Songs like Winter's Tale: Act II, Bohemia. Sixteen years later, Scene I, "Now my fairest friend" by David Kravitz
Based on a tempo of (+/- 10%) and a similar genre
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Ralph Vaughan Williams
Songs of Travel: Whither Must I Wander?
84 bpm • D# Maj • 03:34 • -16.71db
11% Popularity • 37% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 37% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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David Kravitz
Winter's Tale: Act II, Bohemia. Sixteen ...
84 bpm • D# min • 03:01 • -16.04db
0% Popularity • 34% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 34% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Graham Gordon Ramsay
Obedience: Have mercy on me
84 bpm • E min • 02:02 • -24.27db
0% Popularity • 24% Danceability • 12% Energy • 12% Liveness
54% Instrumentalness • 3% Positiveness
0% Popularity • 24% Danceability • 12% Energy • 12% Liveness
54% Instrumentalness • 3% Positiveness
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Ned Rorem
Our Town, Act II: "Well, George, How are...
84 bpm • F Maj • 04:26 • -12.79db
0% Popularity • 39% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 39% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Giacomo Puccini
Turandot, Act III: Nessun dorma!
84 bpm • D Maj • 03:00 • -14.35db
27% Popularity • 16% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Juan Pablo Fernández Ramos
Para chelo
84 bpm • D min • 03:35 • -30.95db
9% Popularity • 13% Danceability • 2% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
9% Popularity • 13% Danceability • 2% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
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Paul Moravec
The Blizzard Voices: VIII. Fare Thee Wel...
84 bpm • A# Maj • 02:52 • -21.63db
0% Popularity • 10% Danceability • 12% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 12% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Dilyana Georgieva
Deux mélodies, Op. 46: No. 2, Clair de ...
84 bpm • C min • 03:22 • -9.66db
19% Popularity • 28% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 28% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
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Vincenzo Bellini
I Capuleti e i Montecchi, Act 1 Scene 4:...
84 bpm • D min • 05:03 • -18db
8% Popularity • 18% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
8% Popularity • 18% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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James Whitbourn
Annelies (chamber version): I. Introit -...
84 bpm • C min • 04:33 • -21.96db
11% Popularity • 13% Danceability • 10% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 10% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
6 Romances, Op. 4: No. 4, Do Not Sing, M...
84 bpm • F Maj • 05:01 • -21.1db
15% Popularity • 24% Danceability • 5% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 5% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
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Sigvaldi Kaldalóns
Ave María
83 bpm • D# Maj • 04:36 • -15.8db
8% Popularity • 26% Danceability • 18% Energy • 69% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 18% Energy • 69% Liveness
2% Instrumentalness • 4% Positiveness
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Paul Moravec
The Blizzard Voices: III. The Blizzard B...
85 bpm • F Maj • 06:50 • -14.39db
0% Popularity • 24% Danceability • 40% Energy • 29% Liveness
5% Instrumentalness • 7% Positiveness
0% Popularity • 24% Danceability • 40% Energy • 29% Liveness
5% Instrumentalness • 7% Positiveness
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Dilyana Georgieva
L'invitation au voyage
84 bpm • C min • 04:07 • -9.19db
19% Popularity • 29% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 29% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38, Pt. 2: L...
85 bpm • D Maj • 07:51 • -30.61db
23% Popularity • 10% Danceability • 3% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
23% Popularity • 10% Danceability • 3% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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Henryk Górecki
Symphony No. 3 "Symphony of Sorrowful So...
85 bpm • A# min • 04:33 • -22.95db
14% Popularity • 11% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
14% Popularity • 11% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Tosca, SC 69, Act III: E lucevan le stel...
85 bpm • B min • 02:49 • -23.67db
4% Popularity • 20% Danceability • 2% Energy • 8% Liveness
48% Instrumentalness • 3% Positiveness
4% Popularity • 20% Danceability • 2% Energy • 8% Liveness
48% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Das Traumbild, K. 530
83 bpm • B Maj • 04:35 • -21.84db
11% Popularity • 35% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 35% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Isabella Colbran
Gia la notte s'avvicina
85 bpm • D Maj • 01:41 • -18.5db
12% Popularity • 35% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 35% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Dilyana Georgieva
Léocadia, FP 106: No. 1, Les chemins de...
85 bpm • G# Maj • 03:35 • -8.26db
19% Popularity • 30% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 30% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Messa da Requiem for Soloists, Chorus an...
83 bpm • A Maj • 10:42 • -26.86db
12% Popularity • 15% Danceability • 5% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 5% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
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Léo Delibes
Lakmé / Flower Duet: Dôme épais le ja...
83 bpm • B Maj • 04:29 • -17.21db
10% Popularity • 32% Danceability • 16% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
10% Popularity • 32% Danceability • 16% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: I. Det syng
85 bpm • D min • 03:43 • -14.57db
9% Popularity • 40% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 40% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Benjamin Frankel
The Night Of The Iguana: Maxine And Shan...
83 bpm • A Maj • 01:24 • -24.06db
13% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
13% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
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Matthew Coleridge
Requiem: Pie Jesu
85 bpm • C# Maj • 02:28 • -28.58db
11% Popularity • 19% Danceability • 4% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 4% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
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Dilyana Georgieva
Élégie
85 bpm • E min • 02:06 • -10.01db
19% Popularity • 34% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 34% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): IX. To...
85 bpm • D Maj • 02:52 • -25.33db
10% Popularity • 30% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 30% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: Duo des Fleurs (...
85 bpm • B Maj • 05:29 • -19.67db
13% Popularity • 26% Danceability • 7% Energy • 8% Liveness
15% Instrumentalness • 7% Positiveness
13% Popularity • 26% Danceability • 7% Energy • 8% Liveness
15% Instrumentalness • 7% Positiveness
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Johann Simon Mayr
Te Deum: Sanctus
85 bpm • D Maj • 01:32 • -26.26db
22% Popularity • 19% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 19% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Errollyn Wallen
Are You Worried About the Rising Cost of...
83 bpm • G Maj • 05:24 • -17.76db
11% Popularity • 28% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
11% Popularity • 28% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Gruselkabinett
Kapitel 17 - Folge 42: Der Sandmann
85 bpm • D# Maj • 03:00 • -15.62db
8% Popularity • 58% Danceability • 39% Energy • 95% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 58% Danceability • 39% Energy • 95% Liveness
0% Instrumentalness • 71% Positiveness
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Mohammed Fairouz
Symphony No. 3, "Poems and Prayers": III...
85 bpm • C# Maj • 05:01 • -32.64db
0% Popularity • 14% Danceability • 1% Energy • 42% Liveness
0% Instrumentalness • 3% Positiveness
0% Popularity • 14% Danceability • 1% Energy • 42% Liveness
0% Instrumentalness • 3% Positiveness
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Bryce Dessner
Dessner: Tugboat Opera (She Came to Me)
82 bpm • C min • 02:42 • -8.55db
7% Popularity • 25% Danceability • 45% Energy • 13% Liveness
2% Instrumentalness • 6% Positiveness
7% Popularity • 25% Danceability • 45% Energy • 13% Liveness
2% Instrumentalness • 6% Positiveness
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Bonaventura Bottone
The Mikado: The Flowers That Bloom In th...
86 bpm • E Maj • 01:35 • -23.43db
10% Popularity • 66% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 66% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
86 bpm • D# min • 05:24 • -20.56db
12% Popularity • 25% Danceability • 7% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
12% Popularity • 25% Danceability • 7% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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David Kravitz
Winter's Tale: Act I, Sicilia. Leontes's...
82 bpm • A# min • 02:06 • -15.4db
0% Popularity • 34% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 34% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Ernest Chausson
Chansons de Miarka, Op. 17: No. 1, Les M...
86 bpm • F# min • 03:14 • -17.71db
10% Popularity • 16% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Franz Lehár
Lehár: Zigeunerliebe: "Hör ich Cymbalk...
86 bpm • F min • 03:16 • -16.55db
8% Popularity • 33% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 33% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Mohammed Fairouz
Symphony No. 3, "Poems and Prayers": Min...
82 bpm • C Maj • 07:13 • -23.51db
0% Popularity • 13% Danceability • 7% Energy • 29% Liveness
4% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 7% Energy • 29% Liveness
4% Instrumentalness • 4% Positiveness
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Charles Koechlin
3 Mélodies, Op. 17: No. 3, Epiphanie
82 bpm • C# min • 06:37 • -19.93db
8% Popularity • 22% Danceability • 7% Energy • 11% Liveness
16% Instrumentalness • 3% Positiveness
8% Popularity • 22% Danceability • 7% Energy • 11% Liveness
16% Instrumentalness • 3% Positiveness
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Giacomo Puccini
La Bohème, SC 6, Act IV: Sono andati?
82 bpm • G# Maj • 03:23 • -22.75db
3% Popularity • 18% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
3% Popularity • 18% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Ned Rorem
Our Town, Act III: "Coming! Morning, Mam...
86 bpm • A min • 06:06 • -14.5db
0% Popularity • 32% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 32% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): XI. No...
82 bpm • D min • 03:34 • -33.88db
10% Popularity • 19% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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MartÍn Palmeri
Misatango, Misa a Buenos Aires: VII. Et ...
86 bpm • F min • 01:05 • -14.52db
12% Popularity • 34% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 34% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Inspiration
Affirmation 1
82 bpm • C# Maj • 01:01 • -45.32db
13% Popularity • 53% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 53% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Benjamin Britten
Quatre chansons françaises: No. 4, Chan...
82 bpm • F# Maj • 01:54 • -18.27db
11% Popularity • 25% Danceability • 11% Energy • 18% Liveness
22% Instrumentalness • 4% Positiveness
11% Popularity • 25% Danceability • 11% Energy • 18% Liveness
22% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Castor et Pollux, RCT 32: Tristes apprê...
82 bpm • D# Maj • 06:26 • -22.57db
13% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Richard Rodgers
Oklahoma!, Act 1: No. 1, Oh, What a Beau...
82 bpm • E Maj • 03:19 • -21db
11% Popularity • 24% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 24% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Richard Strauss
4 Lieder, Op. 27, TrV 170: No. 4, Morgen...
82 bpm • G Maj • 03:50 • -32.88db
17% Popularity • 15% Danceability • 2% Energy • 11% Liveness
43% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 2% Energy • 11% Liveness
43% Instrumentalness • 4% Positiveness
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Gilbert & Sullivan Society of Houston
H.M.S. Pinafore, Act II: Entr’acte
82 bpm • G Maj • 01:07 • -23db
11% Popularity • 15% Danceability • 7% Energy • 17% Liveness
88% Instrumentalness • 22% Positiveness
11% Popularity • 15% Danceability • 7% Energy • 17% Liveness
88% Instrumentalness • 22% Positiveness
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Traditional
Traditional / Arr. Moore: I Will Walk wi...
86 bpm • F min • 01:58 • -16.47db
9% Popularity • 34% Danceability • 18% Energy • 68% Liveness
1% Instrumentalness • 18% Positiveness
9% Popularity • 34% Danceability • 18% Energy • 68% Liveness
1% Instrumentalness • 18% Positiveness
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Paul Moravec
The Blizzard Voices: VI. All Night the W...
86 bpm • G Maj • 02:03 • -19.33db
0% Popularity • 23% Danceability • 18% Energy • 13% Liveness
21% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 18% Energy • 13% Liveness
21% Instrumentalness • 4% Positiveness
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Mårten Jansson
Requiem Novum: II. Or So the Living Pray
86 bpm • C Maj • 03:02 • -19.6db
7% Popularity • 29% Danceability • 12% Energy • 28% Liveness
1% Instrumentalness • 19% Positiveness
7% Popularity • 29% Danceability • 12% Energy • 28% Liveness
1% Instrumentalness • 19% Positiveness
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Dilyana Georgieva
Deux romances, L. 79: No. 2, Les cloches
87 bpm • C# min • 02:32 • -10.53db
19% Popularity • 26% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 26% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Dhristian Eigueroa
My Life
82 bpm • A min • 02:52 • -22.81db
22% Popularity • 30% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 11% Positiveness
22% Popularity • 30% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 11% Positiveness
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Gaspare Spontini
La Vestale: Ô des infortunés
87 bpm • D Maj • 02:22 • -19db
20% Popularity • 31% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 31% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Traditional
Amazing Grace (Arr. for Treble and Harp)
82 bpm • G Maj • 02:47 • -26.93db
18% Popularity • 15% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 15% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Graham Gordon Ramsay
Obedience: The woman Folly is boisterous
87 bpm • C Maj • 02:30 • -20.75db
0% Popularity • 20% Danceability • 6% Energy • 8% Liveness
7% Instrumentalness • 3% Positiveness
0% Popularity • 20% Danceability • 6% Energy • 8% Liveness
7% Instrumentalness • 3% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): VIII. ...
81 bpm • D Maj • 04:27 • -33.27db
11% Popularity • 13% Danceability • 2% Energy • 22% Liveness
0% Instrumentalness • 3% Positiveness
11% Popularity • 13% Danceability • 2% Energy • 22% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
David Kravitz
Winter's Tale: Act II, Bohemia. Sixteen ...
87 bpm • C# Maj • 03:21 • -14.85db
0% Popularity • 26% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 26% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Francis Poulenc
Stabat Mater, FP 148: IX. Sancta mater
87 bpm • A# min • 02:55 • -16.37db
8% Popularity • 19% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
8% Popularity • 19% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Tobias Picker
Awakenings, Act I, Scene 7: Later that a...
81 bpm • B min • 08:11 • -15.25db
9% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Arthur Sullivan
Patience / Act 1: If you're anxious for ...
87 bpm • D Maj • 02:30 • -23.8db
10% Popularity • 60% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 60% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Michael Nyman
Six Celan Songs: No. 2, Es war Erde in i...
81 bpm • F Maj • 03:40 • -18.8db
8% Popularity • 29% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 29% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Xavier Monsalvatge
5 Canciones negras: No. 4, Canción de c...
87 bpm • C# Maj • 02:47 • -34.37db
18% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Traditional
Little David Play on Your Harp
81 bpm • G# Maj • 01:24 • -17.45db
10% Popularity • 48% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 48% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Franz Lehár
Lehár: Eva: "Wär es auch nichts als ei...
81 bpm • E Maj • 04:36 • -17.94db
8% Popularity • 34% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 34% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Midnight Masquerade Ensemble
Twisted Hallways of Imagination
81 bpm • D min • 01:10 • -10.04db
10% Popularity • 40% Danceability • 44% Energy • 40% Liveness
78% Instrumentalness • 18% Positiveness
10% Popularity • 40% Danceability • 44% Energy • 40% Liveness
78% Instrumentalness • 18% Positiveness
► Preview
Kevin Puts
Puts: The Hours, Act 1: "Here on This Co...
81 bpm • A# min • 05:01 • -24.88db
15% Popularity • 20% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 20% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Siegfried Matthus
Matthus: Nachtlieder: No. 1, Und die Erd...
81 bpm • C# Maj • 02:45 • -25.67db
9% Popularity • 18% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Arthur Sullivan
H.M.S. Pinafore / Act 1: Hail! Men o'war...
87 bpm • C Maj • 04:16 • -22.62db
11% Popularity • 43% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 43% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Karl Jenkins
In The Beginning
81 bpm • C Maj • 04:16 • -13.95db
13% Popularity • 12% Danceability • 30% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 30% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
Christopher Gunning
When the Whales Came
81 bpm • D min • 07:18 • -25.46db
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Graham Gordon Ramsay
Obedience: Your statues are my songs
81 bpm • A min • 03:05 • -19.85db
1% Popularity • 23% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
1% Popularity • 23% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: No. 6, Fragment fro...
81 bpm • G Maj • 02:08 • -21.69db
8% Popularity • 29% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 29% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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John Dowland
Lachrimae Coactae Pavan
81 bpm • A min • 03:36 • -21.27db
9% Popularity • 16% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 15% Positiveness
9% Popularity • 16% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 15% Positiveness
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Benjamin Godard
Dante, Acte IV: No. 32, Scè...
81 bpm • G Maj • 00:56 • -20db
14% Popularity • 30% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 30% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Mohammed Fairouz
For Victims: II. Song of the Victims
80 bpm • G Maj • 09:40 • -16.52db
0% Popularity • 13% Danceability • 17% Energy • 18% Liveness
33% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 17% Energy • 18% Liveness
33% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly, SC 74, Act I: Ancora u...
81 bpm • F# Maj • 03:30 • -20.24db
3% Popularity • 16% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
3% Popularity • 16% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Edward Elgar
The Music Makers, Op. 69: III. With wond...
88 bpm • C min • 01:51 • -16.35db
12% Popularity • 18% Danceability • 27% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
12% Popularity • 18% Danceability • 27% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Máire Flavin
Stay Awake
88 bpm • A# Maj • 01:44 • -27.91db
4% Popularity • 27% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
4% Popularity • 27% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Angel Mahler
Paquette y Claudio / Plaza de la Greve /...
80 bpm • E min • 09:25 • -11.61db
11% Popularity • 36% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 36% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: II. Veslemøy
88 bpm • E min • 02:15 • -16db
10% Popularity • 32% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 32% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Oiseaux, si tous les ans, K. 307
88 bpm • C Maj • 01:43 • -18.63db
16% Popularity • 41% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 41% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Philip Creasy
The Pirates of Penzance: Oh! False One, ...
88 bpm • G Maj • 03:09 • -23db
7% Popularity • 33% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 33% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
80 bpm • G# min • 03:45 • -38.57db
10% Popularity • 7% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
10% Popularity • 7% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
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Maya Badian
Sinfonietta: II. Andante
80 bpm • G Maj • 02:11 • -30db
11% Popularity • 18% Danceability • 9% Energy • 35% Liveness
94% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 9% Energy • 35% Liveness
94% Instrumentalness • 3% Positiveness
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Graham Gordon Ramsay
Ave Maria
80 bpm • C Maj • 03:08 • -29.27db
0% Popularity • 13% Danceability • 4% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
0% Popularity • 13% Danceability • 4% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
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Joyce Solomon Moorman
A Tone Poem for Victims of Racism and Ha...
80 bpm • A# min • 06:24 • -29.76db
8% Popularity • 14% Danceability • 4% Energy • 11% Liveness
66% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 4% Energy • 11% Liveness
66% Instrumentalness • 3% Positiveness
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Gentle Woman
Eve Maria
88 bpm • E Maj • 02:43 • -20.74db
10% Popularity • 19% Danceability • 14% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 14% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Anton Bruckner
Ecce sacerdos magnus, WAB 13
88 bpm • A min • 06:04 • -21.47db
10% Popularity • 20% Danceability • 11% Energy • 25% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 11% Energy • 25% Liveness
2% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Offenbach: La vie parisienne, Act 4: Fin...
88 bpm • G Maj • 03:12 • -17.09db
7% Popularity • 62% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
7% Popularity • 62% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Giuseppe Verdi
La forza del destino, Act IV, Scene II: ...
88 bpm • C min • 05:23 • -16.48db
10% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Dhristian Eigueroa
My Room
80 bpm • G Maj • 02:21 • -31.69db
22% Popularity • 19% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 5% Positiveness
22% Popularity • 19% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 5% Positiveness
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Humphrey Searle
2 Practical Cats: No. 2, Growltiger's La...
80 bpm • C# Maj • 05:42 • -23.78db
8% Popularity • 41% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 41% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Juan Pablo Fernández Ramos
Para Oboe (aşık olmak)
89 bpm • A min • 02:36 • -28.88db
10% Popularity • 21% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
10% Popularity • 21% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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James MacMillan
Seven Last Words from the Cross: I. Fath...
80 bpm • B Maj • 05:48 • -25.9db
9% Popularity • 14% Danceability • 17% Energy • 23% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 17% Energy • 23% Liveness
5% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492, Act III: Duet...
80 bpm • A# Maj • 02:38 • -20.84db
11% Popularity • 23% Danceability • 12% Energy • 39% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 23% Danceability • 12% Energy • 39% Liveness
0% Instrumentalness • 19% Positiveness
