Songs like Winter's Tale: Act I, Sicilia. Leontes's palace, Scene I, "Is he won yet?" by David Kravitz
Based on a tempo of (+/- 10%) and a similar genre
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David Kravitz
Goback Goback: II. O Why Am I So Bright
131 bpm • F Maj • 02:51 • -11.47db
0% Popularity • 42% Danceability • 40% Energy • 17% Liveness
1% Instrumentalness • 45% Positiveness
0% Popularity • 42% Danceability • 40% Energy • 17% Liveness
1% Instrumentalness • 45% Positiveness
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Harry Secombe
Merry Widow Waltz
131 bpm • G Maj • 02:28 • -14db
8% Popularity • 23% Danceability • 26% Energy • 22% Liveness
11% Instrumentalness • 26% Positiveness
8% Popularity • 23% Danceability • 26% Energy • 22% Liveness
11% Instrumentalness • 26% Positiveness
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Reynaldo Hahn
Paysage
131 bpm • C Maj • 02:28 • -21.62db
22% Popularity • 24% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme (Andant...
130 bpm • G min • 01:39 • -25.26db
8% Popularity • 16% Danceability • 8% Energy • 20% Liveness
93% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 20% Liveness
93% Instrumentalness • 3% Positiveness
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André Jolivet
Suite liturgique: VIII. Final
130 bpm • G min • 01:47 • -16.69db
9% Popularity • 28% Danceability • 8% Energy • 12% Liveness
52% Instrumentalness • 38% Positiveness
9% Popularity • 28% Danceability • 8% Energy • 12% Liveness
52% Instrumentalness • 38% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: VIII. Ved gjaetle-bek...
132 bpm • B min • 06:23 • -15.02db
10% Popularity • 35% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 35% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Paul Moravec
The Blizzard Voices: II. There Was a Day
130 bpm • E Maj • 08:00 • -17.79db
0% Popularity • 30% Danceability • 22% Energy • 14% Liveness
2% Instrumentalness • 8% Positiveness
0% Popularity • 30% Danceability • 22% Energy • 14% Liveness
2% Instrumentalness • 8% Positiveness
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Jean-Philippe Rameau
Platée, RCT 53, Acte 1 Scène 3: Annonc...
130 bpm • D# Maj • 01:55 • -12.32db
8% Popularity • 48% Danceability • 35% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 48% Danceability • 35% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
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Mohammed Fairouz
Symphony No. 3, "Poems and Prayers": II....
130 bpm • G Maj • 05:43 • -28.97db
0% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
Mai
130 bpm • F Maj • 01:58 • -18.79db
10% Popularity • 29% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
10% Popularity • 29% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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Engelbert Humperdinck
Hänsel und Gretel: Abends will ich schl...
129 bpm • D Maj • 02:27 • -18.83db
20% Popularity • 20% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
20% Popularity • 20% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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Elliott Z. Levine
Moon and Flowering Plum
130 bpm • D min • 02:24 • -25.7db
8% Popularity • 34% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 34% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Benjamin Britten
Quatre chansons françaises: No. 3, L'en...
133 bpm • A Maj • 04:38 • -19.18db
7% Popularity • 28% Danceability • 9% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
7% Popularity • 28% Danceability • 9% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
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Thomas Pasatieri
A Rustling of Angels: I Saw
129 bpm • C min • 01:03 • -26db
8% Popularity • 67% Danceability • 7% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 67% Danceability • 7% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Tatiana Bookbinder
That Certain Feeling
133 bpm • D# Maj • 02:41 • -11.1db
10% Popularity • 57% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 57% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Neal Desby
Shenandoah
133 bpm • F Maj • 03:32 • -14.6db
13% Popularity • 38% Danceability • 17% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
13% Popularity • 38% Danceability • 17% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
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Lili Boulanger
Clairières dans le ciel (Version for So...
133 bpm • A Maj • 01:59 • -24.76db
8% Popularity • 30% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Ella Fitzgerald
You Showed Me the Way (Arr. for Voice an...
133 bpm • D Maj • 04:26 • -20.25db
14% Popularity • 40% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 40% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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刘淑芳
小小的礼品(阿根廷歌曲)
133 bpm • E min • 04:23 • -15.75db
7% Popularity • 37% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 37% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Jaurés Lamarque Pons
Concertino de invierno: 2. Moderato
134 bpm • E min • 03:34 • -26.46db
10% Popularity • 38% Danceability • 4% Energy • 6% Liveness
66% Instrumentalness • 4% Positiveness
10% Popularity • 38% Danceability • 4% Energy • 6% Liveness
66% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Mélodies persanes, Op. 26: No. 2, La Sp...
134 bpm • F Maj • 04:07 • -21.63db
8% Popularity • 28% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 28% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Paul Moravec
The Blizzard Voices: XVI. Epilogue
134 bpm • C# min • 07:04 • -19.17db
0% Popularity • 17% Danceability • 20% Energy • 10% Liveness
46% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 20% Energy • 10% Liveness
46% Instrumentalness • 3% Positiveness
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Johann Strauss II
Strauss II, J: La chauve-souris, Act 1: ...
128 bpm • G Maj • 01:20 • -18.22db
15% Popularity • 35% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 35% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Lesley Garrett
The Mikado: So Please You Sir
127 bpm • G Maj • 01:52 • -19.35db
9% Popularity • 67% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 67% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Ralph Vaughan Williams
In Windsor Forest: No. 3, Falstaff and t...
134 bpm • F Maj • 04:49 • -21.11db
11% Popularity • 31% Danceability • 12% Energy • 7% Liveness
3% Instrumentalness • 25% Positiveness
11% Popularity • 31% Danceability • 12% Energy • 7% Liveness
3% Instrumentalness • 25% Positiveness
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Delia Winifred
Wexford Carroll
135 bpm • D Maj • 04:11 • -10.41db
30% Popularity • 45% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 45% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Philip Creasy
The Pirates of Penzance: Stay, We Must N...
126 bpm • G Maj • 01:24 • -22.59db
8% Popularity • 58% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 58% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Georges Bizet
Carmen Suite No. 1: Intermezzo (Prelude ...
136 bpm • D# Maj • 02:35 • -36.64db
2% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
2% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
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Tania Libertad
La Hija Del Regimiento: Convien partir -...
137 bpm • F Maj • 04:34 • -9.37db
7% Popularity • 29% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 29% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Fanny Mendelssohn
Schwanenlied
137 bpm • G min • 02:35 • -19.77db
11% Popularity • 36% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 36% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Ned Rorem
Our Town, Act II: "Morning, Everybody! O...
125 bpm • G min • 02:55 • -14.74db
0% Popularity • 52% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 52% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: II. Petit ...
125 bpm • C min • 03:17 • -27.4db
0% Popularity • 20% Danceability • 5% Energy • 33% Liveness
5% Instrumentalness • 16% Positiveness
0% Popularity • 20% Danceability • 5% Energy • 33% Liveness
5% Instrumentalness • 16% Positiveness
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Betty Buckley
Every Day a Little Death
125 bpm • C# min • 02:40 • -13.96db
8% Popularity • 38% Danceability • 22% Energy • 95% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 38% Danceability • 22% Energy • 95% Liveness
0% Instrumentalness • 34% Positiveness
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David Kravitz
Goback Goback: V. Falling into the Sea
138 bpm • G Maj • 02:07 • -17.66db
0% Popularity • 43% Danceability • 24% Energy • 22% Liveness
9% Instrumentalness • 14% Positiveness
0% Popularity • 43% Danceability • 24% Energy • 22% Liveness
9% Instrumentalness • 14% Positiveness
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Giuseppe De Ferraris
Tirsi non giova il pianto, Archivio di M...
138 bpm • C Maj • 01:32 • -20.28db
14% Popularity • 32% Danceability • 12% Energy • 16% Liveness
85% Instrumentalness • 26% Positiveness
14% Popularity • 32% Danceability • 12% Energy • 16% Liveness
85% Instrumentalness • 26% Positiveness
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Louis Beydts
Cinq Humoresques: II. À la fontaine
125 bpm • F# min • 02:34 • -22.15db
2% Popularity • 26% Danceability • 7% Energy • 13% Liveness
14% Instrumentalness • 4% Positiveness
2% Popularity • 26% Danceability • 7% Energy • 13% Liveness
14% Instrumentalness • 4% Positiveness
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Karl Jenkins
Yet, Here I Am: III. Reflection
138 bpm • D Maj • 01:35 • -15.91db
16% Popularity • 27% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 27% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Pauline Viardot
Hai Luli
138 bpm • G min • 03:42 • -14.47db
8% Popularity • 34% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 34% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
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Tatiana Bookbinder
Waiting for the Sun to Come Out
124 bpm • C Maj • 01:53 • -11.88db
11% Popularity • 50% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 50% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Richard Strauss
Four Last Songs, TrV 296: II. September
138 bpm • D Maj • 04:04 • -22.24db
13% Popularity • 20% Danceability • 11% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 11% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Fernando Obradors
Con amores, la mi madre
138 bpm • F min • 01:53 • -30db
9% Popularity • 35% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 35% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Jaroslav Jankovec
Srdce v rákosí: "Hvězdy se líbají"
124 bpm • G Maj • 03:01 • -19.62db
13% Popularity • 27% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 27% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Dilyana Georgieva
Deux romances, L. 78: No. 1, L'âme éva...
124 bpm • D Maj • 02:03 • -7.95db
18% Popularity • 35% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 35% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Deborah Rees
The Mikado: Three Little Maids from Scho...
124 bpm • C Maj • 01:30 • -22.66db
11% Popularity • 56% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 56% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Paul Moravec
The Blizzard Voices: XII. In the Morning...
124 bpm • E Maj • 05:07 • -20.28db
0% Popularity • 19% Danceability • 18% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 18% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
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Bob Chilcott
St. John Passion, Part II: The Judgement...
123 bpm • F min • 06:18 • -18.83db
9% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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James MacMillan
Seven Last Words from the Cross: II. Wom...
139 bpm • B min • 05:11 • -15.11db
8% Popularity • 19% Danceability • 39% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 39% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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David Kravitz
Goback Goback: III. The Visit
123 bpm • D min • 04:04 • -16.1db
0% Popularity • 49% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 49% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Jules Massenet
Le Cid: Plus de tourments et plus de pei...
123 bpm • A# Maj • 01:55 • -17.18db
12% Popularity • 32% Danceability • 13% Energy • 22% Liveness
4% Instrumentalness • 8% Positiveness
12% Popularity • 32% Danceability • 13% Energy • 22% Liveness
4% Instrumentalness • 8% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 2: Légende de la f...
140 bpm • A Maj • 07:18 • -23.79db
8% Popularity • 35% Danceability • 7% Energy • 6% Liveness
1% Instrumentalness • 11% Positiveness
8% Popularity • 35% Danceability • 7% Energy • 6% Liveness
1% Instrumentalness • 11% Positiveness
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Paul Moravec
The Blizzard Voices: IV. Billy
139 bpm • F# Maj • 03:10 • -20.4db
0% Popularity • 25% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 25% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Dhristian Eigueroa
Alabama
123 bpm • A# Maj • 03:57 • -28.39db
28% Popularity • 47% Danceability • 2% Energy • 10% Liveness
28% Instrumentalness • 7% Positiveness
28% Popularity • 47% Danceability • 2% Energy • 10% Liveness
28% Instrumentalness • 7% Positiveness
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Yohan Susilo
Pray “Psalm 23”
140 bpm • A Maj • 03:15 • -19.43db
10% Popularity • 45% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
10% Popularity • 45% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
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David Kravitz
Winter's Tale: Act I, Sicilia. Leontes's...
123 bpm • A min • 02:42 • -15.86db
0% Popularity • 45% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 45% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Arnold Schoenberg
Pierrot lunaire, Op. 21: No. 3, Le dandy...
140 bpm • A Maj • 01:26 • -20.42db
10% Popularity • 43% Danceability • 8% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 43% Danceability • 8% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Arthur Sullivan
Macbeth: Chorus of Spirits in the Air - ...
140 bpm • D min • 01:07 • -26.79db
16% Popularity • 46% Danceability • 9% Energy • 12% Liveness
55% Instrumentalness • 10% Positiveness
16% Popularity • 46% Danceability • 9% Energy • 12% Liveness
55% Instrumentalness • 10% Positiveness
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Tod Machover
Death and the Powers: VI. The World Reac...
140 bpm • C Maj • 22:00 • -15.18db
0% Popularity • 38% Danceability • 27% Energy • 23% Liveness
1% Instrumentalness • 8% Positiveness
0% Popularity • 38% Danceability • 27% Energy • 23% Liveness
1% Instrumentalness • 8% Positiveness
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Delia Winifred
Gabriel Information
122 bpm • B min • 03:07 • -10.24db
30% Popularity • 38% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 28% Positiveness
30% Popularity • 38% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 28% Positiveness
► Preview
Vincenzo Bellini
6 Ariette: No. 5, Per pietà, bell'idol ...
122 bpm • C min • 02:35 • -21db
10% Popularity • 43% Danceability • 10% Energy • 19% Liveness
7% Instrumentalness • 18% Positiveness
10% Popularity • 43% Danceability • 10% Energy • 19% Liveness
7% Instrumentalness • 18% Positiveness
► Preview
Edouard Lippé
How Do I Love Thee
141 bpm • C# Maj • 03:25 • -18.72db
8% Popularity • 29% Danceability • 5% Energy • 12% Liveness
7% Instrumentalness • 4% Positiveness
8% Popularity • 29% Danceability • 5% Energy • 12% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess):...
141 bpm • F Maj • 03:12 • -13.77db
10% Popularity • 37% Danceability • 35% Energy • 48% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 37% Danceability • 35% Energy • 48% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Wolfgang Amadeus Mozart
You, You, You
121 bpm • A# Maj • 01:30 • -14.54db
9% Popularity • 52% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 52% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Tatiana Bookbinder
They All Laughed
121 bpm • G Maj • 03:06 • -10.7db
10% Popularity • 60% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 60% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Dilyana Georgieva
Beau soir, L. 6
142 bpm • F# min • 02:42 • -9.82db
17% Popularity • 30% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
17% Popularity • 30% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: III. Laide...
120 bpm • G# min • 03:28 • -18.55db
0% Popularity • 30% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 16% Positiveness
0% Popularity • 30% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 16% Positiveness
► Preview
James MacMillan
Clemency, Scene 2: Chant of the Travelle...
143 bpm • A Maj • 06:13 • -19.75db
0% Popularity • 19% Danceability • 23% Energy • 45% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 19% Danceability • 23% Energy • 45% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Rolando Villazón
Vesti la giubba
143 bpm • E Maj • 01:22 • -8.99db
18% Popularity • 24% Danceability • 49% Energy • 13% Liveness
72% Instrumentalness • 8% Positiveness
18% Popularity • 24% Danceability • 49% Energy • 13% Liveness
72% Instrumentalness • 8% Positiveness
► Preview
Rodion Shchedrin
Shchedrin: Carmen Suite: XII. Fortune-Te...
119 bpm • A# min • 04:47 • -19.86db
18% Popularity • 19% Danceability • 13% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 13% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Cuarteto Vocal Cavatina
Indianas: V. Al Tribunal de tu Pecho
119 bpm • E Maj • 03:53 • -26.69db
8% Popularity • 32% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 14% Positiveness
8% Popularity • 32% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 14% Positiveness
► Preview
David Kravitz
Winter's Tale: Act II, Bohemia. Sixteen ...
119 bpm • D min • 01:58 • -13.01db
0% Popularity • 41% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 41% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Gunther Schuller
The Fisherman and His Wife, Scene XII: S...
145 bpm • G# Maj • 02:16 • -17.24db
0% Popularity • 26% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
James MacMillan
Clemency, Scene 1: Abraham's Chant. O Lo...
144 bpm • F Maj • 04:29 • -22.26db
0% Popularity • 26% Danceability • 14% Energy • 29% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 14% Energy • 29% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Valorie Sherburn
Darkness Falls
118 bpm • C Maj • 02:08 • -8.86db
9% Popularity • 27% Danceability • 45% Energy • 70% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 27% Danceability • 45% Energy • 70% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Alan Oke
The Gondoliers: Rising Early In the Morn...
146 bpm • D Maj • 03:28 • -26.38db
14% Popularity • 58% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 58% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Bournemouth Symphony Orchestra
Summer Night - Suite from 'The Duenna', ...
117 bpm • C Maj • 04:50 • -29.77db
0% Popularity • 19% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
0% Popularity • 19% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Patricia Cameron
The Pirates of Penzance: Climbing Over R...
117 bpm • A# Maj • 03:38 • -22.39db
8% Popularity • 48% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 48% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Arthur Sullivan
‘Neath My Lattice Through the Night (T...
117 bpm • B Maj • 03:06 • -13.86db
10% Popularity • 52% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 52% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Giuseppe Sarti
Miserere in F Minor: Asperges me hyssopo...
117 bpm • C Maj • 01:15 • -24.83db
19% Popularity • 29% Danceability • 6% Energy • 20% Liveness
6% Instrumentalness • 8% Positiveness
19% Popularity • 29% Danceability • 6% Energy • 20% Liveness
6% Instrumentalness • 8% Positiveness
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Charles Villiers Stanford
Blarney Ballads: No. 1, The Grand Ould M...
117 bpm • C min • 04:03 • -22.75db
9% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Pedro Figueredo
キューバ共和国 バヤモの歌
116 bpm • G Maj • 00:58 • -11.63db
9% Popularity • 64% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 64% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Dilyana Georgieva
Paysage sentimental
147 bpm • F Maj • 03:24 • -9.11db
17% Popularity • 32% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 32% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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James MacMillan
Clemency: Introduction. Abraham's Chant
116 bpm • D# Maj • 01:20 • -30.8db
0% Popularity • 25% Danceability • 9% Energy • 31% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 25% Danceability • 9% Energy • 31% Liveness
0% Instrumentalness • 4% Positiveness
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Al Goodhart
Momele
149 bpm • G min • 04:50 • -14.16db
20% Popularity • 27% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 27% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Kurt Weill
L’opéra de quat'sous, Act II: Duo de ...
115 bpm • E Maj • 02:36 • -13.97db
8% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Raphael Fimm
Les Hypermnésiques
115 bpm • E Maj • 01:39 • -15.79db
9% Popularity • 18% Danceability • 19% Energy • 15% Liveness
85% Instrumentalness • 11% Positiveness
9% Popularity • 18% Danceability • 19% Energy • 15% Liveness
85% Instrumentalness • 11% Positiveness
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Tatiana Bookbinder
S'Wonderful
149 bpm • D# Maj • 02:33 • -12.78db
10% Popularity • 47% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 47% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Peter Child
Estrella - The Assassination of Augusto ...
115 bpm • E Maj • 07:07 • -20.67db
0% Popularity • 26% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Francis Poulenc
La courte paille, FP 178: No. 7, Lune d�...
115 bpm • C min • 03:08 • -26.01db
1% Popularity • 25% Danceability • 1% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
1% Popularity • 25% Danceability • 1% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
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Graham Gordon Ramsay
Obedience: Let your heart hold fast my w...
150 bpm • G Maj • 01:24 • -20.18db
0% Popularity • 24% Danceability • 19% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 19% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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Paul Moravec
The Blizzard Voices: XIV. The Searching ...
150 bpm • C# min • 04:31 • -17.55db
0% Popularity • 29% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 29% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Gunther Schuller
The Fisherman and His Wife, Scene VIII: ...
150 bpm • C Maj • 06:11 • -20.24db
0% Popularity • 40% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 40% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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David Kravitz
Winter's Tale: Act I, Sicilia. Leontes's...
150 bpm • G# min • 01:15 • -14.93db
0% Popularity • 40% Danceability • 22% Energy • 41% Liveness
2% Instrumentalness • 11% Positiveness
0% Popularity • 40% Danceability • 22% Energy • 41% Liveness
2% Instrumentalness • 11% Positiveness
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Pyotr Ilyich Tchaikovsky
The Maid of Orleans, TH 6, Act 1: Adieu ...
151 bpm • G Maj • 03:01 • -13db
9% Popularity • 26% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 26% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Jacques Offenbach
Hoffmanns Erzählungen: Prologue: Aus de...
114 bpm • F Maj • 01:27 • -17.02db
13% Popularity • 42% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 18% Positiveness
13% Popularity • 42% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 18% Positiveness
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Aaron Copland
Simple Gifts (Shaker Song)
114 bpm • G# Maj • 01:40 • -21.31db
9% Popularity • 34% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 34% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Act III: Salut...
113 bpm • D# Maj • 01:18 • -16.49db
12% Popularity • 39% Danceability • 23% Energy • 60% Liveness
2% Instrumentalness • 47% Positiveness
12% Popularity • 39% Danceability • 23% Energy • 60% Liveness
2% Instrumentalness • 47% Positiveness
► Preview
Johann Strauss II
Die Fledermaus: Act II: Finale: Bruderle...
113 bpm • F Maj • 04:03 • -20db
11% Popularity • 27% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 27% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Giacomo Puccini
Sogno D'or
153 bpm • A Maj • 01:22 • -14.06db
21% Popularity • 22% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 22% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
