Songs like Winter's Tale: Act I, Sicilia. Leontes's palace, Scene II, "Come now, sit by us, and tell a tale." by David Kravitz
Based on a tempo of (+/- 10%) and a similar genre
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Anton Bruckner
Ecce sacerdos magnus, WAB 13
88 bpm • A min • 06:04 • -21.47db
10% Popularity • 20% Danceability • 11% Energy • 25% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 11% Energy • 25% Liveness
2% Instrumentalness • 4% Positiveness
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Philip Creasy
The Pirates of Penzance: Oh! False One, ...
88 bpm • G Maj • 03:09 • -23db
8% Popularity • 33% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 33% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Gentle Woman
Eve Maria
88 bpm • E Maj • 02:43 • -20.74db
10% Popularity • 19% Danceability • 14% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 14% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Oiseaux, si tous les ans, K. 307
88 bpm • C Maj • 01:43 • -18.63db
16% Popularity • 41% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 41% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: II. Veslemøy
88 bpm • E min • 02:15 • -16db
10% Popularity • 32% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 32% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Edward Elgar
The Music Makers, Op. 69: III. With wond...
88 bpm • C min • 01:51 • -16.35db
12% Popularity • 18% Danceability • 27% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
12% Popularity • 18% Danceability • 27% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Jacques Offenbach
Offenbach: La vie parisienne, Act 4: Fin...
88 bpm • G Maj • 03:12 • -17.09db
7% Popularity • 62% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
7% Popularity • 62% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Giuseppe Verdi
La forza del destino, Act IV, Scene II: ...
88 bpm • C min • 05:23 • -16.48db
10% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Máire Flavin
Stay Awake
88 bpm • A# Maj • 01:44 • -27.91db
4% Popularity • 27% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
4% Popularity • 27% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Rued Langgaard
Symphony No. 14, "Morgenen" (The Morning...
89 bpm • D Maj • 07:17 • -33.61db
7% Popularity • 9% Danceability • 1% Energy • 14% Liveness
68% Instrumentalness • 3% Positiveness
7% Popularity • 9% Danceability • 1% Energy • 14% Liveness
68% Instrumentalness • 3% Positiveness
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Arthur Sullivan
H.M.S. Pinafore / Act 1: Hail! Men o'war...
87 bpm • C Maj • 04:16 • -22.62db
11% Popularity • 43% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 43% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Juan Pablo Fernández Ramos
Para Oboe (aşık olmak)
89 bpm • A min • 02:36 • -28.88db
10% Popularity • 21% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
10% Popularity • 21% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Xavier Monsalvatge
5 Canciones negras: No. 4, Canción de c...
87 bpm • C# Maj • 02:47 • -34.37db
18% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Gabriel Fauré
2 Mélodies, Op. 46: No. 2, Clair de lun...
89 bpm • B min • 03:06 • -20.95db
15% Popularity • 18% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: X. Fac ut portem
89 bpm • A Maj • 03:29 • -20.59db
9% Popularity • 21% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 3% Positiveness
9% Popularity • 21% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 3% Positiveness
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Giacomo Puccini
La Bohème, SC 67, Act III: Speravo di t...
89 bpm • F Maj • 02:11 • -20.48db
2% Popularity • 10% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
2% Popularity • 10% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Arthur Sullivan
Patience / Act 1: If you're anxious for ...
87 bpm • D Maj • 02:30 • -23.8db
10% Popularity • 60% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 60% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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David Kravitz
Winter's Tale: Act II, Bohemia. Sixteen ...
87 bpm • C# Maj • 03:21 • -14.85db
0% Popularity • 26% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 26% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 5% Positiveness
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Miklós Rózsa
The Prayer of Our Lord
89 bpm • D Maj • 02:26 • -12.41db
8% Popularity • 16% Danceability • 30% Energy • 17% Liveness
35% Instrumentalness • 13% Positiveness
8% Popularity • 16% Danceability • 30% Energy • 17% Liveness
35% Instrumentalness • 13% Positiveness
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Théodore Dubois
Chansons de Marjolie: No. 3, Celui que j...
89 bpm • A Maj • 02:25 • -16.4db
13% Popularity • 24% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 24% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: IX. Sancta mater
87 bpm • A# min • 02:55 • -16.37db
8% Popularity • 19% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
8% Popularity • 19% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
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Giacomo Puccini
La Rondine, Act I: "Chi il bel sogno di ...
89 bpm • F Maj • 03:08 • -15.27db
8% Popularity • 28% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
89 bpm • F# Maj • 02:06 • -21.48db
9% Popularity • 15% Danceability • 15% Energy • 24% Liveness
4% Instrumentalness • 12% Positiveness
9% Popularity • 15% Danceability • 15% Energy • 24% Liveness
4% Instrumentalness • 12% Positiveness
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Graham Gordon Ramsay
Obedience: The woman Folly is boisterous
87 bpm • C Maj • 02:30 • -20.75db
0% Popularity • 20% Danceability • 6% Energy • 8% Liveness
7% Instrumentalness • 3% Positiveness
0% Popularity • 20% Danceability • 6% Energy • 8% Liveness
7% Instrumentalness • 3% Positiveness
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Gaspare Spontini
La Vestale: Ô des infortunés
87 bpm • D Maj • 02:22 • -19db
20% Popularity • 31% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 31% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Dilyana Georgieva
Deux romances, L. 79: No. 2, Les cloches
87 bpm • C# min • 02:32 • -10.53db
19% Popularity • 26% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 26% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Paul Moravec
The Blizzard Voices: VI. All Night the W...
86 bpm • G Maj • 02:03 • -19.33db
0% Popularity • 23% Danceability • 18% Energy • 13% Liveness
21% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 18% Energy • 13% Liveness
21% Instrumentalness • 4% Positiveness
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MartÍn Palmeri
Misatango, Misa a Buenos Aires: XIV. Agn...
90 bpm • C Maj • 02:10 • -17.83db
10% Popularity • 18% Danceability • 9% Energy • 10% Liveness
23% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 9% Energy • 10% Liveness
23% Instrumentalness • 5% Positiveness
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Rebecca Clarke
Shy One
90 bpm • F Maj • 01:47 • -16.28db
10% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Traditional
Traditional / Arr. Moore: I Will Walk wi...
86 bpm • F min • 01:58 • -16.47db
9% Popularity • 34% Danceability • 18% Energy • 68% Liveness
1% Instrumentalness • 18% Positiveness
9% Popularity • 34% Danceability • 18% Energy • 68% Liveness
1% Instrumentalness • 18% Positiveness
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Charlotte Hoather
Now Sleeps the Crimson Petal
90 bpm • F# Maj • 02:09 • -14.9db
7% Popularity • 40% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 40% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Dilyana Georgieva
Voici que le printemps, L. 6
90 bpm • D Maj • 02:42 • -9.46db
19% Popularity • 32% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 32% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Ned Rorem
Our Town, Act III: "Coming! Morning, Mam...
86 bpm • A min • 06:06 • -14.5db
0% Popularity • 32% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 32% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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MartÍn Palmeri
Misatango, Misa a Buenos Aires: VII. Et ...
86 bpm • F min • 01:05 • -14.52db
12% Popularity • 34% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 34% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Ernest Chausson
Chansons de Miarka, Op. 17: No. 1, Les M...
86 bpm • F# min • 03:14 • -17.71db
10% Popularity • 16% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Franz Lehár
Lehár: Zigeunerliebe: "Hör ich Cymbalk...
86 bpm • F min • 03:16 • -16.55db
8% Popularity • 33% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 33% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Georges Bizet
Carmen, Act I: Seguidilla. Près des rem...
90 bpm • D Maj • 04:27 • -17.55db
29% Popularity • 39% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 39% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Gunther Schuller
The Fisherman and His Wife, Scene VI: Se...
90 bpm • D min • 02:34 • -21.24db
0% Popularity • 28% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 28% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: VIII. Te e...
90 bpm • D Maj • 02:15 • -30.38db
10% Popularity • 26% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
10% Popularity • 26% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Johann Strauss II
Strauss II, J: La chauve-souris, Act 1: ...
90 bpm • C Maj • 03:53 • -15.64db
7% Popularity • 32% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 32% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
86 bpm • D# min • 05:24 • -20.56db
12% Popularity • 25% Danceability • 7% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
12% Popularity • 25% Danceability • 7% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Charlotte Hoather
Do Not Go My Love
90 bpm • D Maj • 03:11 • -13.45db
7% Popularity • 38% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 38% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
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Bonaventura Bottone
The Mikado: The Flowers That Bloom In th...
86 bpm • E Maj • 01:35 • -23.43db
10% Popularity • 66% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 66% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Hector Berlioz
The Damnation of Faust, Op. 24, H. 111: ...
90 bpm • F Maj • 06:08 • -23.4db
7% Popularity • 12% Danceability • 10% Energy • 12% Liveness
72% Instrumentalness • 7% Positiveness
7% Popularity • 12% Danceability • 10% Energy • 12% Liveness
72% Instrumentalness • 7% Positiveness
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James MacMillan
Clemency, Scene 3: Who are you?
90 bpm • D min • 04:01 • -18.58db
0% Popularity • 29% Danceability • 23% Energy • 65% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 29% Danceability • 23% Energy • 65% Liveness
0% Instrumentalness • 7% Positiveness
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Mohammed Fairouz
Symphony No. 3, "Poems and Prayers": III...
85 bpm • C# Maj • 05:01 • -32.64db
0% Popularity • 14% Danceability • 1% Energy • 42% Liveness
0% Instrumentalness • 3% Positiveness
0% Popularity • 14% Danceability • 1% Energy • 42% Liveness
0% Instrumentalness • 3% Positiveness
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Gruselkabinett
Kapitel 17 - Folge 42: Der Sandmann
85 bpm • D# Maj • 03:00 • -15.62db
8% Popularity • 58% Danceability • 39% Energy • 95% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 58% Danceability • 39% Energy • 95% Liveness
0% Instrumentalness • 71% Positiveness
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Richard Strauss
Strauss, R: 5 Lieder, Op. 48: No. 4, Win...
91 bpm • A# Maj • 03:23 • -24.69db
12% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Simon Mayr
Te Deum: Sanctus
85 bpm • D Maj • 01:32 • -26.26db
22% Popularity • 19% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 19% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Charles Gounod
Clos ta paupière
91 bpm • D# Maj • 03:27 • -26.42db
8% Popularity • 22% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 22% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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James MacMillan
Clemency, Scene 4: And the good?
90 bpm • D Maj • 04:38 • -15.6db
0% Popularity • 33% Danceability • 32% Energy • 56% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 33% Danceability • 32% Energy • 56% Liveness
0% Instrumentalness • 19% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: Duo des Fleurs (...
85 bpm • B Maj • 05:29 • -19.67db
13% Popularity • 26% Danceability • 7% Energy • 8% Liveness
15% Instrumentalness • 7% Positiveness
13% Popularity • 26% Danceability • 7% Energy • 8% Liveness
15% Instrumentalness • 7% Positiveness
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Matthew Coleridge
Requiem: Pie Jesu
85 bpm • C# Maj • 02:28 • -28.58db
11% Popularity • 19% Danceability • 4% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 4% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): IX. To...
85 bpm • D Maj • 02:52 • -25.33db
10% Popularity • 30% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 30% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: I. Det syng
85 bpm • D min • 03:43 • -14.57db
10% Popularity • 40% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 40% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Dilyana Georgieva
Élégie
85 bpm • E min • 02:06 • -10.01db
19% Popularity • 34% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 34% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Isabella Colbran
Gia la notte s'avvicina
85 bpm • D Maj • 01:41 • -18.5db
12% Popularity • 35% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 35% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Giacomo Puccini
Tosca, SC 69, Act III: E lucevan le stel...
85 bpm • B min • 02:49 • -23.67db
4% Popularity • 20% Danceability • 2% Energy • 8% Liveness
48% Instrumentalness • 3% Positiveness
4% Popularity • 20% Danceability • 2% Energy • 8% Liveness
48% Instrumentalness • 3% Positiveness
► Preview
Edward Elgar
The Dream of Gerontius, Op. 38, Pt. 2: L...
85 bpm • D Maj • 07:51 • -30.61db
20% Popularity • 10% Danceability • 3% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
20% Popularity • 10% Danceability • 3% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
► Preview
Henryk Górecki
Symphony No. 3 "Symphony of Sorrowful So...
85 bpm • A# min • 04:33 • -22.95db
14% Popularity • 11% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
14% Popularity • 11% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Paul Moravec
The Blizzard Voices: III. The Blizzard B...
85 bpm • F Maj • 06:50 • -14.39db
0% Popularity • 24% Danceability • 40% Energy • 29% Liveness
5% Instrumentalness • 7% Positiveness
0% Popularity • 24% Danceability • 40% Energy • 29% Liveness
5% Instrumentalness • 7% Positiveness
► Preview
Dilyana Georgieva
Léocadia, FP 106: No. 1, Les chemins de...
85 bpm • G# Maj • 03:35 • -8.26db
19% Popularity • 30% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 30% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Raimonds Pauls
Mazs, laimīgs zēns: No. 8, Vientuļais...
92 bpm • C# Maj • 04:11 • -21.08db
14% Popularity • 29% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 29% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Julián De La Chica
Dispersed And Transcendental Chants, Op....
92 bpm • G Maj • 03:47 • -26.55db
16% Popularity • 41% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 41% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Richard Strauss
Strauss, R: 8 Gedichte aus "Letzte Blät...
92 bpm • G Maj • 02:52 • -22db
19% Popularity • 31% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 31% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
6 Romances, Op. 4: No. 4, Do Not Sing, M...
84 bpm • F Maj • 05:01 • -21.1db
12% Popularity • 24% Danceability • 5% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 5% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
James Whitbourn
Annelies (chamber version): I. Introit -...
84 bpm • C min • 04:33 • -21.96db
11% Popularity • 13% Danceability • 10% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 10% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
► Preview
Dilyana Georgieva
L'invitation au voyage
84 bpm • C min • 04:07 • -9.19db
19% Popularity • 29% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 29% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Gluck: Iphigénie en Tauride, Wq. 46, Ac...
92 bpm • A Maj • 04:32 • -15.67db
11% Popularity • 21% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 21% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Paul Moravec
The Blizzard Voices: VIII. Fare Thee Wel...
84 bpm • A# Maj • 02:52 • -21.63db
0% Popularity • 10% Danceability • 12% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 12% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Turandot, Act III: Nessun dorma!
84 bpm • D Maj • 03:00 • -14.35db
27% Popularity • 16% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Charlotte Hoather
Haugtussa, Op. 67: III. Blåbaer-li
92 bpm • F Maj • 03:46 • -11db
10% Popularity • 42% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 42% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Graham Gordon Ramsay
Obedience: Have mercy on me
84 bpm • E min • 02:02 • -24.27db
0% Popularity • 24% Danceability • 12% Energy • 12% Liveness
54% Instrumentalness • 3% Positiveness
0% Popularity • 24% Danceability • 12% Energy • 12% Liveness
54% Instrumentalness • 3% Positiveness
► Preview
Dilyana Georgieva
Deux mélodies, Op. 46: No. 2, Clair de ...
84 bpm • C min • 03:22 • -9.66db
19% Popularity • 28% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 28% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
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Ralph Vaughan Williams
Songs of Travel: Whither Must I Wander?
84 bpm • D# Maj • 03:34 • -16.71db
11% Popularity • 37% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 37% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Karl Jenkins
The Golden Age Begins Anew: I. Renewal
92 bpm • G Maj • 03:03 • -15.94db
10% Popularity • 22% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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David Kravitz
Winter's Tale: Act II, Bohemia. Sixteen ...
84 bpm • D# min • 03:01 • -16.04db
0% Popularity • 34% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 34% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Ned Rorem
Our Town, Act II: "Well, George, How are...
84 bpm • F Maj • 04:26 • -12.79db
0% Popularity • 39% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 39% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Juan Pablo Fernández Ramos
Para chelo
84 bpm • D min • 03:35 • -30.95db
10% Popularity • 13% Danceability • 2% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
10% Popularity • 13% Danceability • 2% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
I Capuleti e i Montecchi, Act 1 Scene 4:...
84 bpm • D min • 05:03 • -18db
8% Popularity • 18% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
8% Popularity • 18% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Franz Ries
6 Lieder, Op. 31: No. 6, Abschied
93 bpm • F Maj • 01:41 • -15.67db
30% Popularity • 25% Danceability • 23% Energy • 13% Liveness
13% Instrumentalness • 8% Positiveness
30% Popularity • 25% Danceability • 23% Energy • 13% Liveness
13% Instrumentalness • 8% Positiveness
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Karl Jenkins
Hidden Faces
93 bpm • C# Maj • 01:19 • -23.39db
10% Popularity • 33% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 33% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Francesco Maria Piave
La Traviata: "Ah, Fors'è Lui" and "Semp...
84 bpm • F min • 06:43 • -17db
7% Popularity • 34% Danceability • 6% Energy • 6% Liveness
3% Instrumentalness • 5% Positiveness
7% Popularity • 34% Danceability • 6% Energy • 6% Liveness
3% Instrumentalness • 5% Positiveness
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Sigvaldi Kaldalóns
Ave María
83 bpm • D# Maj • 04:36 • -15.8db
8% Popularity • 26% Danceability • 18% Energy • 69% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 18% Energy • 69% Liveness
2% Instrumentalness • 4% Positiveness
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Léo Delibes
Lakmé / Flower Duet: Dôme épais le ja...
83 bpm • B Maj • 04:29 • -17.21db
10% Popularity • 32% Danceability • 16% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
10% Popularity • 32% Danceability • 16% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Das Traumbild, K. 530
83 bpm • B Maj • 04:35 • -21.84db
11% Popularity • 35% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 35% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Messa da Requiem for Soloists, Chorus an...
83 bpm • A Maj • 10:42 • -26.86db
12% Popularity • 15% Danceability • 5% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 5% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
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Benjamin Frankel
The Night Of The Iguana: Maxine And Shan...
83 bpm • A Maj • 01:24 • -24.06db
13% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
13% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
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Celine Byrne
Torroba: La Petenera, La Marchenera
94 bpm • A min • 02:54 • -14.37db
8% Popularity • 32% Danceability • 24% Energy • 22% Liveness
2% Instrumentalness • 11% Positiveness
8% Popularity • 32% Danceability • 24% Energy • 22% Liveness
2% Instrumentalness • 11% Positiveness
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Errollyn Wallen
Are You Worried About the Rising Cost of...
83 bpm • G Maj • 05:24 • -17.76db
11% Popularity • 28% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
11% Popularity • 28% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Bob Chilcott
Weep, O mine eyes - Mixed voices
94 bpm • E Maj • 03:52 • -19.95db
7% Popularity • 16% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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James MacMillan
Clemency, Scene 1: What is the measure o...
94 bpm • D min • 01:55 • -22.69db
0% Popularity • 24% Danceability • 10% Energy • 63% Liveness
10% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 10% Energy • 63% Liveness
10% Instrumentalness • 4% Positiveness
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Bryce Dessner
Dessner: Tugboat Opera (She Came to Me)
82 bpm • C min • 02:42 • -8.55db
7% Popularity • 25% Danceability • 45% Energy • 13% Liveness
2% Instrumentalness • 6% Positiveness
7% Popularity • 25% Danceability • 45% Energy • 13% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
David Kravitz
Winter's Tale: Act I, Sicilia. Leontes's...
82 bpm • A# min • 02:06 • -15.4db
0% Popularity • 34% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 34% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Mohammed Fairouz
Symphony No. 3, "Poems and Prayers": IV....
94 bpm • A Maj • 28:30 • -20.92db
0% Popularity • 17% Danceability • 10% Energy • 7% Liveness
43% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 10% Energy • 7% Liveness
43% Instrumentalness • 3% Positiveness
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Charles Koechlin
3 Mélodies, Op. 17: No. 3, Epiphanie
82 bpm • C# min • 06:37 • -19.93db
8% Popularity • 22% Danceability • 7% Energy • 11% Liveness
16% Instrumentalness • 3% Positiveness
8% Popularity • 22% Danceability • 7% Energy • 11% Liveness
16% Instrumentalness • 3% Positiveness
► Preview
Giacomo Puccini
La Bohème, SC 6, Act IV: Sono andati?
82 bpm • G# Maj • 03:23 • -22.75db
3% Popularity • 18% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
3% Popularity • 18% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Léo Delibes
Lakmé / Flower Duet: Viens, Mallika, le...
94 bpm • B Maj • 01:06 • -20.03db
17% Popularity • 34% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 34% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness