Songs like Windmills by Agatha Symons
Based on a tempo of (+/- 10%) and a similar genre
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The University Of Utah Singers
He Never Failed Me Yet
96 bpm • A# Maj • 05:59 • -14.88db
13% Popularity • 47% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 47% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Ten Tenors
Il Libro Dell'amore (The Book of Love)
96 bpm • A# Maj • 03:40 • -13.83db
27% Popularity • 51% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 51% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Jay Althouse
I Am a Small Part of the World
96 bpm • F Maj • 03:17 • -23.34db
9% Popularity • 32% Danceability • 11% Energy • 68% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 32% Danceability • 11% Energy • 68% Liveness
0% Instrumentalness • 23% Positiveness
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Charles Pam
Red Flags Choir
96 bpm • F# min • 01:05 • -12.29db
17% Popularity • 65% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 65% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Liz English
Scales and Arpeggios - Original Soundtra...
96 bpm • C Maj • 01:42 • -20.64db
32% Popularity • 74% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 74% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Andrew Lloyd Webber
The Journey To The Heaviside Layer
97 bpm • D# Maj • 02:43 • -9.79db
26% Popularity • 35% Danceability • 35% Energy • 61% Liveness
5% Instrumentalness • 12% Positiveness
26% Popularity • 35% Danceability • 35% Energy • 61% Liveness
5% Instrumentalness • 12% Positiveness
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The Original Cast
JUST ONE PERSON
95 bpm • C# Maj • 02:42 • -13.59db
16% Popularity • 52% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 52% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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NOTED
Siyababaza
97 bpm • G Maj • 02:43 • -13.63db
18% Popularity • 43% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 43% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Jane Monheit
Rainbow Connection
95 bpm • G Maj • 04:08 • -16.88db
8% Popularity • 38% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 38% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Tatiana Bookbinder
Speak Low
95 bpm • A min • 02:42 • -12.2db
10% Popularity • 33% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 33% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Alice Hawthorne
Whispering Hope
98 bpm • B Maj • 02:02 • -12.52db
10% Popularity • 23% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 23% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Ben Folds
Evaporated - University A Cappella Vers...
98 bpm • E Maj • 05:25 • -10.33db
9% Popularity • 30% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 30% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Rupert Simpson
Silent And Still
98 bpm • A# min • 03:04 • -17.13db
25% Popularity • 17% Danceability • 18% Energy • 11% Liveness
12% Instrumentalness • 8% Positiveness
25% Popularity • 17% Danceability • 18% Energy • 11% Liveness
12% Instrumentalness • 8% Positiveness
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Amy Grant
O Sacred Head
94 bpm • G Maj • 02:04 • -12.17db
19% Popularity • 33% Danceability • 24% Energy • 42% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 33% Danceability • 24% Energy • 42% Liveness
0% Instrumentalness • 25% Positiveness
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'Hair' Tribe
Hare Krishna / Be-In
98 bpm • G Maj • 03:56 • -7.6db
20% Popularity • 60% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 60% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Lionel Bart
Who Will Buy?
94 bpm • C min • 04:30 • -22.35db
18% Popularity • 29% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 29% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Kestin Howard
Brains!
98 bpm • C# Maj • 04:58 • -12.88db
16% Popularity • 79% Danceability • 37% Energy • 68% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 79% Danceability • 37% Energy • 68% Liveness
0% Instrumentalness • 73% Positiveness
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Sweet Symphony
My Best Friend
98 bpm • F Maj • 04:30 • -15.77db
15% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Eddie From Ohio
Great Day (Live)
98 bpm • F Maj • 04:50 • -7.69db
8% Popularity • 53% Danceability • 33% Energy • 72% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 53% Danceability • 33% Energy • 72% Liveness
0% Instrumentalness • 58% Positiveness
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Burt Bacharach
South American Getaway - Butch Cassidy a...
98 bpm • F Maj • 04:25 • -15.88db
5% Popularity • 40% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
5% Popularity • 40% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Jeremy Dutcher
Sakom
94 bpm • C Maj • 02:01 • -11.38db
13% Popularity • 22% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Susan Mack & Ellen Hanna
Not What I Am, O Lord, But What Thou Art
94 bpm • F Maj • 02:35 • -11db
8% Popularity • 33% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 33% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Tatiana Bookbinder
It Ain't Necessarily So
98 bpm • D min • 03:28 • -14.12db
8% Popularity • 56% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 56% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Carly Simon
Take Me out to the Ballgame (Carly Simon...
94 bpm • F# Maj • 02:48 • -12.88db
14% Popularity • 72% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 72% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Pentatonix
Can't Help Falling In Love
99 bpm • A Maj • 02:58 • -9.95db
48% Popularity • 27% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 27% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Tuck & Patti
One Hand, One Heart
94 bpm • G# Maj • 02:46 • -24.39db
8% Popularity • 41% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 41% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Scripture Says
Riverside
93 bpm • F# Maj • 04:00 • -11.74db
9% Popularity • 68% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 68% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Kelli Barrett
My Child Will Forgive Me
99 bpm • D# Maj • 02:18 • -15.7db
24% Popularity • 42% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 42% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Trinitones
Put Your Records On - Live
99 bpm • A min • 03:34 • -13.91db
12% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Nicolas Fayolle
Salute To Father
99 bpm • G# Maj • 04:12 • -15.37db
29% Popularity • 66% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 66% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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John Michael Talbot
Lamb Of God
99 bpm • C# Maj • 02:16 • -18.34db
11% Popularity • 25% Danceability • 17% Energy • 12% Liveness
41% Instrumentalness • 14% Positiveness
11% Popularity • 25% Danceability • 17% Energy • 12% Liveness
41% Instrumentalness • 14% Positiveness
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Damon Locks
Rebuild a Nation
99 bpm • A# Maj • 02:40 • -13.25db
10% Popularity • 44% Danceability • 49% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 44% Danceability • 49% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
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Bukas Palad Music Ministry
I Will Sing Forever
92 bpm • C Maj • 02:56 • -15.95db
13% Popularity • 31% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 31% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Acappella
To Win as Many as Possible
100 bpm • C Maj • 03:31 • -16.6db
15% Popularity • 61% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 61% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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William Dawson
Ain't A That Good News
100 bpm • F Maj • 01:57 • -15db
12% Popularity • 59% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 59% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Street Corner Renaissance
Jesus Gave Me Water
92 bpm • A Maj • 01:50 • -6.85db
18% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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ReGen Harmony
Get Up
100 bpm • G Maj • 04:33 • -5.28db
8% Popularity • 68% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 68% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Ringmasters
You and I
92 bpm • F Maj • 05:12 • -11.65db
13% Popularity • 19% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Zain Bhikha
Muslim School Anthem
100 bpm • C# Maj • 02:53 • -10.65db
13% Popularity • 60% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 60% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Mju Vocal
One and Only
92 bpm • G Maj • 03:07 • -12.54db
13% Popularity • 28% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 28% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Ecks & Bullz
Give Me the Bible
100 bpm • A min • 01:40 • -15.1db
24% Popularity • 35% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 35% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Lost Spider
My Name is Not Doris 2024
100 bpm • G# Maj • 02:34 • -11.23db
28% Popularity • 57% Danceability • 79% Energy • 57% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 57% Danceability • 79% Energy • 57% Liveness
0% Instrumentalness • 32% Positiveness
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Micha Keding
Akekho Ofana No Jesu
100 bpm • B min • 02:30 • -9.64db
11% Popularity • 92% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 92% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Mr. Moree
Unpeel Me
100 bpm • A# Maj • 01:30 • -13.79db
22% Popularity • 33% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 33% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Ryan Cayabyab
Dahil Sa Iyo
92 bpm • F min • 03:23 • -16.98db
11% Popularity • 21% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 21% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Ahna O'Reilly
Sleepy Man
92 bpm • G Maj • 03:28 • -10.97db
8% Popularity • 31% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 31% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Jehovah Shalom Acapella
Hymn Medley Iv
92 bpm • F Maj • 02:26 • -9.03db
15% Popularity • 65% Danceability • 19% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 65% Danceability • 19% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Philippine Madrigal Singers
Whenever, Wherever, Whatever
100 bpm • G Maj • 04:10 • -18.76db
13% Popularity • 23% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 23% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Dave Malloy
Glow
92 bpm • A# Maj • 04:53 • -15.01db
16% Popularity • 43% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 43% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Zap Mama
Guzophela
92 bpm • C Maj • 02:33 • -15.88db
12% Popularity • 53% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 53% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Singing Grandpa
Be Still My Soul
101 bpm • C# Maj • 01:29 • -19.87db
14% Popularity • 43% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 43% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Fiddler on the Roof 2016 Broadway Cast
Anatevka
92 bpm • A min • 02:58 • -12.58db
20% Popularity • 43% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 43% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Vocal Union
The Lighthouse
91 bpm • F# Maj • 03:58 • -11db
24% Popularity • 52% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 52% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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139th Street Quartet
1927
91 bpm • F# Maj • 02:45 • -9.7db
7% Popularity • 51% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 51% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Acappella
I Have a Friend
101 bpm • F Maj • 03:21 • -12.2db
12% Popularity • 61% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 61% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Take 6
Get Away, Jordan
101 bpm • C# Maj • 04:24 • -16.64db
23% Popularity • 56% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 56% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Glad
Depending on Your Love
91 bpm • B min • 04:18 • -13.14db
15% Popularity • 55% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 55% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Shaun Canon
Never Letting You Go
91 bpm • A# Maj • 03:54 • -10.54db
10% Popularity • 21% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 21% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Scott & Ryceejo
Baby Mine / La La Lu
91 bpm • G Maj • 03:55 • -11.54db
12% Popularity • 27% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 27% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Carl King
Down from His Glory
91 bpm • D Maj • 05:08 • -15db
8% Popularity • 35% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 35% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Acappella
Let's Get Together
101 bpm • F min • 03:14 • -17db
8% Popularity • 78% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 78% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Leonard Bernstein
Trouble in Tahiti - Opera in 7 Scenes: P...
102 bpm • D# min • 03:12 • -20.32db
16% Popularity • 47% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 47% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Vinesong
My God Is Able
91 bpm • D# Maj • 02:38 • -9db
22% Popularity • 78% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 78% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Shawn Kirchner
Cornerstone (Live)
102 bpm • C Maj • 04:04 • -16db
7% Popularity • 40% Danceability • 24% Energy • 70% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 40% Danceability • 24% Energy • 70% Liveness
0% Instrumentalness • 40% Positiveness
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The Nylons
Up the Ladder to the Roof
90 bpm • E Maj • 02:30 • -5.84db
23% Popularity • 70% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 70% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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No Limits
Whispers of Love
90 bpm • B Maj • 04:09 • -9.79db
9% Popularity • 27% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 27% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Tatiana Bookbinder
Just to Know You Are Mine
90 bpm • D Maj • 02:46 • -11.71db
8% Popularity • 41% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 41% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Glad
And This is Love
102 bpm • B Maj • 02:09 • -19.83db
19% Popularity • 44% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 44% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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The Princeton Tigertones
Nevermore
90 bpm • F Maj • 01:36 • -8.02db
17% Popularity • 33% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 33% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Andrew Lloyd Webber
Who's The Thief?
90 bpm • G Maj • 02:06 • -18.25db
31% Popularity • 41% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 41% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 5% Positiveness
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Alvin Ailey American Dance Theater
Honor, Honor
103 bpm • D Maj • 01:12 • -10.47db
13% Popularity • 62% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 62% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 11% Positiveness
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Purified Singers
Akekho
103 bpm • B Maj • 05:52 • -11.5db
18% Popularity • 29% Danceability • 6% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 29% Danceability • 6% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
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Tatiana Bookbinder
Don't Tell Me
90 bpm • D Maj • 02:27 • -11.22db
10% Popularity • 32% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 32% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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NOTED
Smile
90 bpm • D Maj • 03:38 • -16.52db
24% Popularity • 36% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 36% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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The Moleni Brothers
We'll Bring The World His Truth
103 bpm • C Maj • 03:16 • -15.37db
17% Popularity • 46% Danceability • 9% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 46% Danceability • 9% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
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Take 6
Spread Love
89 bpm • D min • 03:30 • -14.3db
29% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Heriberto Schiel
Hvem Vil Ikke Være En Kat
103 bpm • D min • 03:35 • -10.5db
23% Popularity • 72% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 72% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Phi Mu Alpha Sinfonia Fraternity
A Serenade To a Girl
103 bpm • D# Maj • 01:31 • -17.74db
11% Popularity • 25% Danceability • 15% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 25% Danceability • 15% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
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Acappella
Piper Song
104 bpm • G Maj • 02:49 • -13.47db
9% Popularity • 59% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 59% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Laudate Mennonite Ensemble
Bambelela (Never Give Up)
103 bpm • A min • 01:37 • -14.35db
15% Popularity • 41% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 41% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Freyda Epstein
Shaker Medley
89 bpm • A# Maj • 03:40 • -16.77db
10% Popularity • 57% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 57% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Philippine Madrigal Singers
It Might Be You
104 bpm • G# Maj • 06:17 • -17.87db
17% Popularity • 23% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 23% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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VOCES8
Goldeneye
104 bpm • B min • 02:57 • -15.13db
16% Popularity • 57% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 57% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Naturally 7
Be Still, My Soul
88 bpm • B min • 04:17 • -9.16db
9% Popularity • 26% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 26% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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No Limits
Thokoza
104 bpm • A# min • 03:19 • -10.42db
11% Popularity • 54% Danceability • 31% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 54% Danceability • 31% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Derric Johnson's Vocal Orchestra
Songs of the South: In That Great Gettin...
104 bpm • F# Maj • 05:27 • -21.5db
8% Popularity • 29% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 29% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Take 6
Let The Words
88 bpm • C Maj • 00:57 • -21.81db
23% Popularity • 29% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 29% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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The Nylons
One Fine Day
105 bpm • B Maj • 02:40 • -6.63db
17% Popularity • 56% Danceability • 68% Energy • 97% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 56% Danceability • 68% Energy • 97% Liveness
0% Instrumentalness • 59% Positiveness
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Scripture In Song
O the Blood
105 bpm • G Maj • 01:13 • -18.22db
14% Popularity • 40% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 40% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Rich Mullins
Awesome God
88 bpm • F min • 02:44 • -15.37db
20% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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No Limits
Seeing Jesus
105 bpm • D Maj • 03:55 • -10.95db
10% Popularity • 40% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 40% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Acappella
Sweet Hour of Prayer
88 bpm • D Maj • 05:05 • -8.06db
12% Popularity • 17% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 17% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Cécile McLorin Salvant
Dead Poplar
105 bpm • C Maj • 02:36 • -15.55db
13% Popularity • 62% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 62% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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The Party Poppers
When You're Smiling / Ma (He's Making Ey...
105 bpm • A# Maj • 02:00 • -14.25db
10% Popularity • 52% Danceability • 51% Energy • 79% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 52% Danceability • 51% Energy • 79% Liveness
0% Instrumentalness • 68% Positiveness
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The Nylons
(All I Have to Do Is) Dream
87 bpm • D min • 02:02 • -12.95db
27% Popularity • 54% Danceability • 17% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 54% Danceability • 17% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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El Roi Ministry
The God Who Sees
106 bpm • D Maj • 03:29 • -11.72db
18% Popularity • 54% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 54% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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No Limits
He Made
87 bpm • C Maj • 04:58 • -8.6db
8% Popularity • 36% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 36% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Maureen McGovern
You Raise Me Up
87 bpm • C Maj • 03:16 • -11.53db
30% Popularity • 25% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 25% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
