Songs like Witness - Majora Remix by Otik
Based on a tempo of (+/- 10%) and a similar genre
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Otik
Witness - Majora Remix
124 bpm • F Maj • 07:07 • -8.53db
1% Popularity • 83% Danceability • 71% Energy • 9% Liveness
82% Instrumentalness • 16% Positiveness
1% Popularity • 83% Danceability • 71% Energy • 9% Liveness
82% Instrumentalness • 16% Positiveness
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Martinou
An Inclination
124 bpm • G min • 06:44 • -6.48db
13% Popularity • 65% Danceability • 86% Energy • 36% Liveness
88% Instrumentalness • 38% Positiveness
13% Popularity • 65% Danceability • 86% Energy • 36% Liveness
88% Instrumentalness • 38% Positiveness
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Hugo Massien
Mariana
124 bpm • B min • 04:25 • -10.26db
14% Popularity • 78% Danceability • 72% Energy • 11% Liveness
91% Instrumentalness • 29% Positiveness
14% Popularity • 78% Danceability • 72% Energy • 11% Liveness
91% Instrumentalness • 29% Positiveness
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Cameo Blush
Prophet Paradise
123 bpm • A# min • 04:44 • -6.27db
14% Popularity • 42% Danceability • 86% Energy • 22% Liveness
67% Instrumentalness • 39% Positiveness
14% Popularity • 42% Danceability • 86% Energy • 22% Liveness
67% Instrumentalness • 39% Positiveness
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Joy Orbison
smother demo
124 bpm • G# min • 04:40 • -5.91db
22% Popularity • 53% Danceability • 88% Energy • 7% Liveness
90% Instrumentalness • 24% Positiveness
22% Popularity • 53% Danceability • 88% Energy • 7% Liveness
90% Instrumentalness • 24% Positiveness
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Self
Drop Top - Otik Remix
125 bpm • G Maj • 05:24 • -6.88db
2% Popularity • 66% Danceability • 87% Energy • 16% Liveness
89% Instrumentalness • 17% Positiveness
2% Popularity • 66% Danceability • 87% Energy • 16% Liveness
89% Instrumentalness • 17% Positiveness
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Otik
Subaru Dreams
123 bpm • G Maj • 04:04 • -7.86db
20% Popularity • 67% Danceability • 85% Energy • 13% Liveness
72% Instrumentalness • 4% Positiveness
20% Popularity • 67% Danceability • 85% Energy • 13% Liveness
72% Instrumentalness • 4% Positiveness
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Martinou
Take Me There
124 bpm • D min • 06:00 • -12.3db
15% Popularity • 72% Danceability • 77% Energy • 8% Liveness
90% Instrumentalness • 45% Positiveness
15% Popularity • 72% Danceability • 77% Energy • 8% Liveness
90% Instrumentalness • 45% Positiveness
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Om Unit
Praha
125 bpm • A# min • 04:59 • -17.6db
23% Popularity • 24% Danceability • 46% Energy • 53% Liveness
95% Instrumentalness • 9% Positiveness
23% Popularity • 24% Danceability • 46% Energy • 53% Liveness
95% Instrumentalness • 9% Positiveness
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Supreems
Hold On
125 bpm • D# min • 05:45 • -4.25db
9% Popularity • 66% Danceability • 90% Energy • 13% Liveness
28% Instrumentalness • 17% Positiveness
9% Popularity • 66% Danceability • 90% Energy • 13% Liveness
28% Instrumentalness • 17% Positiveness
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Wallace
Tokyo Street
123 bpm • C# Maj • 04:20 • -11.67db
22% Popularity • 79% Danceability • 63% Energy • 37% Liveness
84% Instrumentalness • 26% Positiveness
22% Popularity • 79% Danceability • 63% Energy • 37% Liveness
84% Instrumentalness • 26% Positiveness
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Hugo Massien
Fast Forward
125 bpm • E min • 05:34 • -14.21db
10% Popularity • 80% Danceability • 76% Energy • 5% Liveness
89% Instrumentalness • 57% Positiveness
10% Popularity • 80% Danceability • 76% Energy • 5% Liveness
89% Instrumentalness • 57% Positiveness
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Otik
Actress
123 bpm • F# min • 06:06 • -9.55db
6% Popularity • 68% Danceability • 88% Energy • 55% Liveness
84% Instrumentalness • 26% Positiveness
6% Popularity • 68% Danceability • 88% Energy • 55% Liveness
84% Instrumentalness • 26% Positiveness
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Jump Source
Convenient Fetish
125 bpm • F# Maj • 07:43 • -8.98db
22% Popularity • 64% Danceability • 77% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
22% Popularity • 64% Danceability • 77% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
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Benyayer
Run Generator
125 bpm • G Maj • 05:32 • -7.91db
14% Popularity • 79% Danceability • 87% Energy • 8% Liveness
90% Instrumentalness • 62% Positiveness
14% Popularity • 79% Danceability • 87% Energy • 8% Liveness
90% Instrumentalness • 62% Positiveness
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Martinou
Devotion
125 bpm • C# Maj • 05:08 • -9.7db
11% Popularity • 78% Danceability • 90% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
11% Popularity • 78% Danceability • 90% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Ploy
Crazy BBY
123 bpm • A Maj • 05:04 • -5.77db
12% Popularity • 38% Danceability • 85% Energy • 5% Liveness
41% Instrumentalness • 54% Positiveness
12% Popularity • 38% Danceability • 85% Energy • 5% Liveness
41% Instrumentalness • 54% Positiveness
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Jakob Apelian
Sensible Chaos
126 bpm • F min • 05:22 • -5.34db
31% Popularity • 65% Danceability • 85% Energy • 3% Liveness
78% Instrumentalness • 66% Positiveness
31% Popularity • 65% Danceability • 85% Energy • 3% Liveness
78% Instrumentalness • 66% Positiveness
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Jeigo
Dark Arches
126 bpm • A# min • 06:48 • -18.45db
19% Popularity • 67% Danceability • 67% Energy • 32% Liveness
97% Instrumentalness • 26% Positiveness
19% Popularity • 67% Danceability • 67% Energy • 32% Liveness
97% Instrumentalness • 26% Positiveness
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Barker & Baumecker
Strung - Extended Orchestral Mix
126 bpm • F Maj • 07:57 • -9.11db
10% Popularity • 62% Danceability • 72% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
10% Popularity • 62% Danceability • 72% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
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House Kingpin
She
126 bpm • G Maj • 01:08 • -7.31db
30% Popularity • 69% Danceability • 91% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
30% Popularity • 69% Danceability • 91% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Parris
Puro Rosaceaes - Mixed
126 bpm • G Maj • 02:07 • -14.33db
30% Popularity • 77% Danceability • 48% Energy • 9% Liveness
95% Instrumentalness • 55% Positiveness
30% Popularity • 77% Danceability • 48% Energy • 9% Liveness
95% Instrumentalness • 55% Positiveness
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Hugo Massien
Quantum Mechanics
126 bpm • B min • 05:37 • -14.73db
18% Popularity • 81% Danceability • 82% Energy • 5% Liveness
89% Instrumentalness • 42% Positiveness
18% Popularity • 81% Danceability • 82% Energy • 5% Liveness
89% Instrumentalness • 42% Positiveness
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Supreems
Nachtschone
122 bpm • G# Maj • 05:02 • -4.99db
29% Popularity • 54% Danceability • 89% Energy • 10% Liveness
72% Instrumentalness • 82% Positiveness
29% Popularity • 54% Danceability • 89% Energy • 10% Liveness
72% Instrumentalness • 82% Positiveness
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Client_03
IntrospectionDecimator
126 bpm • A Maj • 04:44 • -5.26db
29% Popularity • 78% Danceability • 60% Energy • 32% Liveness
82% Instrumentalness • 6% Positiveness
29% Popularity • 78% Danceability • 60% Energy • 32% Liveness
82% Instrumentalness • 6% Positiveness
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Baalti
Staying In Touch
126 bpm • C# min • 05:38 • -7.14db
20% Popularity • 68% Danceability • 83% Energy • 7% Liveness
72% Instrumentalness • 35% Positiveness
20% Popularity • 68% Danceability • 83% Energy • 7% Liveness
72% Instrumentalness • 35% Positiveness
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Dauwd
La Nota - Mixed
122 bpm • E Maj • 02:40 • -6.95db
34% Popularity • 75% Danceability • 78% Energy • 13% Liveness
77% Instrumentalness • 44% Positiveness
34% Popularity • 75% Danceability • 78% Energy • 13% Liveness
77% Instrumentalness • 44% Positiveness
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Cabasa
Excess - Otik Remix
122 bpm • E min • 06:18 • -8.84db
0% Popularity • 31% Danceability • 84% Energy • 29% Liveness
90% Instrumentalness • 7% Positiveness
0% Popularity • 31% Danceability • 84% Energy • 29% Liveness
90% Instrumentalness • 7% Positiveness
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Otik
Geronimo
127 bpm • D# Maj • 04:56 • -10.54db
17% Popularity • 70% Danceability • 66% Energy • 72% Liveness
62% Instrumentalness • 12% Positiveness
17% Popularity • 70% Danceability • 66% Energy • 72% Liveness
62% Instrumentalness • 12% Positiveness
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Supreems
Lahla Boy
122 bpm • G# Maj • 05:46 • -5.07db
11% Popularity • 68% Danceability • 90% Energy • 11% Liveness
87% Instrumentalness • 52% Positiveness
11% Popularity • 68% Danceability • 90% Energy • 11% Liveness
87% Instrumentalness • 52% Positiveness
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James Shinra
Portal 4b
127 bpm • G Maj • 03:26 • -11.89db
28% Popularity • 63% Danceability • 80% Energy • 9% Liveness
92% Instrumentalness • 81% Positiveness
28% Popularity • 63% Danceability • 80% Energy • 9% Liveness
92% Instrumentalness • 81% Positiveness
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unperson
In Your Own Time - Mixed
127 bpm • C# Maj • 03:21 • -14.16db
14% Popularity • 78% Danceability • 57% Energy • 10% Liveness
82% Instrumentalness • 10% Positiveness
14% Popularity • 78% Danceability • 57% Energy • 10% Liveness
82% Instrumentalness • 10% Positiveness
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French II
Hive
127 bpm • A Maj • 04:50 • -8.79db
9% Popularity • 80% Danceability • 74% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
9% Popularity • 80% Danceability • 74% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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Pépe
Victory Level - Mixed
127 bpm • E min • 02:05 • -7db
36% Popularity • 70% Danceability • 86% Energy • 3% Liveness
70% Instrumentalness • 56% Positiveness
36% Popularity • 70% Danceability • 86% Energy • 3% Liveness
70% Instrumentalness • 56% Positiveness
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Jump Source
It Is To Be
127 bpm • F# Maj • 05:54 • -10.76db
24% Popularity • 80% Danceability • 74% Energy • 9% Liveness
85% Instrumentalness • 39% Positiveness
24% Popularity • 80% Danceability • 74% Energy • 9% Liveness
85% Instrumentalness • 39% Positiveness
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K Wata
Back Innit
127 bpm • A# min • 05:25 • -7.07db
16% Popularity • 80% Danceability • 81% Energy • 7% Liveness
77% Instrumentalness • 66% Positiveness
16% Popularity • 80% Danceability • 81% Energy • 7% Liveness
77% Instrumentalness • 66% Positiveness
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Jasper Tygner
The Last
127 bpm • C# Maj • 03:03 • -11.13db
18% Popularity • 80% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
18% Popularity • 80% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Huerta
Waxwing Air
127 bpm • F# min • 03:25 • -7.92db
28% Popularity • 80% Danceability • 84% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
28% Popularity • 80% Danceability • 84% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
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James Shinra
Moonlit
127 bpm • F# Maj • 03:37 • -8.8db
20% Popularity • 75% Danceability • 71% Energy • 26% Liveness
88% Instrumentalness • 38% Positiveness
20% Popularity • 75% Danceability • 71% Energy • 26% Liveness
88% Instrumentalness • 38% Positiveness
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Patrick Holland
Who's it For - Mixed
127 bpm • F# min • 02:13 • -9.29db
35% Popularity • 64% Danceability • 86% Energy • 13% Liveness
81% Instrumentalness • 32% Positiveness
35% Popularity • 64% Danceability • 86% Energy • 13% Liveness
81% Instrumentalness • 32% Positiveness
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Yaw Evans
Only Spirit
127 bpm • A# min • 04:04 • -4.11db
12% Popularity • 71% Danceability • 86% Energy • 22% Liveness
94% Instrumentalness • 17% Positiveness
12% Popularity • 71% Danceability • 86% Energy • 22% Liveness
94% Instrumentalness • 17% Positiveness
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Overmono
Bone Mics
128 bpm • A Maj • 03:34 • -6db
30% Popularity • 78% Danceability • 73% Energy • 11% Liveness
81% Instrumentalness • 11% Positiveness
30% Popularity • 78% Danceability • 73% Energy • 11% Liveness
81% Instrumentalness • 11% Positiveness
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Otik
Emphasis - Liar Optimix
128 bpm • A# min • 05:49 • -4.81db
0% Popularity • 70% Danceability • 96% Energy • 25% Liveness
83% Instrumentalness • 48% Positiveness
0% Popularity • 70% Danceability • 96% Energy • 25% Liveness
83% Instrumentalness • 48% Positiveness
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Mr. Sosa
Xhale
128 bpm • C# Maj • 04:33 • -8.34db
12% Popularity • 54% Danceability • 72% Energy • 27% Liveness
61% Instrumentalness • 18% Positiveness
12% Popularity • 54% Danceability • 72% Energy • 27% Liveness
61% Instrumentalness • 18% Positiveness
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Eusebeia
Becoming
128 bpm • B Maj • 05:44 • -14db
13% Popularity • 59% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
13% Popularity • 59% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Tristan Arp
Beamed In
128 bpm • A# min • 04:17 • -9.33db
19% Popularity • 80% Danceability • 69% Energy • 8% Liveness
89% Instrumentalness • 52% Positiveness
19% Popularity • 80% Danceability • 69% Energy • 8% Liveness
89% Instrumentalness • 52% Positiveness
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Lake Haze
First Contact
128 bpm • E min • 04:53 • -9.1db
17% Popularity • 72% Danceability • 77% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
17% Popularity • 72% Danceability • 77% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Joy Orbison
em & aitch
128 bpm • B min • 04:34 • -7.06db
29% Popularity • 94% Danceability • 56% Energy • 6% Liveness
36% Instrumentalness • 71% Positiveness
29% Popularity • 94% Danceability • 56% Energy • 6% Liveness
36% Instrumentalness • 71% Positiveness
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Surusinghe
BAD GIRLS - Mixed
128 bpm • C# Maj • 03:29 • -6.81db
20% Popularity • 80% Danceability • 88% Energy • 5% Liveness
89% Instrumentalness • 33% Positiveness
20% Popularity • 80% Danceability • 88% Energy • 5% Liveness
89% Instrumentalness • 33% Positiveness
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Alps 2
Blur Vid - Throwing Snow's Mix
128 bpm • C# min • 05:09 • -11db
16% Popularity • 63% Danceability • 86% Energy • 18% Liveness
72% Instrumentalness • 16% Positiveness
16% Popularity • 63% Danceability • 86% Energy • 18% Liveness
72% Instrumentalness • 16% Positiveness
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Hugo Massien
Dynamic Symmetry
128 bpm • G Maj • 05:35 • -16.31db
17% Popularity • 69% Danceability • 43% Energy • 9% Liveness
85% Instrumentalness • 15% Positiveness
17% Popularity • 69% Danceability • 43% Energy • 9% Liveness
85% Instrumentalness • 15% Positiveness
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Tristan Arp
Entangled Beings
128 bpm • C# min • 06:26 • -6.28db
8% Popularity • 77% Danceability • 91% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
8% Popularity • 77% Danceability • 91% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
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Logic1000
From Within
128 bpm • A# min • 04:06 • -7.94db
43% Popularity • 78% Danceability • 77% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
43% Popularity • 78% Danceability • 77% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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Jasper Tygner
Need You
128 bpm • F# min • 03:34 • -12db
37% Popularity • 69% Danceability • 66% Energy • 7% Liveness
77% Instrumentalness • 25% Positiveness
37% Popularity • 69% Danceability • 66% Energy • 7% Liveness
77% Instrumentalness • 25% Positiveness
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Guava
Hand it Over
128 bpm • G# Maj • 05:00 • -10db
30% Popularity • 71% Danceability • 79% Energy • 12% Liveness
79% Instrumentalness • 64% Positiveness
30% Popularity • 71% Danceability • 79% Energy • 12% Liveness
79% Instrumentalness • 64% Positiveness
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O'Flynn
Love Fading
128 bpm • G Maj • 04:15 • -7db
31% Popularity • 77% Danceability • 81% Energy • 32% Liveness
94% Instrumentalness • 22% Positiveness
31% Popularity • 77% Danceability • 81% Energy • 32% Liveness
94% Instrumentalness • 22% Positiveness
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Hugo Massien
Deep Blue
128 bpm • B min • 05:34 • -12.18db
17% Popularity • 80% Danceability • 96% Energy • 2% Liveness
86% Instrumentalness • 43% Positiveness
17% Popularity • 80% Danceability • 96% Energy • 2% Liveness
86% Instrumentalness • 43% Positiveness
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Avalon Emerson
Rite at the End
128 bpm • A min • 04:04 • -6db
25% Popularity • 64% Danceability • 86% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
25% Popularity • 64% Danceability • 86% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
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Otik
Clairvoyant
128 bpm • C Maj • 07:59 • -6.94db
22% Popularity • 48% Danceability • 92% Energy • 8% Liveness
38% Instrumentalness • 8% Positiveness
22% Popularity • 48% Danceability • 92% Energy • 8% Liveness
38% Instrumentalness • 8% Positiveness
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Client_03
Nostalgia System Cache Dump
128 bpm • G min • 03:56 • -6.85db
28% Popularity • 65% Danceability • 81% Energy • 13% Liveness
79% Instrumentalness • 7% Positiveness
28% Popularity • 65% Danceability • 81% Energy • 13% Liveness
79% Instrumentalness • 7% Positiveness
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Anz
Clearly Rushing
128 bpm • C# Maj • 03:20 • -6.87db
30% Popularity • 71% Danceability • 92% Energy • 6% Liveness
95% Instrumentalness • 40% Positiveness
30% Popularity • 71% Danceability • 92% Energy • 6% Liveness
95% Instrumentalness • 40% Positiveness
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Yushh
3.15
128 bpm • G# min • 05:07 • -14.16db
13% Popularity • 79% Danceability • 77% Energy • 7% Liveness
92% Instrumentalness • 57% Positiveness
13% Popularity • 79% Danceability • 77% Energy • 7% Liveness
92% Instrumentalness • 57% Positiveness
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Batu
Traverse
128 bpm • C Maj • 05:27 • -11.96db
17% Popularity • 68% Danceability • 63% Energy • 17% Liveness
93% Instrumentalness • 31% Positiveness
17% Popularity • 68% Danceability • 63% Energy • 17% Liveness
93% Instrumentalness • 31% Positiveness
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Cousin
Citta
128 bpm • D Maj • 06:12 • -14.24db
20% Popularity • 77% Danceability • 56% Energy • 8% Liveness
88% Instrumentalness • 35% Positiveness
20% Popularity • 77% Danceability • 56% Energy • 8% Liveness
88% Instrumentalness • 35% Positiveness
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Otik
Wetlands
128 bpm • B min • 06:17 • -8.55db
4% Popularity • 64% Danceability • 92% Energy • 39% Liveness
95% Instrumentalness • 62% Positiveness
4% Popularity • 64% Danceability • 92% Energy • 39% Liveness
95% Instrumentalness • 62% Positiveness
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DJ Counselling
Feather
128 bpm • D Maj • 03:46 • -14.34db
18% Popularity • 85% Danceability • 35% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
18% Popularity • 85% Danceability • 35% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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O'Flynn
Katara
128 bpm • F Maj • 02:38 • -13.18db
35% Popularity • 56% Danceability • 56% Energy • 6% Liveness
84% Instrumentalness • 10% Positiveness
35% Popularity • 56% Danceability • 56% Energy • 6% Liveness
84% Instrumentalness • 10% Positiveness
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Overmono
Sugarushhh
120 bpm • G# min • 03:37 • -9.61db
36% Popularity • 45% Danceability • 57% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
36% Popularity • 45% Danceability • 57% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
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moktar
Crossroads
120 bpm • C Maj • 04:12 • -7.57db
13% Popularity • 81% Danceability • 85% Energy • 14% Liveness
79% Instrumentalness • 41% Positiveness
13% Popularity • 81% Danceability • 85% Energy • 14% Liveness
79% Instrumentalness • 41% Positiveness
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DJ BORING
Memories Fade
120 bpm • A# min • 04:48 • -9.75db
12% Popularity • 84% Danceability • 64% Energy • 12% Liveness
63% Instrumentalness • 80% Positiveness
12% Popularity • 84% Danceability • 64% Energy • 12% Liveness
63% Instrumentalness • 80% Positiveness
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Otik
Amor
120 bpm • C# min • 05:08 • -5.23db
10% Popularity • 65% Danceability • 99% Energy • 11% Liveness
45% Instrumentalness • 23% Positiveness
10% Popularity • 65% Danceability • 99% Energy • 11% Liveness
45% Instrumentalness • 23% Positiveness
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Priori
Learn to Fly
120 bpm • C# Maj • 05:59 • -14.03db
26% Popularity • 46% Danceability • 34% Energy • 11% Liveness
82% Instrumentalness • 35% Positiveness
26% Popularity • 46% Danceability • 34% Energy • 11% Liveness
82% Instrumentalness • 35% Positiveness
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Cortese
Inertia
129 bpm • A min • 03:29 • -8.01db
8% Popularity • 77% Danceability • 70% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 77% Danceability • 70% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Louf
Crosshatch
129 bpm • C# Maj • 03:30 • -12.9db
23% Popularity • 68% Danceability • 67% Energy • 10% Liveness
90% Instrumentalness • 36% Positiveness
23% Popularity • 68% Danceability • 67% Energy • 10% Liveness
90% Instrumentalness • 36% Positiveness
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Polygonia
Jin Dou Yun
129 bpm • C# Maj • 07:42 • -10.73db
18% Popularity • 79% Danceability • 84% Energy • 28% Liveness
76% Instrumentalness • 36% Positiveness
18% Popularity • 79% Danceability • 84% Energy • 28% Liveness
76% Instrumentalness • 36% Positiveness
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O'Flynn
Troopa
129 bpm • G# Maj • 05:20 • -6.36db
25% Popularity • 57% Danceability • 82% Energy • 8% Liveness
72% Instrumentalness • 18% Positiveness
25% Popularity • 57% Danceability • 82% Energy • 8% Liveness
72% Instrumentalness • 18% Positiveness
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Otik
Raw Whispers
120 bpm • G Maj • 04:24 • -9.6db
12% Popularity • 35% Danceability • 81% Energy • 14% Liveness
55% Instrumentalness • 11% Positiveness
12% Popularity • 35% Danceability • 81% Energy • 14% Liveness
55% Instrumentalness • 11% Positiveness
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Jeigo
180395 Brock & Groove
129 bpm • D Maj • 03:55 • -12.06db
19% Popularity • 84% Danceability • 56% Energy • 29% Liveness
87% Instrumentalness • 63% Positiveness
19% Popularity • 84% Danceability • 56% Energy • 29% Liveness
87% Instrumentalness • 63% Positiveness
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Frazer Ray
Throw Some Shade
129 bpm • B min • 06:45 • -6.21db
10% Popularity • 77% Danceability • 93% Energy • 4% Liveness
94% Instrumentalness • 26% Positiveness
10% Popularity • 77% Danceability • 93% Energy • 4% Liveness
94% Instrumentalness • 26% Positiveness
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Swoose
Breathe
129 bpm • D Maj • 05:39 • -9.46db
20% Popularity • 72% Danceability • 86% Energy • 9% Liveness
84% Instrumentalness • 30% Positiveness
20% Popularity • 72% Danceability • 86% Energy • 9% Liveness
84% Instrumentalness • 30% Positiveness
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Polygonia
Disha Shu
129 bpm • G# min • 06:54 • -12.01db
16% Popularity • 70% Danceability • 79% Energy • 9% Liveness
67% Instrumentalness • 61% Positiveness
16% Popularity • 70% Danceability • 79% Energy • 9% Liveness
67% Instrumentalness • 61% Positiveness
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Elkka
Body - Mixed
129 bpm • G Maj • 05:17 • -7.36db
20% Popularity • 57% Danceability • 88% Energy • 12% Liveness
80% Instrumentalness • 27% Positiveness
20% Popularity • 57% Danceability • 88% Energy • 12% Liveness
80% Instrumentalness • 27% Positiveness
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Otik
Oxytoxin
128 bpm • C min • 04:28 • -5.76db
33% Popularity • 69% Danceability • 89% Energy • 16% Liveness
64% Instrumentalness • 19% Positiveness
33% Popularity • 69% Danceability • 89% Energy • 16% Liveness
64% Instrumentalness • 19% Positiveness
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Cousin
Ante
119 bpm • A# min • 04:20 • -13.31db
19% Popularity • 76% Danceability • 70% Energy • 16% Liveness
85% Instrumentalness • 77% Positiveness
19% Popularity • 76% Danceability • 70% Energy • 16% Liveness
85% Instrumentalness • 77% Positiveness
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Vromm
Red Tuna
130 bpm • C# Maj • 06:34 • -5.34db
13% Popularity • 60% Danceability • 96% Energy • 15% Liveness
86% Instrumentalness • 10% Positiveness
13% Popularity • 60% Danceability • 96% Energy • 15% Liveness
86% Instrumentalness • 10% Positiveness
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Patrick Holland
Reality Picture
130 bpm • A min • 03:41 • -13.68db
36% Popularity • 67% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
36% Popularity • 67% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
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Dampé
Clay - K-Lone Remix
130 bpm • F min • 05:28 • -5.92db
19% Popularity • 83% Danceability • 94% Energy • 9% Liveness
80% Instrumentalness • 83% Positiveness
19% Popularity • 83% Danceability • 94% Energy • 9% Liveness
80% Instrumentalness • 83% Positiveness
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Wretla
camera shy
130 bpm • A# min • 05:19 • -8.46db
9% Popularity • 84% Danceability • 56% Energy • 13% Liveness
75% Instrumentalness • 70% Positiveness
9% Popularity • 84% Danceability • 56% Energy • 13% Liveness
75% Instrumentalness • 70% Positiveness
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Otik
Soulo
130 bpm • G Maj • 05:54 • -6.08db
5% Popularity • 60% Danceability • 99% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
5% Popularity • 60% Danceability • 99% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
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Kessler
Vrieselaan
130 bpm • F min • 06:09 • -7.91db
12% Popularity • 34% Danceability • 89% Energy • 9% Liveness
78% Instrumentalness • 16% Positiveness
12% Popularity • 34% Danceability • 89% Energy • 9% Liveness
78% Instrumentalness • 16% Positiveness
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Midland
Drift Into The Algorithm
130 bpm • F# min • 05:19 • -10.56db
19% Popularity • 79% Danceability • 76% Energy • 6% Liveness
90% Instrumentalness • 70% Positiveness
19% Popularity • 79% Danceability • 76% Energy • 6% Liveness
90% Instrumentalness • 70% Positiveness
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Nosaj Thing
Too Close
130 bpm • C# Maj • 03:44 • -12.74db
43% Popularity • 67% Danceability • 64% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
43% Popularity • 67% Danceability • 64% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
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Surusinghe
Brain
130 bpm • F# min • 04:45 • -6.15db
14% Popularity • 76% Danceability • 82% Energy • 9% Liveness
80% Instrumentalness • 14% Positiveness
14% Popularity • 76% Danceability • 82% Energy • 9% Liveness
80% Instrumentalness • 14% Positiveness
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Pugilist
Flip Trix
130 bpm • F# min • 07:57 • -6.99db
9% Popularity • 70% Danceability • 93% Energy • 24% Liveness
88% Instrumentalness • 36% Positiveness
9% Popularity • 70% Danceability • 93% Energy • 24% Liveness
88% Instrumentalness • 36% Positiveness
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Cousin
2 - Icy Dub
130 bpm • A# min • 06:40 • -11.95db
16% Popularity • 79% Danceability • 75% Energy • 56% Liveness
90% Instrumentalness • 41% Positiveness
16% Popularity • 79% Danceability • 75% Energy • 56% Liveness
90% Instrumentalness • 41% Positiveness
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Jeigo
I.Y.E.F.U
130 bpm • G Maj • 06:30 • -8.75db
9% Popularity • 69% Danceability • 91% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
9% Popularity • 69% Danceability • 91% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Villager
Floating
130 bpm • C min • 03:07 • -9.08db
17% Popularity • 51% Danceability • 72% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
17% Popularity • 51% Danceability • 72% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Ola Szmidt
Rooted - Louf's Glass Room Exploration
130 bpm • A min • 05:41 • -12.69db
14% Popularity • 72% Danceability • 66% Energy • 7% Liveness
83% Instrumentalness • 39% Positiveness
14% Popularity • 72% Danceability • 66% Energy • 7% Liveness
83% Instrumentalness • 39% Positiveness
