energy • 12% Liveness
94% Instrumentalness • 20% Positiveness
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Evgueni Galperine
The House on a Stage
111 bpm • G# min • 02:38 • -23.91db
19% Popularity • 35% Danceability • 3% Energy • 9% Liveness
55% Instrumentalness • 11% Positiveness
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Disasterpeace
Tender Backhoe
115 bpm • A# min • 03:10 • -15.73db
21% Popularity • 66% Danceability • 37% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
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Daniel Herskedal
San Francisco (Be Sure to Wear Flowers i...
111 bpm • C# min • 02:52 • -14.21db
38% Popularity • 35% Danceability • 14% Energy • 74% Liveness
0% Instrumentalness • 15% Positiveness
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Christopher Bear
Why Are You Going to New York
115 bpm • F# Maj • 02:54 • -11.46db
40% Popularity • 40% Danceability • 32% Energy • 11% Liveness
86% Instrumentalness • 17% Positiveness
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Eiko Ishibashi
We'll live through the long, long days, ...
111 bpm • C# Maj • 03:55 • -16.05db
30% Popularity • 23% Danceability • 28% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Jeremiah Chiu
Stureby House Piano
111 bpm • A# min • 04:59 • -16db
24% Popularity • 27% Danceability • 20% Energy • 24% Liveness
84% Instrumentalness • 24% Positiveness
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Kaitlyn Aurelia Smith
Shim Sham
115 bpm • D Maj • 03:53 • -11.74db
18% Popularity • 42% Danceability • 42% Energy • 13% Liveness
95% Instrumentalness • 26% Positiveness
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David Fleming
Domestic Bliss No. 2
116 bpm • C Maj • 02:29 • -10.32db
28% Popularity • 59% Danceability • 44% Energy • 10% Liveness
97% Instrumentalness • 30% Positiveness
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Josiah Steinbrick
Notes on Colored Paper / Whistling Tanka
116 bpm • C Maj • 02:01 • -21.61db
36% Popularity • 58% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
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조영욱과 THE SOUNDTRACKINGS
Loves Her More Than Death
110 bpm • C min • 02:33 • -10.91db
15% Popularity • 80% Danceability • 25% Energy • 11% Liveness
29% Instrumentalness • 31% Positiveness
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Stephen Rennicks
First Day at Trinity
110 bpm • D Maj • 01:31 • -17.94db
37% Popularity • 44% Danceability • 14% Energy • 16% Liveness
96% Instrumentalness • 11% Positiveness
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Million Eyes
Des Vagues Sur l'Eau
110 bpm • A# min • 02:17 • -27.06db
33% Popularity • 42% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Kaitlyn Aurelia Smith
Amber
116 bpm • D Maj • 02:04 • -16.62db
30% Popularity • 31% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Son Lux
Everything Bagel
116 bpm • B min • 02:18 • -17.59db
26% Popularity • 26% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
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Hana Stretton
Vamoose
109 bpm • A min • 02:02 • -23.53db
36% Popularity • 49% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
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Gabríel Ólafs
Streymir
117 bpm • E Maj • 05:26 • -25.02db
14% Popularity • 25% Danceability • 7% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Jon Brion
Thanksgiving in Sacramento
109 bpm • A# Maj • 00:51 • -19.6db
47% Popularity • 47% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Caroline Shaw
Plan & Elevation: V. The Beech Tree
117 bpm • G Maj • 02:36 • -20.64db
38% Popularity • 36% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Kaitlyn Aurelia Smith
Log In Your Fire
116 bpm • G Maj • 02:51 • -16.17db
35% Popularity • 51% Danceability • 38% Energy • 11% Liveness
56% Instrumentalness • 25% Positiveness
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Patrick Watson
La La La La La
109 bpm • C# Maj • 01:51 • -13.66db
44% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Evgueni Galperine
The House on a Stage - Take 2
109 bpm • D# min • 02:22 • -23.88db
17% Popularity • 36% Danceability • 2% Energy • 14% Liveness
17% Instrumentalness • 24% Positiveness
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Daniel Hart
Safe Safe Safe
118 bpm • C Maj • 03:02 • -18.92db
24% Popularity • 55% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 11% Positiveness
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Dan Romer
I Remember Damage
108 bpm • D min • 01:06 • -15.38db
23% Popularity • 42% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Brad Oberhofer
When You Gain Something, You Have to Sac...
108 bpm • C Maj • 01:28 • -27.8db
51% Popularity • 50% Danceability • 5% Energy • 6% Liveness
94% Instrumentalness • 9% Positiveness
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Ben Sollee
Over The Pines
118 bpm • D Maj • 03:11 • -16.38db
46% Popularity • 28% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 10% Positiveness
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Jon Brion
Collecting Things
118 bpm • F min • 01:13 • -14.97db
36% Popularity • 45% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Carter Burwell
Marking the Calendar
107 bpm • D# Maj • 01:09 • -24.06db
27% Popularity • 45% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
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Emile Mosseri
Blue Peach
108 bpm • G# Maj • 01:03 • -16.67db
28% Popularity • 27% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 6% Positiveness
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Devonté Hynes
Kids
119 bpm • C Maj • 01:00 • -10.58db
31% Popularity • 22% Danceability • 25% Energy • 35% Liveness
61% Instrumentalness • 3% Positiveness
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Martin Phipps
Gunpowder
120 bpm • D# min • 03:31 • -19.93db
33% Popularity • 54% Danceability • 11% Energy • 11% Liveness
42% Instrumentalness • 4% Positiveness
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Dickon Hinchliffe
Mina
120 bpm • E min • 03:54 • -20.03db
16% Popularity • 48% Danceability • 25% Energy • 13% Liveness
76% Instrumentalness • 14% Positiveness
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Jon Brion
Spotless Mind
119 bpm • C Maj • 01:11 • -24.87db
39% Popularity • 87% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 87% Positiveness
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Gia Margaret
Cicadas
120 bpm • C Maj • 02:14 • -19.92db
37% Popularity • 44% Danceability • 6% Energy • 11% Liveness
79% Instrumentalness • 21% Positiveness
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Kaitlyn Aurelia Smith
Golden Cow
120 bpm • F Maj • 03:32 • -15.17db
18% Popularity • 45% Danceability • 53% Energy • 10% Liveness
64% Instrumentalness • 16% Positiveness
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Trent Reznor and Atticus Ross
Good and Destroyed
120 bpm • G Maj • 01:57 • -20.98db
21% Popularity • 89% Danceability • 10% Energy • 11% Liveness
76% Instrumentalness • 6% Positiveness
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Theodore Shapiro
Walter Time
120 bpm • B min • 00:59 • -24.47db
41% Popularity • 83% Danceability • 11% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
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Para One
La Musique du Futur - Mon Coeur (Bande o...
120 bpm • A# Maj • 02:19 • -7.01db
25% Popularity • 42% Danceability • 44% Energy • 20% Liveness
98% Instrumentalness • 16% Positiveness
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Emile Mosseri
Where The Waters Warm
120 bpm • C# Maj • 01:36 • -14.66db
24% Popularity • 54% Danceability • 49% Energy • 15% Liveness
80% Instrumentalness • 35% Positiveness
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Trevor Gureckis
The Goldfinch
120 bpm • C# Maj • 02:41 • -21.58db
23% Popularity • 21% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Kaitlyn Aurelia Smith
Glendora
120 bpm • C# Maj • 02:46 • -16.69db
23% Popularity • 34% Danceability • 26% Energy • 12% Liveness
31% Instrumentalness • 38% Positiveness
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Aska Matsumiya
In the World of My Breath
120 bpm • A min • 02:25 • -20.12db
18% Popularity • 37% Danceability • 21% Energy • 15% Liveness
96% Instrumentalness • 6% Positiveness
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Dan Romer
Doctor Eleven
106 bpm • G Maj • 04:07 • -13.58db
32% Popularity • 42% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Christopher Bear
In Yun
120 bpm • C min • 02:18 • -12.91db
40% Popularity • 25% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Emile Mosseri
Rock Fight
120 bpm • A# Maj • 01:10 • -17.41db
23% Popularity • 61% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Masakatsu Takagi
Marginalia #59
121 bpm • A Maj • 03:06 • -17.17db
30% Popularity • 54% Danceability • 21% Energy • 28% Liveness
34% Instrumentalness • 75% Positiveness
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Dan Deacon
Strawberry Mansion Theme
121 bpm • D# Maj • 02:10 • -14db
16% Popularity • 59% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Coconut Records
Dakota
106 bpm • C Maj • 01:37 • -11db
41% Popularity • 73% Danceability • 29% Energy • 10% Liveness
78% Instrumentalness • 14% Positiveness
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Martin Phipps
Your Royal Highness
121 bpm • E min • 02:22 • -15.46db
32% Popularity • 47% Danceability • 26% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Colin Stetson
The First Cheeseburger You Ever Ate
105 bpm • D Maj • 02:44 • -13.7db
22% Popularity • 16% Danceability • 32% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Plïnkï Plønkï
Luck and the Moon
122 bpm • F min • 01:34 • -23.31db
34% Popularity • 34% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Justin Hurwitz
Sextant
105 bpm • G min • 01:45 • -28.98db
55% Popularity • 49% Danceability • 11% Energy • 12% Liveness
80% Instrumentalness • 53% Positiveness
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Emile Mosseri
Strangers
105 bpm • C Maj • 02:55 • -21.33db
35% Popularity • 21% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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DeVotchKa
The Winner Is... - DeVotchKa Version
104 bpm • E min • 03:15 • -11.47db
27% Popularity • 69% Danceability • 43% Energy • 12% Liveness
68% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
The Well-Tempered Clavier, Book I, BWV 8...
122 bpm • C Maj • 01:27 • -24.14db
13% Popularity • 45% Danceability • 10% Energy • 43% Liveness
1% Instrumentalness • 71% Positiveness
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Kaitlyn Aurelia Smith
I Could Be Your Dog
123 bpm • E Maj • 03:13 • -18.66db
27% Popularity • 17% Danceability • 26% Energy • 16% Liveness
86% Instrumentalness • 7% Positiveness
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Eiko Ishibashi
We'll live through the long, long days, ...
104 bpm • C# Maj • 05:01 • -16.29db
26% Popularity • 35% Danceability • 30% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
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Jon Brion
Theme
104 bpm • D# Maj • 02:23 • -22.91db
52% Popularity • 57% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Joe Pera Talks With You
Marquette
123 bpm • F Maj • 01:50 • -22.43db
27% Popularity • 40% Danceability • 5% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
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Peter Gregson
4.3 Courante
103 bpm • C min • 02:02 • -18.76db
33% Popularity • 33% Danceability • 39% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Bobby Krlic
Amy and George
103 bpm • D min • 01:16 • -19.13db
17% Popularity • 49% Danceability • 1% Energy • 18% Liveness
91% Instrumentalness • 18% Positiveness
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Cornbread Compton
Let's Just Get It Over With
124 bpm • C# min • 01:25 • -28db
24% Popularity • 44% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Valentin Hadjadj
A Close Friendship
103 bpm • F min • 02:18 • -27db
25% Popularity • 15% Danceability • 2% Energy • 8% Liveness
29% Instrumentalness • 3% Positiveness
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Sinj Clarke
I Fell in Love, Again
103 bpm • G min • 02:52 • -12.84db
37% Popularity • 40% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 14% Positiveness
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Joe Pera Talks With You
Nana Theme
123 bpm • F Maj • 01:01 • -19.37db
31% Popularity • 57% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 29% Positiveness
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Gia Margaret
Hinoki Wood
125 bpm • C# Maj • 01:34 • -21.43db
56% Popularity • 39% Danceability • 16% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Eiko Ishibashi
We'll live through the long, long days, ...
125 bpm • G# Maj • 05:19 • -37.16db
27% Popularity • 17% Danceability • 1% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Christopher Bear
Staring at a Ghost
102 bpm • A min • 03:18 • -19.4db
38% Popularity • 18% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Peter Sandberg
Etude No 1 For String Quartet
102 bpm • E min • 02:48 • -9.68db
23% Popularity • 37% Danceability • 35% Energy • 10% Liveness
77% Instrumentalness • 28% Positiveness
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조영욱과 THE SOUNDTRACKINGS
Seorae
125 bpm • F# min • 06:15 • -13db
25% Popularity • 17% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Emile Mosseri
Infinite Love
125 bpm • D# Maj • 02:25 • -18db
61% Popularity • 25% Danceability • 22% Energy • 21% Liveness
96% Instrumentalness • 10% Positiveness
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Birb
falling in love with a new york pigeon
102 bpm • G Maj • 01:44 • -31.58db
42% Popularity • 42% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Mark Bradshaw
Return
102 bpm • G Maj • 00:58 • -11.97db
14% Popularity • 23% Danceability • 28% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Quarterly
Pomegranate
125 bpm • E Maj • 02:37 • -15.17db
33% Popularity • 28% Danceability • 32% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
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Evgueni Galperine
Mira
125 bpm • D min • 01:23 • -24.54db
25% Popularity • 73% Danceability • 16% Energy • 17% Liveness
92% Instrumentalness • 17% Positiveness
► Preview
Hanan Townshend
Mystics
126 bpm • C Maj • 01:26 • -28.42db
35% Popularity • 31% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Valentin Hadjadj
Sophie
102 bpm • C# Maj • 02:17 • -19.85db
25% Popularity • 14% Danceability • 10% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Julian Klincewicz
Pure Michigan
126 bpm • G# Maj • 08:19 • -7.36db
34% Popularity • 34% Danceability • 55% Energy • 10% Liveness
3% Instrumentalness • 39% Positiveness
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Wind Song