Songs like Wo die Citronen bluh'n! Op. 364 by Johann Strauss II
Based on a tempo of (+/- 10%) and a similar genre
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Johann Strauss II
Wo die Zitronen Blüh'n! (Where the Lemo...
89 bpm • D Maj • 02:45 • -19.87db
22% Popularity • 35% Danceability • 8% Energy • 5% Liveness
47% Instrumentalness • 32% Positiveness
22% Popularity • 35% Danceability • 8% Energy • 5% Liveness
47% Instrumentalness • 32% Positiveness
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Johannes Brahms
Waltz in A flat major, Op.39 No. 15
89 bpm • A Maj • 01:47 • -20db
50% Popularity • 22% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
50% Popularity • 22% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Léo Delibes
Coppelia Waltz
89 bpm • D# Maj • 02:03 • -19db
23% Popularity • 22% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 32% Positiveness
23% Popularity • 22% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 32% Positiveness
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Giuseppe Verdi
Nabucco: Overture
89 bpm • C Maj • 07:29 • -18db
31% Popularity • 32% Danceability • 14% Energy • 6% Liveness
74% Instrumentalness • 22% Positiveness
31% Popularity • 32% Danceability • 14% Energy • 6% Liveness
74% Instrumentalness • 22% Positiveness
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Johann Sebastian Bach
Suite No. 3 in D Major, BWV 1068: II. Ai...
89 bpm • D Maj • 03:35 • -22db
38% Popularity • 10% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
38% Popularity • 10% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
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Gioachino Rossini
The Thieving Magpie
89 bpm • E Maj • 05:07 • -19.88db
37% Popularity • 35% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
37% Popularity • 35% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
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Johann Strauss II
Tritsch-Tratsch-Polka, Op. 214
90 bpm • A Maj • 02:25 • -13.95db
11% Popularity • 65% Danceability • 46% Energy • 15% Liveness
91% Instrumentalness • 90% Positiveness
11% Popularity • 65% Danceability • 46% Energy • 15% Liveness
91% Instrumentalness • 90% Positiveness
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Léo Delibes
Coppelia: Act I - Valse
89 bpm • D# Maj • 02:21 • -26.69db
54% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
54% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
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Richard Wagner
Die Walkure, Act III: Ride of the Valkyr...
90 bpm • G Maj • 05:25 • -16.78db
52% Popularity • 25% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
52% Popularity • 25% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Christian Sinding
Sinding / Arr Sitt : Rustle of Spring
90 bpm • F min • 02:38 • -15.07db
19% Popularity • 18% Danceability • 19% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
19% Popularity • 18% Danceability • 19% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
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Aram Khachaturian
Gayane: Sabre Dance
90 bpm • C Maj • 02:28 • -14db
24% Popularity • 42% Danceability • 61% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
24% Popularity • 42% Danceability • 61% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture
89 bpm • E Maj • 07:12 • -21.74db
28% Popularity • 33% Danceability • 8% Energy • 28% Liveness
52% Instrumentalness • 32% Positiveness
28% Popularity • 33% Danceability • 8% Energy • 28% Liveness
52% Instrumentalness • 32% Positiveness
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Johann Strauss II
Casanova: Nuns' Chorus
88 bpm • F# Maj • 03:47 • -14.27db
22% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Slovak Philharmonic
Romance No. 2 In F Major, Op. 50
88 bpm • F Maj • 09:50 • -23db
37% Popularity • 18% Danceability • 6% Energy • 30% Liveness
28% Instrumentalness • 8% Positiveness
37% Popularity • 18% Danceability • 6% Energy • 30% Liveness
28% Instrumentalness • 8% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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AntonÃn Dvořák
Humoreske; Op. 101 No. 7
88 bpm • F# Maj • 03:35 • -17.41db
12% Popularity • 19% Danceability • 11% Energy • 5% Liveness
35% Instrumentalness • 15% Positiveness
12% Popularity • 19% Danceability • 11% Energy • 5% Liveness
35% Instrumentalness • 15% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
38% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
38% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
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Gioachino Rossini
William Tell: Overture
88 bpm • E Maj • 11:06 • -21.49db
31% Popularity • 18% Danceability • 7% Energy • 27% Liveness
51% Instrumentalness • 9% Positiveness
31% Popularity • 18% Danceability • 7% Energy • 27% Liveness
51% Instrumentalness • 9% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake, Op. 20 - Mariinsky Version / ...
87 bpm • E min • 02:21 • -14.95db
27% Popularity • 19% Danceability • 21% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
27% Popularity • 19% Danceability • 21% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Johann Strauss II
Tik-Tak Polka, Polka schnell, Op. 365
90 bpm • A Maj • 02:42 • -13.79db
29% Popularity • 53% Danceability • 63% Energy • 82% Liveness
68% Instrumentalness • 57% Positiveness
29% Popularity • 53% Danceability • 63% Energy • 82% Liveness
68% Instrumentalness • 57% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
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Léo Delibes
Coppélia, Act I: Valse Lente
90 bpm • D# Maj • 00:56 • -12.93db
41% Popularity • 26% Danceability • 25% Energy • 25% Liveness
94% Instrumentalness • 31% Positiveness
41% Popularity • 26% Danceability • 25% Energy • 25% Liveness
94% Instrumentalness • 31% Positiveness
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Richard Wagner
Walkürenritt (Ride of the Valkyries)
91 bpm • G Maj • 05:16 • -8.82db
18% Popularity • 28% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 28% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
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Pyotr Ilyich Tchaikovsky
Schwanensee, Op. 20: Act II No. 10: Scen...
87 bpm • E min • 02:16 • -22db
52% Popularity • 16% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Johann Strauss II
Tritsch-Tratsch-Polka, Op. 214 "Triqui T...
88 bpm • A Maj • 04:34 • -12.96db
34% Popularity • 57% Danceability • 58% Energy • 10% Liveness
81% Instrumentalness • 72% Positiveness
34% Popularity • 57% Danceability • 58% Energy • 10% Liveness
81% Instrumentalness • 72% Positiveness
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Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
91 bpm • G min • 03:17 • -23.86db
29% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
29% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
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Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
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Aram Khachaturian
Gayane Suite No. 2: VI. Sabre Dance
91 bpm • D# Maj • 02:26 • -15.58db
35% Popularity • 43% Danceability • 78% Energy • 14% Liveness
85% Instrumentalness • 30% Positiveness
35% Popularity • 43% Danceability • 78% Energy • 14% Liveness
85% Instrumentalness • 30% Positiveness
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Giacomo Puccini
La Bohème / Act 2: "Quando m'en vo'" (M...
87 bpm • A Maj • 04:43 • -13.79db
10% Popularity • 13% Danceability • 27% Energy • 32% Liveness
89% Instrumentalness • 11% Positiveness
10% Popularity • 13% Danceability • 27% Energy • 32% Liveness
89% Instrumentalness • 11% Positiveness
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Jacques Offenbach
La Grande Duchess de Gerolstein, Acte II...
92 bpm • D Maj • 03:22 • -21.24db
17% Popularity • 48% Danceability • 36% Energy • 6% Liveness
71% Instrumentalness • 93% Positiveness
17% Popularity • 48% Danceability • 36% Energy • 6% Liveness
71% Instrumentalness • 93% Positiveness
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Johann Strauss II
Rosen aus dem Süden (Roses from the Sou...
91 bpm • F Maj • 02:34 • -19.69db
30% Popularity • 27% Danceability • 8% Energy • 7% Liveness
78% Instrumentalness • 38% Positiveness
30% Popularity • 27% Danceability • 8% Energy • 7% Liveness
78% Instrumentalness • 38% Positiveness
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Franz Schubert
Schwanengesang, D.957: No. 4 Serenade
91 bpm • C Maj • 04:23 • -25.32db
54% Popularity • 10% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
54% Popularity • 10% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
87 bpm • G Maj • 08:20 • -12db
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
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Luigi Boccherini
Minuet from String Quintet in E Major, O...
86 bpm • A Maj • 04:05 • -28.86db
34% Popularity • 46% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 45% Positiveness
34% Popularity • 46% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 45% Positiveness
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Franz Liszt
Hungarian Rhapsody, S. 244: No. 2 in C M...
86 bpm • C Maj • 10:46 • -16.72db
7% Popularity • 18% Danceability • 26% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
7% Popularity • 18% Danceability • 26% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
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Franz von Suppé
The Peasant and The Poet
86 bpm • D Maj • 09:06 • -15db
14% Popularity • 24% Danceability • 15% Energy • 6% Liveness
85% Instrumentalness • 13% Positiveness
14% Popularity • 24% Danceability • 15% Energy • 6% Liveness
85% Instrumentalness • 13% Positiveness
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Polish State Philharmonic Orchestra, Katowice
Albion, Op. 102: Polka
86 bpm • F Maj • 03:35 • -26db
24% Popularity • 46% Danceability • 9% Energy • 9% Liveness
85% Instrumentalness • 67% Positiveness
24% Popularity • 46% Danceability • 9% Energy • 9% Liveness
85% Instrumentalness • 67% Positiveness
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Johann Strauss II
Emperor Waltz, Op. 437
92 bpm • C Maj • 10:23 • -22.13db
21% Popularity • 27% Danceability • 5% Energy • 10% Liveness
24% Instrumentalness • 17% Positiveness
21% Popularity • 27% Danceability • 5% Energy • 10% Liveness
24% Instrumentalness • 17% Positiveness
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Camille Saint-Saëns
Henry VIII: Scherzetto
92 bpm • A# Maj • 01:34 • -28.97db
44% Popularity • 44% Danceability • 2% Energy • 17% Liveness
94% Instrumentalness • 19% Positiveness
44% Popularity • 44% Danceability • 2% Energy • 17% Liveness
94% Instrumentalness • 19% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Jacques Offenbach
La vie parisienne, Cancan
92 bpm • G Maj • 02:29 • -15db
38% Popularity • 64% Danceability • 60% Energy • 14% Liveness
78% Instrumentalness • 71% Positiveness
38% Popularity • 64% Danceability • 60% Energy • 14% Liveness
78% Instrumentalness • 71% Positiveness
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101 Strings Orchestra
BOCCHERINI-MINUET FROM STRING QUINTET
86 bpm • A Maj • 03:54 • -23.78db
13% Popularity • 45% Danceability • 7% Energy • 37% Liveness
3% Instrumentalness • 28% Positiveness
13% Popularity • 45% Danceability • 7% Energy • 37% Liveness
3% Instrumentalness • 28% Positiveness
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Sergei Rachmaninoff
The Flight of the Bumblebee
92 bpm • D min • 01:13 • -28db
43% Popularity • 40% Danceability • 17% Energy • 26% Liveness
90% Instrumentalness • 18% Positiveness
43% Popularity • 40% Danceability • 17% Energy • 26% Liveness
90% Instrumentalness • 18% Positiveness
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Johann Strauss II
Seid umschlungen Millionen (Be United Mi...
92 bpm • G Maj • 03:23 • -19.29db
24% Popularity • 34% Danceability • 6% Energy • 15% Liveness
77% Instrumentalness • 42% Positiveness
24% Popularity • 34% Danceability • 6% Energy • 15% Liveness
77% Instrumentalness • 42% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: The Tale of Tsar Saltan...
86 bpm • G Maj • 01:26 • -33db
39% Popularity • 37% Danceability • 3% Energy • 30% Liveness
91% Instrumentalness • 45% Positiveness
39% Popularity • 37% Danceability • 3% Energy • 30% Liveness
91% Instrumentalness • 45% Positiveness
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Anton Rubinstein
Melody in F, Op. 3, No. 1 - Arr. G. Sabo...
85 bpm • F Maj • 02:08 • -18.86db
19% Popularity • 18% Danceability • 17% Energy • 39% Liveness
86% Instrumentalness • 7% Positiveness
19% Popularity • 18% Danceability • 17% Energy • 39% Liveness
86% Instrumentalness • 7% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Modest Mussorgsky
Promenade
93 bpm • F Maj • 01:32 • -12db
20% Popularity • 26% Danceability • 18% Energy • 35% Liveness
88% Instrumentalness • 27% Positiveness
20% Popularity • 26% Danceability • 18% Energy • 35% Liveness
88% Instrumentalness • 27% Positiveness
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Johann Strauss II
Der Zigeunerbaron, Act 3: Entr'acte
86 bpm • G Maj • 01:29 • -26db
30% Popularity • 24% Danceability • 5% Energy • 47% Liveness
78% Instrumentalness • 25% Positiveness
30% Popularity • 24% Danceability • 5% Energy • 47% Liveness
78% Instrumentalness • 25% Positiveness
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Luigi Boccherini
Boccherini: String Quintet in E Major, O...
85 bpm • A Maj • 03:57 • -26db
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
47% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
47% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Polonaise in A-Flat Major, Op. 53
85 bpm • G# Maj • 06:27 • -17db
35% Popularity • 25% Danceability • 29% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
35% Popularity • 25% Danceability • 29% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
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Giuseppe Verdi
Verdi: Aida, Act 2: Triumphal march
93 bpm • D# Maj • 01:35 • -28.24db
43% Popularity • 39% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 27% Positiveness
43% Popularity • 39% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 27% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto No. 2 ...
85 bpm • F# Maj • 02:30 • -15.6db
54% Popularity • 36% Danceability • 57% Energy • 12% Liveness
87% Instrumentalness • 38% Positiveness
54% Popularity • 36% Danceability • 57% Energy • 12% Liveness
87% Instrumentalness • 38% Positiveness
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Johann Strauss II
Bitte schon, Polka
86 bpm • F Maj • 03:55 • -18db
27% Popularity • 48% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 47% Positiveness
27% Popularity • 48% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 47% Positiveness
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Bedřich Smetana
Louisa's Polka (orch. I. Krejci)
85 bpm • D# Maj • 03:33 • -24db
17% Popularity • 51% Danceability • 3% Energy • 8% Liveness
18% Instrumentalness • 52% Positiveness
17% Popularity • 51% Danceability • 3% Energy • 8% Liveness
18% Instrumentalness • 52% Positiveness
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Nikolai Rimsky-Korsakov
Flight of the Bumblebee
94 bpm • D min • 01:17 • -11.65db
51% Popularity • 58% Danceability • 72% Energy • 39% Liveness
81% Instrumentalness • 97% Positiveness
51% Popularity • 58% Danceability • 72% Energy • 39% Liveness
81% Instrumentalness • 97% Positiveness
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Léo Delibes
Le roi s'amuse: Final
94 bpm • A min • 01:04 • -19.13db
54% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
54% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
► Preview
Giuseppe Verdi
La traviata / Act I: "Dell'invito trasco...
85 bpm • A Maj • 04:34 • -18.74db
35% Popularity • 48% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 48% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
40% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
40% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
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Johann Strauss II
Die Fledermaus, Act I: No. 2, Trio. Nein...
85 bpm • D Maj • 03:47 • -14.53db
19% Popularity • 42% Danceability • 33% Energy • 66% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 42% Danceability • 33% Energy • 66% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Frédéric Chopin
Les Sylphides: 3. Valse
84 bpm • G Maj • 02:25 • -15db
22% Popularity • 27% Danceability • 19% Energy • 40% Liveness
82% Instrumentalness • 15% Positiveness
22% Popularity • 27% Danceability • 19% Energy • 40% Liveness
82% Instrumentalness • 15% Positiveness
► Preview
Gioachino Rossini
Rossini: Il barbiere di Siviglia: Overtu...
94 bpm • E Maj • 06:55 • -19db
9% Popularity • 34% Danceability • 14% Energy • 28% Liveness
88% Instrumentalness • 38% Positiveness
9% Popularity • 34% Danceability • 14% Energy • 28% Liveness
88% Instrumentalness • 38% Positiveness
► Preview
Orquesta De Conciertos Vienesa
El bello Danubio azul, Op. 314
95 bpm • D Maj • 09:59 • -11db
24% Popularity • 34% Danceability • 22% Energy • 35% Liveness
91% Instrumentalness • 22% Positiveness
24% Popularity • 34% Danceability • 22% Energy • 35% Liveness
91% Instrumentalness • 22% Positiveness
► Preview
Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
43% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
43% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Norwegian Peasant Dances, Op. 72
95 bpm • D Maj • 02:19 • -19.12db
35% Popularity • 42% Danceability • 7% Energy • 7% Liveness
94% Instrumentalness • 30% Positiveness
35% Popularity • 42% Danceability • 7% Energy • 7% Liveness
94% Instrumentalness • 30% Positiveness
► Preview
Johann Strauss II
An der schönen blauen Donau, Op. 314
95 bpm • D Maj • 11:47 • -24.82db
61% Popularity • 23% Danceability • 3% Energy • 14% Liveness
60% Instrumentalness • 9% Positiveness
61% Popularity • 23% Danceability • 3% Energy • 14% Liveness
60% Instrumentalness • 9% Positiveness
► Preview
Franz Liszt
Hungarian Rhapsody No. 2 in C Sharp Mino...
83 bpm • C# Maj • 09:03 • -21.03db
30% Popularity • 31% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
30% Popularity • 31% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
► Preview
Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
52% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
52% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Minuet in G Major, WoO 10, No...
95 bpm • G Maj • 02:50 • -25.76db
38% Popularity • 25% Danceability • 6% Energy • 31% Liveness
70% Instrumentalness • 27% Positiveness
38% Popularity • 25% Danceability • 6% Energy • 31% Liveness
70% Instrumentalness • 27% Positiveness
► Preview
Karoly Botvay
The 4 Seasons: Violin Concerto in E majo...
95 bpm • E Maj • 03:37 • -16.07db
49% Popularity • 45% Danceability • 14% Energy • 19% Liveness
87% Instrumentalness • 28% Positiveness
49% Popularity • 45% Danceability • 14% Energy • 19% Liveness
87% Instrumentalness • 28% Positiveness
► Preview
Polish State Philharmonic Orchestra, Katowice
Kaiser (Emperor), Op. 437 : Kaiserwalzer
95 bpm • C Maj • 12:56 • -21db
29% Popularity • 27% Danceability • 3% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
29% Popularity • 27% Danceability • 3% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
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Ion Ivanovici
The Danube Waves: Donauwellen, Walzer
95 bpm • C Maj • 05:26 • -18db
28% Popularity • 34% Danceability • 18% Energy • 11% Liveness
74% Instrumentalness • 41% Positiveness
28% Popularity • 34% Danceability • 18% Energy • 11% Liveness
74% Instrumentalness • 41% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
50% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
50% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
51% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
51% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Egmont Overture, Op. 84 - Remastered
83 bpm • F min • 08:35 • -16.16db
41% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
41% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
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AntonÃn Dvořák
Humoresque, Op. 101, No. 7
83 bpm • F# Maj • 03:50 • -22.48db
43% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
43% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake, Op. 20: No. 2 Valse
96 bpm • A Maj • 07:59 • -14db
29% Popularity • 19% Danceability • 9% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
29% Popularity • 19% Danceability • 9% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
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Pablo de Sarasate
Sarasate: Zigeunerweisen, Op. 20
83 bpm • C min • 08:37 • -20.64db
33% Popularity • 26% Danceability • 14% Energy • 5% Liveness
13% Instrumentalness • 13% Positiveness
33% Popularity • 26% Danceability • 14% Energy • 5% Liveness
13% Instrumentalness • 13% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • G min • 02:53 • -21.77db
53% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
53% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
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Luigi Boccherini
String Quintet E, Op.13, No.5: 3. Menuet...
83 bpm • A Maj • 04:10 • -30db
36% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
36% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
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Jean Sibelius
Sibelius: Karelia Suite, Op. 11: III. Al...
83 bpm • A Maj • 04:41 • -14db
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
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Antonio Vivaldi
I. Allegro
96 bpm • E Maj • 03:33 • -17db
36% Popularity • 38% Danceability • 11% Energy • 11% Liveness
71% Instrumentalness • 14% Positiveness
36% Popularity • 38% Danceability • 11% Energy • 11% Liveness
71% Instrumentalness • 14% Positiveness
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Frédéric Chopin
Polonaise No. 3 in A Major, Op. 40, No. ...
96 bpm • A Maj • 05:06 • -15db
34% Popularity • 33% Danceability • 29% Energy • 14% Liveness
86% Instrumentalness • 25% Positiveness
34% Popularity • 33% Danceability • 29% Energy • 14% Liveness
86% Instrumentalness • 25% Positiveness
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Léo Delibes
Coppelia: Act I - Mazurka
82 bpm • G Maj • 04:08 • -20.01db
29% Popularity • 30% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
29% Popularity • 30% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
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George Frideric Handel
Largo from Xerxes
82 bpm • G Maj • 05:50 • -19.08db
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Johann Strauss II
Myrtenbluten, Op. 395: Myrthenbluthen (W...
82 bpm • F Maj • 09:49 • -21.92db
17% Popularity • 26% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
17% Popularity • 26% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Franz Lehár
Die lustige Witwe (The Merry Widow) (arr...
97 bpm • G Maj • 06:27 • -12.42db
16% Popularity • 36% Danceability • 30% Energy • 30% Liveness
90% Instrumentalness • 35% Positiveness
16% Popularity • 36% Danceability • 30% Energy • 30% Liveness
90% Instrumentalness • 35% Positiveness
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Antonio Vivaldi
I. Allegro
97 bpm • C Maj • 02:42 • -11db
21% Popularity • 49% Danceability • 61% Energy • 27% Liveness
96% Instrumentalness • 63% Positiveness
21% Popularity • 49% Danceability • 61% Energy • 27% Liveness
96% Instrumentalness • 63% Positiveness
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Franz von Suppé
Poet and Peasant: Overture
82 bpm • D Maj • 09:24 • -13.07db
22% Popularity • 22% Danceability • 19% Energy • 7% Liveness
73% Instrumentalness • 21% Positiveness
22% Popularity • 22% Danceability • 19% Energy • 7% Liveness
73% Instrumentalness • 21% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
38% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
38% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Johann Strauss II
Die Fledermaus / Act II: "Genug damit, g...
82 bpm • G Maj • 04:07 • -14.85db
18% Popularity • 36% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 36% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
