Songs like Wives and Lovers (Hey, Little Girl) by David Keith Jones
Based on a tempo of (+/- 10%) and a similar genre
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Marc Béziat
Deliverance (2024 Prague Session)
83 bpm • E Maj • 02:58 • -14.32db
0% Popularity • 16% Danceability • 13% Energy • 33% Liveness
35% Instrumentalness • 22% Positiveness
0% Popularity • 16% Danceability • 13% Energy • 33% Liveness
35% Instrumentalness • 22% Positiveness
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Vera Lynn
Auf Wiederseh'n Sweetheart - 2017 Versio...
83 bpm • G# Maj • 02:40 • -15.35db
31% Popularity • 15% Danceability • 14% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 15% Danceability • 14% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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National Symphony Orchestra
Ent'racte
83 bpm • F min • 03:09 • -15.8db
8% Popularity • 14% Danceability • 20% Energy • 22% Liveness
94% Instrumentalness • 16% Positiveness
8% Popularity • 14% Danceability • 20% Energy • 22% Liveness
94% Instrumentalness • 16% Positiveness
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Kane Kalas
Goodnight My Someone
83 bpm • C Maj • 02:55 • -11.29db
10% Popularity • 36% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 36% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Mantovani & His Orchestra
Theme from "Limelight"
83 bpm • C Maj • 03:00 • -17.71db
8% Popularity • 14% Danceability • 13% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 13% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
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Vladimir Takinov
Winter's Waltz
82 bpm • D# Maj • 01:48 • -12.54db
9% Popularity • 48% Danceability • 42% Energy • 19% Liveness
77% Instrumentalness • 49% Positiveness
9% Popularity • 48% Danceability • 42% Energy • 19% Liveness
77% Instrumentalness • 49% Positiveness
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Rafael Krux
Royal Hunting French Horns Fanfare
82 bpm • G Maj • 01:43 • -15.86db
9% Popularity • 25% Danceability • 19% Energy • 5% Liveness
98% Instrumentalness • 18% Positiveness
9% Popularity • 25% Danceability • 19% Energy • 5% Liveness
98% Instrumentalness • 18% Positiveness
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Theobald Boehm
Fantasia dall'Austria: "Le Desir" su un ...
82 bpm • G# Maj • 01:06 • -8.77db
10% Popularity • 43% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 37% Positiveness
10% Popularity • 43% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 37% Positiveness
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Konzertchor Cantins
Henry V. (Non Nobis Domine)
82 bpm • G Maj • 03:09 • -8db
8% Popularity • 14% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 14% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Carmen Schubert Sopran
Wer Hat Die Schönsten Schäfchen
84 bpm • E Maj • 02:00 • -16.47db
9% Popularity • 36% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
9% Popularity • 36% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Fernando Velázquez
La contadora de películas (#2)
82 bpm • C Maj • 02:32 • -21.3db
15% Popularity • 25% Danceability • 6% Energy • 7% Liveness
98% Instrumentalness • 9% Positiveness
15% Popularity • 25% Danceability • 6% Energy • 7% Liveness
98% Instrumentalness • 9% Positiveness
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Marc Koerts
Enchanting Adagio
82 bpm • F Maj • 08:48 • -9.82db
7% Popularity • 8% Danceability • 36% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
7% Popularity • 8% Danceability • 36% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Jacob de Haan
Ammerland
82 bpm • C min • 03:52 • -13.88db
20% Popularity • 15% Danceability • 24% Energy • 68% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 24% Energy • 68% Liveness
94% Instrumentalness • 4% Positiveness
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Julius Fučík
Terpsichore, Op. 37 (Version for Orchest...
84 bpm • D Maj • 04:22 • -21.43db
10% Popularity • 50% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 35% Positiveness
10% Popularity • 50% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 35% Positiveness
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William Keiper
Suite canti di Napoli: VI. Drughe, drugh...
82 bpm • E Maj • 01:42 • -10.84db
9% Popularity • 16% Danceability • 25% Energy • 13% Liveness
92% Instrumentalness • 13% Positiveness
9% Popularity • 16% Danceability • 25% Energy • 13% Liveness
92% Instrumentalness • 13% Positiveness
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Cole Porter (composer), The MGM Studio Orchestra
High Heeled Shoes
84 bpm • G min • 01:20 • -22.02db
23% Popularity • 11% Danceability • 15% Energy • 14% Liveness
97% Instrumentalness • 6% Positiveness
23% Popularity • 11% Danceability • 15% Energy • 14% Liveness
97% Instrumentalness • 6% Positiveness
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Luca Schettino
String Quartet N 39_ Mov 1_ Party Time
84 bpm • G min • 00:58 • -10.55db
10% Popularity • 76% Danceability • 39% Energy • 78% Liveness
69% Instrumentalness • 81% Positiveness
10% Popularity • 76% Danceability • 39% Energy • 78% Liveness
69% Instrumentalness • 81% Positiveness
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Benn Cole
Time Waltz
82 bpm • F min • 01:46 • -33.56db
19% Popularity • 8% Danceability • 1% Energy • 16% Liveness
93% Instrumentalness • 9% Positiveness
19% Popularity • 8% Danceability • 1% Energy • 16% Liveness
93% Instrumentalness • 9% Positiveness
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Al Goodman and his Orchestra
Absinthe Frappe
84 bpm • C Maj • 02:45 • -23.09db
3% Popularity • 21% Danceability • 7% Energy • 32% Liveness
79% Instrumentalness • 24% Positiveness
3% Popularity • 21% Danceability • 7% Energy • 32% Liveness
79% Instrumentalness • 24% Positiveness
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Jerome Kern
Look for the Silver Lining (Arr. T. Post...
82 bpm • E Maj • 02:11 • -19.9db
12% Popularity • 24% Danceability • 15% Energy • 15% Liveness
95% Instrumentalness • 22% Positiveness
12% Popularity • 24% Danceability • 15% Energy • 15% Liveness
95% Instrumentalness • 22% Positiveness
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Georges Bizet
Bizet: Carmen - Habanera - slowed + reve...
85 bpm • A# Maj • 02:26 • -30.51db
10% Popularity • 23% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 16% Positiveness
10% Popularity • 23% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 16% Positiveness
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Byron McKay
A Walk In The Park
81 bpm • D Maj • 02:49 • -24.78db
8% Popularity • 26% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
8% Popularity • 26% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Theodore Moses Tobani
Hearts And Flowers
85 bpm • G Maj • 03:08 • -16.27db
10% Popularity • 14% Danceability • 15% Energy • 33% Liveness
87% Instrumentalness • 7% Positiveness
10% Popularity • 14% Danceability • 15% Energy • 33% Liveness
87% Instrumentalness • 7% Positiveness
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Russ Morgan and His Orchestra
Moonlight and Shadows
81 bpm • C Maj • 01:59 • -11.21db
27% Popularity • 49% Danceability • 28% Energy • 8% Liveness
80% Instrumentalness • 60% Positiveness
27% Popularity • 49% Danceability • 28% Energy • 8% Liveness
80% Instrumentalness • 60% Positiveness
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Ivor Novello
If Only He'd Looked My Way [Arr. S. Mul...
81 bpm • C Maj • 02:46 • -21.16db
10% Popularity • 43% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
10% Popularity • 43% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
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Paolo Di Sabatino
Preludio per archi No. 9
85 bpm • D min • 01:40 • -15.02db
13% Popularity • 16% Danceability • 11% Energy • 10% Liveness
85% Instrumentalness • 13% Positiveness
13% Popularity • 16% Danceability • 11% Energy • 10% Liveness
85% Instrumentalness • 13% Positiveness
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Frederic Curzon
In Sherwood
85 bpm • G Maj • 01:39 • -11.52db
11% Popularity • 46% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
11% Popularity • 46% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
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Georges Garvarentz
Révélation à Asuncion
81 bpm • A# Maj • 01:28 • -16.47db
26% Popularity • 20% Danceability • 24% Energy • 34% Liveness
95% Instrumentalness • 24% Positiveness
26% Popularity • 20% Danceability • 24% Energy • 34% Liveness
95% Instrumentalness • 24% Positiveness
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Elmer Bernstein
Roses Montage
85 bpm • C min • 01:16 • -10.47db
40% Popularity • 21% Danceability • 37% Energy • 14% Liveness
58% Instrumentalness • 15% Positiveness
40% Popularity • 21% Danceability • 37% Energy • 14% Liveness
58% Instrumentalness • 15% Positiveness
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David Keith Jones
Smile Though Your Heart Is Breaking
85 bpm • E Maj • 02:38 • -11.84db
1% Popularity • 38% Danceability • 34% Energy • 53% Liveness
0% Instrumentalness • 8% Positiveness
1% Popularity • 38% Danceability • 34% Energy • 53% Liveness
0% Instrumentalness • 8% Positiveness
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Orion King
Purpose
85 bpm • A# min • 02:41 • -16.16db
13% Popularity • 14% Danceability • 29% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
13% Popularity • 14% Danceability • 29% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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Peter Deunov
Square
81 bpm • E min • 02:47 • -16.12db
9% Popularity • 14% Danceability • 26% Energy • 24% Liveness
87% Instrumentalness • 26% Positiveness
9% Popularity • 14% Danceability • 26% Energy • 24% Liveness
87% Instrumentalness • 26% Positiveness
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Angela Morley
Crossing the River and Onward
81 bpm • G# Maj • 02:27 • -22.8db
10% Popularity • 24% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
10% Popularity • 24% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Musica Clasica
Do Mayor 2
81 bpm • C Maj • 03:09 • -17.81db
18% Popularity • 20% Danceability • 8% Energy • 15% Liveness
87% Instrumentalness • 3% Positiveness
18% Popularity • 20% Danceability • 8% Energy • 15% Liveness
87% Instrumentalness • 3% Positiveness
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Vladislav Cojocaru
Valse Caprice
85 bpm • F Maj • 06:48 • -15.74db
20% Popularity • 18% Danceability • 22% Energy • 21% Liveness
42% Instrumentalness • 10% Positiveness
20% Popularity • 18% Danceability • 22% Energy • 21% Liveness
42% Instrumentalness • 10% Positiveness
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Luca Leggi
Destini
85 bpm • C Maj • 05:50 • -21db
8% Popularity • 22% Danceability • 12% Energy • 8% Liveness
74% Instrumentalness • 10% Positiveness
8% Popularity • 22% Danceability • 12% Energy • 8% Liveness
74% Instrumentalness • 10% Positiveness
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John Dowland
Lachrimae Coactae Pavan
81 bpm • A min • 03:36 • -21.27db
9% Popularity • 16% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 15% Positiveness
9% Popularity • 16% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 15% Positiveness
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Carmen Schubert Sopran
Fate La Nanna
81 bpm • F min • 02:41 • -15.04db
11% Popularity • 45% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 45% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Ferde Grofé
Sunset
81 bpm • D Maj • 05:08 • -19.41db
7% Popularity • 15% Danceability • 23% Energy • 12% Liveness
77% Instrumentalness • 8% Positiveness
7% Popularity • 15% Danceability • 23% Energy • 12% Liveness
77% Instrumentalness • 8% Positiveness
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Marc Koerts
Nocturne Serenade
80 bpm • A# Maj • 07:13 • -9.68db
3% Popularity • 8% Danceability • 38% Energy • 13% Liveness
87% Instrumentalness • 9% Positiveness
3% Popularity • 8% Danceability • 38% Energy • 13% Liveness
87% Instrumentalness • 9% Positiveness
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Harmonic Resonance and Melodic Fusion
Ode to the Ocean
80 bpm • C Maj • 01:30 • -12.6db
9% Popularity • 33% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
9% Popularity • 33% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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Theobald Boehm
Fantasia dall'Italia: "Nel cor più non ...
80 bpm • G Maj • 01:06 • -9.45db
13% Popularity • 57% Danceability • 52% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
13% Popularity • 57% Danceability • 52% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
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Roger Williams
Love Theme From “Romeo & Juliet”
86 bpm • A# Maj • 03:29 • -12.91db
16% Popularity • 19% Danceability • 24% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 24% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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Cole Porter (composer), The MGM Studio Orchestra
Paris Loves Lovers (Instrumental)
80 bpm • C# Maj • 02:36 • -14db
39% Popularity • 37% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 37% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Per Egland
Sånger å de Osjungnas Vägnar: VI. Fin...
86 bpm • D# Maj • 01:01 • -15.07db
15% Popularity • 35% Danceability • 42% Energy • 30% Liveness
77% Instrumentalness • 41% Positiveness
15% Popularity • 35% Danceability • 42% Energy • 30% Liveness
77% Instrumentalness • 41% Positiveness
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David Keith Jones
Masquerade (Instrumental)
80 bpm • C Maj • 03:09 • -38.31db
7% Popularity • 30% Danceability • 0% Energy • 9% Liveness
23% Instrumentalness • 72% Positiveness
7% Popularity • 30% Danceability • 0% Energy • 9% Liveness
23% Instrumentalness • 72% Positiveness
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Berlin Virtual Symphonics
Jinsei No Merry Go Round - Orchestral V...
80 bpm • G min • 05:00 • -13.29db
8% Popularity • 17% Danceability • 27% Energy • 18% Liveness
93% Instrumentalness • 17% Positiveness
8% Popularity • 17% Danceability • 27% Energy • 18% Liveness
93% Instrumentalness • 17% Positiveness
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Basil Poledouris
The Skull / Acclimation Montage
86 bpm • G# Maj • 02:43 • -17.3db
17% Popularity • 16% Danceability • 19% Energy • 9% Liveness
57% Instrumentalness • 5% Positiveness
17% Popularity • 16% Danceability • 19% Energy • 9% Liveness
57% Instrumentalness • 5% Positiveness
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André Previn
The Embassy Waltz - Instrumental
86 bpm • D# Maj • 02:07 • -15.76db
25% Popularity • 27% Danceability • 22% Energy • 41% Liveness
68% Instrumentalness • 43% Positiveness
25% Popularity • 27% Danceability • 22% Energy • 41% Liveness
68% Instrumentalness • 43% Positiveness
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Wayne King and His Orchestra
Melody Of Love
80 bpm • G# Maj • 02:55 • -33.33db
10% Popularity • 29% Danceability • 1% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
10% Popularity • 29% Danceability • 1% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
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Royal Orchestra
Wiegenlied, Op 49, No. 4: Guten Abend, g...
86 bpm • F Maj • 02:11 • -14.53db
0% Popularity • 14% Danceability • 21% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
0% Popularity • 14% Danceability • 21% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
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David Keith Jones
Lezione IX: L'augelleto in laci (Accompa...
80 bpm • D Maj • 01:27 • -44.06db
0% Popularity • 42% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 42% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Ernesto Vallini
One Wall Close My Way
80 bpm • F min • 02:28 • -16.55db
8% Popularity • 23% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
8% Popularity • 23% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
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John Dowland
Semper Dowland, Semper Dolens
86 bpm • D min • 02:15 • -18.53db
11% Popularity • 11% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Basil Poledouris
The Raft
87 bpm • D Maj • 00:59 • -9.51db
8% Popularity • 14% Danceability • 33% Energy • 19% Liveness
80% Instrumentalness • 14% Positiveness
8% Popularity • 14% Danceability • 33% Energy • 19% Liveness
80% Instrumentalness • 14% Positiveness
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Lawrence Welk
I Love To Tell The Story
87 bpm • F# Maj • 02:24 • -16db
9% Popularity • 18% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 18% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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London Festival Orchestra
Joseph! Joseph!
80 bpm • A min • 02:27 • -17.93db
13% Popularity • 22% Danceability • 21% Energy • 9% Liveness
85% Instrumentalness • 23% Positiveness
13% Popularity • 22% Danceability • 21% Energy • 9% Liveness
85% Instrumentalness • 23% Positiveness
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Aurelio Scotto
Orchestral Set n.1: Counterpoints (Varia...
87 bpm • G Maj • 06:26 • -20.88db
14% Popularity • 19% Danceability • 10% Energy • 8% Liveness
40% Instrumentalness • 13% Positiveness
14% Popularity • 19% Danceability • 10% Energy • 8% Liveness
40% Instrumentalness • 13% Positiveness
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Beckenhorst Singers
Be Gone, Unbelief
87 bpm • C Maj • 02:09 • -13.98db
9% Popularity • 34% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 34% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Pedigree® Tail Orchestra
Tail Orchestra - Symphony No. 1: I. "Too...
87 bpm • F min • 01:09 • -19.08db
30% Popularity • 27% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
30% Popularity • 27% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
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Ria Mbanefo
Used to Myself
87 bpm • A# Maj • 02:48 • -14.18db
17% Popularity • 33% Danceability • 27% Energy • 39% Liveness
90% Instrumentalness • 47% Positiveness
17% Popularity • 33% Danceability • 27% Energy • 39% Liveness
90% Instrumentalness • 47% Positiveness
► Preview
Nic Raine
In Three Words
79 bpm • G# Maj • 04:23 • -18.42db
7% Popularity • 19% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 5% Positiveness
7% Popularity • 19% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 5% Positiveness
► Preview
Paul Whiteman
Grand Canyon Suite: Sunset
87 bpm • D Maj • 04:01 • -13.76db
7% Popularity • 15% Danceability • 17% Energy • 33% Liveness
85% Instrumentalness • 7% Positiveness
7% Popularity • 15% Danceability • 17% Energy • 33% Liveness
85% Instrumentalness • 7% Positiveness
► Preview
John Dowland
Lachrimae Tristes
79 bpm • A min • 05:16 • -20.25db
10% Popularity • 14% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
10% Popularity • 14% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
► Preview
Peter Deunov
How pleased we are
79 bpm • G Maj • 01:22 • -14.58db
13% Popularity • 14% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 61% Positiveness
13% Popularity • 14% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 61% Positiveness
► Preview
Elena Vesova
Rhapsody Of Love
79 bpm • D min • 01:52 • -33.48db
11% Popularity • 18% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
11% Popularity • 18% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
► Preview
Maurice Winnick
It Looks Like Rain in Cherry Blossom Lan...
79 bpm • G# Maj • 03:07 • -11.64db
10% Popularity • 39% Danceability • 23% Energy • 35% Liveness
94% Instrumentalness • 23% Positiveness
10% Popularity • 39% Danceability • 23% Energy • 35% Liveness
94% Instrumentalness • 23% Positiveness
► Preview
Mario Lanza
The Bayou Lullaby
87 bpm • G Maj • 03:30 • -12.18db
11% Popularity • 29% Danceability • 32% Energy • 18% Liveness
1% Instrumentalness • 15% Positiveness
11% Popularity • 29% Danceability • 32% Energy • 18% Liveness
1% Instrumentalness • 15% Positiveness
► Preview
Mystic Symphony
The Hero
79 bpm • G min • 04:29 • -16.21db
14% Popularity • 13% Danceability • 40% Energy • 33% Liveness
89% Instrumentalness • 33% Positiveness
14% Popularity • 13% Danceability • 40% Energy • 33% Liveness
89% Instrumentalness • 33% Positiveness
► Preview
Franz Lehár
Merry Widow Waltz
79 bpm • F Maj • 02:55 • -11db
15% Popularity • 16% Danceability • 38% Energy • 19% Liveness
86% Instrumentalness • 16% Positiveness
15% Popularity • 16% Danceability • 38% Energy • 19% Liveness
86% Instrumentalness • 16% Positiveness
► Preview
Antón García Abril
Fortunata Y Jacinta
87 bpm • F# Maj • 04:13 • -22.44db
14% Popularity • 17% Danceability • 9% Energy • 16% Liveness
90% Instrumentalness • 9% Positiveness
14% Popularity • 17% Danceability • 9% Energy • 16% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Máire Flavin
Stay Awake
88 bpm • A# Maj • 01:44 • -27.91db
4% Popularity • 27% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
4% Popularity • 27% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Carl Busch
4 North American Legends: No. 4, Omaha I...
79 bpm • G Maj • 06:07 • -22.96db
12% Popularity • 14% Danceability • 9% Energy • 27% Liveness
40% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 9% Energy • 27% Liveness
40% Instrumentalness • 4% Positiveness
► Preview
Akira Senju
トリシャの子守歌～アニメ『�...
88 bpm • F min • 03:58 • -17.18db
8% Popularity • 23% Danceability • 25% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 25% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Michael Sheen
Shall I Compare Thee To A Summer's Day?,...
88 bpm • D Maj • 02:07 • -32.82db
13% Popularity • 33% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 33% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Andrea Guerra
Il Romanzo
78 bpm • D Maj • 02:02 • -19.04db
19% Popularity • 16% Danceability • 15% Energy • 28% Liveness
32% Instrumentalness • 15% Positiveness
19% Popularity • 16% Danceability • 15% Energy • 28% Liveness
32% Instrumentalness • 15% Positiveness
► Preview
Simonetti
Tristesse
88 bpm • E Maj • 04:26 • -16.46db
12% Popularity • 14% Danceability • 15% Energy • 28% Liveness
93% Instrumentalness • 5% Positiveness
12% Popularity • 14% Danceability • 15% Energy • 28% Liveness
93% Instrumentalness • 5% Positiveness
► Preview
Carl Michael Bellman
Se menigheten
88 bpm • C Maj • 01:08 • -21.7db
12% Popularity • 31% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
12% Popularity • 31% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Karl Jenkins
Paradise Lost?
78 bpm • D Maj • 05:27 • -15.97db
9% Popularity • 14% Danceability • 20% Energy • 9% Liveness
19% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 20% Energy • 9% Liveness
19% Instrumentalness • 4% Positiveness
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Marc Ezenge
No One Higher
78 bpm • C# Maj • 02:13 • -21.45db
13% Popularity • 35% Danceability • 5% Energy • 20% Liveness
92% Instrumentalness • 20% Positiveness
13% Popularity • 35% Danceability • 5% Energy • 20% Liveness
92% Instrumentalness • 20% Positiveness
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John Dowland
Lachrimae Antiquae
78 bpm • A min • 03:53 • -20.33db
12% Popularity • 17% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
12% Popularity • 17% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
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Paul Whiteman
Grand Canyon Suite: Sunrise
78 bpm • A Maj • 06:37 • -11.71db
5% Popularity • 15% Danceability • 36% Energy • 81% Liveness
91% Instrumentalness • 8% Positiveness
5% Popularity • 15% Danceability • 36% Energy • 81% Liveness
91% Instrumentalness • 8% Positiveness
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Peter Deunov
Evera
78 bpm • F Maj • 01:29 • -14.18db
12% Popularity • 8% Danceability • 29% Energy • 17% Liveness
97% Instrumentalness • 20% Positiveness
12% Popularity • 8% Danceability • 29% Energy • 17% Liveness
97% Instrumentalness • 20% Positiveness
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BBC Concert Orchestra
Alice in Wonderland
89 bpm • F Maj • 04:04 • -13.54db
9% Popularity • 12% Danceability • 27% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
9% Popularity • 12% Danceability • 27% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
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Andrew Lloyd Webber
Phantom Fantasia: Overture
78 bpm • A min • 01:02 • -14.92db
15% Popularity • 29% Danceability • 33% Energy • 29% Liveness
93% Instrumentalness • 58% Positiveness
15% Popularity • 29% Danceability • 33% Energy • 29% Liveness
93% Instrumentalness • 58% Positiveness
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Elmer Bernstein
The Age of Innocence
78 bpm • C min • 04:36 • -10db
24% Popularity • 16% Danceability • 34% Energy • 17% Liveness
87% Instrumentalness • 10% Positiveness
24% Popularity • 16% Danceability • 34% Energy • 17% Liveness
87% Instrumentalness • 10% Positiveness
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John Dowland
M Nicholas Griffith His Galiard
77 bpm • A min • 03:05 • -16.37db
9% Popularity • 26% Danceability • 13% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
9% Popularity • 26% Danceability • 13% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
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Max Bruch
Scottish Fantasy for Violin and Orchestr...
77 bpm • D# Maj • 08:02 • -14db
9% Popularity • 10% Danceability • 28% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
9% Popularity • 10% Danceability • 28% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
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Peter Deunov
A nice day
78 bpm • C Maj • 02:56 • -18.53db
8% Popularity • 17% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 23% Positiveness
8% Popularity • 17% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 23% Positiveness
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Ricardo Mollá Albero
Diamond Hands for trumpet, trombone and ...
89 bpm • D Maj • 04:49 • -20.45db
9% Popularity • 20% Danceability • 59% Energy • 94% Liveness
94% Instrumentalness • 14% Positiveness
9% Popularity • 20% Danceability • 59% Energy • 94% Liveness
94% Instrumentalness • 14% Positiveness
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Archaic Illusion Orchestra
Symphony No. 29 in G Minor
77 bpm • G min • 02:02 • -19.38db
16% Popularity • 17% Danceability • 13% Energy • 14% Liveness
80% Instrumentalness • 13% Positiveness
16% Popularity • 17% Danceability • 13% Energy • 14% Liveness
80% Instrumentalness • 13% Positiveness
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João Marcondes
Tormenta
77 bpm • A min • 03:20 • -16.42db
18% Popularity • 16% Danceability • 13% Energy • 17% Liveness
77% Instrumentalness • 12% Positiveness
18% Popularity • 16% Danceability • 13% Energy • 17% Liveness
77% Instrumentalness • 12% Positiveness
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Diamond String Orchestra
Don't Speak
77 bpm • F min • 04:32 • -9.07db
7% Popularity • 20% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
7% Popularity • 20% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Ricardo García De Arellano
Duda
77 bpm • D# Maj • 05:53 • -18.95db
9% Popularity • 14% Danceability • 8% Energy • 12% Liveness
31% Instrumentalness • 14% Positiveness
9% Popularity • 14% Danceability • 8% Energy • 12% Liveness
31% Instrumentalness • 14% Positiveness
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Peter Deunov
Pentagram
89 bpm • C Maj • 01:37 • -12.52db
9% Popularity • 22% Danceability • 26% Energy • 35% Liveness
85% Instrumentalness • 23% Positiveness
9% Popularity • 22% Danceability • 26% Energy • 35% Liveness
85% Instrumentalness • 23% Positiveness
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The Red Army Choir
Моя Родина
77 bpm • G Maj • 03:19 • -11.01db
9% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Alexander Borodin
Borodin (Polovtsian Dances)
77 bpm • A Maj • 01:02 • -17db
11% Popularity • 23% Danceability • 22% Energy • 33% Liveness
88% Instrumentalness • 42% Positiveness
11% Popularity • 23% Danceability • 22% Energy • 33% Liveness
88% Instrumentalness • 42% Positiveness
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Serene Aurora
Amongst the Clouds
77 bpm • D# min • 01:19 • -18.62db
13% Popularity • 18% Danceability • 7% Energy • 11% Liveness
73% Instrumentalness • 10% Positiveness
13% Popularity • 18% Danceability • 7% Energy • 11% Liveness
73% Instrumentalness • 10% Positiveness
