Songs like Winter's Tale: Act II, Sicilia. Leontes's palace, Scene II, "Polixenes is hast'ning to the court" by David Kravitz
Based on a tempo of (+/- 10%) and a similar genre
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Reynaldo Hahn
Si mes vers avaient des ailes
78 bpm • E Maj • 01:50 • -23.64db
9% Popularity • 33% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 33% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Charlotte Hoather
La Boheme, Act II: “Quando me’n vo�...
78 bpm • E Maj • 02:22 • -13db
9% Popularity • 26% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 26% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Cécile Chaminade
Labsente
78 bpm • C Maj • 02:49 • -13.72db
15% Popularity • 29% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 29% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Richard Strauss
Mädchenblumen, Op. 22, TrV 153: No. 4, ...
78 bpm • F# Maj • 04:23 • -22.88db
10% Popularity • 36% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 36% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Karl Jenkins
Paradise Lost?
78 bpm • D Maj • 05:27 • -15.97db
9% Popularity • 14% Danceability • 20% Energy • 9% Liveness
19% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 20% Energy • 9% Liveness
19% Instrumentalness • 4% Positiveness
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James Whitbourn
Annelies (chamber version): V. Life in h...
78 bpm • A min • 10:44 • -20.73db
9% Popularity • 31% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 31% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Bernard Hoffer
Lear in the Wilderness
78 bpm • C Maj • 17:23 • -17.16db
4% Popularity • 43% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
4% Popularity • 43% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Musicam Sacram Ensemble
Ang Pananalangin sa Halamanan, Kagat-dil...
78 bpm • C Maj • 04:35 • -15.32db
14% Popularity • 16% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
14% Popularity • 16% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Sarah Kirkland Snider
Everything That Ever Was
78 bpm • B Maj • 07:06 • -20.34db
18% Popularity • 29% Danceability • 10% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
18% Popularity • 29% Danceability • 10% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Erich Kunzel
Finale From "The Color Purple"
78 bpm • A Maj • 04:04 • -29.25db
0% Popularity • 8% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
0% Popularity • 8% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Per L'efon, Serie 4, No. 3
78 bpm • A# min • 02:45 • -28.51db
10% Popularity • 23% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
10% Popularity • 23% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
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David Kravitz
Winter's Tale: Act II, Sicilia. Leontes'...
78 bpm • G Maj • 01:19 • -11.41db
0% Popularity • 35% Danceability • 41% Energy • 65% Liveness
2% Instrumentalness • 28% Positiveness
0% Popularity • 35% Danceability • 41% Energy • 65% Liveness
2% Instrumentalness • 28% Positiveness
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Giacomo Puccini
Turandot, Act I: "Signore, ascolta"
78 bpm • F# Maj • 02:34 • -16.39db
7% Popularity • 27% Danceability • 15% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
7% Popularity • 27% Danceability • 15% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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Ricky Ian Gordon
27, Act IV: Introduction, "Twice Denying...
78 bpm • C Maj • 07:33 • -16.59db
9% Popularity • 27% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 27% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
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Raimonds Pauls
Mersedesa (Transcr. for Mezzosoprano, Gu...
78 bpm • E min • 04:50 • -17.24db
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Tobias Picker
Emmeline: Act One: The Lord Has spared t...
78 bpm • A# min • 05:58 • -22.88db
8% Popularity • 21% Danceability • 10% Energy • 64% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 21% Danceability • 10% Energy • 64% Liveness
0% Instrumentalness • 11% Positiveness
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Charles Koechlin
4 Poèmes d'Edmond Haraucourt, Op. 7: No...
77 bpm • F Maj • 04:09 • -19.07db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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David Kravitz
Goback Goback: IV. Imagine a Forest
79 bpm • G Maj • 08:03 • -22.45db
0% Popularity • 24% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Edward Elgar
The Music Makers, Op. 69: IV. We, in the...
79 bpm • F Maj • 04:17 • -20.02db
9% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
9% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Igor Stravinsky
Suite No.1, K. 045: I. Andante. Crotchet...
77 bpm • B min • 01:23 • -28.62db
13% Popularity • 19% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
13% Popularity • 19% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
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Joose Vähäsöyrinki
Resitatiivi, Kun Jeesus Oli Vangittu
77 bpm • G Maj • 04:13 • -21db
11% Popularity • 23% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: Prélude à l’après-midi d�...
79 bpm • C# min • 08:42 • -22.58db
0% Popularity • 13% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Sir Adrian Boult
Fourth Movement Moderato Maestoso
77 bpm • D Maj • 06:20 • -22db
10% Popularity • 7% Danceability • 9% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 9% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Peter Child
Estrella - The Assassination of Augusto ...
79 bpm • F Maj • 01:31 • -17.58db
0% Popularity • 32% Danceability • 35% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
0% Popularity • 32% Danceability • 35% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
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Ryuichi Sakamoto
『母と暮せば』より「戦死」 ...
79 bpm • G# Maj • 02:42 • -28.02db
14% Popularity • 29% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 29% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Graham Gordon Ramsay
Obedience: I am the Lord, your God
77 bpm • C Maj • 01:13 • -21.88db
0% Popularity • 37% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
0% Popularity • 37% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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Carmen Bustamante
Cançó del Lladre
77 bpm • E Maj • 02:00 • -18.27db
10% Popularity • 44% Danceability • 9% Energy • 10% Liveness
8% Instrumentalness • 18% Positiveness
10% Popularity • 44% Danceability • 9% Energy • 10% Liveness
8% Instrumentalness • 18% Positiveness
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Andrew Lloyd Webber
Memory
79 bpm • A# Maj • 04:42 • -13.1db
8% Popularity • 30% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 30% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
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Karl Jenkins
Truth
79 bpm • C Maj • 04:15 • -14.51db
9% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Marilyn Hill Smith
The Pirates of Penzance: Oh! Is There No...
77 bpm • C# Maj • 04:04 • -27.54db
8% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Joseph Canteloube
Chants d'Auvergne, Vol. 1: No. 1. Pastou...
77 bpm • A min • 03:19 • -19.72db
8% Popularity • 23% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 23% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Alan Mallach
Layla Tov
77 bpm • C Maj • 02:56 • -14.26db
21% Popularity • 11% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 11% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
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David Kravitz
Winter's Tale: Act II, Bohemia. Sixteen ...
77 bpm • A# min • 01:56 • -16.43db
0% Popularity • 23% Danceability • 21% Energy • 15% Liveness
13% Instrumentalness • 8% Positiveness
0% Popularity • 23% Danceability • 21% Energy • 15% Liveness
13% Instrumentalness • 8% Positiveness
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Paul Moravec
The Blizzard Voices: IX. Telegraph
79 bpm • D# Maj • 02:19 • -14.3db
0% Popularity • 38% Danceability • 29% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
0% Popularity • 38% Danceability • 29% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
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Johannes Brahms
5 Lieder, Op. 49: No. 4, Wiegenlied (Arr...
77 bpm • D# Maj • 03:02 • -23.3db
21% Popularity • 19% Danceability • 6% Energy • 29% Liveness
21% Instrumentalness • 15% Positiveness
21% Popularity • 19% Danceability • 6% Energy • 29% Liveness
21% Instrumentalness • 15% Positiveness
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Alessandro Scarlatti
Se Florindo è fedele
79 bpm • G# Maj • 02:45 • -20.37db
7% Popularity • 34% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 34% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Mohammed Fairouz
Symphony No. 3, "Poems and Prayers": I. ...
79 bpm • A Maj • 06:51 • -19.16db
0% Popularity • 15% Danceability • 15% Energy • 30% Liveness
50% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 15% Energy • 30% Liveness
50% Instrumentalness • 4% Positiveness
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Cécile Chaminade
Rosemonde
79 bpm • E Maj • 03:02 • -17.13db
16% Popularity • 36% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 36% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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David Kravitz
Winter's Tale: Act I, Sicilia. Leontes's...
77 bpm • E min • 03:28 • -12.25db
0% Popularity • 18% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 18% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Paul Moravec
The Blizzard Voices: XV. In Remembrance
76 bpm • E Maj • 03:14 • -20.28db
0% Popularity • 25% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 8% Positiveness
0% Popularity • 25% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 8% Positiveness
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Montserrat Torruella
Dues Cançons
80 bpm • A# Maj • 01:59 • -13.21db
9% Popularity • 42% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 42% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Lasciatemi morire!
77 bpm • F min • 01:24 • -16.4db
12% Popularity • 32% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 32% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Komitas
Armenian Songs: Mankakan aghotq - Hayr M...
76 bpm • D Maj • 00:58 • -23.28db
8% Popularity • 32% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 32% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Affanni del pensier (Ottone)
79 bpm • C min • 03:44 • -23db
7% Popularity • 28% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
7% Popularity • 28% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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James MacMillan
Seven Last Words from the Cross: I. Fath...
80 bpm • B Maj • 05:48 • -25.9db
9% Popularity • 14% Danceability • 17% Energy • 23% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 17% Energy • 23% Liveness
5% Instrumentalness • 4% Positiveness
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Julián De La Chica
Dispersed And Transcendental Chants, Op....
76 bpm • D# Maj • 04:43 • -21.96db
8% Popularity • 30% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 30% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Humphrey Searle
2 Practical Cats: No. 2, Growltiger's La...
80 bpm • C# Maj • 05:42 • -23.78db
9% Popularity • 41% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 41% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Melitza Torres
Der Erlkönig
76 bpm • G min • 04:05 • -12.6db
8% Popularity • 21% Danceability • 33% Energy • 26% Liveness
8% Instrumentalness • 23% Positiveness
8% Popularity • 21% Danceability • 33% Energy • 26% Liveness
8% Instrumentalness • 23% Positiveness
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David Kravitz
Goback Goback: VIII. Loch Thom
76 bpm • G min • 08:26 • -24.94db
0% Popularity • 27% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 27% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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JENNIFER O'LAUGHLIN, ACCOMPANIED BY ISRAEL GURSKY
The K'e
80 bpm • A min • 02:53 • -16.14db
8% Popularity • 42% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 42% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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温可铮
嘎俄丽泰
76 bpm • C# Maj • 02:49 • -23.31db
12% Popularity • 23% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
12% Popularity • 23% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
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Jules Massenet
Le Cid: Allez en paix, vous que l’on a...
76 bpm • A# Maj • 01:45 • -14.64db
12% Popularity • 26% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
12% Popularity • 26% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Graham Gordon Ramsay
Ave Maria
80 bpm • C Maj • 03:08 • -29.27db
0% Popularity • 13% Danceability • 4% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
0% Popularity • 13% Danceability • 4% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
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Paul Bonneau
Je rêve de danser
76 bpm • F min • 03:00 • -12.92db
22% Popularity • 34% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 34% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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David Kravitz
Winter's Tale: Act I, Sicilia. Leontes's...
80 bpm • C Maj • 03:00 • -13.92db
0% Popularity • 29% Danceability • 36% Energy • 46% Liveness
11% Instrumentalness • 10% Positiveness
0% Popularity • 29% Danceability • 36% Energy • 46% Liveness
11% Instrumentalness • 10% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
80 bpm • G# min • 03:45 • -38.57db
7% Popularity • 7% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
7% Popularity • 7% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
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Paul Moravec
The Blizzard Voices: VII. Lois Mae Royce
76 bpm • F min • 04:17 • -19.03db
0% Popularity • 27% Danceability • 13% Energy • 18% Liveness
3% Instrumentalness • 4% Positiveness
0% Popularity • 27% Danceability • 13% Energy • 18% Liveness
3% Instrumentalness • 4% Positiveness
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Mohammed Fairouz
For Victims: II. Song of the Victims
80 bpm • G Maj • 09:40 • -16.52db
0% Popularity • 13% Danceability • 17% Energy • 18% Liveness
33% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 17% Energy • 18% Liveness
33% Instrumentalness • 4% Positiveness
► Preview
Benjamin Godard
Dante, Acte IV: No. 32, Scè...
81 bpm • G Maj • 00:56 • -20db
15% Popularity • 30% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 30% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Rachel Portman
The Little Prince: Act I: "The Pilot"
76 bpm • E Maj • 02:33 • -19.59db
8% Popularity • 30% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 30% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Emil Gouè
Trois mélodies: No. 3, Toi qui te conna...
81 bpm • G# min • 03:11 • -10.13db
10% Popularity • 16% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
John Dowland
Lachrimae Coactae Pavan
81 bpm • A min • 03:36 • -21.27db
9% Popularity • 16% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 15% Positiveness
9% Popularity • 16% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 15% Positiveness
► Preview
Edward Elgar
The Music Makers, Op. 69: VI. They had n...
81 bpm • G# Maj • 03:31 • -20.42db
7% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Graham Gordon Ramsay
Obedience: Your statues are my songs
81 bpm • A min • 03:05 • -19.85db
3% Popularity • 23% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
3% Popularity • 23% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
John Glover
Home Is Where I Take My Shoes Off
75 bpm • C# min • 04:58 • -20.88db
13% Popularity • 42% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 42% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Karl Jenkins
In The Beginning
81 bpm • C Maj • 04:16 • -13.95db
13% Popularity • 12% Danceability • 30% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 30% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
Cheri Rose Katz
Sim Shalom
81 bpm • C min • 02:32 • -13.74db
20% Popularity • 29% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 29% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Amy Woodforde-Finden
4 Indian Love Lyrics: No. 3. Kashmiri So...
81 bpm • A# Maj • 03:28 • -22db
8% Popularity • 22% Danceability • 7% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 7% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
► Preview
William Maselli
"Blood is on my feet and stains my soul....
81 bpm • D# Maj • 03:09 • -5.83db
11% Popularity • 25% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 25% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Kevin Puts
Puts: The Hours, Act 1: "Here on This Co...
81 bpm • A# min • 05:01 • -24.88db
16% Popularity • 20% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 20% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Franz Lehár
Lehár: Eva: "Wär es auch nichts als ei...
81 bpm • E Maj • 04:36 • -17.94db
8% Popularity • 34% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 34% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Traditional
Little David Play on Your Harp
81 bpm • G# Maj • 01:24 • -17.45db
8% Popularity • 48% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 48% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Paul Moravec
The Blizzard Voices: X. Minnie Freeman
75 bpm • C Maj • 03:02 • -17.72db
0% Popularity • 37% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 37% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Taipei New Dynasty Philharmonic & Chorus
Transcendental Symphony Part III. Adagio...
81 bpm • D Maj • 09:30 • -20.02db
8% Popularity • 22% Danceability • 21% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 21% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
► Preview
Ned Rorem
Our Town, Act II: "And Now We'll Get On ...
75 bpm • G Maj • 12:37 • -16.23db
0% Popularity • 20% Danceability • 23% Energy • 28% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 20% Danceability • 23% Energy • 28% Liveness
0% Instrumentalness • 6% Positiveness
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Susan Gorton
The Pirates of Penzance: When Fred'ric W...
75 bpm • C Maj • 02:35 • -29db
9% Popularity • 58% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 58% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Carl Orff
Carmina Burana: In trutina
75 bpm • D Maj • 02:16 • -23.03db
16% Popularity • 23% Danceability • 6% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 6% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
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Aaron Copland
Twelve Poems of Emily Dickinson: 3. Why ...
81 bpm • G# Maj • 02:04 • -22db
8% Popularity • 29% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 29% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): VIII. ...
81 bpm • D Maj • 04:27 • -33.27db
11% Popularity • 13% Danceability • 2% Energy • 22% Liveness
0% Instrumentalness • 3% Positiveness
11% Popularity • 13% Danceability • 2% Energy • 22% Liveness
0% Instrumentalness • 3% Positiveness
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Olivier Messiaen
Turangalîla-Symphony: VIII. Développem...
81 bpm • G# min • 10:44 • -17.01db
8% Popularity • 24% Danceability • 34% Energy • 9% Liveness
50% Instrumentalness • 5% Positiveness
8% Popularity • 24% Danceability • 34% Energy • 9% Liveness
50% Instrumentalness • 5% Positiveness
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Arthur Rimbaud
Britten: Les illuminations, Op. 18: No. ...
75 bpm • F Maj • 00:55 • -32.74db
7% Popularity • 25% Danceability • 1% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 25% Danceability • 1% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
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Gilbert & Sullivan Society of Houston
Trial by Jury: I Love Him
75 bpm • G Maj • 02:32 • -13.52db
8% Popularity • 64% Danceability • 32% Energy • 57% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 64% Danceability • 32% Energy • 57% Liveness
0% Instrumentalness • 49% Positiveness
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環球合唱團
安妮羅莉
75 bpm • D Maj • 02:54 • -21db
10% Popularity • 24% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 24% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Maurice Duruflé
Requiem, Op. 9: Pie Jesu
75 bpm • F min • 03:40 • -25.64db
9% Popularity • 8% Danceability • 3% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 3% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
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高曼华
薇奥列塔的咏叹调——也许灵�...
81 bpm • G# Maj • 07:10 • -24.07db
0% Popularity • 33% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 33% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Elena Ruehr
Averno: X. Thrush
75 bpm • G Maj • 02:25 • -21.01db
8% Popularity • 34% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 34% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
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Paul Moravec
The Blizzard Voices: V. I Never See a Su...
75 bpm • F# Maj • 02:39 • -18.63db
0% Popularity • 25% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
0% Popularity • 25% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
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Traditional
Amazing Grace (Arr. for Treble and Harp)
82 bpm • G Maj • 02:47 • -26.93db
19% Popularity • 15% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 15% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Maurice Ravel
Ravel: L'enfant et les sortilèges, M. 7...
75 bpm • D min • 09:02 • -19.73db
0% Popularity • 30% Danceability • 16% Energy • 26% Liveness
1% Instrumentalness • 11% Positiveness
0% Popularity • 30% Danceability • 16% Energy • 26% Liveness
1% Instrumentalness • 11% Positiveness
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Fanny Mendelssohn
Dein ist mein Herz
82 bpm • C# min • 02:37 • -16.23db
10% Popularity • 34% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 34% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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David Kravitz
Goback Goback: VII. Dear Bryan Wynter
74 bpm • C Maj • 04:26 • -18.79db
0% Popularity • 35% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 35% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Gilbert & Sullivan Society of Houston
H.M.S. Pinafore, Act II: Entr’acte
82 bpm • G Maj • 01:07 • -23db
10% Popularity • 15% Danceability • 7% Energy • 17% Liveness
88% Instrumentalness • 22% Positiveness
10% Popularity • 15% Danceability • 7% Energy • 17% Liveness
88% Instrumentalness • 22% Positiveness
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Hector Berlioz
Les nuits d'été, H 81: No. 2, Le spect...
74 bpm • D Maj • 05:45 • -19.2db
12% Popularity • 24% Danceability • 7% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 7% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
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Traditional
Traditional / Arr. Moore: Blow the Wind ...
74 bpm • G Maj • 03:07 • -20.03db
9% Popularity • 38% Danceability • 15% Energy • 86% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 38% Danceability • 15% Energy • 86% Liveness
0% Instrumentalness • 28% Positiveness
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Robert Schumann
Schumann: Liederkreis, Op. 39: No. 1, In...
74 bpm • A min • 02:05 • -24.57db
10% Popularity • 27% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 27% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): XI. No...
82 bpm • D min • 03:34 • -33.88db
11% Popularity • 19% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Castor et Pollux, RCT 32: Tristes apprê...
82 bpm • D# Maj • 06:26 • -22.57db
12% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Cecilia Livingston
Breath Alone: Paula Modersohn-Becker (Ve...
74 bpm • G min • 07:13 • -20.93db
13% Popularity • 17% Danceability • 8% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 8% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness