Songs like Wohin? 2013 by Zoltán Jeney
Based on a tempo of (+/- 10%) and a similar genre
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Gregorio Allegri
Miserere a 9: No. 2, Et secundum multitu...
136 bpm • B min • 01:26 • -27.48db
15% Popularity • 20% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 3% Positiveness
15% Popularity • 20% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 3% Positiveness
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Enrique Lacárcel Bautista
Tonight
136 bpm • C min • 02:37 • -19.3db
13% Popularity • 22% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Canticles & Prayers, Inexpressible Wonde...
136 bpm • D# min • 04:52 • -29.48db
12% Popularity • 15% Danceability • 2% Energy • 9% Liveness
8% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 2% Energy • 9% Liveness
8% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Three Whitman Settings: 3. The Last Invo...
136 bpm • G min • 03:04 • -26.5db
9% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Peter Dijkstra
Anton Bruckner: Ave Maria: Anton Bruckne...
136 bpm • F Maj • 03:50 • -23.5db
23% Popularity • 15% Danceability • 3% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
23% Popularity • 15% Danceability • 3% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Henryk Górecki
Jesus Christus resurrexit
136 bpm • D Maj • 03:10 • -23.84db
9% Popularity • 18% Danceability • 5% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 5% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
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Zoltán Jeney
60 hang Sary Laszlonak (60 Sounds from L...
136 bpm • C min • 09:04 • -29.72db
0% Popularity • 26% Danceability • 3% Energy • 29% Liveness
44% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 3% Energy • 29% Liveness
44% Instrumentalness • 4% Positiveness
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Pau Marquès i Oleo
Tonada de treure aigo - Tonada d'espigol...
136 bpm • C Maj • 02:42 • -29.41db
9% Popularity • 18% Danceability • 2% Energy • 14% Liveness
83% Instrumentalness • 7% Positiveness
9% Popularity • 18% Danceability • 2% Energy • 14% Liveness
83% Instrumentalness • 7% Positiveness
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Oliver Coates
Androgyny, lie in bed
136 bpm • G# min • 02:33 • -33.93db
8% Popularity • 20% Danceability • 1% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 1% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Arautos do Evangelho
In Monte Oliveti
137 bpm • G Maj • 03:55 • -25.74db
15% Popularity • 19% Danceability • 5% Energy • 9% Liveness
23% Instrumentalness • 3% Positiveness
15% Popularity • 19% Danceability • 5% Energy • 9% Liveness
23% Instrumentalness • 3% Positiveness
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Anton Bruckner
Virga Jesse, WAB 52
137 bpm • E Maj • 03:51 • -21.78db
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Morten Lauridsen
Ave, dulcissima Maria
135 bpm • A Maj • 07:26 • -18.99db
8% Popularity • 21% Danceability • 14% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
8% Popularity • 21% Danceability • 14% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Zoltán Jeney
Herakleitosz vizjele (Heraclitus' Waterm...
136 bpm • A Maj • 02:42 • -35.78db
0% Popularity • 22% Danceability • 0% Energy • 12% Liveness
92% Instrumentalness • 52% Positiveness
0% Popularity • 22% Danceability • 0% Energy • 12% Liveness
92% Instrumentalness • 52% Positiveness
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Rick Oli
Sacred Symphony of the Templars
137 bpm • G# min • 04:11 • -15.54db
10% Popularity • 16% Danceability • 20% Energy • 27% Liveness
49% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 20% Energy • 27% Liveness
49% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: Credo
135 bpm • A min • 06:15 • -25.51db
10% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Manuel Ruiz Del Corral
Stabat Mater, Op. 45: II. Antiphona
135 bpm • C Maj • 04:35 • -25.46db
1% Popularity • 21% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
1% Popularity • 21% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Caroline Shaw
And the Swallow (Psalm 84)
135 bpm • A# min • 04:32 • -29.89db
9% Popularity • 17% Danceability • 3% Energy • 19% Liveness
44% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 3% Energy • 19% Liveness
44% Instrumentalness • 3% Positiveness
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Kiev Chamber Choir
Blessed Be The Name Of The Lord
137 bpm • F# Maj • 01:06 • -24.36db
23% Popularity • 20% Danceability • 14% Energy • 25% Liveness
72% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 14% Energy • 25% Liveness
72% Instrumentalness • 4% Positiveness
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Zoltán Jeney
Wohin? 2013
136 bpm • A# min • 05:04 • -18.04db
0% Popularity • 29% Danceability • 18% Energy • 16% Liveness
44% Instrumentalness • 8% Positiveness
0% Popularity • 29% Danceability • 18% Energy • 16% Liveness
44% Instrumentalness • 8% Positiveness
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James MacMillan
Who Shall Separate Us?
134 bpm • E Maj • 03:03 • -21.89db
7% Popularity • 16% Danceability • 20% Energy • 12% Liveness
20% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 20% Energy • 12% Liveness
20% Instrumentalness • 4% Positiveness
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Francis Poulenc
Dialogues des Carmélites, FP 159: Ave M...
134 bpm • B min • 01:46 • -29.48db
12% Popularity • 19% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Fraternités Monastiques De Jérusalem
Laudes De La Resurrection: Notre Père
138 bpm • D Maj • 03:07 • -18.79db
8% Popularity • 17% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Daniel Kellogg
Divinum Mysterium: Prelude
134 bpm • D# Maj • 01:03 • -36db
9% Popularity • 21% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 21% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Percy Grainger
Australian Up-Country Song
138 bpm • F Maj • 01:41 • -27.11db
10% Popularity • 15% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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VMF!
Gå och lägg dig klockan är mycket
134 bpm • C# min • 01:08 • -54.82db
9% Popularity • 18% Danceability • 0% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 0% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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KNOXVILLETRACKZ
HFTEPF
134 bpm • D min • 01:04 • -45.51db
7% Popularity • 19% Danceability • 0% Energy • 10% Liveness
100% Instrumentalness • 23% Positiveness
7% Popularity • 19% Danceability • 0% Energy • 10% Liveness
100% Instrumentalness • 23% Positiveness
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Michael McGlynn
Big Bang (Arr. for Vocal Ensemble by Man...
134 bpm • F Maj • 08:24 • -23.46db
8% Popularity • 24% Danceability • 3% Energy • 27% Liveness
8% Instrumentalness • 3% Positiveness
8% Popularity • 24% Danceability • 3% Energy • 27% Liveness
8% Instrumentalness • 3% Positiveness
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Robert Moran
Seven Sounds Unseen: No. 1. —
134 bpm • G# Maj • 03:17 • -35.56db
20% Popularity • 16% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Schola Cantorum de la Universidad Pontificia de Comillas
Responsorios: Amicus meus (a 4 v.m.) - R...
138 bpm • C Maj • 03:14 • -14.32db
11% Popularity • 19% Danceability • 31% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 31% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Josquin des Prez
Ut Phebi radiis / Ut re mi fa sol la à ...
138 bpm • D min • 04:26 • -15.77db
8% Popularity • 21% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 21% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Lucas King
Necromancer
134 bpm • G min • 03:57 • -28.36db
10% Popularity • 18% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Pierre de Manchicourt
Osculetur me: I. Osculetur me osculo ori...
134 bpm • C min • 03:24 • -19.62db
25% Popularity • 20% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Toru Takemitsu
Wings (Version for Mixed Choir)
138 bpm • A Maj • 02:34 • -29.96db
13% Popularity • 18% Danceability • 6% Energy • 18% Liveness
21% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 6% Energy • 18% Liveness
21% Instrumentalness • 4% Positiveness
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Tom Kenyon
Galactic Light
139 bpm • D# Maj • 02:20 • -32.09db
13% Popularity • 16% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Veljo Tormis
Looduspildid: No. 3. Sugismaastikud: Tuu...
139 bpm • D min • 01:12 • -26db
14% Popularity • 25% Danceability • 7% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
14% Popularity • 25% Danceability • 7% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
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Rihards Dubra
Lux Aeterna: IV. Allegro Presto Andantin...
133 bpm • C Maj • 01:39 • -19db
11% Popularity • 36% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
11% Popularity • 36% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
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Martin K. Schubert
Melancholia for Organ - Live
139 bpm • C Maj • 02:57 • -29.76db
11% Popularity • 14% Danceability • 0% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
11% Popularity • 14% Danceability • 0% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Zoltán Jeney
Spaziosa calma: No. 3. Silenzio stellato
139 bpm • D Maj • 05:38 • -36.07db
0% Popularity • 14% Danceability • 0% Energy • 7% Liveness
8% Instrumentalness • 3% Positiveness
0% Popularity • 14% Danceability • 0% Energy • 7% Liveness
8% Instrumentalness • 3% Positiveness
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Catalina Vicens
Interludium
133 bpm • D min • 01:22 • -26.6db
8% Popularity • 17% Danceability • 0% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
8% Popularity • 17% Danceability • 0% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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Speech to Mortals
Dark November
133 bpm • D Maj • 01:13 • -36.44db
11% Popularity • 18% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
11% Popularity • 18% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
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Antoine Brumel
Mater patris et filia
133 bpm • C# Maj • 03:43 • -24.2db
10% Popularity • 16% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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M'ANAM
Tenebrae
133 bpm • F min • 03:14 • -21.25db
7% Popularity • 16% Danceability • 8% Energy • 30% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 8% Energy • 30% Liveness
2% Instrumentalness • 4% Positiveness
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Meredith Monk
Dawn
132 bpm • D min • 05:27 • -17.98db
19% Popularity • 21% Danceability • 18% Energy • 9% Liveness
78% Instrumentalness • 5% Positiveness
19% Popularity • 21% Danceability • 18% Energy • 9% Liveness
78% Instrumentalness • 5% Positiveness
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Benjamin Britten
Advance Democracy
132 bpm • D# Maj • 03:25 • -23.39db
9% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Qu Xiao-song
JI #7 Motionless Water for violin solo
132 bpm • D Maj • 08:43 • -27.83db
14% Popularity • 29% Danceability • 10% Energy • 35% Liveness
8% Instrumentalness • 3% Positiveness
14% Popularity • 29% Danceability • 10% Energy • 35% Liveness
8% Instrumentalness • 3% Positiveness
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Larimar Music Vibes
Behind the ocean
140 bpm • G# min • 03:59 • -18.52db
31% Popularity • 53% Danceability • 4% Energy • 11% Liveness
60% Instrumentalness • 13% Positiveness
31% Popularity • 53% Danceability • 4% Energy • 11% Liveness
60% Instrumentalness • 13% Positiveness
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Torbjørn Dyrud
Das Blümelein so kleine
140 bpm • G min • 01:45 • -30db
11% Popularity • 19% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Manuel Ruiz Del Corral
Stabat Mater, Op. 45: V. Corpus Morietur...
141 bpm • G min • 03:48 • -17.18db
1% Popularity • 18% Danceability • 14% Energy • 10% Liveness
70% Instrumentalness • 3% Positiveness
1% Popularity • 18% Danceability • 14% Energy • 10% Liveness
70% Instrumentalness • 3% Positiveness
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Jeremymus
A
141 bpm • F# min • 01:32 • -31.83db
11% Popularity • 21% Danceability • 0% Energy • 53% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 21% Danceability • 0% Energy • 53% Liveness
0% Instrumentalness • 41% Positiveness
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Sergei Rachmaninoff
Liturgy of St. John Chrysostom, Op. 31 (...
131 bpm • G min • 03:45 • -28.37db
8% Popularity • 16% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
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Zoltán Jeney
Heraclitus Adverbial
131 bpm • G Maj • 05:23 • -29.33db
0% Popularity • 59% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
0% Popularity • 59% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Gregorian Chants
Alpha And Omega
131 bpm • A min • 04:37 • -22.3db
12% Popularity • 16% Danceability • 5% Energy • 12% Liveness
13% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 5% Energy • 12% Liveness
13% Instrumentalness • 3% Positiveness
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Eric Whitacre
Lux Aurumque
131 bpm • C# min • 04:11 • -25.19db
11% Popularity • 16% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Friedrich Cerha
4 Hölderlin-Fragmente: No. 4, Ihr wande...
141 bpm • F# min • 03:36 • -29.88db
8% Popularity • 20% Danceability • 5% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
131 bpm • D Maj • 01:35 • -21.23db
20% Popularity • 26% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
20% Popularity • 26% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Henryk Górecki
Pie Jesu, pastor alme
141 bpm • C Maj • 04:18 • -25.79db
13% Popularity • 17% Danceability • 8% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 8% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Kurt Sander
The Divine Liturgy of St. John Chrysosto...
131 bpm • D Maj • 05:05 • -25.42db
8% Popularity • 19% Danceability • 5% Energy • 14% Liveness
71% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 5% Energy • 14% Liveness
71% Instrumentalness • 4% Positiveness
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Thick Richards
Widen Sweat Sleeve
131 bpm • C Maj • 01:06 • -31.95db
15% Popularity • 30% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
15% Popularity • 30% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Ennio Morricone
The Chamber of Lights
142 bpm • D min • 02:00 • -23.75db
15% Popularity • 14% Danceability • 4% Energy • 9% Liveness
99% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 4% Energy • 9% Liveness
99% Instrumentalness • 3% Positiveness
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KNOXVILLETRACKZ
SBR
142 bpm • F# Maj • 01:04 • -45.43db
21% Popularity • 13% Danceability • 0% Energy • 11% Liveness
100% Instrumentalness • 7% Positiveness
21% Popularity • 13% Danceability • 0% Energy • 11% Liveness
100% Instrumentalness • 7% Positiveness
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Upside Down Upright Bass
Overture of the plastic flute
142 bpm • E Maj • 01:11 • -20.49db
20% Popularity • 24% Danceability • 6% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 6% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
► Preview
Klaus-Martin Bresgott
Esti dal - Nachtlied
130 bpm • F Maj • 02:41 • -23.92db
17% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
LeoRoads
Harmony of Angels
130 bpm • E min • 02:19 • -16.85db
8% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
8% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Voices From Heaven
Peace On Earth
130 bpm • D min • 03:08 • -14.17db
8% Popularity • 37% Danceability • 33% Energy • 10% Liveness
77% Instrumentalness • 7% Positiveness
8% Popularity • 37% Danceability • 33% Energy • 10% Liveness
77% Instrumentalness • 7% Positiveness
► Preview
Hildegard von Bingen
Humilitas - O Victoria
130 bpm • G Maj • 02:35 • -19db
17% Popularity • 18% Danceability • 17% Energy • 9% Liveness
74% Instrumentalness • 13% Positiveness
17% Popularity • 18% Danceability • 17% Energy • 9% Liveness
74% Instrumentalness • 13% Positiveness
► Preview
Larimar Music Vibes
From the heart
130 bpm • E Maj • 03:18 • -19.4db
30% Popularity • 33% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
30% Popularity • 33% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Upside Down Upright Bass
Bending the bars
130 bpm • A min • 01:18 • -33.61db
22% Popularity • 30% Danceability • 3% Energy • 5% Liveness
94% Instrumentalness • 16% Positiveness
22% Popularity • 30% Danceability • 3% Energy • 5% Liveness
94% Instrumentalness • 16% Positiveness
► Preview
Alexandræ
Mare videant
130 bpm • F min • 05:03 • -21.34db
12% Popularity • 24% Danceability • 15% Energy • 36% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 15% Energy • 36% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Krzysztof Borek
Missa Mater Matris (After Des Prez's NJE...
129 bpm • C# min • 07:56 • -22.6db
7% Popularity • 17% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
7% Popularity • 17% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Velvet Echoe
Twilight Hues
129 bpm • B Maj • 01:20 • -24.61db
8% Popularity • 40% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
8% Popularity • 40% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
► Preview
Zoltán Jeney
Hard Edge - Earl Brown in memoriam
143 bpm • D Maj • 00:56 • -49.8db
0% Popularity • 35% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 0% Positiveness
0% Popularity • 35% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 0% Positiveness
► Preview
Jane the Ripper
Sike-Edelic Soundwaves
129 bpm • G Maj • 01:00 • -39db
11% Popularity • 52% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 28% Positiveness
11% Popularity • 52% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 28% Positiveness
► Preview
Ørjan Matre
Six Orphic Amulets for vocal sextet and ...
129 bpm • D min • 03:58 • -25.34db
9% Popularity • 20% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Schola Cantorum de la Universidad Pontificia de Comillas
Responsorios: Caligaverunt (a 4 v.m.) - ...
129 bpm • C# Maj • 04:41 • -12.86db
9% Popularity • 20% Danceability • 32% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 32% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Howard Skempton
And There Was War in Heaven
128 bpm • F Maj • 04:34 • -24.58db
11% Popularity • 17% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Endre Szervánszky
Flute Concerto: III. Presto
128 bpm • F Maj • 05:40 • -19.33db
0% Popularity • 41% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 36% Positiveness
0% Popularity • 41% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 36% Positiveness
► Preview
Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
128 bpm • D Maj • 03:21 • -24.76db
13% Popularity • 20% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Mitar Popescu
Clarinet Serenade: Gypsy Lament
144 bpm • B min • 01:29 • -23.17db
16% Popularity • 29% Danceability • 6% Energy • 23% Liveness
84% Instrumentalness • 7% Positiveness
16% Popularity • 29% Danceability • 6% Energy • 23% Liveness
84% Instrumentalness • 7% Positiveness
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Zoltán Jeney
Arthur Rimbaud in the Desert
128 bpm • F Maj • 05:16 • -45.64db
0% Popularity • 60% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 66% Positiveness
0% Popularity • 60% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 66% Positiveness
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Gloriae Dei Cantores
Feria secunda: Offertory. Angelus Domini
127 bpm • G Maj • 01:52 • -24.19db
11% Popularity • 31% Danceability • 3% Energy • 7% Liveness
46% Instrumentalness • 16% Positiveness
11% Popularity • 31% Danceability • 3% Energy • 7% Liveness
46% Instrumentalness • 16% Positiveness
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Joanna Marsh
I Take Thee
128 bpm • C min • 03:55 • -21.57db
9% Popularity • 17% Danceability • 14% Energy • 17% Liveness
72% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 14% Energy • 17% Liveness
72% Instrumentalness • 4% Positiveness
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Endre Szervánszky
Flute Concerto: I. Allegro ma non troppo
127 bpm • D Maj • 11:01 • -20.59db
0% Popularity • 32% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
0% Popularity • 32% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Kim André Arnesen
Holy Spirit Mass: The Spirit's Work: Com...
127 bpm • F min • 03:35 • -20.77db
11% Popularity • 23% Danceability • 13% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 13% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in Es, Kyrie
127 bpm • D# Maj • 03:54 • -22.06db
10% Popularity • 17% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Zero8
Northern Lights
146 bpm • F min • 04:26 • -19.46db
15% Popularity • 13% Danceability • 13% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 13% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Upside Down Upright Bass
Metropolis soundscape experience
146 bpm • G Maj • 02:13 • -25.74db
19% Popularity • 28% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 28% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Austin Hurt
Nighttime forest
127 bpm • A Maj • 02:04 • -20.05db
17% Popularity • 33% Danceability • 77% Energy • 27% Liveness
82% Instrumentalness • 7% Positiveness
17% Popularity • 33% Danceability • 77% Energy • 27% Liveness
82% Instrumentalness • 7% Positiveness
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Ars Veritas
Missa Orbis Factor: I. Kyrie (1)
127 bpm • F# Maj • 02:26 • -19.68db
15% Popularity • 20% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
15% Popularity • 20% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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forest meditation
see dmt creatures
127 bpm • F min • 02:20 • -52.67db
16% Popularity • 16% Danceability • 0% Energy • 12% Liveness
75% Instrumentalness • 7% Positiveness
16% Popularity • 16% Danceability • 0% Energy • 12% Liveness
75% Instrumentalness • 7% Positiveness
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Pedro de Cristo
Ay, mi Dios
126 bpm • G# Maj • 02:04 • -23.93db
12% Popularity • 31% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 31% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Anonymous
Regina celi: chant
126 bpm • F Maj • 01:19 • -20.28db
10% Popularity • 20% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 21% Positiveness
10% Popularity • 20% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 21% Positiveness
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Zoltán Jeney
12 Songs: No. 4. in Just-
126 bpm • G Maj • 01:50 • -15.15db
0% Popularity • 57% Danceability • 18% Energy • 12% Liveness
28% Instrumentalness • 16% Positiveness
0% Popularity • 57% Danceability • 18% Energy • 12% Liveness
28% Instrumentalness • 16% Positiveness
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Paolo Spoladore
Shir
126 bpm • G# Maj • 01:08 • -18db
19% Popularity • 17% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Upside Down Upright Bass
Voice in a massive pipe
126 bpm • C min • 02:47 • -29.4db
19% Popularity • 47% Danceability • 19% Energy • 26% Liveness
88% Instrumentalness • 5% Positiveness
19% Popularity • 47% Danceability • 19% Energy • 26% Liveness
88% Instrumentalness • 5% Positiveness
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Schola Cantorum de la Universidad Pontificia de Comillas
Responsorios: O vos omnes (a 4 v.g.) - R...
126 bpm • D Maj • 03:47 • -16.81db
9% Popularity • 20% Danceability • 22% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 22% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Stacey Philipps
Close Distancing
125 bpm • G Maj • 02:45 • -25.44db
12% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Three Sacred Hymns: II. Herr Jesus, Sohn...
125 bpm • C min • 01:34 • -17.89db
11% Popularity • 20% Danceability • 18% Energy • 7% Liveness
15% Instrumentalness • 3% Positiveness
11% Popularity • 20% Danceability • 18% Energy • 7% Liveness
15% Instrumentalness • 3% Positiveness
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Anton Bruckner
Locus iste, WAB 23
125 bpm • C Maj • 03:21 • -26.29db
21% Popularity • 17% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
21% Popularity • 17% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
