Songs like Wise Master Wu by Mark Mothersbaugh
Based on a tempo of (+/- 10%) and a similar genre
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Mark Mothersbaugh
Wise Master Wu
88 bpm • B min • 03:01 • -23.99db
32% Popularity • 20% Danceability • 5% Energy • 18% Liveness
19% Instrumentalness • 7% Positiveness
32% Popularity • 20% Danceability • 5% Energy • 18% Liveness
19% Instrumentalness • 7% Positiveness
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Kevin Kiner
The Clones
88 bpm • G Maj • 02:29 • -10.15db
39% Popularity • 19% Danceability • 48% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
39% Popularity • 19% Danceability • 48% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
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Dan Romer
How Humans Swim
88 bpm • E Maj • 01:03 • -14.83db
35% Popularity • 31% Danceability • 32% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
35% Popularity • 31% Danceability • 32% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
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Mark Mancina
Little Blue
88 bpm • D Maj • 02:20 • -11.71db
18% Popularity • 50% Danceability • 32% Energy • 12% Liveness
47% Instrumentalness • 22% Positiveness
18% Popularity • 50% Danceability • 32% Energy • 12% Liveness
47% Instrumentalness • 22% Positiveness
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Jay Vincent
Zane's True Potential
88 bpm • D min • 04:05 • -16.02db
29% Popularity • 12% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
29% Popularity • 12% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Geoff Zanelli
El Matador Del Mar
88 bpm • C min • 08:04 • -11.76db
36% Popularity • 13% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
36% Popularity • 13% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Tom Howe
Tractor Joyride
89 bpm • G Maj • 02:01 • -9.6db
11% Popularity • 63% Danceability • 86% Energy • 30% Liveness
77% Instrumentalness • 23% Positiveness
11% Popularity • 63% Danceability • 86% Energy • 30% Liveness
77% Instrumentalness • 23% Positiveness
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Don Davis
The Dinosaur Fly-By
89 bpm • C# Maj • 02:15 • -14.17db
31% Popularity • 24% Danceability • 25% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
31% Popularity • 24% Danceability • 25% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Anthony Lledo
Laval the Lion
89 bpm • A min • 03:17 • -17.35db
17% Popularity • 26% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 26% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Mychael Danna
Family Struggle
90 bpm • D min • 01:23 • -27.64db
26% Popularity • 19% Danceability • 2% Energy • 11% Liveness
11% Instrumentalness • 5% Positiveness
26% Popularity • 19% Danceability • 2% Energy • 11% Liveness
11% Instrumentalness • 5% Positiveness
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Christopher Lennertz
Gargamel’s Lair
90 bpm • F Maj • 01:45 • -17.6db
19% Popularity • 35% Danceability • 21% Energy • 9% Liveness
11% Instrumentalness • 18% Positiveness
19% Popularity • 35% Danceability • 21% Energy • 9% Liveness
11% Instrumentalness • 18% Positiveness
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Geoff Zanelli
Salazar
88 bpm • D# Maj • 04:27 • -15db
38% Popularity • 13% Danceability • 23% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 13% Danceability • 23% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Heitor Pereira
The Legendary Zodiac Stone
86 bpm • A Maj • 04:12 • -9.8db
15% Popularity • 18% Danceability • 77% Energy • 23% Liveness
70% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 77% Energy • 23% Liveness
70% Instrumentalness • 4% Positiveness
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Randy Newman
New Road
90 bpm • G Maj • 01:17 • -14.11db
43% Popularity • 49% Danceability • 24% Energy • 21% Liveness
78% Instrumentalness • 78% Positiveness
43% Popularity • 49% Danceability • 24% Energy • 21% Liveness
78% Instrumentalness • 78% Positiveness
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Anthony Lledo
When We Were Kids
86 bpm • C Maj • 02:12 • -21.95db
12% Popularity • 17% Danceability • 3% Energy • 10% Liveness
40% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 3% Energy • 10% Liveness
40% Instrumentalness • 4% Positiveness
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Gareth Coker
Main Theme
90 bpm • F# Maj • 02:50 • -11.74db
40% Popularity • 35% Danceability • 59% Energy • 12% Liveness
92% Instrumentalness • 28% Positiveness
40% Popularity • 35% Danceability • 59% Energy • 12% Liveness
92% Instrumentalness • 28% Positiveness
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Garfunkel and Oates
Everything Is Awesome - Tween Dream Rem...
90 bpm • E Maj • 01:53 • -4.93db
51% Popularity • 66% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
51% Popularity • 66% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Ninjago Music
LEGO Ninjago: After the Blackout
90 bpm • G Maj • 03:57 • -4.87db
42% Popularity • 51% Danceability • 83% Energy • 8% Liveness
1% Instrumentalness • 47% Positiveness
42% Popularity • 51% Danceability • 83% Energy • 8% Liveness
1% Instrumentalness • 47% Positiveness
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Mychael Danna & Jeff Danna
Opposite Of Sad
86 bpm • G min • 01:21 • -20.37db
8% Popularity • 22% Danceability • 21% Energy • 31% Liveness
64% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 21% Energy • 31% Liveness
64% Instrumentalness • 4% Positiveness
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Andrew Lockington
Gift Giver
90 bpm • C Maj • 04:38 • -14.08db
26% Popularity • 37% Danceability • 24% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
26% Popularity • 37% Danceability • 24% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
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Anthony Lledo
Hills of Chima
90 bpm • C Maj • 02:49 • -18.23db
9% Popularity • 27% Danceability • 8% Energy • 14% Liveness
75% Instrumentalness • 14% Positiveness
9% Popularity • 27% Danceability • 8% Energy • 14% Liveness
75% Instrumentalness • 14% Positiveness
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Kevin Kiner
Ahsoka Saves Anakin
86 bpm • C min • 02:11 • -8db
30% Popularity • 43% Danceability • 64% Energy • 40% Liveness
91% Instrumentalness • 30% Positiveness
30% Popularity • 43% Danceability • 64% Energy • 40% Liveness
91% Instrumentalness • 30% Positiveness
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The Shaun The Sheep Band
Anarchy on the Farm
90 bpm • C# min • 01:17 • -13.33db
6% Popularity • 56% Danceability • 45% Energy • 18% Liveness
38% Instrumentalness • 15% Positiveness
6% Popularity • 56% Danceability • 45% Energy • 18% Liveness
38% Instrumentalness • 15% Positiveness
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Ninjago Music
LEGO Ninjago Dragon Hunt
90 bpm • F min • 03:40 • -10.59db
25% Popularity • 16% Danceability • 67% Energy • 6% Liveness
33% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 67% Energy • 6% Liveness
33% Instrumentalness • 4% Positiveness
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Theodore Shapiro
The Prank for Good
86 bpm • G Maj • 05:38 • -18.64db
24% Popularity • 16% Danceability • 7% Energy • 16% Liveness
62% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 7% Energy • 16% Liveness
62% Instrumentalness • 4% Positiveness
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David Newman
Tigers Try To Get Baby
86 bpm • E min • 05:41 • -9.46db
23% Popularity • 18% Danceability • 52% Energy • 12% Liveness
39% Instrumentalness • 6% Positiveness
23% Popularity • 18% Danceability • 52% Energy • 12% Liveness
39% Instrumentalness • 6% Positiveness
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Michael Giacchino
Blunder and Lightning
86 bpm • D Maj • 02:17 • -9.45db
30% Popularity • 25% Danceability • 55% Energy • 9% Liveness
70% Instrumentalness • 28% Positiveness
30% Popularity • 25% Danceability • 55% Energy • 9% Liveness
70% Instrumentalness • 28% Positiveness
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Frederik Wiedmann
Long Ago, in Xadia
85 bpm • E min • 03:30 • -15.74db
20% Popularity • 15% Danceability • 30% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 30% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
He’s Just a Kid
86 bpm • G min • 01:24 • -25db
42% Popularity • 26% Danceability • 5% Energy • 11% Liveness
59% Instrumentalness • 10% Positiveness
42% Popularity • 26% Danceability • 5% Energy • 11% Liveness
59% Instrumentalness • 10% Positiveness
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Tim Davies
Jim Discovers the Amulet
85 bpm • A# Maj • 02:43 • -13.87db
15% Popularity • 22% Danceability • 23% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 23% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Joel McNeely
A Very Familiar Coat
91 bpm • C Maj • 02:32 • -12.75db
29% Popularity • 27% Danceability • 19% Energy • 16% Liveness
91% Instrumentalness • 6% Positiveness
29% Popularity • 27% Danceability • 19% Energy • 16% Liveness
91% Instrumentalness • 6% Positiveness
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David Newman
Walking Through
85 bpm • A# min • 01:25 • -17.91db
36% Popularity • 47% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
36% Popularity • 47% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Steve Jablonsky
It Is I, Dog-El
85 bpm • G min • 01:25 • -21.54db
8% Popularity • 15% Danceability • 11% Energy • 14% Liveness
93% Instrumentalness • 3% Positiveness
8% Popularity • 15% Danceability • 11% Energy • 14% Liveness
93% Instrumentalness • 3% Positiveness
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Heitor Pereira
Bedtime for Gru and the Minions
91 bpm • B min • 01:02 • -18.67db
19% Popularity • 22% Danceability • 20% Energy • 18% Liveness
91% Instrumentalness • 24% Positiveness
19% Popularity • 22% Danceability • 20% Energy • 18% Liveness
91% Instrumentalness • 24% Positiveness
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John Debney
The Legend of Parapata
85 bpm • A Maj • 00:55 • -15db
24% Popularity • 20% Danceability • 19% Energy • 23% Liveness
89% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 19% Energy • 23% Liveness
89% Instrumentalness • 4% Positiveness
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Krutikov Music
Ninjago Overture Theme
91 bpm • D min • 02:30 • -11db
28% Popularity • 19% Danceability • 56% Energy • 17% Liveness
89% Instrumentalness • 18% Positiveness
28% Popularity • 19% Danceability • 56% Energy • 17% Liveness
89% Instrumentalness • 18% Positiveness
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Geoff Zanelli
Dead Men Tell No Tales
85 bpm • D min • 01:51 • -18.2db
41% Popularity • 26% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
41% Popularity • 26% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
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David Newman
Baby's Wild Ride
85 bpm • F Maj • 01:56 • -8.09db
33% Popularity • 49% Danceability • 78% Energy • 6% Liveness
90% Instrumentalness • 45% Positiveness
33% Popularity • 49% Danceability • 78% Energy • 6% Liveness
90% Instrumentalness • 45% Positiveness
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Mark Mothersbaugh
Introducing Flint
92 bpm • E min • 04:16 • -12.06db
24% Popularity • 22% Danceability • 21% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
24% Popularity • 22% Danceability • 21% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
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Anthony Lledo
The Phoenix
84 bpm • G min • 03:26 • -18.89db
8% Popularity • 13% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
8% Popularity • 13% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Mark Mancina
Fire!
84 bpm • G Maj • 01:29 • -9.1db
25% Popularity • 33% Danceability • 56% Energy • 9% Liveness
81% Instrumentalness • 24% Positiveness
25% Popularity • 33% Danceability • 56% Energy • 9% Liveness
81% Instrumentalness • 24% Positiveness
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Joel McNeely
Here Beside Me
84 bpm • C Maj • 02:35 • -14.8db
33% Popularity • 20% Danceability • 24% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
33% Popularity • 20% Danceability • 24% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Jongnic Bontemps
What Are You
92 bpm • C min • 01:28 • -28.76db
21% Popularity • 35% Danceability • 15% Energy • 8% Liveness
57% Instrumentalness • 4% Positiveness
21% Popularity • 35% Danceability • 15% Energy • 8% Liveness
57% Instrumentalness • 4% Positiveness
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Misutra
Bowser Peaches Beat (The Super Mario Bro...
92 bpm • A# min • 02:06 • -8.67db
20% Popularity • 59% Danceability • 51% Energy • 10% Liveness
87% Instrumentalness • 59% Positiveness
20% Popularity • 59% Danceability • 51% Energy • 10% Liveness
87% Instrumentalness • 59% Positiveness
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Amie Doherty
Squirrel Chase
92 bpm • G Maj • 01:01 • -12.01db
31% Popularity • 45% Danceability • 30% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
31% Popularity • 45% Danceability • 30% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
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Pinar Toprak
I'd Do Anything
84 bpm • D Maj • 04:36 • -15.09db
16% Popularity • 16% Danceability • 15% Energy • 41% Liveness
73% Instrumentalness • 5% Positiveness
16% Popularity • 16% Danceability • 15% Energy • 41% Liveness
73% Instrumentalness • 5% Positiveness
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Ninjago Music
LEGO Ninjago Sons of Garmadon / The Quie...
83 bpm • B min • 07:03 • -11.76db
26% Popularity • 23% Danceability • 55% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
26% Popularity • 23% Danceability • 55% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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John Williams
Star Wars (Main Theme)
83 bpm • F Maj • 05:46 • -14.58db
54% Popularity • 18% Danceability • 30% Energy • 7% Liveness
59% Instrumentalness • 8% Positiveness
54% Popularity • 18% Danceability • 30% Energy • 7% Liveness
59% Instrumentalness • 8% Positiveness
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Theodore Shapiro
Art Class Liberation
93 bpm • D Maj • 01:56 • -13.8db
23% Popularity • 29% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
23% Popularity • 29% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Stephanie Economou
Alge-bae
93 bpm • C# Maj • 01:10 • -29.01db
17% Popularity • 52% Danceability • 2% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
17% Popularity • 52% Danceability • 2% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
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George Shaw
Teenage Mutant Ninja Turtles Theme for O...
93 bpm • F Maj • 01:02 • -10.36db
26% Popularity • 49% Danceability • 40% Energy • 29% Liveness
71% Instrumentalness • 49% Positiveness
26% Popularity • 49% Danceability • 40% Energy • 29% Liveness
71% Instrumentalness • 49% Positiveness
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Pinar Toprak
New Clothes
93 bpm • G# Maj • 01:04 • -21.79db
38% Popularity • 18% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
38% Popularity • 18% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Mychael Danna & Jeff Danna
Wednesday's Wish
83 bpm • B min • 00:59 • -24.82db
10% Popularity • 31% Danceability • 10% Energy • 14% Liveness
94% Instrumentalness • 21% Positiveness
10% Popularity • 31% Danceability • 10% Energy • 14% Liveness
94% Instrumentalness • 21% Positiveness
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John Ottman
You're X-Men / End Titles
83 bpm • C Maj • 04:09 • -14.23db
36% Popularity • 26% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
36% Popularity • 26% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Joseph Shirley
The Apostate
83 bpm • F min • 01:58 • -13db
29% Popularity • 30% Danceability • 50% Energy • 10% Liveness
80% Instrumentalness • 9% Positiveness
29% Popularity • 30% Danceability • 50% Energy • 10% Liveness
80% Instrumentalness • 9% Positiveness
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Joby Talbot
Willy and Noodle at the Zoo
93 bpm • A# Maj • 02:25 • -23.1db
54% Popularity • 24% Danceability • 7% Energy • 8% Liveness
78% Instrumentalness • 6% Positiveness
54% Popularity • 24% Danceability • 7% Energy • 8% Liveness
78% Instrumentalness • 6% Positiveness
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Ludwig Göransson
Inconvenient Genetics
83 bpm • F min • 03:35 • -28.42db
12% Popularity • 20% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
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John Powell
New Tail
83 bpm • G Maj • 02:48 • -13.4db
48% Popularity • 13% Danceability • 26% Energy • 6% Liveness
82% Instrumentalness • 9% Positiveness
48% Popularity • 13% Danceability • 26% Energy • 6% Liveness
82% Instrumentalness • 9% Positiveness
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Mark Mancina
Fire Heroes
83 bpm • A min • 02:18 • -9.74db
20% Popularity • 39% Danceability • 55% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
20% Popularity • 39% Danceability • 55% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Natalie Holt
Order 66
83 bpm • C min • 01:40 • -14db
36% Popularity • 40% Danceability • 54% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
36% Popularity • 40% Danceability • 54% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
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Teen Titans Go!
Justice League Returns / Saved by Titans
82 bpm • F Maj • 00:55 • -11db
23% Popularity • 13% Danceability • 40% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
23% Popularity • 13% Danceability • 40% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
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Hans Zimmer
Super Colossal Big Fat Boss Baby
82 bpm • G min • 01:11 • -11.66db
19% Popularity • 38% Danceability • 33% Energy • 8% Liveness
73% Instrumentalness • 58% Positiveness
19% Popularity • 38% Danceability • 33% Energy • 8% Liveness
73% Instrumentalness • 58% Positiveness
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Don Davis
Pteranodon Habitat
82 bpm • C# Maj • 03:04 • -26.91db
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Ninjago Music
LEGO Ninjago Morro, Master of Wind
94 bpm • D# Maj • 04:34 • -12.9db
26% Popularity • 15% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
26% Popularity • 15% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Trevor Rabin
Finding Charlotte
95 bpm • F min • 01:05 • -16db
41% Popularity • 32% Danceability • 35% Energy • 12% Liveness
84% Instrumentalness • 15% Positiveness
41% Popularity • 32% Danceability • 35% Energy • 12% Liveness
84% Instrumentalness • 15% Positiveness
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Thomas Newman
Static
95 bpm • F# Maj • 01:43 • -26.54db
30% Popularity • 17% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 5% Positiveness
30% Popularity • 17% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 5% Positiveness
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Michael Giacchino
Whose Engine is This?
82 bpm • B min • 01:22 • -25db
29% Popularity • 23% Danceability • 11% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
29% Popularity • 23% Danceability • 11% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Hans Zimmer
I Wish You Were Never Born
82 bpm • F# Maj • 02:53 • -24.53db
17% Popularity • 10% Danceability • 3% Energy • 7% Liveness
5% Instrumentalness • 3% Positiveness
17% Popularity • 10% Danceability • 3% Energy • 7% Liveness
5% Instrumentalness • 3% Positiveness
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Chris Hajian
Woody's New Home
82 bpm • D Maj • 01:00 • -18.14db
11% Popularity • 28% Danceability • 13% Energy • 23% Liveness
96% Instrumentalness • 20% Positiveness
11% Popularity • 28% Danceability • 13% Energy • 23% Liveness
96% Instrumentalness • 20% Positiveness
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John Ottman
Suite from X2
82 bpm • A# Maj • 07:11 • -16db
29% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
29% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Heitor Pereira
El Macho's Lair
82 bpm • E min • 03:32 • -12.39db
22% Popularity • 24% Danceability • 43% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 43% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Christophe Beck
Never Give Up
81 bpm • F# Maj • 03:50 • -12.3db
7% Popularity • 20% Danceability • 49% Energy • 12% Liveness
63% Instrumentalness • 22% Positiveness
7% Popularity • 20% Danceability • 49% Energy • 12% Liveness
63% Instrumentalness • 22% Positiveness
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Michael Giacchino
Bury the Hatchling
95 bpm • C# Maj • 01:56 • -22.57db
32% Popularity • 17% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
32% Popularity • 17% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Sh4d0wStrider
Spider-Man: No Way Home Teaser Trailer M...
96 bpm • D Maj • 04:49 • -13.83db
16% Popularity • 43% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 15% Positiveness
16% Popularity • 43% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 15% Positiveness
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Geoff Zanelli
She Needs the Sea
96 bpm • G Maj • 02:32 • -11.76db
35% Popularity • 18% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
35% Popularity • 18% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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John Williams
The Arrival of Baby Harry
81 bpm • E min • 04:25 • -24.63db
52% Popularity • 8% Danceability • 4% Energy • 13% Liveness
65% Instrumentalness • 3% Positiveness
52% Popularity • 8% Danceability • 4% Energy • 13% Liveness
65% Instrumentalness • 3% Positiveness
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Heitor Pereira
Going to Save the World
95 bpm • E Maj • 01:25 • -9.56db
33% Popularity • 65% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
33% Popularity • 65% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Bear McCreary
Agents of S.H.I.E.L.D. Overture
96 bpm • C# Maj • 02:51 • -13.02db
39% Popularity • 46% Danceability • 49% Energy • 12% Liveness
79% Instrumentalness • 19% Positiveness
39% Popularity • 46% Danceability • 49% Energy • 12% Liveness
79% Instrumentalness • 19% Positiveness
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Mark Mancina
Hello Lincoln/Sixth Place
96 bpm • D Maj • 01:06 • -10.7db
30% Popularity • 30% Danceability • 20% Energy • 26% Liveness
97% Instrumentalness • 16% Positiveness
30% Popularity • 30% Danceability • 20% Energy • 26% Liveness
97% Instrumentalness • 16% Positiveness
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Big Movie Themes
Jurassic Park
81 bpm • A# Maj • 02:09 • -8.43db
13% Popularity • 16% Danceability • 41% Energy • 15% Liveness
95% Instrumentalness • 8% Positiveness
13% Popularity • 16% Danceability • 41% Energy • 15% Liveness
95% Instrumentalness • 8% Positiveness
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David Newman
Angered Rhinos
96 bpm • G Maj • 02:14 • -9db
34% Popularity • 39% Danceability • 32% Energy • 14% Liveness
86% Instrumentalness • 46% Positiveness
34% Popularity • 39% Danceability • 32% Energy • 14% Liveness
86% Instrumentalness • 46% Positiveness
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Joel McNeely
Becoming Friends
96 bpm • C Maj • 01:37 • -17.26db
34% Popularity • 64% Danceability • 30% Energy • 55% Liveness
10% Instrumentalness • 16% Positiveness
34% Popularity • 64% Danceability • 30% Energy • 55% Liveness
10% Instrumentalness • 16% Positiveness
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Mark Mothersbaugh
Ice Cream Wonderland
80 bpm • A Maj • 01:22 • -13.72db
12% Popularity • 25% Danceability • 22% Energy • 9% Liveness
69% Instrumentalness • 6% Positiveness
12% Popularity • 25% Danceability • 22% Energy • 9% Liveness
69% Instrumentalness • 6% Positiveness
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Adam Friedman
Bodi Finds the Fire
80 bpm • G Maj • 01:44 • -17.79db
23% Popularity • 33% Danceability • 32% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
23% Popularity • 33% Danceability • 32% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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Mark Mancina
Crop Duster
80 bpm • D Maj • 01:19 • -13.88db
28% Popularity • 34% Danceability • 9% Energy • 10% Liveness
58% Instrumentalness • 24% Positiveness
28% Popularity • 34% Danceability • 9% Energy • 10% Liveness
58% Instrumentalness • 24% Positiveness
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Michael Giacchino
The Best Laid Flight Plans of Space and ...
80 bpm • G Maj • 01:15 • -16.2db
28% Popularity • 47% Danceability • 28% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
28% Popularity • 47% Danceability • 28% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Heitor Pereira
Home Invasion
80 bpm • C Maj • 01:57 • -11.24db
21% Popularity • 50% Danceability • 53% Energy • 25% Liveness
68% Instrumentalness • 11% Positiveness
21% Popularity • 50% Danceability • 53% Energy • 25% Liveness
68% Instrumentalness • 11% Positiveness
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Bear McCreary
Godzilla Main Title
80 bpm • A min • 02:34 • -12.55db
49% Popularity • 56% Danceability • 46% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
49% Popularity • 56% Danceability • 46% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
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Ludwig Göransson
Unleashing The Panda
80 bpm • C min • 02:06 • -11.47db
21% Popularity • 42% Danceability • 30% Energy • 4% Liveness
53% Instrumentalness • 8% Positiveness
21% Popularity • 42% Danceability • 30% Energy • 4% Liveness
53% Instrumentalness • 8% Positiveness
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Steven Price
Moon Phases
97 bpm • D Maj • 02:12 • -19.17db
31% Popularity • 20% Danceability • 12% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 12% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
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David Newman
Humans / Diego
80 bpm • G Maj • 01:43 • -14.36db
34% Popularity • 17% Danceability • 34% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
34% Popularity • 17% Danceability • 34% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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Noam Kaniel
Power Rangers Samurai Theme-1 - Mmpr Ope...
97 bpm • E min • 01:06 • -5.76db
31% Popularity • 40% Danceability • 99% Energy • 34% Liveness
75% Instrumentalness • 37% Positiveness
31% Popularity • 40% Danceability • 99% Energy • 34% Liveness
75% Instrumentalness • 37% Positiveness
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Mychael Danna
Arlo's Vision
80 bpm • C Maj • 01:35 • -30db
28% Popularity • 22% Danceability • 2% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 2% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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Natalie Holt
Young Leia
97 bpm • G Maj • 01:04 • -17db
39% Popularity • 35% Danceability • 34% Energy • 18% Liveness
82% Instrumentalness • 8% Positiveness
39% Popularity • 35% Danceability • 34% Energy • 18% Liveness
82% Instrumentalness • 8% Positiveness
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John Ottman
Logo Mania
98 bpm • D min • 01:00 • -12.56db
32% Popularity • 45% Danceability • 59% Energy • 10% Liveness
80% Instrumentalness • 35% Positiveness
32% Popularity • 45% Danceability • 59% Energy • 10% Liveness
80% Instrumentalness • 35% Positiveness
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Matthew Margeson
Young Jedi Adventures Main Title
79 bpm • D# Maj • 01:39 • -10.46db
29% Popularity • 13% Danceability • 46% Energy • 11% Liveness
64% Instrumentalness • 26% Positiveness
29% Popularity • 13% Danceability • 46% Energy • 11% Liveness
64% Instrumentalness • 26% Positiveness
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Anthony Lledo
The Great Story
79 bpm • F Maj • 02:53 • -17.49db
13% Popularity • 16% Danceability • 10% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 10% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Kristen Anderson-Lopez
All Is Found - Instrumental
79 bpm • F Maj • 02:07 • -16.28db
44% Popularity • 18% Danceability • 18% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
44% Popularity • 18% Danceability • 18% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
