Songs like Winter World Of Love by Engelbert Humperdinck
Based on a tempo of (+/- 10%) and a similar genre
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Gwen Stefani
You Make It Feel Like Christmas
93 bpm • D min • 02:36 • -4db
49% Popularity • 64% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
49% Popularity • 64% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Engelbert Humperdinck
Winter World Of Love
93 bpm • D# Maj • 03:17 • -12.82db
34% Popularity • 45% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 45% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Donny Hathaway
This Christmas
93 bpm • F Maj • 03:51 • -9db
37% Popularity • 63% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 63% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Jack Jones
The Impossible Dream
93 bpm • B Maj • 02:19 • -9.76db
45% Popularity • 44% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 44% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Michael Bublé
It's Beginning to Look a Lot like Christ...
93 bpm • E Maj • 03:27 • -11db
54% Popularity • 33% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 33% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Bobby Goldsboro
Honey
93 bpm • G Maj • 03:58 • -13.12db
61% Popularity • 40% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
61% Popularity • 40% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Pat Boone
April Love
93 bpm • G# Maj • 02:43 • -17.86db
44% Popularity • 32% Danceability • 13% Energy • 8% Liveness
3% Instrumentalness • 39% Positiveness
44% Popularity • 32% Danceability • 13% Energy • 8% Liveness
3% Instrumentalness • 39% Positiveness
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Engelbert Humperdinck
What A Wonderful World
93 bpm • G Maj • 02:47 • -14db
47% Popularity • 32% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 32% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Tom Jones
My Elusive Dreams
93 bpm • A Maj • 03:17 • -12.03db
49% Popularity • 54% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
49% Popularity • 54% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Johnny Mathis
Gina
93 bpm • D# Maj • 02:45 • -12.55db
17% Popularity • 29% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 29% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Bing Crosby
White Christmas
93 bpm • A Maj • 03:06 • -18.2db
41% Popularity • 24% Danceability • 14% Energy • 13% Liveness
6% Instrumentalness • 17% Positiveness
41% Popularity • 24% Danceability • 14% Energy • 13% Liveness
6% Instrumentalness • 17% Positiveness
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Bobby Goldsboro
I Can't Stop Loving You
92 bpm • A# Maj • 02:17 • -9.69db
42% Popularity • 38% Danceability • 29% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 38% Danceability • 29% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Gary Puckett & The Union Gap
Honey (I Miss You)
92 bpm • A Maj • 04:12 • -11db
43% Popularity • 43% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 43% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Kenny Rogers
White Christmas - 1981 Version
92 bpm • D Maj • 02:48 • -7.64db
10% Popularity • 45% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 45% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Frank Sinatra
Have Yourself A Merry Little Christmas -...
92 bpm • G# Maj • 03:26 • -15.24db
51% Popularity • 26% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 26% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
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The Ronettes
Sleigh Ride
92 bpm • D Maj • 03:01 • -7.01db
47% Popularity • 53% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
47% Popularity • 53% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Barry Manilow
It's Just Another New Year's Eve - Live ...
94 bpm • F Maj • 04:18 • -10.36db
14% Popularity • 27% Danceability • 23% Energy • 60% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 27% Danceability • 23% Energy • 60% Liveness
0% Instrumentalness • 16% Positiveness
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Bobby Goldsboro
And I Love You So
94 bpm • G# Maj • 03:04 • -11db
46% Popularity • 50% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
46% Popularity • 50% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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Isaac Hayes
The Mistletoe And Me
94 bpm • F Maj • 03:56 • -14.21db
16% Popularity • 31% Danceability • 30% Energy • 48% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 31% Danceability • 30% Energy • 48% Liveness
0% Instrumentalness • 15% Positiveness
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Elvis Presley
Blue Christmas
95 bpm • E Maj • 02:09 • -16.66db
54% Popularity • 46% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
54% Popularity • 46% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Louis Prima and His New Orleans
What Will Santa Claus Say (When He Finds...
95 bpm • B min • 03:15 • -9.27db
12% Popularity • 74% Danceability • 47% Energy • 43% Liveness
49% Instrumentalness • 84% Positiveness
12% Popularity • 74% Danceability • 47% Energy • 43% Liveness
49% Instrumentalness • 84% Positiveness
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Paul McCartney
Wonderful Christmastime - Edited Version...
95 bpm • B Maj • 03:47 • -9db
54% Popularity • 77% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
54% Popularity • 77% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Bing Crosby
Happy Holiday
95 bpm • A# Maj • 02:25 • -13.64db
20% Popularity • 65% Danceability • 30% Energy • 22% Liveness
13% Instrumentalness • 78% Positiveness
20% Popularity • 65% Danceability • 30% Energy • 22% Liveness
13% Instrumentalness • 78% Positiveness
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The Holiday Place
Maybe This Christmas
91 bpm • E Maj • 01:52 • -13.98db
23% Popularity • 63% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 63% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Matt Monro
I Will Wait For You - Remastered 2021
95 bpm • F min • 02:53 • -16db
45% Popularity • 35% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 35% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Bublé
The More You Give (The More You'll Have)
91 bpm • C# Maj • 03:11 • -5db
26% Popularity • 44% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 44% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Tom Jones
Help Yourself
91 bpm • D# Maj • 02:50 • -6.97db
56% Popularity • 61% Danceability • 77% Energy • 74% Liveness
0% Instrumentalness • 90% Positiveness
56% Popularity • 61% Danceability • 77% Energy • 74% Liveness
0% Instrumentalness • 90% Positiveness
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Bobby Goldsboro
Little Green Apples
95 bpm • E min • 03:13 • -14.52db
47% Popularity • 45% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 45% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Engelbert Humperdinck
Everybody Knows (We're Through)
95 bpm • E Maj • 02:24 • -9.89db
45% Popularity • 45% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 45% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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The Everly Brothers
Devoted to You
91 bpm • D# Maj • 02:21 • -9.39db
53% Popularity • 59% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 59% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Sandpipers
The French Song
96 bpm • G Maj • 03:13 • -15db
40% Popularity • 31% Danceability • 34% Energy • 98% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 31% Danceability • 34% Energy • 98% Liveness
0% Instrumentalness • 49% Positiveness
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Pussycat
Mary's Boy Child
90 bpm • F Maj • 03:50 • -13.97db
11% Popularity • 36% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 36% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Tom Jones
Green Green Grass Of Home
95 bpm • G# Maj • 03:04 • -13.25db
64% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
64% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Chris Montez
Somebody Loves You
96 bpm • G Maj • 02:52 • -11.63db
45% Popularity • 49% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 49% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Engelbert Humperdinck
My Marie
90 bpm • A Maj • 03:07 • -11.21db
24% Popularity • 55% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 55% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Jim Reeves
Blue Christmas
96 bpm • C Maj • 03:10 • -15.99db
15% Popularity • 41% Danceability • 16% Energy • 20% Liveness
46% Instrumentalness • 29% Positiveness
15% Popularity • 41% Danceability • 16% Energy • 20% Liveness
46% Instrumentalness • 29% Positiveness
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Bobby Goldsboro
Honey
96 bpm • G Maj • 03:49 • -19db
37% Popularity • 49% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
37% Popularity • 49% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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Brenda Lee
Let's Jump The Broomstick
96 bpm • C# Maj • 02:34 • -9.72db
33% Popularity • 71% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 71% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Tom Jones
My Prayer
91 bpm • C# Maj • 03:42 • -12.14db
21% Popularity • 51% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 51% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Gene Autry
Here Comes Santa Claus (Right Down Santa...
97 bpm • C# Maj • 02:30 • -12db
49% Popularity • 83% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
49% Popularity • 83% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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Connie Francis
Baby's First Christmas
97 bpm • F# Maj • 02:25 • -12.8db
17% Popularity • 40% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 40% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Jerry Vale
Ciao, Ciao, Bambina
97 bpm • C# Maj • 02:42 • -14.45db
31% Popularity • 31% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 31% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Pat Boone
April Love
89 bpm • G# Maj • 02:28 • -9.81db
24% Popularity • 29% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
24% Popularity • 29% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
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Dean Martin
Silver Bells
97 bpm • G# Maj • 02:22 • -14db
44% Popularity • 29% Danceability • 26% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 29% Danceability • 26% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Tom Jones
Can't Stop Loving You
89 bpm • A# Maj • 04:08 • -11.06db
40% Popularity • 40% Danceability • 52% Energy • 54% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 40% Danceability • 52% Energy • 54% Liveness
0% Instrumentalness • 48% Positiveness
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Shirley Bassey
Never, Never, Never (Grande, Grande, Gra...
97 bpm • G Maj • 03:38 • -10.87db
48% Popularity • 47% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 47% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Eddie Fisher
That's the Chance You Take
89 bpm • G Maj • 02:28 • -9.81db
12% Popularity • 61% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 61% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Johnny Mathis
One God
89 bpm • C Maj • 03:52 • -9.33db
10% Popularity • 18% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 18% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Engelbert Humperdinck
I'm A Better Man (For Having Loved You)
89 bpm • F Maj • 02:49 • -11.2db
38% Popularity • 38% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 38% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Steve Lawrence
True Love
89 bpm • G# Maj • 02:44 • -14.09db
9% Popularity • 17% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 17% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Bing Crosby
It's Beginning To Look A Lot Like Christ...
98 bpm • D# Maj • 02:44 • -9db
42% Popularity • 46% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 46% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Al Martino
I Love You Because
89 bpm • G# Maj • 02:43 • -12.75db
41% Popularity • 29% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 29% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Perry Como
For the Good Times
89 bpm • D# Maj • 03:39 • -13db
43% Popularity • 33% Danceability • 26% Energy • 15% Liveness
1% Instrumentalness • 30% Positiveness
43% Popularity • 33% Danceability • 26% Energy • 15% Liveness
1% Instrumentalness • 30% Positiveness
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Matt Monro
Fly Me to the Moon (In Other Words)
88 bpm • C Maj • 03:12 • -12.49db
37% Popularity • 21% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 23% Positiveness
37% Popularity • 21% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 23% Positiveness
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Engelbert Humperdinck
The Way It Used To Be
98 bpm • G# Maj • 03:13 • -11.38db
54% Popularity • 36% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 36% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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David Essex
A Winter's Tale
98 bpm • F Maj • 04:11 • -15.63db
26% Popularity • 61% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 61% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Bobby Goldsboro
Yesterday
88 bpm • C Maj • 02:40 • -11.35db
36% Popularity • 46% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 46% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Tom Jones
Till
98 bpm • F Maj • 02:16 • -3.3db
31% Popularity • 20% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 20% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Steve Lawrence
Sunrise, Sunset
88 bpm • D min • 03:02 • -11.78db
9% Popularity • 16% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 16% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Matt Monro
Born Free - Remastered 2021
98 bpm • C Maj • 02:49 • -14.16db
50% Popularity • 27% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 27% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Engelbert Humperdinck
My Cherie Amour
99 bpm • C# Maj • 03:06 • -10.89db
42% Popularity • 48% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
42% Popularity • 48% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Liberace
The Toy Piano
88 bpm • F# Maj • 01:27 • -26.44db
0% Popularity • 49% Danceability • 8% Energy • 12% Liveness
39% Instrumentalness • 86% Positiveness
0% Popularity • 49% Danceability • 8% Energy • 12% Liveness
39% Instrumentalness • 86% Positiveness
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Petula Clark
Sailor
99 bpm • A# Maj • 02:55 • -8.41db
40% Popularity • 41% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 41% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Andy Williams
The Village of Saint Bernadette
88 bpm • G# Maj • 03:22 • -11.09db
12% Popularity • 27% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 27% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Brenda Lee
All The Way
99 bpm • A Maj • 03:04 • -9.55db
16% Popularity • 46% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 46% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Dana Winner
Sound of Silence - Live in Bokrijk
99 bpm • C Maj • 03:30 • -14.63db
32% Popularity • 44% Danceability • 39% Energy • 69% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 44% Danceability • 39% Energy • 69% Liveness
0% Instrumentalness • 36% Positiveness
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Engelbert Humperdinck
Blue Christmas
98 bpm • E Maj • 03:06 • -4.56db
5% Popularity • 59% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
5% Popularity • 59% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Al Martino
My Darling, I Love You
88 bpm • C Maj • 03:00 • -12.87db
24% Popularity • 37% Danceability • 33% Energy • 12% Liveness
6% Instrumentalness • 25% Positiveness
24% Popularity • 37% Danceability • 33% Energy • 12% Liveness
6% Instrumentalness • 25% Positiveness
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Johnny Mathis
The Look of Love
99 bpm • F Maj • 03:41 • -13.29db
10% Popularity • 41% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 41% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jose Mari Chan
A Perfect Christmas
88 bpm • A Maj • 04:13 • -12db
34% Popularity • 54% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 54% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Mud
Lonely This Christmas
99 bpm • C Maj • 03:33 • -13.51db
41% Popularity • 55% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 55% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Connie Francis
Mama
88 bpm • C Maj • 03:57 • -11.22db
27% Popularity • 27% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 27% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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Engelbert Humperdinck
Love Me With All Your Heart (Cuando Cali...
87 bpm • D Maj • 03:21 • -11.12db
54% Popularity • 38% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
54% Popularity • 38% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Dean Martin
I'll Be Home for Christmas
99 bpm • G# Maj • 02:28 • -15.27db
29% Popularity • 29% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 29% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Joe Fagin
As Time Goes By
87 bpm • G Maj • 01:43 • -15.7db
12% Popularity • 56% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 56% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Kylie Minogue
Santa Baby
87 bpm • C# Maj • 03:21 • -7.12db
37% Popularity • 68% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 68% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Dickie Valentine
Christmas Alphabet
87 bpm • C Maj • 02:06 • -14.56db
20% Popularity • 65% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 65% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Roger Whittaker
Ding! Dong! Merrily On High
100 bpm • C Maj • 04:48 • -19db
13% Popularity • 40% Danceability • 13% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
13% Popularity • 40% Danceability • 13% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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Jim Reeves
An Old Christmas Card
100 bpm • G Maj • 02:46 • -13.23db
17% Popularity • 42% Danceability • 27% Energy • 7% Liveness
4% Instrumentalness • 42% Positiveness
17% Popularity • 42% Danceability • 27% Energy • 7% Liveness
4% Instrumentalness • 42% Positiveness
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Tom Jones
Funny Familiar Forgotten Feelings
87 bpm • B Maj • 02:57 • -10.9db
46% Popularity • 45% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
46% Popularity • 45% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Luther Vandross
Please Come Home for Christmas
100 bpm • A# Maj • 03:37 • -9.78db
21% Popularity • 61% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 61% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Petula Clark
Kiss Me Goodbye
100 bpm • G Maj • 03:54 • -10.34db
29% Popularity • 36% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 36% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Engelbert Humperdinck
Sweetheart
100 bpm • D Maj • 03:03 • -7.74db
43% Popularity • 25% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 25% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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S Club
Perfect Christmas
100 bpm • D Maj • 04:37 • -6.99db
15% Popularity • 59% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 59% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Mel Tormé
The Christmas Song (Chestnuts Roasting O...
86 bpm • C# Maj • 03:04 • -19.99db
20% Popularity • 36% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 36% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Ella Fitzgerald
The Secret Of Christmas
86 bpm • C Maj • 02:45 • -12db
25% Popularity • 22% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 22% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 9% Positiveness
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Cliff Richard
Visions - 2005 Remaster
100 bpm • C# Maj • 03:02 • -10.57db
35% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Tom Jones
I'm Coming Home - Single Version
86 bpm • E Maj • 03:06 • -8.13db
43% Popularity • 44% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 44% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Johnny Mathis
I Only Have Eyes for You
101 bpm • D Maj • 03:32 • -9.12db
12% Popularity • 45% Danceability • 56% Energy • 18% Liveness
11% Instrumentalness • 60% Positiveness
12% Popularity • 45% Danceability • 56% Energy • 18% Liveness
11% Instrumentalness • 60% Positiveness
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Matt Monro
If I Never Sing Another Song
86 bpm • B min • 03:48 • -13.32db
45% Popularity • 43% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 43% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Al Martino
Love Is Blue (L'amour Est Bleu)
101 bpm • D Maj • 02:41 • -10.68db
35% Popularity • 35% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 35% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Stevie Wonder
Someday At Christmas
101 bpm • F Maj • 02:48 • -7.59db
43% Popularity • 45% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 45% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 27% Positiveness
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Bobby Goldsboro
Today
101 bpm • E min • 03:15 • -9.44db
38% Popularity • 38% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 38% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Brenda Lee
As Usual
85 bpm • G# Maj • 02:36 • -11.23db
24% Popularity • 55% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 55% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Andreas Weise
I'll Be Home For Christmas
85 bpm • B Maj • 03:03 • -8.36db
20% Popularity • 41% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 41% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Bing Crosby
Do You Hear What I Hear
101 bpm • A# Maj • 02:47 • -12.89db
26% Popularity • 54% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 54% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Barbara Mandrell
I'll Be Home For Christmas
85 bpm • D# Maj • 03:13 • -19.48db
9% Popularity • 35% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 35% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Rod Stewart
Baby, It's Cold Outside
85 bpm • B min • 03:51 • -6.97db
30% Popularity • 55% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 55% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness