Songs like Winds And Oceans by Alan Ellis
Based on a tempo of (+/- 10%) and a similar genre
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Luca Longobardi
A sleepless night
108 bpm • C min • 05:07 • -28.58db
34% Popularity • 39% Danceability • 5% Energy • 67% Liveness
60% Instrumentalness • 36% Positiveness
34% Popularity • 39% Danceability • 5% Energy • 67% Liveness
60% Instrumentalness • 36% Positiveness
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Alan Ellis
A New Tomorrow
108 bpm • C Maj • 03:00 • -21.8db
28% Popularity • 34% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
28% Popularity • 34% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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They Dream By Day
Mantra Part 1
108 bpm • A Maj • 05:06 • -24.43db
26% Popularity • 16% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
26% Popularity • 16% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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Slow Meadow
Linen Garden, Pt. 2
108 bpm • A min • 06:24 • -16.72db
25% Popularity • 16% Danceability • 19% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 19% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Cerulean Skies
Glowing Apples
107 bpm • D min • 02:48 • -21.16db
13% Popularity • 56% Danceability • 9% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
13% Popularity • 56% Danceability • 9% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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För Alltid
Aftonland
107 bpm • C# min • 05:36 • -29.35db
35% Popularity • 16% Danceability • 14% Energy • 36% Liveness
96% Instrumentalness • 11% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 36% Liveness
96% Instrumentalness • 11% Positiveness
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Oscar Collin
Translucent
107 bpm • D# Maj • 02:07 • -25.65db
34% Popularity • 17% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
34% Popularity • 17% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Alan Ellis
Come Follow
108 bpm • D Maj • 03:11 • -14.34db
31% Popularity • 18% Danceability • 21% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 21% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Benny Bernstein
Sankrit Touch
110 bpm • G# Maj • 02:34 • -14.4db
31% Popularity • 16% Danceability • 24% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 24% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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Nil Ciuró
Doom
106 bpm • C Maj • 04:40 • -13.34db
19% Popularity • 31% Danceability • 28% Energy • 26% Liveness
19% Instrumentalness • 3% Positiveness
19% Popularity • 31% Danceability • 28% Energy • 26% Liveness
19% Instrumentalness • 3% Positiveness
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Rand Aldo
Desert Parade
106 bpm • C Maj • 03:08 • -19db
32% Popularity • 21% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
32% Popularity • 21% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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U137
Anemone
110 bpm • C Maj • 04:07 • -11.69db
26% Popularity • 46% Danceability • 36% Energy • 16% Liveness
98% Instrumentalness • 7% Positiveness
26% Popularity • 46% Danceability • 36% Energy • 16% Liveness
98% Instrumentalness • 7% Positiveness
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Helios
Nothing It Can
110 bpm • C# Maj • 04:47 • -12.33db
42% Popularity • 18% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
42% Popularity • 18% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Alan Ellis
Winds And Oceans
108 bpm • C Maj • 02:51 • -20.89db
20% Popularity • 26% Danceability • 18% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
20% Popularity • 26% Danceability • 18% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
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Martin Landh
Come To Light
110 bpm • C min • 02:22 • -18.82db
30% Popularity • 60% Danceability • 20% Energy • 12% Liveness
86% Instrumentalness • 31% Positiveness
30% Popularity • 60% Danceability • 20% Energy • 12% Liveness
86% Instrumentalness • 31% Positiveness
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Burgundy Skies
Safe And Sound
110 bpm • C# min • 02:49 • -20db
34% Popularity • 35% Danceability • 18% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 35% Danceability • 18% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Inifinite Room
Tree House
110 bpm • A Maj • 03:09 • -13.35db
16% Popularity • 53% Danceability • 42% Energy • 9% Liveness
89% Instrumentalness • 37% Positiveness
16% Popularity • 53% Danceability • 42% Energy • 9% Liveness
89% Instrumentalness • 37% Positiveness
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Amaranth Cove
Finding Faith
110 bpm • A min • 02:37 • -14.38db
30% Popularity • 58% Danceability • 25% Energy • 8% Liveness
84% Instrumentalness • 17% Positiveness
30% Popularity • 58% Danceability • 25% Energy • 8% Liveness
84% Instrumentalness • 17% Positiveness
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Out Of Gravity
The Greenhouse
106 bpm • D Maj • 04:06 • -22.38db
31% Popularity • 58% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
31% Popularity • 58% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Alan Ellis
Resurface
106 bpm • F# Maj • 03:12 • -17.64db
3% Popularity • 16% Danceability • 13% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
3% Popularity • 16% Danceability • 13% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Peter Sandberg
If.
106 bpm • C Maj • 02:04 • -19.98db
29% Popularity • 42% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 42% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Gavin Luke
New Windows
110 bpm • A Maj • 02:06 • -27.29db
13% Popularity • 64% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 42% Positiveness
13% Popularity • 64% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 42% Positiveness
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Ebb & Flod
Owls
110 bpm • G Maj • 02:26 • -20.41db
44% Popularity • 21% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
44% Popularity • 21% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Enzo Electronic
Mindful Composition
105 bpm • C# Maj • 03:29 • -24.28db
29% Popularity • 21% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
29% Popularity • 21% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Clem Leek
Into The Wind
111 bpm • A Maj • 03:29 • -13.17db
37% Popularity • 48% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
37% Popularity • 48% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Jakob Ahlbom
Approaching Spring
105 bpm • D Maj • 03:50 • -16db
34% Popularity • 17% Danceability • 22% Energy • 9% Liveness
96% Instrumentalness • 9% Positiveness
34% Popularity • 17% Danceability • 22% Energy • 9% Liveness
96% Instrumentalness • 9% Positiveness
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Aquasonic
Rapture
105 bpm • C Maj • 02:40 • -17.57db
27% Popularity • 32% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 32% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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zephyros
Atmospheric Skies
111 bpm • C Maj • 03:43 • -18db
20% Popularity • 70% Danceability • 18% Energy • 8% Liveness
63% Instrumentalness • 11% Positiveness
20% Popularity • 70% Danceability • 18% Energy • 8% Liveness
63% Instrumentalness • 11% Positiveness
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Alan Ellis
The Sky Changes
105 bpm • A Maj • 02:24 • -13.34db
16% Popularity • 25% Danceability • 18% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
16% Popularity • 25% Danceability • 18% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
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Seas of Years
In Collusion with the Waves
105 bpm • C min • 04:37 • -15.21db
32% Popularity • 24% Danceability • 30% Energy • 30% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 24% Danceability • 30% Energy • 30% Liveness
94% Instrumentalness • 4% Positiveness
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Lucho Ripley
Cosimo en los árboles
105 bpm • F Maj • 05:56 • -33.46db
35% Popularity • 34% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
35% Popularity • 34% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Benny Bernstein
Conscious Jorney
111 bpm • G# Maj • 02:34 • -21db
46% Popularity • 24% Danceability • 12% Energy • 18% Liveness
88% Instrumentalness • 5% Positiveness
46% Popularity • 24% Danceability • 12% Energy • 18% Liveness
88% Instrumentalness • 5% Positiveness
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Tristan Axvall
Terrafield
112 bpm • C Maj • 03:13 • -15.69db
19% Popularity • 17% Danceability • 32% Energy • 42% Liveness
84% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 32% Energy • 42% Liveness
84% Instrumentalness • 3% Positiveness
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Slow Meadow
Hananel's Recovery
111 bpm • F# Maj • 03:03 • -15.06db
15% Popularity • 19% Danceability • 10% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 10% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Sebastian Selke
Without Shelter
112 bpm • F Maj • 06:58 • -26.14db
25% Popularity • 26% Danceability • 7% Energy • 9% Liveness
85% Instrumentalness • 5% Positiveness
25% Popularity • 26% Danceability • 7% Energy • 9% Liveness
85% Instrumentalness • 5% Positiveness
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Garth Stevenson
Voyage
112 bpm • C# Maj • 06:33 • -19.96db
31% Popularity • 27% Danceability • 26% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
31% Popularity • 27% Danceability • 26% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
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LUCHS
As It Should Be
103 bpm • C Maj • 05:17 • -17db
22% Popularity • 17% Danceability • 16% Energy • 30% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 16% Energy • 30% Liveness
89% Instrumentalness • 4% Positiveness
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Ebb & Flod
Alexandria
113 bpm • G Maj • 03:05 • -15.93db
20% Popularity • 56% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
20% Popularity • 56% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
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Alan Ellis
Finderscope
103 bpm • C# Maj • 02:41 • -17.04db
1% Popularity • 15% Danceability • 35% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
1% Popularity • 15% Danceability • 35% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
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Aeuria
Norah's Lullaby
114 bpm • B min • 03:11 • -19.74db
25% Popularity • 27% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
25% Popularity • 27% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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By Lotus
From A Rooftop
102 bpm • D# Maj • 03:57 • -24.54db
23% Popularity • 18% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
23% Popularity • 18% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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They Dream By Day
We Are Forever
114 bpm • D Maj • 02:14 • -22.68db
43% Popularity • 45% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
43% Popularity • 45% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Silver Maple
Crayons Part 2
102 bpm • G Maj • 02:10 • -39.32db
32% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 20% Positiveness
32% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 20% Positiveness
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LUCHS
Twin Tales
115 bpm • C# Maj • 02:28 • -26.33db
33% Popularity • 24% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 24% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Alan Ellis
Brights
114 bpm • G Maj • 03:07 • -14.72db
6% Popularity • 62% Danceability • 33% Energy • 9% Liveness
78% Instrumentalness • 6% Positiveness
6% Popularity • 62% Danceability • 33% Energy • 9% Liveness
78% Instrumentalness • 6% Positiveness
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Thrupence
Honesty
115 bpm • C# min • 03:11 • -29.43db
36% Popularity • 22% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 16% Positiveness
36% Popularity • 22% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 16% Positiveness
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Helios
Halving the Compass (Rhian Sheehan Remix...
115 bpm • D Maj • 06:42 • -14.42db
32% Popularity • 47% Danceability • 27% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
32% Popularity • 47% Danceability • 27% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
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Ed Carlsen
Otto
115 bpm • G min • 04:37 • -27.46db
20% Popularity • 24% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Tom Day
Foreword
115 bpm • F# Maj • 03:40 • -27.35db
20% Popularity • 69% Danceability • 7% Energy • 30% Liveness
95% Instrumentalness • 8% Positiveness
20% Popularity • 69% Danceability • 7% Energy • 30% Liveness
95% Instrumentalness • 8% Positiveness
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Ebb & Flod
Self Help
115 bpm • F# min • 02:30 • -22.87db
26% Popularity • 55% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
26% Popularity • 55% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Alan Ellis
A Rising Sun
114 bpm • C# Maj • 03:28 • -27.7db
36% Popularity • 17% Danceability • 2% Energy • 11% Liveness
75% Instrumentalness • 3% Positiveness
36% Popularity • 17% Danceability • 2% Energy • 11% Liveness
75% Instrumentalness • 3% Positiveness
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EIXE
Enamorados
116 bpm • C# min • 02:53 • -16.37db
33% Popularity • 31% Danceability • 23% Energy • 14% Liveness
91% Instrumentalness • 15% Positiveness
33% Popularity • 31% Danceability • 23% Energy • 14% Liveness
91% Instrumentalness • 15% Positiveness
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Rand Aldo
Aim For The Stars
116 bpm • D# Maj • 02:22 • -17db
36% Popularity • 50% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
36% Popularity • 50% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Silver Maple
After The Rain
116 bpm • C Maj • 03:08 • -29.23db
33% Popularity • 46% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 46% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Slow Meadow
Ships Along the Harbor
116 bpm • F Maj • 02:39 • -24.35db
42% Popularity • 17% Danceability • 6% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 6% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
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Slowburner
Sailing to the Right Place
100 bpm • C min • 04:00 • -24.69db
19% Popularity • 45% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
19% Popularity • 45% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
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Alan Ellis
Looking For More
114 bpm • F Maj • 02:40 • -27.93db
22% Popularity • 17% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Ebb & Flod
Luna
116 bpm • C# min • 02:28 • -19db
36% Popularity • 30% Danceability • 28% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
36% Popularity • 30% Danceability • 28% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
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Viragi
Slowtide
116 bpm • C Maj • 02:40 • -17.75db
28% Popularity • 22% Danceability • 48% Energy • 13% Liveness
97% Instrumentalness • 27% Positiveness
28% Popularity • 22% Danceability • 48% Energy • 13% Liveness
97% Instrumentalness • 27% Positiveness
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Language of Lyrics
Juniper
116 bpm • G# min • 02:38 • -25.13db
31% Popularity • 20% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
31% Popularity • 20% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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MVS
Lonely Molecule
100 bpm • G# Maj • 03:27 • -18.4db
32% Popularity • 45% Danceability • 14% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 45% Danceability • 14% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Aukai
Oars
100 bpm • C min • 04:05 • -19.28db
19% Popularity • 60% Danceability • 34% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
19% Popularity • 60% Danceability • 34% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Alan Ellis
Sides
102 bpm • D# Maj • 02:29 • -20.13db
20% Popularity • 43% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 43% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Spirits Of Our Dreams
Yoga Spirit
100 bpm • G Maj • 04:11 • -17.92db
33% Popularity • 15% Danceability • 28% Energy • 10% Liveness
97% Instrumentalness • 7% Positiveness
33% Popularity • 15% Danceability • 28% Energy • 10% Liveness
97% Instrumentalness • 7% Positiveness
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Der Waldläufer
Blossom Sun
100 bpm • A Maj • 05:28 • -14.85db
21% Popularity • 29% Danceability • 20% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
21% Popularity • 29% Danceability • 20% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Elise Magnefold
Fallen
100 bpm • F Maj • 04:38 • -22.35db
25% Popularity • 54% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
25% Popularity • 54% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Jonatan Mollberg
Isle Of Water
117 bpm • F Maj • 02:23 • -24db
35% Popularity • 39% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
35% Popularity • 39% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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MVS
Still Now
100 bpm • C Maj • 02:58 • -23.4db
27% Popularity • 22% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
27% Popularity • 22% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Ceilidh
Suaimhneas
117 bpm • B min • 03:31 • -20db
42% Popularity • 22% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
42% Popularity • 22% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Amaranth Cove
The Space Between Us
100 bpm • C# Maj • 02:52 • -21.46db
38% Popularity • 18% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Ebb & Flod
Rosetta
100 bpm • D Maj • 02:57 • -12.41db
19% Popularity • 21% Danceability • 35% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 35% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Luke Howard
Oculus
117 bpm • C min • 07:19 • -24.47db
26% Popularity • 66% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
26% Popularity • 66% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
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Rannar Sillard
Fidelity
99 bpm • D Maj • 01:51 • -27.33db
32% Popularity • 40% Danceability • 1% Energy • 10% Liveness
77% Instrumentalness • 26% Positiveness
32% Popularity • 40% Danceability • 1% Energy • 10% Liveness
77% Instrumentalness • 26% Positiveness
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Ikotu
IIII
118 bpm • D Maj • 02:30 • -20.2db
37% Popularity • 42% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
37% Popularity • 42% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Oscar Collin
Hidden Still
99 bpm • A min • 02:30 • -23.71db
20% Popularity • 48% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
20% Popularity • 48% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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String Balloons
Two Soon
118 bpm • D# Maj • 05:03 • -20.92db
36% Popularity • 46% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
36% Popularity • 46% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Ceilidh
The Plains of Dover
118 bpm • G Maj • 03:11 • -17db
18% Popularity • 49% Danceability • 41% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
18% Popularity • 49% Danceability • 41% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
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Levi Patel
Since Last Letters
118 bpm • B min • 06:04 • -17.13db
22% Popularity • 42% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 5% Positiveness
22% Popularity • 42% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 5% Positiveness
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Mandala Dreams
Another State Of Mind
119 bpm • G Maj • 04:14 • -18.89db
26% Popularity • 29% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 11% Positiveness
26% Popularity • 29% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 11% Positiveness
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Silver Maple
Chasma
98 bpm • A min • 02:20 • -21.68db
22% Popularity • 34% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 34% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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The 2 Inversions
From Shores To Mountains
98 bpm • A min • 02:25 • -17.23db
40% Popularity • 20% Danceability • 23% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 23% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Alan Ellis
Here:Now
98 bpm • F Maj • 02:44 • -18.22db
26% Popularity • 36% Danceability • 18% Energy • 8% Liveness
81% Instrumentalness • 8% Positiveness
26% Popularity • 36% Danceability • 18% Energy • 8% Liveness
81% Instrumentalness • 8% Positiveness
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Martin Landh
Snow In June
119 bpm • G Maj • 02:38 • -16.25db
27% Popularity • 24% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
27% Popularity • 24% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Levi Patel
And She Translated Into the Sky
119 bpm • D min • 07:22 • -17.95db
31% Popularity • 17% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Robert Farrugia
Slow Morning
119 bpm • A# Maj • 04:15 • -20.35db
14% Popularity • 17% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Timothy Byrne
Butterfly Effect
98 bpm • D min • 03:00 • -22.17db
33% Popularity • 24% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
33% Popularity • 24% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Peter Sandberg
Resonant
120 bpm • F# min • 04:04 • -19.54db
29% Popularity • 26% Danceability • 25% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
29% Popularity • 26% Danceability • 25% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Alan Ellis
Forests And Fields
119 bpm • D Maj • 02:19 • -22.38db
25% Popularity • 18% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Benny Bernstein
Satipatthana
120 bpm • A# min • 03:25 • -19.67db
28% Popularity • 36% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
28% Popularity • 36% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Levi Patel
As She Passes
119 bpm • G# Maj • 03:43 • -20.43db
31% Popularity • 48% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
31% Popularity • 48% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
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Ave Air
Revealing The Unreal
120 bpm • D min • 03:32 • -24.43db
47% Popularity • 18% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
47% Popularity • 18% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Ebb & Flod
The Scent Of Earth After Rain
120 bpm • C# min • 03:04 • -19db
42% Popularity • 36% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 36% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Manos Milonakis
Dressing
120 bpm • D# Maj • 02:02 • -16.59db
23% Popularity • 35% Danceability • 22% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
23% Popularity • 35% Danceability • 22% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Ambientalism
Carried By Waves
120 bpm • C Maj • 04:44 • -16.67db
21% Popularity • 47% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
21% Popularity • 47% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
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Ed Carlsen
Hundrede Træer
120 bpm • F Maj • 04:42 • -20.77db
31% Popularity • 53% Danceability • 45% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 53% Danceability • 45% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Clem Leek
Streets
120 bpm • C# min • 01:54 • -22.8db
22% Popularity • 81% Danceability • 18% Energy • 15% Liveness
79% Instrumentalness • 33% Positiveness
22% Popularity • 81% Danceability • 18% Energy • 15% Liveness
79% Instrumentalness • 33% Positiveness
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Ageena
Derelict Storms
120 bpm • C Maj • 03:44 • -28.66db
30% Popularity • 26% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
30% Popularity • 26% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Rannar Sillard
Simplify
120 bpm • G Maj • 01:53 • -21.11db
11% Popularity • 47% Danceability • 27% Energy • 8% Liveness
82% Instrumentalness • 17% Positiveness
11% Popularity • 47% Danceability • 27% Energy • 8% Liveness
82% Instrumentalness • 17% Positiveness
