Songs like Winter's Tale: Act II, Bohemia. Sixteen years later, Scene I, "Camillo, I must put to sea with her" by David Kravitz
Based on a tempo of (+/- 10%) and a similar genre
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Cuarteto Vocal Cavatina
Indianas: V. Al Tribunal de tu Pecho
119 bpm • E Maj • 03:53 • -26.69db
8% Popularity • 32% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 14% Positiveness
8% Popularity • 32% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 14% Positiveness
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David Kravitz
Winter's Tale: Act II, Bohemia. Sixteen ...
119 bpm • D min • 01:58 • -13.01db
0% Popularity • 41% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 41% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
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Rodion Shchedrin
Shchedrin: Carmen Suite: XII. Fortune-Te...
119 bpm • A# min • 04:47 • -19.86db
18% Popularity • 19% Danceability • 13% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 13% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: III. Laide...
120 bpm • G# min • 03:28 • -18.55db
0% Popularity • 30% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 16% Positiveness
0% Popularity • 30% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 16% Positiveness
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Valorie Sherburn
Darkness Falls
118 bpm • C Maj • 02:08 • -8.86db
9% Popularity • 27% Danceability • 45% Energy • 70% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 27% Danceability • 45% Energy • 70% Liveness
0% Instrumentalness • 37% Positiveness
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Patricia Cameron
The Pirates of Penzance: Climbing Over R...
117 bpm • A# Maj • 03:38 • -22.39db
8% Popularity • 48% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 48% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Bournemouth Symphony Orchestra
Summer Night - Suite from 'The Duenna', ...
117 bpm • C Maj • 04:50 • -29.77db
0% Popularity • 19% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
0% Popularity • 19% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Arthur Sullivan
‘Neath My Lattice Through the Night (T...
117 bpm • B Maj • 03:06 • -13.86db
10% Popularity • 52% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 52% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Wolfgang Amadeus Mozart
You, You, You
121 bpm • A# Maj • 01:30 • -14.54db
9% Popularity • 52% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 52% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Giuseppe Sarti
Miserere in F Minor: Asperges me hyssopo...
117 bpm • C Maj • 01:15 • -24.83db
19% Popularity • 29% Danceability • 6% Energy • 20% Liveness
6% Instrumentalness • 8% Positiveness
19% Popularity • 29% Danceability • 6% Energy • 20% Liveness
6% Instrumentalness • 8% Positiveness
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Charles Villiers Stanford
Blarney Ballads: No. 1, The Grand Ould M...
117 bpm • C min • 04:03 • -22.75db
9% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Pedro Figueredo
キューバ共和国 バヤモの歌
116 bpm • G Maj • 00:58 • -11.63db
9% Popularity • 64% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 64% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Tatiana Bookbinder
They All Laughed
121 bpm • G Maj • 03:06 • -10.7db
10% Popularity • 60% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 60% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Delia Winifred
Gabriel Information
122 bpm • B min • 03:07 • -10.24db
30% Popularity • 38% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 28% Positiveness
30% Popularity • 38% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 28% Positiveness
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James MacMillan
Clemency: Introduction. Abraham's Chant
116 bpm • D# Maj • 01:20 • -30.8db
0% Popularity • 25% Danceability • 9% Energy • 31% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 25% Danceability • 9% Energy • 31% Liveness
0% Instrumentalness • 4% Positiveness
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David Kravitz
Winter's Tale: Act I, Sicilia. Leontes's...
123 bpm • A min • 02:42 • -15.86db
0% Popularity • 45% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 45% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Vincenzo Bellini
6 Ariette: No. 5, Per pietà, bell'idol ...
122 bpm • C min • 02:35 • -21db
10% Popularity • 43% Danceability • 10% Energy • 19% Liveness
7% Instrumentalness • 18% Positiveness
10% Popularity • 43% Danceability • 10% Energy • 19% Liveness
7% Instrumentalness • 18% Positiveness
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Kurt Weill
L’opéra de quat'sous, Act II: Duo de ...
115 bpm • E Maj • 02:36 • -13.97db
8% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Dhristian Eigueroa
Alabama
123 bpm • A# Maj • 03:57 • -28.39db
28% Popularity • 47% Danceability • 2% Energy • 10% Liveness
28% Instrumentalness • 7% Positiveness
28% Popularity • 47% Danceability • 2% Energy • 10% Liveness
28% Instrumentalness • 7% Positiveness
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Bob Chilcott
St. John Passion, Part II: The Judgement...
123 bpm • F min • 06:18 • -18.83db
9% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Raphael Fimm
Les Hypermnésiques
115 bpm • E Maj • 01:39 • -15.79db
9% Popularity • 18% Danceability • 19% Energy • 15% Liveness
85% Instrumentalness • 11% Positiveness
9% Popularity • 18% Danceability • 19% Energy • 15% Liveness
85% Instrumentalness • 11% Positiveness
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David Kravitz
Goback Goback: III. The Visit
123 bpm • D min • 04:04 • -16.1db
0% Popularity • 49% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 49% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Peter Child
Estrella - The Assassination of Augusto ...
115 bpm • E Maj • 07:07 • -20.67db
0% Popularity • 26% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Jules Massenet
Le Cid: Plus de tourments et plus de pei...
123 bpm • A# Maj • 01:55 • -17.18db
12% Popularity • 32% Danceability • 13% Energy • 22% Liveness
4% Instrumentalness • 8% Positiveness
12% Popularity • 32% Danceability • 13% Energy • 22% Liveness
4% Instrumentalness • 8% Positiveness
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Francis Poulenc
La courte paille, FP 178: No. 7, Lune d�...
115 bpm • C min • 03:08 • -26.01db
1% Popularity • 25% Danceability • 1% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
1% Popularity • 25% Danceability • 1% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
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Paul Moravec
The Blizzard Voices: XII. In the Morning...
124 bpm • E Maj • 05:07 • -20.28db
0% Popularity • 19% Danceability • 18% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 18% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
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Deborah Rees
The Mikado: Three Little Maids from Scho...
124 bpm • C Maj • 01:30 • -22.66db
11% Popularity • 56% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 56% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Dilyana Georgieva
Deux romances, L. 78: No. 1, L'âme éva...
124 bpm • D Maj • 02:03 • -7.95db
18% Popularity • 35% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 35% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Jaroslav Jankovec
Srdce v rákosí: "Hvězdy se líbají"
124 bpm • G Maj • 03:01 • -19.62db
13% Popularity • 27% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 27% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Tatiana Bookbinder
Waiting for the Sun to Come Out
124 bpm • C Maj • 01:53 • -11.88db
11% Popularity • 50% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 50% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Jacques Offenbach
Hoffmanns Erzählungen: Prologue: Aus de...
114 bpm • F Maj • 01:27 • -17.02db
13% Popularity • 42% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 18% Positiveness
13% Popularity • 42% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 18% Positiveness
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Louis Beydts
Cinq Humoresques: II. À la fontaine
125 bpm • F# min • 02:34 • -22.15db
2% Popularity • 26% Danceability • 7% Energy • 13% Liveness
14% Instrumentalness • 4% Positiveness
2% Popularity • 26% Danceability • 7% Energy • 13% Liveness
14% Instrumentalness • 4% Positiveness
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Aaron Copland
Simple Gifts (Shaker Song)
114 bpm • G# Maj • 01:40 • -21.31db
9% Popularity • 34% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 34% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: II. Petit ...
125 bpm • C min • 03:17 • -27.4db
0% Popularity • 20% Danceability • 5% Energy • 33% Liveness
5% Instrumentalness • 16% Positiveness
0% Popularity • 20% Danceability • 5% Energy • 33% Liveness
5% Instrumentalness • 16% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Act III: Salut...
113 bpm • D# Maj • 01:18 • -16.49db
12% Popularity • 39% Danceability • 23% Energy • 60% Liveness
2% Instrumentalness • 47% Positiveness
12% Popularity • 39% Danceability • 23% Energy • 60% Liveness
2% Instrumentalness • 47% Positiveness
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Betty Buckley
Every Day a Little Death
125 bpm • C# min • 02:40 • -13.96db
8% Popularity • 38% Danceability • 22% Energy • 95% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 38% Danceability • 22% Energy • 95% Liveness
0% Instrumentalness • 34% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: "Glou, gl...
114 bpm • C Maj • 01:03 • -26.08db
10% Popularity • 44% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
10% Popularity • 44% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
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Ned Rorem
Our Town, Act II: "Morning, Everybody! O...
125 bpm • G min • 02:55 • -14.74db
0% Popularity • 52% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 52% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Johann Strauss II
Die Fledermaus: Act II: Finale: Bruderle...
113 bpm • F Maj • 04:03 • -20db
11% Popularity • 27% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 27% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: VI. Vidit suum
113 bpm • G Maj • 03:13 • -22.92db
11% Popularity • 25% Danceability • 9% Energy • 14% Liveness
45% Instrumentalness • 3% Positiveness
11% Popularity • 25% Danceability • 9% Energy • 14% Liveness
45% Instrumentalness • 3% Positiveness
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Irving Berlin
I Love a Piano
112 bpm • D Maj • 04:23 • -13.53db
14% Popularity • 48% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 48% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Philip Creasy
The Pirates of Penzance: Stay, We Must N...
126 bpm • G Maj • 01:24 • -22.59db
8% Popularity • 58% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 58% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Lesley Garrett
The Mikado: So Please You Sir
127 bpm • G Maj • 01:52 • -19.35db
9% Popularity • 67% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 67% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67: XII. The Bir...
111 bpm • C Maj • 01:32 • -25.85db
12% Popularity • 50% Danceability • 6% Energy • 30% Liveness
2% Instrumentalness • 26% Positiveness
12% Popularity • 50% Danceability • 6% Energy • 30% Liveness
2% Instrumentalness • 26% Positiveness
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Johann Strauss II
Strauss II, J: La chauve-souris, Act 1: ...
128 bpm • G Maj • 01:20 • -18.22db
15% Popularity • 35% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 35% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: "Viens, Mallika"...
111 bpm • B Maj • 05:13 • -24.91db
11% Popularity • 29% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 29% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Hugh Aitken
Cantata No. 4: II. MI BUFÓN
110 bpm • D Maj • 01:22 • -21.36db
9% Popularity • 58% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
9% Popularity • 58% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Natalie Choquette
Voi che sapete
110 bpm • A# Maj • 03:00 • -23.45db
11% Popularity • 33% Danceability • 7% Energy • 12% Liveness
8% Instrumentalness • 23% Positiveness
11% Popularity • 33% Danceability • 7% Energy • 12% Liveness
8% Instrumentalness • 23% Positiveness
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Joose Vähäsöyrinki
Resitatiivi, Kun Jeesus Oli Ruokkinut
110 bpm • D# Maj • 05:03 • -17.1db
12% Popularity • 27% Danceability • 21% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
12% Popularity • 27% Danceability • 21% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
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Fanny Mendelssohn
Bergeslust
110 bpm • A Maj • 01:29 • -17db
12% Popularity • 49% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 49% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Charles Ives
2 Little Flowers (text by C. Ives, H. Tw...
110 bpm • D Maj • 01:13 • -26.88db
7% Popularity • 39% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 39% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Thomas Pasatieri
A Rustling of Angels: I Saw
129 bpm • C min • 01:03 • -26db
8% Popularity • 67% Danceability • 7% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 67% Danceability • 7% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Elliott Z. Levine
Moon and Flowering Plum
130 bpm • D min • 02:24 • -25.7db
8% Popularity • 34% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 34% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Engelbert Humperdinck
Hänsel und Gretel: Abends will ich schl...
129 bpm • D Maj • 02:27 • -18.83db
20% Popularity • 20% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
20% Popularity • 20% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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Reynaldo Hahn
Mai
130 bpm • F Maj • 01:58 • -18.79db
10% Popularity • 29% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
10% Popularity • 29% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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Mohammed Fairouz
Symphony No. 3, "Poems and Prayers": II....
130 bpm • G Maj • 05:43 • -28.97db
0% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Platée, RCT 53, Acte 1 Scène 3: Annonc...
130 bpm • D# Maj • 01:55 • -12.32db
8% Popularity • 48% Danceability • 35% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 48% Danceability • 35% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
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Paul Moravec
The Blizzard Voices: II. There Was a Day
130 bpm • E Maj • 08:00 • -17.79db
0% Popularity • 30% Danceability • 22% Energy • 14% Liveness
2% Instrumentalness • 8% Positiveness
0% Popularity • 30% Danceability • 22% Energy • 14% Liveness
2% Instrumentalness • 8% Positiveness
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André Jolivet
Suite liturgique: VIII. Final
130 bpm • G min • 01:47 • -16.69db
9% Popularity • 28% Danceability • 8% Energy • 12% Liveness
52% Instrumentalness • 38% Positiveness
9% Popularity • 28% Danceability • 8% Energy • 12% Liveness
52% Instrumentalness • 38% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme (Andant...
130 bpm • G min • 01:39 • -25.26db
8% Popularity • 16% Danceability • 8% Energy • 20% Liveness
93% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 20% Liveness
93% Instrumentalness • 3% Positiveness
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Emmanuel Chabrier
Lied
109 bpm • C Maj • 02:22 • -18.88db
17% Popularity • 53% Danceability • 12% Energy • 14% Liveness
23% Instrumentalness • 58% Positiveness
17% Popularity • 53% Danceability • 12% Energy • 14% Liveness
23% Instrumentalness • 58% Positiveness
► Preview
Luciano Berio
Folk Songs: No. 2, I Wonder as I Wander
108 bpm • G min • 02:00 • -24.53db
18% Popularity • 37% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
18% Popularity • 37% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
► Preview
Dilyana Georgieva
Trois mélodies, Op. 7: No. 1, Après un...
108 bpm • G min • 02:39 • -8.54db
18% Popularity • 37% Danceability • 30% Energy • 10% Liveness
11% Instrumentalness • 10% Positiveness
18% Popularity • 37% Danceability • 30% Energy • 10% Liveness
11% Instrumentalness • 10% Positiveness
► Preview
Harry Secombe
Merry Widow Waltz
131 bpm • G Maj • 02:28 • -14db
8% Popularity • 23% Danceability • 26% Energy • 22% Liveness
11% Instrumentalness • 26% Positiveness
8% Popularity • 23% Danceability • 26% Energy • 22% Liveness
11% Instrumentalness • 26% Positiveness
► Preview
David Kravitz
Goback Goback: II. O Why Am I So Bright
131 bpm • F Maj • 02:51 • -11.47db
0% Popularity • 42% Danceability • 40% Energy • 17% Liveness
1% Instrumentalness • 45% Positiveness
0% Popularity • 42% Danceability • 40% Energy • 17% Liveness
1% Instrumentalness • 45% Positiveness
► Preview
Reynaldo Hahn
Paysage
131 bpm • C Maj • 02:28 • -21.62db
22% Popularity • 24% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Charlotte Hoather
Haugtussa, Op. 67: VI. Killingdans
108 bpm • G Maj • 01:44 • -10.49db
10% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Leoš Janáček
Katya Kabanova, JW I/8, Act II Scene 2: ...
108 bpm • C# Maj • 04:10 • -28.51db
8% Popularity • 29% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 29% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Ellen Reid
p r i s m / Act III: A New Medicine
107 bpm • G Maj • 05:50 • -13.04db
7% Popularity • 44% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 44% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Hector Berlioz
The Damnation of Faust, Op. 24, H. 111, ...
108 bpm • A Maj • 05:04 • -26.77db
7% Popularity • 22% Danceability • 3% Energy • 65% Liveness
1% Instrumentalness • 4% Positiveness
7% Popularity • 22% Danceability • 3% Energy • 65% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Benjamin Britten
Quatre chansons françaises: No. 3, L'en...
133 bpm • A Maj • 04:38 • -19.18db
7% Popularity • 28% Danceability • 9% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
7% Popularity • 28% Danceability • 9% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
► Preview
David Kravitz
Goback Goback: I. From The Greenock Dial...
107 bpm • D min • 07:15 • -20.22db
0% Popularity • 33% Danceability • 10% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 33% Danceability • 10% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Charlotte Hoather
Haugtussa, Op. 67: VIII. Ved gjaetle-bek...
132 bpm • B min • 06:23 • -15.02db
10% Popularity • 35% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 35% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Tatiana Bookbinder
That Certain Feeling
133 bpm • D# Maj • 02:41 • -11.1db
10% Popularity • 57% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 57% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Leonard Bernstein
MASS: No. 3, Rensory. Alleluia
107 bpm • F Maj • 01:08 • -22.34db
10% Popularity • 41% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 41% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Neal Desby
Shenandoah
133 bpm • F Maj • 03:32 • -14.6db
13% Popularity • 38% Danceability • 17% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
13% Popularity • 38% Danceability • 17% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
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Lili Boulanger
Clairières dans le ciel (Version for So...
133 bpm • A Maj • 01:59 • -24.76db
8% Popularity • 30% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Ella Fitzgerald
You Showed Me the Way (Arr. for Voice an...
133 bpm • D Maj • 04:26 • -20.25db
14% Popularity • 40% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 40% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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吴霜
薇奥列塔的咏叹调
106 bpm • G# Maj • 07:28 • -18.46db
7% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Oscar Straus
Je t‘aime (Les Trois Valses)
106 bpm • E Maj • 03:59 • -14.26db
8% Popularity • 30% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 30% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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刘淑芳
小小的礼品(阿根廷歌曲)
133 bpm • E min • 04:23 • -15.75db
7% Popularity • 37% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 37% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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David Kravitz
Winter's Tale: Act I, Sicilia. Leontes's...
106 bpm • C# Maj • 01:17 • -16.13db
0% Popularity • 37% Danceability • 42% Energy • 15% Liveness
14% Instrumentalness • 5% Positiveness
0% Popularity • 37% Danceability • 42% Energy • 15% Liveness
14% Instrumentalness • 5% Positiveness
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James MacMillan
Clemency, Scene 2: No-one can walk far i...
106 bpm • D min • 07:23 • -18.67db
0% Popularity • 33% Danceability • 19% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 33% Danceability • 19% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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Jaurés Lamarque Pons
Concertino de invierno: 2. Moderato
134 bpm • E min • 03:34 • -26.46db
10% Popularity • 38% Danceability • 4% Energy • 6% Liveness
66% Instrumentalness • 4% Positiveness
10% Popularity • 38% Danceability • 4% Energy • 6% Liveness
66% Instrumentalness • 4% Positiveness
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Graham Gordon Ramsay
Obedience: My commandment is not too dif...
105 bpm • E Maj • 01:35 • -19.97db
0% Popularity • 26% Danceability • 17% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 17% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Pribaoutki: The Colonel
106 bpm • E Maj • 00:49 • -19.65db
7% Popularity • 61% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 61% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
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Benjamin Britten
Quatre chansons françaises: No. 1, Nuit...
105 bpm • D Maj • 02:33 • -22.29db
10% Popularity • 33% Danceability • 4% Energy • 6% Liveness
68% Instrumentalness • 3% Positiveness
10% Popularity • 33% Danceability • 4% Energy • 6% Liveness
68% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Mélodies persanes, Op. 26: No. 2, La Sp...
134 bpm • F Maj • 04:07 • -21.63db
8% Popularity • 28% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 28% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Paul Moravec
The Blizzard Voices: XVI. Epilogue
134 bpm • C# min • 07:04 • -19.17db
0% Popularity • 17% Danceability • 20% Energy • 10% Liveness
46% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 20% Energy • 10% Liveness
46% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
In Windsor Forest: No. 3, Falstaff and t...
134 bpm • F Maj • 04:49 • -21.11db
11% Popularity • 31% Danceability • 12% Energy • 7% Liveness
3% Instrumentalness • 25% Positiveness
11% Popularity • 31% Danceability • 12% Energy • 7% Liveness
3% Instrumentalness • 25% Positiveness
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César Franck
Die sieben Worte Christi am Kreuz für S...
105 bpm • D# Maj • 06:55 • -22.99db
11% Popularity • 18% Danceability • 12% Energy • 8% Liveness
46% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 12% Energy • 8% Liveness
46% Instrumentalness • 5% Positiveness
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Leonard Bernstein
Mass A Theatre Piece for Singers, Player...
105 bpm • G Maj • 05:13 • -16.06db
0% Popularity • 47% Danceability • 27% Energy • 70% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 47% Danceability • 27% Energy • 70% Liveness
0% Instrumentalness • 55% Positiveness
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Henri Duparc
L’invitation au voyage
105 bpm • G Maj • 03:48 • -17.87db
10% Popularity • 26% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 3% Positiveness
10% Popularity • 26% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 3% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: IV. Møte
105 bpm • F Maj • 03:48 • -13.81db
10% Popularity • 35% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 35% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Delia Winifred
Wexford Carroll
135 bpm • D Maj • 04:11 • -10.41db
30% Popularity • 45% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 45% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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André Jolivet
Suite liturgique: II. Salve Regina
105 bpm • G Maj • 02:25 • -26db
7% Popularity • 27% Danceability • 1% Energy • 7% Liveness
2% Instrumentalness • 6% Positiveness
7% Popularity • 27% Danceability • 1% Energy • 7% Liveness
2% Instrumentalness • 6% Positiveness
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Alexander von Zemlinsky
Walzer-Gesänge, Op. 6: No. 5, Blaues St...
105 bpm • G Maj • 01:49 • -28.12db
5% Popularity • 34% Danceability • 2% Energy • 8% Liveness
23% Instrumentalness • 13% Positiveness
5% Popularity • 34% Danceability • 2% Energy • 8% Liveness
23% Instrumentalness • 13% Positiveness
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Georges Bizet
Carmen Suite No. 1: Intermezzo (Prelude ...
136 bpm • D# Maj • 02:35 • -36.64db
2% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
2% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
