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Witness
Songs like
Witness
by
The University Of Utah Singers
Based on a tempo of (+/- 10%) and a similar genre
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Rivertree Singers Festival Chorus
Jubilate Deo: VII. ...Omnis Terra!
148 bpm • D Maj • 06:58 • -12.53db
12% Popularity • 30% Danceability • 59% Energy • 67% Liveness
7% Instrumentalness • 24% Positiveness
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Judith Weir
Drop down, ye heavens, from above
148 bpm • D min • 01:47 • -19.47db
9% Popularity • 17% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
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The University Of Utah Singers
Witness
148 bpm • F# min • 02:33 • -15.1db
4% Popularity • 52% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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The Singers - Minnesota Choral Artists
Mid-Winter Songs: II. Like Snow
146 bpm • F# Maj • 01:29 • -23db
8% Popularity • 31% Danceability • 9% Energy • 9% Liveness
56% Instrumentalness • 48% Positiveness
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Michael Engelhardt
Gaudete!
146 bpm • C# min • 04:58 • -19.78db
11% Popularity • 34% Danceability • 18% Energy • 4% Liveness
0% Instrumentalness • 7% Positiveness
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Phoenix Chamber Choir
When the Earth Stands Still
144 bpm • A# min • 03:40 • -27.24db
27% Popularity • 17% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: I. Jubilate Deo...
146 bpm • D Maj • 08:38 • -14.38db
14% Popularity • 28% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
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Michael John Trotta
Veni Veni Emmanuel
144 bpm • G# min • 03:02 • -15.34db
13% Popularity • 29% Danceability • 29% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
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The University Of Utah Singers
Daemon Irrepit Callidus
146 bpm • G min • 01:28 • -13.92db
26% Popularity • 39% Danceability • 24% Energy • 72% Liveness
0% Instrumentalness • 58% Positiveness
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Dan Davison
Ritmo
152 bpm • F Maj • 03:34 • -17.53db
10% Popularity • 40% Danceability • 34% Energy • 69% Liveness
44% Instrumentalness • 23% Positiveness
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Philip Stopford
For the Beauty of the Earth (Version for...
143 bpm • G# Maj • 03:21 • -25.26db
14% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Emil RÃ¥berg
The Tyger
143 bpm • F min • 03:28 • -29.28db
11% Popularity • 18% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: VI. Alleluia (Song of the ...
145 bpm • C Maj • 05:26 • -13.03db
10% Popularity • 13% Danceability • 30% Energy • 50% Liveness
93% Instrumentalness • 5% Positiveness
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Jefferey L. Ames
Let Everything that Hath Breath
143 bpm • C# Maj • 04:14 • -14.11db
15% Popularity • 56% Danceability • 64% Energy • 74% Liveness
0% Instrumentalness • 51% Positiveness
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Nils Lindberg
Shall I Compare Thee
143 bpm • A min • 02:50 • -22db
21% Popularity • 19% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Greg Gilpin
Nothin' Gonna Stumble My Feet
153 bpm • F min • 02:56 • -17.18db
10% Popularity • 42% Danceability • 38% Energy • 83% Liveness
0% Instrumentalness • 74% Positiveness
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Moses Hogan
Ride the Chariot
143 bpm • G Maj • 02:25 • -22.19db
9% Popularity • 35% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Jonathan Dove
The Passing of the Year: No. 1. Invocati...
143 bpm • G Maj • 01:31 • -21db
27% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
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Frank Ticheli
Earth Song
142 bpm • F Maj • 03:42 • -28.43db
33% Popularity • 17% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Kirby Shaw
Plenty Good Room
142 bpm • D Maj • 03:18 • -25.63db
8% Popularity • 50% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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The University Of Utah Singers
My Soul's Been Anchored In The Lord
141 bpm • E Maj • 03:34 • -27db
20% Popularity • 33% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Moses Hogan
Soon Ah WIll Be Done
140 bpm • F# Maj • 03:38 • -26db
8% Popularity • 31% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Tucson Chamber Artists & Eric Holtan
Erev Shel Shoshanim
141 bpm • C min • 03:31 • -21db
12% Popularity • 18% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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Dale Warland Singers
Oh Shenandoah
140 bpm • F Maj • 03:03 • -31.09db
22% Popularity • 16% Danceability • 4% Energy • 9% Liveness
49% Instrumentalness • 9% Positiveness
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The Concordia Choir
Witness
140 bpm • D Maj • 02:53 • -20.99db
24% Popularity • 33% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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The University Of Utah Singers
Alleluia
140 bpm • D# Maj • 03:45 • -14.47db
11% Popularity • 16% Danceability • 32% Energy • 18% Liveness
58% Instrumentalness • 5% Positiveness
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Ola Gjeilo
Phoenix
139 bpm • A Maj • 04:25 • -30db
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
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Emma Lou Diemer
Three Madrigals: III. Sigh no more, ladi...
139 bpm • G Maj • 01:22 • -23.55db
14% Popularity • 35% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Algirdas Martiniatis
Alleluia
139 bpm • C Maj • 04:19 • -27db
11% Popularity • 17% Danceability • 13% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
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Zero8
Sonnet 18: Shall I Compare Thee to a Sum...
139 bpm • E Maj • 04:00 • -14.98db
12% Popularity • 15% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Paul J. Christiansen
Wondrous Love
139 bpm • G# min • 02:39 • -27.8db
21% Popularity • 24% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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The University Of Utah Singers
My Spirit Sang All Day
139 bpm • G Maj • 01:30 • -17.25db
11% Popularity • 28% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Ola Gjeilo
Ave Generosa
139 bpm • G min • 04:32 • -19.72db
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Salt Lake Vocal Artists
Lamentations of Jeremiah
138 bpm • D min • 04:04 • -16.05db
12% Popularity • 25% Danceability • 23% Energy • 7% Liveness
3% Instrumentalness • 12% Positiveness
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Marie-Claire Saindon
Terre-Neuve
138 bpm • D Maj • 02:15 • -22.73db
8% Popularity • 23% Danceability • 8% Energy • 27% Liveness
11% Instrumentalness • 5% Positiveness
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Edward Elgar
As Torrents in Summer
138 bpm • D# Maj • 02:04 • -31db
17% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Kinley Lange
Esto les digo
138 bpm • C Maj • 03:16 • -29.69db
20% Popularity • 20% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Sarah Quartel
Sing, my Child - SATB
138 bpm • F Maj • 04:24 • -20.99db
13% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
The University Of Utah Singers
Cloudburst
138 bpm • D Maj • 07:16 • -19.67db
1% Popularity • 17% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Phoenix Chamber Choir
Why the Caged Bird Sings
137 bpm • B Maj • 08:51 • -28.9db
9% Popularity • 16% Danceability • 2% Energy • 7% Liveness
12% Instrumentalness • 3% Positiveness
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Jason Max Ferdinand Singers
Safe in His Arms
137 bpm • F Maj • 07:33 • -16.69db
10% Popularity • 15% Danceability • 28% Energy • 12% Liveness
27% Instrumentalness • 4% Positiveness
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David Dickau
If Music Be the Food of Love
137 bpm • G# Maj • 04:58 • -26.2db
8% Popularity • 21% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Zero8
Sure on This Shining Night
137 bpm • B Maj • 06:10 • -19.02db
12% Popularity • 15% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Elaine Hagenberg
O Love
137 bpm • G Maj • 05:27 • -19db
28% Popularity • 16% Danceability • 9% Energy • 12% Liveness
67% Instrumentalness • 4% Positiveness
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Randall Thompson
Alleluia
137 bpm • D Maj • 06:20 • -29.8db
8% Popularity • 16% Danceability • 4% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Cantus
M L K
136 bpm • G Maj • 03:01 • -25.79db
11% Popularity • 15% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Prayer
136 bpm • A Maj • 04:48 • -22.35db
14% Popularity • 16% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Marques L.A. Garrett
My heart be brave - SATB
136 bpm • G# Maj • 04:16 • -30.03db
12% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Philip Bliss
It is Well With My Soul (Arr. for choir ...
136 bpm • G# Maj • 05:20 • -21.76db
11% Popularity • 18% Danceability • 13% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Emma Lou Diemer
3 Madrigals: No. 1. O Mistress Mine, Whe...
135 bpm • G min • 01:00 • -23.4db
17% Popularity • 44% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
24% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Robert Schumann
Zigeunerleben
135 bpm • C Maj • 03:14 • -14.94db
13% Popularity • 47% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: II. Soneto De La Noche
135 bpm • F# Maj • 05:45 • -24.3db
11% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Katerina Gimon
Elements: III. Fire (2013 Version) [Live...
135 bpm • F# Maj • 02:09 • -14.97db
12% Popularity • 32% Danceability • 74% Energy • 69% Liveness
0% Instrumentalness • 4% Positiveness
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Andrea Ramsey
That Which Remains
135 bpm • E Maj • 03:23 • -21.95db
9% Popularity • 18% Danceability • 11% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Elaine Hagenberg
Measure Me, Sky!
135 bpm • A# Maj • 04:16 • -16db
23% Popularity • 20% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Jacob Narverud
Ad Astra - live
135 bpm • E Maj • 03:27 • -22.36db
18% Popularity • 22% Danceability • 14% Energy • 76% Liveness
2% Instrumentalness • 12% Positiveness
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Zero8
Ubi Caritas
135 bpm • B min • 03:09 • -20.66db
16% Popularity • 17% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Les Chansons Des Roses: IV. La Rose Comp...
135 bpm • C# Maj • 03:59 • -28.65db
10% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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Jefferey L. Ames
I've Been in the Storm So Long (version ...
135 bpm • E min • 04:58 • -25.5db
9% Popularity • 17% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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The University Of Utah Singers
Laudate Nomen
135 bpm • G Maj • 02:36 • -15.24db
0% Popularity • 39% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
22% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Z. Randall Stroope
Amor de mi Alma
134 bpm • C# Maj • 06:16 • -25db
18% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Jennifer Lucy Cook
They Are Mother
134 bpm • B Maj • 04:32 • -25.93db
14% Popularity • 22% Danceability • 9% Energy • 12% Liveness
48% Instrumentalness • 29% Positiveness
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Andrea Ramsey
Grow Little Tree
133 bpm • F# Maj • 02:11 • -20.89db
11% Popularity • 26% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 8% Positiveness
► Preview
The University Of Utah Singers
Dirait-on
164 bpm • C# Maj • 04:48 • -24.82db
24% Popularity • 15% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 8% Positiveness
► Preview
Atlanta Master Chorale
Fare Thee Well, Love
133 bpm • F# Maj • 04:47 • -26.28db
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Sydney Guillaume
Gagòt (Live)
133 bpm • C# Maj • 05:20 • -23.58db
8% Popularity • 23% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 9% Positiveness
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The University Of Utah Singers
The Conversion Of Saul
165 bpm • F# Maj • 03:35 • -17.28db
19% Popularity • 25% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 4% Positiveness
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Traditional
Shenandoah
133 bpm • E Maj • 03:36 • -39db
25% Popularity • 16% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Jason Max Ferdinand Singers
A Prayer
133 bpm • G Maj • 05:15 • -22.88db
20% Popularity • 17% Danceability • 14% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Octarium
Fa Una Canzona
132 bpm • A# Maj • 01:12 • -25.85db
10% Popularity • 29% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Eric William Barnum
Afternoon on a Hill
132 bpm • D Maj • 04:41 • -16db
18% Popularity • 29% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
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BYU Singers
Cloudburst
132 bpm • E min • 08:25 • -24db
14% Popularity • 16% Danceability • 11% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Emma Lou Diemer
Three Madrigals: II. Take, oh, take thos...
132 bpm • G min • 02:17 • -35.61db
13% Popularity • 16% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Jason Max Ferdinand Singers
He's Got the Whole World in His Hands
132 bpm • G# Maj • 04:54 • -18.56db
9% Popularity • 23% Danceability • 23% Energy • 24% Liveness
7% Instrumentalness • 15% Positiveness
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Benjamin Britten
Advance Democracy
132 bpm • D# Maj • 03:25 • -23.39db
9% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Festival Canticle: Worthy Is Christ (Thi...
132 bpm • B min • 03:47 • -23.67db
17% Popularity • 16% Danceability • 16% Energy • 12% Liveness
78% Instrumentalness • 17% Positiveness
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Philip Stopford
Missa Deus nobiscum (Version for Soprano...
132 bpm • A# Maj • 02:13 • -17.07db
9% Popularity • 38% Danceability • 19% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
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Ivo Antognini
I am the rose of Sharon
132 bpm • A min • 05:28 • -29.68db
9% Popularity • 16% Danceability • 6% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
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Alberto Ginastera
The Lamentations of Jeremiah, Op. 14: Eg...
132 bpm • D Maj • 04:40 • -38db
11% Popularity • 16% Danceability • 1% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
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Stacey V. Gibbs
Hold On!
131 bpm • F# min • 03:37 • -13.51db
11% Popularity • 20% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Lisa Young
Sacred Stepping Stones
167 bpm • C# min • 05:20 • -22.88db
13% Popularity • 20% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Shawn Kirchner
I’ll Be On My Way
167 bpm • G Maj • 03:35 • -18.83db
13% Popularity • 24% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Patrick Vu
On the Hillside
131 bpm • C# Maj • 05:22 • -31.2db
10% Popularity • 18% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: I. En Une Seule ...
131 bpm • C# Maj • 02:36 • -27db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
The University Of Utah Singers
A Jubilant Song
131 bpm • F# min • 06:43 • -15.31db
5% Popularity • 39% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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Stacey V. Gibbs
Somebody Talkin' 'Bout Jesus
131 bpm • G min • 02:53 • -13.43db
9% Popularity • 25% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Erich Kunzel
Morning Hymn
131 bpm • B min • 00:56 • -37.4db
25% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Phoenix Chamber Choir
Ballade to the Moon
130 bpm • E Maj • 05:25 • -30.67db
17% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
► Preview
Elaine Hagenberg
The Music of Stillness - SATB
130 bpm • F# Maj • 05:37 • -24db
23% Popularity • 16% Danceability • 4% Energy • 19% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
23% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Witness