Songs like Winds of Magic by Laura Sullivan
Based on a tempo of (+/- 10%) and a similar genre
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Juan Francisco Zerpa
Abrazos Rotos
110 bpm • B min • 03:42 • -16.9db
4% Popularity • 74% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
4% Popularity • 74% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Laura Sullivan
Winds of Magic
110 bpm • G min • 04:13 • -14.63db
17% Popularity • 31% Danceability • 23% Energy • 8% Liveness
30% Instrumentalness • 14% Positiveness
17% Popularity • 31% Danceability • 23% Energy • 8% Liveness
30% Instrumentalness • 14% Positiveness
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Fiona Joy Hawkins
Freedom
110 bpm • D Maj • 01:51 • -21.18db
43% Popularity • 31% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
43% Popularity • 31% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
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Solomon Keal
Surrender
109 bpm • A min • 05:48 • -19db
31% Popularity • 45% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
31% Popularity • 45% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Jane Leslie
Southampton Sunset
109 bpm • D# Maj • 03:24 • -24db
41% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
41% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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David Hicken
Uriel
111 bpm • F# Maj • 04:18 • -24.3db
17% Popularity • 46% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
17% Popularity • 46% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Martino Vergnaghi
A Random Rainy Day
109 bpm • E Maj • 03:08 • -12.53db
27% Popularity • 35% Danceability • 36% Energy • 13% Liveness
84% Instrumentalness • 20% Positiveness
27% Popularity • 35% Danceability • 36% Energy • 13% Liveness
84% Instrumentalness • 20% Positiveness
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Laura Sullivan
Secrets from the Deep
110 bpm • C# min • 04:34 • -17.14db
17% Popularity • 52% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
17% Popularity • 52% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
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Fiona Joy Hawkins
Escarpment Dreaming
110 bpm • E min • 03:25 • -21db
33% Popularity • 35% Danceability • 7% Energy • 18% Liveness
95% Instrumentalness • 9% Positiveness
33% Popularity • 35% Danceability • 7% Energy • 18% Liveness
95% Instrumentalness • 9% Positiveness
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Rhonda Mackert
Dreamer's Lament
112 bpm • E min • 04:29 • -20.93db
15% Popularity • 38% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
15% Popularity • 38% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Jane Leslie
Flowing Waters
109 bpm • D# Maj • 03:49 • -23.23db
33% Popularity • 36% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 15% Positiveness
33% Popularity • 36% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 15% Positiveness
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Manon Clément
Before Stars Sleeping
112 bpm • F Maj • 02:32 • -17db
33% Popularity • 46% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
33% Popularity • 46% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
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Robin Spielberg
After All
108 bpm • D Maj • 04:39 • -15.89db
21% Popularity • 41% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
21% Popularity • 41% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Laura Sullivan
Snowfall on Water
110 bpm • D min • 04:35 • -20.93db
14% Popularity • 45% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 15% Positiveness
14% Popularity • 45% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 15% Positiveness
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Fiona Joy Hawkins
From the Outside
112 bpm • G Maj • 04:32 • -15.82db
31% Popularity • 33% Danceability • 16% Energy • 16% Liveness
98% Instrumentalness • 18% Positiveness
31% Popularity • 33% Danceability • 16% Energy • 16% Liveness
98% Instrumentalness • 18% Positiveness
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Jon Dahlander
Lost Maples
108 bpm • F# Maj • 04:03 • -18.61db
18% Popularity • 37% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
18% Popularity • 37% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Steven Cravis
Dancing Spirits
112 bpm • D min • 04:14 • -16.76db
31% Popularity • 43% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
31% Popularity • 43% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
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Edy Hafler
Time after Time - Guitar Solo
113 bpm • F Maj • 03:32 • -14.95db
47% Popularity • 56% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
47% Popularity • 56% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
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Bernward Koch
Sunday Sky
113 bpm • E min • 02:39 • -15.7db
30% Popularity • 28% Danceability • 15% Energy • 13% Liveness
84% Instrumentalness • 12% Positiveness
30% Popularity • 28% Danceability • 15% Energy • 13% Liveness
84% Instrumentalness • 12% Positiveness
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Laura Sullivan
Sunlight Through the Rain
110 bpm • G Maj • 04:40 • -18.32db
30% Popularity • 17% Danceability • 15% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 15% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Elijah Bossenbroek
Rest
113 bpm • F# min • 03:49 • -18.73db
31% Popularity • 28% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
31% Popularity • 28% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Luke Woodapple
The Silence
113 bpm • D Maj • 04:30 • -20.19db
13% Popularity • 41% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
13% Popularity • 41% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Tim Neumark
With Wonder
113 bpm • D# Maj • 03:46 • -19.12db
23% Popularity • 30% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
23% Popularity • 30% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
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Shoshana Michel
Butterfly Kisses
114 bpm • E min • 04:26 • -19.24db
20% Popularity • 36% Danceability • 25% Energy • 9% Liveness
90% Instrumentalness • 60% Positiveness
20% Popularity • 36% Danceability • 25% Energy • 9% Liveness
90% Instrumentalness • 60% Positiveness
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Gary Girouard
Invictus
114 bpm • G# Maj • 04:24 • -15.96db
17% Popularity • 26% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 26% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Laura Sullivan
Coral Castle
108 bpm • D Maj • 07:22 • -18.52db
18% Popularity • 31% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
18% Popularity • 31% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Joseph Akins
Watertank Hill
106 bpm • G Maj • 04:43 • -18db
31% Popularity • 47% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
31% Popularity • 47% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Chad Lawson
I Wandered Lonely as a Cloud
106 bpm • G min • 04:24 • -25.77db
25% Popularity • 26% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 7% Positiveness
25% Popularity • 26% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 7% Positiveness
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Michael Forster
Forces of Attraction
105 bpm • G Maj • 01:58 • -24db
33% Popularity • 41% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
33% Popularity • 41% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Mark Cosmo
Moonlight Serenade: Piano & Cello Duet f...
115 bpm • D# Maj • 05:00 • -20db
22% Popularity • 58% Danceability • 10% Energy • 24% Liveness
88% Instrumentalness • 24% Positiveness
22% Popularity • 58% Danceability • 10% Energy • 24% Liveness
88% Instrumentalness • 24% Positiveness
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Brad Jacobsen
Barren Boughs
115 bpm • A# min • 04:06 • -20.88db
13% Popularity • 39% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
13% Popularity • 39% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
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Laura Sullivan
Prelude Op. 28, No. 20 Reimagined
112 bpm • G# Maj • 01:56 • -25.92db
36% Popularity • 43% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
36% Popularity • 43% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Christine Brown
The Police Trilogy
115 bpm • F Maj • 05:02 • -19.05db
19% Popularity • 38% Danceability • 23% Energy • 18% Liveness
85% Instrumentalness • 9% Positiveness
19% Popularity • 38% Danceability • 23% Energy • 18% Liveness
85% Instrumentalness • 9% Positiveness
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Igor Longhi
Erouq
105 bpm • F Maj • 04:42 • -12.06db
22% Popularity • 30% Danceability • 42% Energy • 17% Liveness
94% Instrumentalness • 26% Positiveness
22% Popularity • 30% Danceability • 42% Energy • 17% Liveness
94% Instrumentalness • 26% Positiveness
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The Piano Guys
Someone You Loved
105 bpm • C# Maj • 03:23 • -16.76db
53% Popularity • 46% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
53% Popularity • 46% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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William Joseph
A Mother's Heart
105 bpm • A Maj • 03:39 • -19db
32% Popularity • 50% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 20% Positiveness
32% Popularity • 50% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 20% Positiveness
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Steven Cravis
My Precious One
105 bpm • A Maj • 02:43 • -15.85db
36% Popularity • 38% Danceability • 28% Energy • 13% Liveness
89% Instrumentalness • 27% Positiveness
36% Popularity • 38% Danceability • 28% Energy • 13% Liveness
89% Instrumentalness • 27% Positiveness
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Laura Sullivan
The Heavener Runestone
107 bpm • F# min • 03:39 • -24.55db
9% Popularity • 54% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 31% Positiveness
9% Popularity • 54% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 31% Positiveness
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Michael Gettel
Waiting
105 bpm • F Maj • 02:14 • -29.08db
38% Popularity • 34% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
38% Popularity • 34% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Robin Meloy Goldsby
Feather
105 bpm • C Maj • 03:45 • -21db
13% Popularity • 47% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
13% Popularity • 47% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Amy Lauren
Bed of Stars
105 bpm • G# Maj • 02:41 • -26.57db
41% Popularity • 48% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 21% Positiveness
41% Popularity • 48% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 21% Positiveness
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Georg Erixon
I’m Forrest… Forrest Gump
104 bpm • G Maj • 02:32 • -11.41db
46% Popularity • 65% Danceability • 24% Energy • 8% Liveness
88% Instrumentalness • 63% Positiveness
46% Popularity • 65% Danceability • 24% Energy • 8% Liveness
88% Instrumentalness • 63% Positiveness
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Kevin Kerrigan
Emerald Eyes
116 bpm • D Maj • 03:48 • -12.6db
21% Popularity • 20% Danceability • 30% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness
21% Popularity • 20% Danceability • 30% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness
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Laura Sullivan
Princess Leia's Theme
116 bpm • G min • 02:37 • -19.18db
47% Popularity • 48% Danceability • 9% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
47% Popularity • 48% Danceability • 9% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
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Allen & Bright
God Only Knows
116 bpm • A Maj • 02:31 • -8.98db
43% Popularity • 64% Danceability • 26% Energy • 8% Liveness
70% Instrumentalness • 58% Positiveness
43% Popularity • 64% Danceability • 26% Energy • 8% Liveness
70% Instrumentalness • 58% Positiveness
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Bernward Koch
Travel Lightly
104 bpm • C# Maj • 03:47 • -13.04db
31% Popularity • 37% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
31% Popularity • 37% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Dagmar Krug
The Flow of Love
116 bpm • A# Maj • 02:44 • -20.06db
17% Popularity • 33% Danceability • 29% Energy • 16% Liveness
95% Instrumentalness • 28% Positiveness
17% Popularity • 33% Danceability • 29% Energy • 16% Liveness
95% Instrumentalness • 28% Positiveness
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Brad Jacobsen
By the Banks (Loch Lomond)
116 bpm • F Maj • 03:33 • -19db
32% Popularity • 33% Danceability • 13% Energy • 14% Liveness
94% Instrumentalness • 20% Positiveness
32% Popularity • 33% Danceability • 13% Energy • 14% Liveness
94% Instrumentalness • 20% Positiveness
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Anne Trenning
The Welcome Song
104 bpm • D Maj • 03:35 • -15.49db
37% Popularity • 37% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
37% Popularity • 37% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
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Shoshana Michel
Dancing on the Wind
117 bpm • A Maj • 03:44 • -16.38db
32% Popularity • 52% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 44% Positiveness
32% Popularity • 52% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 44% Positiveness
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Martino Vergnaghi
Lady Charlotte's Tea Room
104 bpm • A min • 02:28 • -23.79db
34% Popularity • 29% Danceability • 13% Energy • 15% Liveness
93% Instrumentalness • 18% Positiveness
34% Popularity • 29% Danceability • 13% Energy • 15% Liveness
93% Instrumentalness • 18% Positiveness
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Jennifer Thomas
The Red Aspens
104 bpm • C Maj • 03:56 • -18.92db
21% Popularity • 32% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
21% Popularity • 32% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
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Jon Dahlander
Psalm
117 bpm • D min • 03:57 • -20db
17% Popularity • 43% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
17% Popularity • 43% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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John Fluker
Asleep Beneath The Moon (Part One)
117 bpm • A min • 03:48 • -18db
24% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
24% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Laura Sullivan
Lullaby Wind
104 bpm • D min • 04:22 • -20.92db
8% Popularity • 46% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
8% Popularity • 46% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Shoshana Michel
A Walk in the Rain
117 bpm • A Maj • 05:28 • -18.75db
16% Popularity • 42% Danceability • 19% Energy • 7% Liveness
92% Instrumentalness • 37% Positiveness
16% Popularity • 42% Danceability • 19% Energy • 7% Liveness
92% Instrumentalness • 37% Positiveness
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Kristina Forester
Hope for the Trees
117 bpm • A Maj • 05:05 • -19db
7% Popularity • 43% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
7% Popularity • 43% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
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Solomon Keal
Thoughtfulness
117 bpm • C Maj • 05:02 • -21db
19% Popularity • 49% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 32% Positiveness
19% Popularity • 49% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 32% Positiveness
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Joseph Akins
Castle Moon
117 bpm • D min • 04:16 • -14.25db
31% Popularity • 45% Danceability • 28% Energy • 15% Liveness
91% Instrumentalness • 12% Positiveness
31% Popularity • 45% Danceability • 28% Energy • 15% Liveness
91% Instrumentalness • 12% Positiveness
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Magic Piano Covers
I´m Forrest... Forrest Gump
103 bpm • G Maj • 02:39 • -17.29db
48% Popularity • 72% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 46% Positiveness
48% Popularity • 72% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 46% Positiveness
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Kathryn Toyama
Understanding Each Other
117 bpm • C Maj • 04:16 • -13.94db
35% Popularity • 45% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
35% Popularity • 45% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Pierluigi Colangelo
Something Just Like This - Guitar Trio
103 bpm • D Maj • 04:00 • -8.56db
47% Popularity • 74% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 76% Positiveness
47% Popularity • 74% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 76% Positiveness
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Jennifer Haines
Thoughts And Dreams
118 bpm • G Maj • 03:25 • -18.89db
17% Popularity • 35% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
17% Popularity • 35% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Cindy Paulos
Believing
118 bpm • B Maj • 01:30 • -14.67db
2% Popularity • 56% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
2% Popularity • 56% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Amy Lauren
Mahogany Cider
118 bpm • F min • 02:59 • -18.74db
34% Popularity • 54% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 16% Positiveness
34% Popularity • 54% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 16% Positiveness
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Fiona Joy Hawkins
Bushfire Moon (Album Version)
118 bpm • G min • 05:03 • -18.19db
28% Popularity • 34% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 34% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Joe Yamada
Chasing the Dream
118 bpm • E Maj • 02:38 • -17.3db
46% Popularity • 43% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
46% Popularity • 43% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Elijah Bossenbroek
A Song Simply Remixed
102 bpm • F Maj • 03:52 • -15.12db
21% Popularity • 21% Danceability • 38% Energy • 14% Liveness
86% Instrumentalness • 18% Positiveness
21% Popularity • 21% Danceability • 38% Energy • 14% Liveness
86% Instrumentalness • 18% Positiveness
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Laura Sullivan
You Are So Beautiful - Instrumental Pian...
119 bpm • C# Maj • 02:50 • -23.2db
29% Popularity • 35% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
29% Popularity • 35% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
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Serge Mazerand
Pachabel's Canon in D, Variation #2
119 bpm • D# Maj • 03:59 • -23db
31% Popularity • 29% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 29% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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George Nascimento
Thais: "Meditation"
119 bpm • D Maj • 03:59 • -20db
23% Popularity • 40% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
23% Popularity • 40% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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David Hicken
Aphrodite
101 bpm • F Maj • 03:45 • -21.11db
11% Popularity • 30% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 31% Positiveness
11% Popularity • 30% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 31% Positiveness
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Georg Erixon
Open Arms
102 bpm • D Maj • 03:17 • -12.91db
41% Popularity • 59% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
41% Popularity • 59% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Elijah Bossenbroek
On The Wings
119 bpm • G Maj • 02:45 • -19db
24% Popularity • 36% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
24% Popularity • 36% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
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Andrea Carri
Fields of Gold - Piano Version
101 bpm • D Maj • 03:36 • -19.37db
49% Popularity • 47% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
49% Popularity • 47% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Russel Walder
This Moment Now
120 bpm • E Maj • 03:55 • -5.94db
31% Popularity • 19% Danceability • 42% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
31% Popularity • 19% Danceability • 42% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
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Joe Yamada
To Love Again
120 bpm • C Maj • 03:46 • -16.8db
23% Popularity • 28% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
23% Popularity • 28% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
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Allen & Bright
Sleep Habits
120 bpm • C Maj • 03:21 • -19.38db
26% Popularity • 37% Danceability • 14% Energy • 38% Liveness
89% Instrumentalness • 5% Positiveness
26% Popularity • 37% Danceability • 14% Energy • 38% Liveness
89% Instrumentalness • 5% Positiveness
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Eklipse
Clocks
120 bpm • F min • 05:12 • -9.83db
47% Popularity • 61% Danceability • 30% Energy • 13% Liveness
91% Instrumentalness • 34% Positiveness
47% Popularity • 61% Danceability • 30% Energy • 13% Liveness
91% Instrumentalness • 34% Positiveness
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Louis Landon
Court Dances
120 bpm • F Maj • 03:13 • -21db
27% Popularity • 35% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
27% Popularity • 35% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Georg Erixon
Goodbye Yellow Brick Road
120 bpm • F Maj • 03:13 • -13.19db
47% Popularity • 72% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
47% Popularity • 72% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Laura Sullivan
Emerald Isle
120 bpm • D Maj • 04:28 • -17db
31% Popularity • 38% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
31% Popularity • 38% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
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92 Keys
Falling Slowly
120 bpm • C Maj • 03:28 • -12.96db
41% Popularity • 34% Danceability • 36% Energy • 6% Liveness
83% Instrumentalness • 10% Positiveness
41% Popularity • 34% Danceability • 36% Energy • 6% Liveness
83% Instrumentalness • 10% Positiveness
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Martino Vergnaghi
Tears and Bones
120 bpm • C Maj • 03:49 • -16.83db
22% Popularity • 61% Danceability • 35% Energy • 13% Liveness
95% Instrumentalness • 22% Positiveness
22% Popularity • 61% Danceability • 35% Energy • 13% Liveness
95% Instrumentalness • 22% Positiveness
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Henrik Janson
Capri Interlude For Guitar and Strings
120 bpm • C Maj • 01:43 • -15.3db
44% Popularity • 59% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
44% Popularity • 59% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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CR Smith
Beginning at the End
120 bpm • F Maj • 03:27 • -18.34db
36% Popularity • 65% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 34% Positiveness
36% Popularity • 65% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 34% Positiveness
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Fiona Joy Hawkins
Antarctica
120 bpm • G min • 04:18 • -18db
27% Popularity • 35% Danceability • 12% Energy • 16% Liveness
83% Instrumentalness • 14% Positiveness
27% Popularity • 35% Danceability • 12% Energy • 16% Liveness
83% Instrumentalness • 14% Positiveness
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Laura Sullivan
Timeless
120 bpm • C Maj • 03:47 • -17db
10% Popularity • 47% Danceability • 16% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
10% Popularity • 47% Danceability • 16% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
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George Davidson
Leah's Tears
120 bpm • D Maj • 02:30 • -18.16db
20% Popularity • 42% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
20% Popularity • 42% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
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Louis Landon
Seattle Morning
100 bpm • D Maj • 03:44 • -23.69db
39% Popularity • 40% Danceability • 21% Energy • 8% Liveness
83% Instrumentalness • 40% Positiveness
39% Popularity • 40% Danceability • 21% Energy • 8% Liveness
83% Instrumentalness • 40% Positiveness
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Kathryn Toyama
Open Your Heart
121 bpm • E min • 03:55 • -18.14db
38% Popularity • 46% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
38% Popularity • 46% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Joe Yamada
Spring Rain
121 bpm • G Maj • 03:13 • -21.45db
39% Popularity • 38% Danceability • 10% Energy • 15% Liveness
91% Instrumentalness • 18% Positiveness
39% Popularity • 38% Danceability • 10% Energy • 15% Liveness
91% Instrumentalness • 18% Positiveness
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Fiona Joy Hawkins
Earthbound
100 bpm • D# Maj • 04:06 • -23.71db
14% Popularity • 43% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
14% Popularity • 43% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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David Clavijo
Où Est Mon Bonheur?
100 bpm • E Maj • 02:59 • -12.72db
40% Popularity • 52% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
40% Popularity • 52% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Laura Sullivan
Hope for the Sun
120 bpm • A Maj • 04:06 • -16.17db
13% Popularity • 47% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
13% Popularity • 47% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
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Franco Robert
The Beauty of Obscurity
100 bpm • B min • 02:01 • -25.06db
36% Popularity • 42% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
36% Popularity • 42% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Robert Linton
Seasons of Years Past
100 bpm • G Maj • 03:28 • -19.55db
23% Popularity • 52% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
23% Popularity • 52% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Janie Becker
Evening Whispers
100 bpm • F Maj • 02:09 • -22.53db
48% Popularity • 45% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
48% Popularity • 45% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
