Songs like Winter's Tale: Act II, Sicilia. Leontes's palace, Dumbshow 5 by David Kravitz
Based on a tempo of (+/- 10%) and a similar genre
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Johan Hammerth
4 Karlekssanger (4 Love Songs): No. 3. T...
88 bpm • A# min • 06:58 • -18.29db
7% Popularity • 26% Danceability • 12% Energy • 18% Liveness
23% Instrumentalness • 7% Positiveness
7% Popularity • 26% Danceability • 12% Energy • 18% Liveness
23% Instrumentalness • 7% Positiveness
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Gentle Woman
Eve Maria
88 bpm • E Maj • 02:43 • -20.74db
10% Popularity • 19% Danceability • 14% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 14% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: II. Veslemøy
88 bpm • E min • 02:15 • -16db
10% Popularity • 32% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 32% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Philip Creasy
The Pirates of Penzance: Oh! False One, ...
88 bpm • G Maj • 03:09 • -23db
8% Popularity • 33% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 33% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Rob Gardner
He Must Be Taken
88 bpm • D# Maj • 01:44 • -27.8db
9% Popularity • 51% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 51% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Giuseppe Verdi
La forza del destino, Act IV, Scene II: ...
88 bpm • C min • 05:23 • -16.48db
10% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Máire Flavin
Stay Awake
88 bpm • A# Maj • 01:44 • -27.91db
3% Popularity • 27% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
3% Popularity • 27% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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叶英
桑土查的咏叹调——你知道吗�...
88 bpm • E Maj • 03:47 • -23.52db
0% Popularity • 36% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 36% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 5% Positiveness
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Xavier Monsalvatge
5 Canciones negras: No. 4, Canción de c...
87 bpm • C# Maj • 02:47 • -34.37db
22% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Maurice Ravel
Ravel: L'heure espagnole, M. 52: "Señor...
89 bpm • C Maj • 01:43 • -20.83db
7% Popularity • 48% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 48% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Rob Gardner
Peter Prays
89 bpm • G Maj • 01:09 • -28.86db
14% Popularity • 26% Danceability • 4% Energy • 46% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 26% Danceability • 4% Energy • 46% Liveness
0% Instrumentalness • 26% Positiveness
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Gabriel Fauré
2 Mélodies, Op. 46: No. 2, Clair de lun...
89 bpm • B min • 03:06 • -20.95db
14% Popularity • 18% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Arthur Sullivan
Patience / Act 1: If you're anxious for ...
87 bpm • D Maj • 02:30 • -23.8db
9% Popularity • 60% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 60% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 2: "Dans la forêt,...
87 bpm • F# Maj • 04:06 • -18.99db
8% Popularity • 28% Danceability • 12% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
8% Popularity • 28% Danceability • 12% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
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Peter Deunov
Pentagram
89 bpm • C Maj • 01:37 • -12.52db
12% Popularity • 22% Danceability • 26% Energy • 35% Liveness
85% Instrumentalness • 23% Positiveness
12% Popularity • 22% Danceability • 26% Energy • 35% Liveness
85% Instrumentalness • 23% Positiveness
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Giacomo Puccini
La Rondine, Act I: "Chi il bel sogno di ...
89 bpm • F Maj • 03:08 • -15.27db
10% Popularity • 28% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 28% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: IX. Sancta mater
87 bpm • A# min • 02:55 • -16.37db
9% Popularity • 19% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 19% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
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Théodore Dubois
Chansons de Marjolie: No. 3, Celui que j...
89 bpm • A Maj • 02:25 • -16.4db
10% Popularity • 24% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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David Kravitz
Winter's Tale: Act II, Bohemia. Sixteen ...
87 bpm • C# Maj • 03:21 • -14.85db
0% Popularity • 26% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 26% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 5% Positiveness
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Graham Gordon Ramsay
Obedience: The woman Folly is boisterous
87 bpm • C Maj • 02:30 • -20.75db
0% Popularity • 20% Danceability • 6% Energy • 8% Liveness
7% Instrumentalness • 3% Positiveness
0% Popularity • 20% Danceability • 6% Energy • 8% Liveness
7% Instrumentalness • 3% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
89 bpm • F# Maj • 02:06 • -21.48db
9% Popularity • 15% Danceability • 15% Energy • 24% Liveness
4% Instrumentalness • 12% Positiveness
9% Popularity • 15% Danceability • 15% Energy • 24% Liveness
4% Instrumentalness • 12% Positiveness
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Gaspare Spontini
La Vestale: Ô des infortunés
87 bpm • D Maj • 02:22 • -19db
19% Popularity • 31% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 31% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Dilyana Georgieva
Deux romances, L. 79: No. 2, Les cloches
87 bpm • C# min • 02:32 • -10.53db
17% Popularity • 26% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 26% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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MartÍn Palmeri
Misatango, Misa a Buenos Aires: XIV. Agn...
90 bpm • C Maj • 02:10 • -17.83db
9% Popularity • 18% Danceability • 9% Energy • 10% Liveness
23% Instrumentalness • 5% Positiveness
9% Popularity • 18% Danceability • 9% Energy • 10% Liveness
23% Instrumentalness • 5% Positiveness
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Paul Moravec
The Blizzard Voices: VI. All Night the W...
86 bpm • G Maj • 02:03 • -19.33db
0% Popularity • 23% Danceability • 18% Energy • 13% Liveness
21% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 18% Energy • 13% Liveness
21% Instrumentalness • 4% Positiveness
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Rebecca Clarke
Shy One
90 bpm • F Maj • 01:47 • -16.28db
14% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Aaron Copland
Long Time Ago (Ballad)
90 bpm • A# Maj • 02:54 • -24.7db
7% Popularity • 17% Danceability • 5% Energy • 15% Liveness
75% Instrumentalness • 14% Positiveness
7% Popularity • 17% Danceability • 5% Energy • 15% Liveness
75% Instrumentalness • 14% Positiveness
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Traditional
Traditional / Arr. Moore: I Will Walk wi...
86 bpm • F min • 01:58 • -16.47db
10% Popularity • 34% Danceability • 18% Energy • 68% Liveness
1% Instrumentalness • 18% Positiveness
10% Popularity • 34% Danceability • 18% Energy • 68% Liveness
1% Instrumentalness • 18% Positiveness
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Dilyana Georgieva
Voici que le printemps, L. 6
90 bpm • D Maj • 02:42 • -9.46db
17% Popularity • 32% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 32% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Arthur Sullivan
The Gondoliers / Act 1: 1. List and Lear...
86 bpm • D Maj • 03:00 • -16.61db
8% Popularity • 45% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
8% Popularity • 45% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Erik Satie
Mercure: II. La nuit
86 bpm • D min • 01:07 • -35.47db
4% Popularity • 9% Danceability • 0% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
4% Popularity • 9% Danceability • 0% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
86 bpm • G Maj • 04:35 • -22db
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Mass - A Theatre Piece for Singers, Play...
86 bpm • C Maj • 09:52 • -22.04db
2% Popularity • 18% Danceability • 3% Energy • 8% Liveness
29% Instrumentalness • 4% Positiveness
2% Popularity • 18% Danceability • 3% Energy • 8% Liveness
29% Instrumentalness • 4% Positiveness
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Fanny Mendelssohn
Frühling
86 bpm • F# Maj • 01:40 • -16.27db
7% Popularity • 44% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 44% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Maurice Ravel
Ravel: L'enfant et les sortilèges, M. 7...
86 bpm • D# Maj • 06:49 • -22.62db
0% Popularity • 32% Danceability • 7% Energy • 42% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 32% Danceability • 7% Energy • 42% Liveness
0% Instrumentalness • 4% Positiveness
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张权
我住长江头
86 bpm • A min • 03:08 • -15.29db
9% Popularity • 26% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 26% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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MartÍn Palmeri
Misatango, Misa a Buenos Aires: VII. Et ...
86 bpm • F min • 01:05 • -14.52db
12% Popularity • 34% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 34% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Taipei New Dynasty Philharmonic & Chorus
Transcendental Symphony Part IV. Finale ...
86 bpm • G# Maj • 08:54 • -15.91db
8% Popularity • 12% Danceability • 37% Energy • 68% Liveness
37% Instrumentalness • 22% Positiveness
8% Popularity • 12% Danceability • 37% Energy • 68% Liveness
37% Instrumentalness • 22% Positiveness
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Franz Lehár
Lehár: Zigeunerliebe: "Hör ich Cymbalk...
86 bpm • F min • 03:16 • -16.55db
7% Popularity • 33% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 33% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Ned Rorem
Our Town, Act III: "Coming! Morning, Mam...
86 bpm • A min • 06:06 • -14.5db
0% Popularity • 32% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 32% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Ernest Chausson
Chansons de Miarka, Op. 17: No. 1, Les M...
86 bpm • F# min • 03:14 • -17.71db
7% Popularity • 16% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Tatiana Bookbinder
Just to Know You Are Mine
90 bpm • D Maj • 02:46 • -11.71db
10% Popularity • 41% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 41% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: VIII. Te e...
90 bpm • D Maj • 02:15 • -30.38db
12% Popularity • 26% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
12% Popularity • 26% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Gunther Schuller
The Fisherman and His Wife, Scene VI: Se...
90 bpm • D min • 02:34 • -21.24db
0% Popularity • 28% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 28% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
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Bonaventura Bottone
The Mikado: The Flowers That Bloom In th...
86 bpm • E Maj • 01:35 • -23.43db
10% Popularity • 66% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 66% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Hector Berlioz
The Damnation of Faust, Op. 24, H. 111: ...
90 bpm • F Maj • 06:08 • -23.4db
7% Popularity • 12% Danceability • 10% Energy • 12% Liveness
72% Instrumentalness • 7% Positiveness
7% Popularity • 12% Danceability • 10% Energy • 12% Liveness
72% Instrumentalness • 7% Positiveness
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James MacMillan
Clemency, Scene 3: Who are you?
90 bpm • D min • 04:01 • -18.58db
0% Popularity • 29% Danceability • 23% Energy • 65% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 29% Danceability • 23% Energy • 65% Liveness
0% Instrumentalness • 7% Positiveness
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André Campra
Idoménée, Acte IV Scène 1: Espoir des...
90 bpm • D# Maj • 04:44 • -19.54db
8% Popularity • 25% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 25% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Jacques Offenbach
Offenbach: Les contes d'Hoffmann, Act II...
91 bpm • G min • 01:34 • -19.74db
8% Popularity • 41% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 41% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Johann Simon Mayr
Te Deum: Sanctus
85 bpm • D Maj • 01:32 • -26.26db
21% Popularity • 19% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 19% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Mohammed Fairouz
Symphony No. 3, "Poems and Prayers": III...
85 bpm • C# Maj • 05:01 • -32.64db
0% Popularity • 14% Danceability • 1% Energy • 42% Liveness
0% Instrumentalness • 3% Positiveness
0% Popularity • 14% Danceability • 1% Energy • 42% Liveness
0% Instrumentalness • 3% Positiveness
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Kyrylo Stetsenko
Blooms and Tears
85 bpm • D Maj • 02:18 • -12.1db
8% Popularity • 32% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 32% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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James MacMillan
Clemency, Scene 4: And the good?
90 bpm • D Maj • 04:38 • -15.6db
0% Popularity • 33% Danceability • 32% Energy • 56% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 33% Danceability • 32% Energy • 56% Liveness
0% Instrumentalness • 19% Positiveness
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Richard Blackford
Songs of Nadia Anjuman: No. 4, Fly Freel...
85 bpm • A min • 02:21 • -17.75db
14% Popularity • 30% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 30% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): IX. To...
85 bpm • D Maj • 02:52 • -25.33db
10% Popularity • 30% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 30% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Musicam Sacram Ensemble
Ang Pagtatatwa ni Pedro kay Hesus
85 bpm • G min • 05:12 • -18.26db
12% Popularity • 28% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
12% Popularity • 28% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Matthew Coleridge
Requiem: Pie Jesu
85 bpm • C# Maj • 02:28 • -28.58db
11% Popularity • 19% Danceability • 4% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 4% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
► Preview
André Jolivet
Suite liturgique: III. Alleluia
85 bpm • D Maj • 02:11 • -18.38db
8% Popularity • 17% Danceability • 17% Energy • 9% Liveness
52% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 17% Energy • 9% Liveness
52% Instrumentalness • 3% Positiveness
► Preview
Charlotte Hoather
Haugtussa, Op. 67: I. Det syng
85 bpm • D min • 03:43 • -14.57db
10% Popularity • 40% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 40% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Mark Abel
Trois femmes du cinema: No. 3, Larisa Sh...
91 bpm • C# Maj • 08:30 • -17.42db
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Dilyana Georgieva
Élégie
85 bpm • E min • 02:06 • -10.01db
18% Popularity • 34% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 34% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Cécile Chaminade
Chanson Slave
91 bpm • G min • 03:17 • -10.65db
13% Popularity • 42% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 42% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Isabella Colbran
Gia la notte s'avvicina
85 bpm • D Maj • 01:41 • -18.5db
13% Popularity • 35% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 35% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Cecilia McDowall
The Girl from Aleppo: No. 3, I'd Never S...
91 bpm • D Maj • 02:17 • -17.3db
7% Popularity • 18% Danceability • 17% Energy • 46% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 18% Danceability • 17% Energy • 46% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Real Orquesta Sinfonica De Sevilla
Nuestro Padre Jesus de las Penas - March...
85 bpm • C min • 06:14 • -20.19db
10% Popularity • 10% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 7% Positiveness
10% Popularity • 10% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 7% Positiveness
► Preview
Henryk Górecki
Symphony No. 3 "Symphony of Sorrowful So...
85 bpm • A# min • 04:33 • -22.95db
14% Popularity • 11% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
14% Popularity • 11% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Paul Moravec
The Blizzard Voices: III. The Blizzard B...
85 bpm • F Maj • 06:50 • -14.39db
0% Popularity • 24% Danceability • 40% Energy • 29% Liveness
5% Instrumentalness • 7% Positiveness
0% Popularity • 24% Danceability • 40% Energy • 29% Liveness
5% Instrumentalness • 7% Positiveness
► Preview
Dilyana Georgieva
Léocadia, FP 106: No. 1, Les chemins de...
85 bpm • G# Maj • 03:35 • -8.26db
17% Popularity • 30% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 30% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Raimonds Pauls
Mazs, laimīgs zēns: No. 8, Vientuļais...
92 bpm • C# Maj • 04:11 • -21.08db
15% Popularity • 29% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 29% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Julián De La Chica
Dispersed And Transcendental Chants, Op....
92 bpm • G Maj • 03:47 • -26.55db
11% Popularity • 41% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 41% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Nickolas Grace
That's Your Funeral
92 bpm • C# Maj • 02:14 • -20.43db
10% Popularity • 67% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 67% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Olivier Messiaen
Harawi - Chant d'amour et de mort: I. La...
85 bpm • G Maj • 02:31 • -24.48db
9% Popularity • 20% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Margery MacKay
Climb Ev’ry Mountain - 1965 Original S...
92 bpm • A# Maj • 02:19 • -10.66db
7% Popularity • 21% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 21% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Dilyana Georgieva
L'invitation au voyage
84 bpm • C min • 04:07 • -9.19db
17% Popularity • 29% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 29% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Paul Moravec
The Blizzard Voices: VIII. Fare Thee Wel...
84 bpm • A# Maj • 02:52 • -21.63db
0% Popularity • 10% Danceability • 12% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 12% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Eileen Page
Nine
84 bpm • C Maj • 03:11 • -23.47db
8% Popularity • 28% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
8% Popularity • 28% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
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George Gershwin
Girl Crazy: Embraceable You
92 bpm • D# Maj • 05:49 • -12.43db
7% Popularity • 44% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
7% Popularity • 44% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: III. Blåbaer-li
92 bpm • F Maj • 03:46 • -11db
10% Popularity • 42% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 42% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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张权
假如我的歌声能飞翔(法国歌曲...
84 bpm • E Maj • 02:28 • -20db
9% Popularity • 30% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 30% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Dilyana Georgieva
Deux mélodies, Op. 46: No. 2, Clair de ...
84 bpm • C min • 03:22 • -9.66db
18% Popularity • 28% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 28% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
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Ralph Vaughan Williams
Songs of Travel: Whither Must I Wander?
84 bpm • D# Maj • 03:34 • -16.71db
10% Popularity • 37% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 37% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Graham Gordon Ramsay
Obedience: Have mercy on me
84 bpm • E min • 02:02 • -24.27db
0% Popularity • 24% Danceability • 12% Energy • 12% Liveness
54% Instrumentalness • 3% Positiveness
0% Popularity • 24% Danceability • 12% Energy • 12% Liveness
54% Instrumentalness • 3% Positiveness
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David Kravitz
Winter's Tale: Act II, Bohemia. Sixteen ...
84 bpm • D# min • 03:01 • -16.04db
0% Popularity • 34% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 34% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Frank Bridge
Three Songs for Voice, Viola and Piano, ...
84 bpm • G# Maj • 02:01 • -15.6db
8% Popularity • 28% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Franz Ries
6 Lieder, Op. 31: No. 6, Abschied
93 bpm • F Maj • 01:41 • -15.67db
36% Popularity • 25% Danceability • 23% Energy • 13% Liveness
13% Instrumentalness • 8% Positiveness
36% Popularity • 25% Danceability • 23% Energy • 13% Liveness
13% Instrumentalness • 8% Positiveness
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Ned Rorem
Our Town, Act II: "Well, George, How are...
84 bpm • F Maj • 04:26 • -12.79db
0% Popularity • 39% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 39% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Vincenzo Bellini
Finestra che lucevi
83 bpm • A min • 03:33 • -12.75db
13% Popularity • 35% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 35% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Victoria de los Ángeles
La Wally: Acto I: "Ebbene, ne Andró Lon...
83 bpm • E min • 03:34 • -12.07db
7% Popularity • 22% Danceability • 20% Energy • 16% Liveness
2% Instrumentalness • 6% Positiveness
7% Popularity • 22% Danceability • 20% Energy • 16% Liveness
2% Instrumentalness • 6% Positiveness
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Francesco Maria Piave
La Traviata: "Ah, Fors'è Lui" and "Semp...
84 bpm • F min • 06:43 • -17db
7% Popularity • 34% Danceability • 6% Energy • 6% Liveness
3% Instrumentalness • 5% Positiveness
7% Popularity • 34% Danceability • 6% Energy • 6% Liveness
3% Instrumentalness • 5% Positiveness
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David Kravitz
Winter's Tale: Act II, Sicilia. Leontes'...
83 bpm • F# Maj • 03:57 • -15.74db
0% Popularity • 28% Danceability • 23% Energy • 16% Liveness
9% Instrumentalness • 4% Positiveness
0% Popularity • 28% Danceability • 23% Energy • 16% Liveness
9% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madame Butterfly: Choeur à bouche ferm�...
83 bpm • A# Maj • 02:35 • -30.28db
8% Popularity • 27% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 27% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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高 曼华
我爱你中国
83 bpm • G Maj • 04:54 • -24.34db
1% Popularity • 33% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
1% Popularity • 33% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Léo Delibes
Lakmé / Flower Duet: Dôme épais le ja...
83 bpm • B Maj • 04:29 • -17.21db
11% Popularity • 32% Danceability • 16% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
11% Popularity • 32% Danceability • 16% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
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Benjamin Frankel
The Night Of The Iguana: Maxine And Shan...
83 bpm • A Maj • 01:24 • -24.06db
14% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
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Celine Byrne
Torroba: La Petenera, La Marchenera
94 bpm • A min • 02:54 • -14.37db
8% Popularity • 32% Danceability • 24% Energy • 22% Liveness
2% Instrumentalness • 11% Positiveness
8% Popularity • 32% Danceability • 24% Energy • 22% Liveness
2% Instrumentalness • 11% Positiveness
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Macarena Castro-sopran
Summertime - Macarena Castro.sopran
83 bpm • D min • 02:27 • -8.78db
11% Popularity • 22% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 22% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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James MacMillan
Clemency, Scene 1: What is the measure o...
94 bpm • D min • 01:55 • -22.69db
0% Popularity • 24% Danceability • 10% Energy • 63% Liveness
10% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 10% Energy • 63% Liveness
10% Instrumentalness • 4% Positiveness
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Théodore Dubois
Les 7 paroles du Christ: 6e Parole - "Pa...
83 bpm • G# Maj • 04:49 • -29.2db
11% Popularity • 14% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
