Songs like Wolf Man by Pow Pow
Based on a tempo of (+/- 10%) and a similar genre
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Pow Pow
Wolf Man
125 bpm • G# Maj • 04:27 • -8.35db
2% Popularity • 45% Danceability • 88% Energy • 12% Liveness
77% Instrumentalness • 14% Positiveness
2% Popularity • 45% Danceability • 88% Energy • 12% Liveness
77% Instrumentalness • 14% Positiveness
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Moto Boy
Too Young to Know
125 bpm • E min • 04:40 • -6db
14% Popularity • 50% Danceability • 74% Energy • 16% Liveness
3% Instrumentalness • 41% Positiveness
14% Popularity • 50% Danceability • 74% Energy • 16% Liveness
3% Instrumentalness • 41% Positiveness
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We Have Band
Honeytrap - Le Matos Mix
125 bpm • G Maj • 05:09 • -6.29db
10% Popularity • 67% Danceability • 71% Energy • 9% Liveness
72% Instrumentalness • 47% Positiveness
10% Popularity • 67% Danceability • 71% Energy • 9% Liveness
72% Instrumentalness • 47% Positiveness
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Slagsmålsklubben
Snälla Tv Plz
125 bpm • A# min • 04:44 • -8db
15% Popularity • 78% Danceability • 65% Energy • 11% Liveness
85% Instrumentalness • 77% Positiveness
15% Popularity • 78% Danceability • 65% Energy • 11% Liveness
85% Instrumentalness • 77% Positiveness
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Young Galaxy
We Have Everything
125 bpm • F min • 04:36 • -8db
18% Popularity • 59% Danceability • 87% Energy • 32% Liveness
51% Instrumentalness • 19% Positiveness
18% Popularity • 59% Danceability • 87% Energy • 32% Liveness
51% Instrumentalness • 19% Positiveness
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047
Everything's Fine
125 bpm • B min • 03:14 • -6db
11% Popularity • 64% Danceability • 80% Energy • 7% Liveness
11% Instrumentalness • 60% Positiveness
11% Popularity • 64% Danceability • 80% Energy • 7% Liveness
11% Instrumentalness • 60% Positiveness
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I Break Horses
Faith
125 bpm • A# min • 03:48 • -7db
18% Popularity • 56% Danceability • 89% Energy • 9% Liveness
76% Instrumentalness • 55% Positiveness
18% Popularity • 56% Danceability • 89% Energy • 9% Liveness
76% Instrumentalness • 55% Positiveness
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Pyramid
Lunar Ghosts
125 bpm • F# Maj • 04:01 • -6.26db
10% Popularity • 71% Danceability • 77% Energy • 46% Liveness
84% Instrumentalness • 54% Positiveness
10% Popularity • 71% Danceability • 77% Energy • 46% Liveness
84% Instrumentalness • 54% Positiveness
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College
Teenage color
125 bpm • B Maj • 03:13 • -6db
35% Popularity • 64% Danceability • 86% Energy • 12% Liveness
77% Instrumentalness • 96% Positiveness
35% Popularity • 64% Danceability • 86% Energy • 12% Liveness
77% Instrumentalness • 96% Positiveness
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Ugress
Luftslott
125 bpm • F min • 03:09 • -7db
11% Popularity • 79% Danceability • 74% Energy • 10% Liveness
80% Instrumentalness • 72% Positiveness
11% Popularity • 79% Danceability • 74% Energy • 10% Liveness
80% Instrumentalness • 72% Positiveness
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Surfalot
Brother Brother
125 bpm • G Maj • 03:05 • -7.62db
12% Popularity • 66% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 66% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Jonathan Johansson
Real Thing
125 bpm • C# Maj • 03:19 • -8.25db
27% Popularity • 85% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
27% Popularity • 85% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Adrian Lux
The Rain
125 bpm • D min • 04:41 • -5.8db
9% Popularity • 71% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 71% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Last Lynx
Curtains
125 bpm • G# min • 03:22 • -6db
27% Popularity • 53% Danceability • 68% Energy • 9% Liveness
28% Instrumentalness • 55% Positiveness
27% Popularity • 53% Danceability • 68% Energy • 9% Liveness
28% Instrumentalness • 55% Positiveness
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VIMES
Celestial
125 bpm • D Maj • 03:52 • -5db
16% Popularity • 68% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 68% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Philter
The Seven Seas
125 bpm • G Maj • 03:54 • -11db
21% Popularity • 59% Danceability • 45% Energy • 11% Liveness
27% Instrumentalness • 5% Positiveness
21% Popularity • 59% Danceability • 45% Energy • 11% Liveness
27% Instrumentalness • 5% Positiveness
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Digikid84
Funk You
125 bpm • E min • 04:03 • -7.24db
11% Popularity • 78% Danceability • 61% Energy • 9% Liveness
30% Instrumentalness • 43% Positiveness
11% Popularity • 78% Danceability • 61% Energy • 9% Liveness
30% Instrumentalness • 43% Positiveness
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Lydmor
So Cool
125 bpm • C Maj • 03:18 • -6.06db
9% Popularity • 69% Danceability • 73% Energy • 9% Liveness
39% Instrumentalness • 68% Positiveness
9% Popularity • 69% Danceability • 73% Energy • 9% Liveness
39% Instrumentalness • 68% Positiveness
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Moto Boy
Someday
125 bpm • G Maj • 03:42 • -6db
11% Popularity • 53% Danceability • 52% Energy • 13% Liveness
3% Instrumentalness • 51% Positiveness
11% Popularity • 53% Danceability • 52% Energy • 13% Liveness
3% Instrumentalness • 51% Positiveness
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Azure Blue
Time Is on Our Side
125 bpm • G Maj • 04:50 • -8db
11% Popularity • 48% Danceability • 78% Energy • 40% Liveness
73% Instrumentalness • 34% Positiveness
11% Popularity • 48% Danceability • 78% Energy • 40% Liveness
73% Instrumentalness • 34% Positiveness
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Torgny
The Only Game
125 bpm • C# Maj • 03:26 • -6.39db
7% Popularity • 69% Danceability • 74% Energy • 34% Liveness
15% Instrumentalness • 51% Positiveness
7% Popularity • 69% Danceability • 74% Energy • 34% Liveness
15% Instrumentalness • 51% Positiveness
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Tove Styrke
Samurai Boy
125 bpm • A min • 03:28 • -4.67db
16% Popularity • 64% Danceability • 83% Energy • 39% Liveness
21% Instrumentalness • 21% Positiveness
16% Popularity • 64% Danceability • 83% Energy • 39% Liveness
21% Instrumentalness • 21% Positiveness
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Urban Cone
Urban Photograph
125 bpm • F# Maj • 03:54 • -4.65db
28% Popularity • 73% Danceability • 74% Energy • 10% Liveness
7% Instrumentalness • 91% Positiveness
28% Popularity • 73% Danceability • 74% Energy • 10% Liveness
7% Instrumentalness • 91% Positiveness
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Pow Pow
The Ark
125 bpm • C Maj • 03:57 • -6.2db
2% Popularity • 52% Danceability • 90% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
2% Popularity • 52% Danceability • 90% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
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Say Lou Lou
Julian - Monsieur Adi Remix
125 bpm • F# min • 04:15 • -9db
19% Popularity • 47% Danceability • 66% Energy • 30% Liveness
8% Instrumentalness • 47% Positiveness
19% Popularity • 47% Danceability • 66% Energy • 30% Liveness
8% Instrumentalness • 47% Positiveness
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Silja Sol
Dyrene
125 bpm • C Maj • 03:52 • -8.9db
20% Popularity • 52% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
20% Popularity • 52% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
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Juvelen
Watch Your Step
125 bpm • G Maj • 03:31 • -7db
17% Popularity • 77% Danceability • 73% Energy • 21% Liveness
1% Instrumentalness • 40% Positiveness
17% Popularity • 77% Danceability • 73% Energy • 21% Liveness
1% Instrumentalness • 40% Positiveness
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Miss Tati
Don't Let Go
126 bpm • C# Maj • 04:04 • -9.41db
9% Popularity • 80% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 80% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Kaja Gunnufsen
Desp
126 bpm • D Maj • 03:42 • -7.2db
16% Popularity • 58% Danceability • 74% Energy • 10% Liveness
17% Instrumentalness • 18% Positiveness
16% Popularity • 58% Danceability • 74% Energy • 10% Liveness
17% Instrumentalness • 18% Positiveness
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Death Team
Gold
126 bpm • D Maj • 02:44 • -4.65db
17% Popularity • 56% Danceability • 84% Energy • 10% Liveness
29% Instrumentalness • 69% Positiveness
17% Popularity • 56% Danceability • 84% Energy • 10% Liveness
29% Instrumentalness • 69% Positiveness
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Say Lou Lou
Better in the Dark
125 bpm • F# Maj • 03:28 • -7db
24% Popularity • 48% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 48% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Beranek
Dra Te Hælvete - Todd Terje Edit
124 bpm • D Maj • 04:44 • -6.92db
10% Popularity • 85% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 85% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Emmon
Smalltown Boy
126 bpm • C min • 04:29 • -9.56db
20% Popularity • 68% Danceability • 54% Energy • 10% Liveness
16% Instrumentalness • 15% Positiveness
20% Popularity • 68% Danceability • 54% Energy • 10% Liveness
16% Instrumentalness • 15% Positiveness
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Teddybears
Best You Ever Had
124 bpm • B min • 03:31 • -8db
25% Popularity • 68% Danceability • 83% Energy • 79% Liveness
10% Instrumentalness • 61% Positiveness
25% Popularity • 68% Danceability • 83% Energy • 79% Liveness
10% Instrumentalness • 61% Positiveness
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Karin Park
Thousand Loaded Guns
126 bpm • G min • 04:23 • -6.55db
10% Popularity • 51% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
10% Popularity • 51% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Andrea Dahle
Naive
126 bpm • C Maj • 03:56 • -5.16db
30% Popularity • 48% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 48% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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M83
Reunion - Mylo Remix
124 bpm • G Maj • 06:02 • -6.95db
20% Popularity • 61% Danceability • 74% Energy • 17% Liveness
82% Instrumentalness • 61% Positiveness
20% Popularity • 61% Danceability • 74% Energy • 17% Liveness
82% Instrumentalness • 61% Positiveness
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Lykke Li
Gunshot - Faul Remix
124 bpm • C min • 05:41 • -10db
20% Popularity • 83% Danceability • 42% Energy • 10% Liveness
52% Instrumentalness • 67% Positiveness
20% Popularity • 83% Danceability • 42% Energy • 10% Liveness
52% Instrumentalness • 67% Positiveness
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Vanbot
Make Me, Break Me
126 bpm • C Maj • 03:32 • -4.9db
9% Popularity • 59% Danceability • 80% Energy • 39% Liveness
64% Instrumentalness • 59% Positiveness
9% Popularity • 59% Danceability • 80% Energy • 39% Liveness
64% Instrumentalness • 59% Positiveness
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College
Susan Waiting
124 bpm • D Maj • 02:21 • -7.31db
22% Popularity • 81% Danceability • 91% Energy • 9% Liveness
92% Instrumentalness • 97% Positiveness
22% Popularity • 81% Danceability • 91% Energy • 9% Liveness
92% Instrumentalness • 97% Positiveness
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Chad Valley
I Owe You This
126 bpm • A min • 03:15 • -6db
18% Popularity • 57% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 57% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Lindstrøm & Todd Terje
Lanzarote
124 bpm • F Maj • 08:39 • -9.59db
22% Popularity • 80% Danceability • 85% Energy • 15% Liveness
85% Instrumentalness • 79% Positiveness
22% Popularity • 80% Danceability • 85% Energy • 15% Liveness
85% Instrumentalness • 79% Positiveness
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The M Machine
Over / Love
126 bpm • C# Maj • 04:07 • -7.15db
9% Popularity • 73% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 73% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Jonathan Johansson
Stockholm - Azure Blue Remix
124 bpm • C# Maj • 05:18 • -7.16db
17% Popularity • 53% Danceability • 92% Energy • 6% Liveness
10% Instrumentalness • 88% Positiveness
17% Popularity • 53% Danceability • 92% Energy • 6% Liveness
10% Instrumentalness • 88% Positiveness
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Slagsmålsklubben
Sponsored by Destiny
124 bpm • G Maj • 05:15 • -4.73db
24% Popularity • 58% Danceability • 94% Energy • 11% Liveness
82% Instrumentalness • 27% Positiveness
24% Popularity • 58% Danceability • 94% Energy • 11% Liveness
82% Instrumentalness • 27% Positiveness
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Nils Noa
Move Like The Wind
124 bpm • A min • 03:51 • -8.74db
13% Popularity • 71% Danceability • 81% Energy • 19% Liveness
5% Instrumentalness • 96% Positiveness
13% Popularity • 71% Danceability • 81% Energy • 19% Liveness
5% Instrumentalness • 96% Positiveness
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Shy for Shore
Then the Heartbreak
126 bpm • E Maj • 04:01 • -8.67db
12% Popularity • 61% Danceability • 72% Energy • 16% Liveness
86% Instrumentalness • 28% Positiveness
12% Popularity • 61% Danceability • 72% Energy • 16% Liveness
86% Instrumentalness • 28% Positiveness
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Lindstrøm & Todd Terje
Lanzarote - Radio Edit
124 bpm • A# Maj • 03:57 • -7.65db
9% Popularity • 74% Danceability • 90% Energy • 8% Liveness
91% Instrumentalness • 70% Positiveness
9% Popularity • 74% Danceability • 90% Energy • 8% Liveness
91% Instrumentalness • 70% Positiveness
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Pow Pow
White Eagle
124 bpm • A Maj • 05:10 • -8.3db
1% Popularity • 55% Danceability • 86% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
1% Popularity • 55% Danceability • 86% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Joe Goddard
Moments Die
126 bpm • G Maj • 04:06 • -6.91db
0% Popularity • 74% Danceability • 63% Energy • 11% Liveness
63% Instrumentalness • 48% Positiveness
0% Popularity • 74% Danceability • 63% Energy • 11% Liveness
63% Instrumentalness • 48% Positiveness
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Röyksopp
It's What I Want
126 bpm • F# Maj • 03:06 • -6db
29% Popularity • 69% Danceability • 94% Energy • 40% Liveness
1% Instrumentalness • 31% Positiveness
29% Popularity • 69% Danceability • 94% Energy • 40% Liveness
1% Instrumentalness • 31% Positiveness
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Here Is Your Temple
So High
126 bpm • D min • 04:02 • -5db
16% Popularity • 45% Danceability • 91% Energy • 25% Liveness
47% Instrumentalness • 40% Positiveness
16% Popularity • 45% Danceability • 91% Energy • 25% Liveness
47% Instrumentalness • 40% Positiveness
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Lemaitre
Sceptics
127 bpm • A# min • 04:12 • -5.59db
15% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
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Cinnamon Chasers
Lights
127 bpm • G# Maj • 04:59 • -9.52db
17% Popularity • 68% Danceability • 55% Energy • 8% Liveness
89% Instrumentalness • 50% Positiveness
17% Popularity • 68% Danceability • 55% Energy • 8% Liveness
89% Instrumentalness • 50% Positiveness
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Pow Pow
Apollo
127 bpm • D Maj • 04:00 • -8.98db
0% Popularity • 57% Danceability • 80% Energy • 14% Liveness
80% Instrumentalness • 29% Positiveness
0% Popularity • 57% Danceability • 80% Energy • 14% Liveness
80% Instrumentalness • 29% Positiveness
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Lips
Nightcall
127 bpm • A min • 03:46 • -7.6db
16% Popularity • 92% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
16% Popularity • 92% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
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Ballet School
Heartbeat Overdrive
127 bpm • A# min • 03:06 • -6.03db
9% Popularity • 72% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 72% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Tomas Barfod
November Skies
127 bpm • G Maj • 05:47 • -6db
27% Popularity • 65% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
27% Popularity • 65% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Blackbird Blackbird
All
123 bpm • E Maj • 05:06 • -7.96db
21% Popularity • 65% Danceability • 71% Energy • 26% Liveness
75% Instrumentalness • 28% Positiveness
21% Popularity • 65% Danceability • 71% Energy • 26% Liveness
75% Instrumentalness • 28% Positiveness
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Disaster In The Universe
Now We're Gonna Learn to Swim (No Worrie...
123 bpm • D Maj • 03:29 • -7.88db
9% Popularity • 61% Danceability • 81% Energy • 3% Liveness
1% Instrumentalness • 76% Positiveness
9% Popularity • 61% Danceability • 81% Energy • 3% Liveness
1% Instrumentalness • 76% Positiveness
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Pow Pow
Last Days on Earth
123 bpm • G min • 06:43 • -7.08db
0% Popularity • 56% Danceability • 82% Energy • 7% Liveness
32% Instrumentalness • 30% Positiveness
0% Popularity • 56% Danceability • 82% Energy • 7% Liveness
32% Instrumentalness • 30% Positiveness
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Cinnamon Chasers
Dreams & Machines
123 bpm • B min • 06:06 • -8.38db
10% Popularity • 55% Danceability • 59% Energy • 15% Liveness
88% Instrumentalness • 13% Positiveness
10% Popularity • 55% Danceability • 59% Energy • 15% Liveness
88% Instrumentalness • 13% Positiveness
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Noonie Bao
Pyramids
123 bpm • C# min • 03:40 • -6.08db
22% Popularity • 74% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 74% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 61% Positiveness
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Maja Francis
Last Days Of Dancing
128 bpm • D min • 03:43 • -4.75db
29% Popularity • 59% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 59% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Say Lou Lou
Hard for a Man (Cenzo Edit)
122 bpm • G min • 03:37 • -5.3db
11% Popularity • 43% Danceability • 82% Energy • 84% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 43% Danceability • 82% Energy • 84% Liveness
0% Instrumentalness • 30% Positiveness
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Edwin van Cleef
Never Be Alone At Night
128 bpm • B min • 04:56 • -3db
9% Popularity • 53% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 53% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Pow Pow
Intro
127 bpm • G min • 02:35 • -8.93db
0% Popularity • 59% Danceability • 75% Energy • 50% Liveness
82% Instrumentalness • 18% Positiveness
0% Popularity • 59% Danceability • 75% Energy • 50% Liveness
82% Instrumentalness • 18% Positiveness
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Music Super Circus
Beating Heart
122 bpm • A min • 02:53 • -5.52db
13% Popularity • 58% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 58% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Club 8
Stop Taking My Time
128 bpm • D# min • 02:50 • -8db
10% Popularity • 61% Danceability • 73% Energy • 11% Liveness
28% Instrumentalness • 29% Positiveness
10% Popularity • 61% Danceability • 73% Energy • 11% Liveness
28% Instrumentalness • 29% Positiveness
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Classixx
Borderline
128 bpm • C# min • 04:27 • -8db
25% Popularity • 79% Danceability • 52% Energy • 9% Liveness
46% Instrumentalness • 44% Positiveness
25% Popularity • 79% Danceability • 52% Energy • 9% Liveness
46% Instrumentalness • 44% Positiveness
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Cicada
One Beat Away
128 bpm • F# Maj • 07:12 • -7.66db
8% Popularity • 52% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 52% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Karin Park
Restless
128 bpm • A min • 04:22 • -5db
10% Popularity • 49% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 49% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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CEO
Whorehouse
128 bpm • E min • 04:17 • -5db
11% Popularity • 68% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 68% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Apparatjik
Snow Crystals
122 bpm • B Maj • 03:24 • -5.81db
12% Popularity • 62% Danceability • 89% Energy • 12% Liveness
30% Instrumentalness • 32% Positiveness
12% Popularity • 62% Danceability • 89% Energy • 12% Liveness
30% Instrumentalness • 32% Positiveness
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Xylos
Summerlong
122 bpm • A# Maj • 03:50 • -4.25db
21% Popularity • 66% Danceability • 84% Energy • 10% Liveness
16% Instrumentalness • 59% Positiveness
21% Popularity • 66% Danceability • 84% Energy • 10% Liveness
16% Instrumentalness • 59% Positiveness
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Lemaitre
Strobes Pt. 2
128 bpm • D Maj • 03:50 • -5.58db
23% Popularity • 68% Danceability • 91% Energy • 12% Liveness
81% Instrumentalness • 56% Positiveness
23% Popularity • 68% Danceability • 91% Energy • 12% Liveness
81% Instrumentalness • 56% Positiveness
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[ingenting]
Gaia
128 bpm • C# min • 06:39 • -6db
10% Popularity • 58% Danceability • 74% Energy • 13% Liveness
4% Instrumentalness • 40% Positiveness
10% Popularity • 58% Danceability • 74% Energy • 13% Liveness
4% Instrumentalness • 40% Positiveness
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Du Tonc
Every Song
122 bpm • C min • 05:22 • -8.14db
15% Popularity • 65% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
15% Popularity • 65% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
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Miike Snow
The Wave
122 bpm • C# min • 03:43 • -5db
35% Popularity • 67% Danceability • 88% Energy • 6% Liveness
9% Instrumentalness • 66% Positiveness
35% Popularity • 67% Danceability • 88% Energy • 6% Liveness
9% Instrumentalness • 66% Positiveness
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Electric Radio
Everlasting Friend
122 bpm • F# Maj • 02:57 • -7.21db
17% Popularity • 74% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 74% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Blende
Fake Love - Original Mix
122 bpm • D# Maj • 05:24 • -3.94db
22% Popularity • 63% Danceability • 69% Energy • 33% Liveness
3% Instrumentalness • 68% Positiveness
22% Popularity • 63% Danceability • 69% Energy • 33% Liveness
3% Instrumentalness • 68% Positiveness
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Blänk
Tears Run Dry
122 bpm • A# min • 04:01 • -9.34db
8% Popularity • 82% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 82% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Lemaitre
Excuse Me
122 bpm • G# min • 03:42 • -5.48db
0% Popularity • 76% Danceability • 86% Energy • 11% Liveness
24% Instrumentalness • 57% Positiveness
0% Popularity • 76% Danceability • 86% Energy • 11% Liveness
24% Instrumentalness • 57% Positiveness
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Grafton Primary
One More Life
122 bpm • A min • 03:54 • -7.97db
17% Popularity • 72% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 72% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Karl X Johan
Flames
122 bpm • B Maj • 05:04 • -7.79db
23% Popularity • 48% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 48% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Moullinex
Take My Pain Away - Gigamesh Remix
122 bpm • C min • 04:54 • -8.17db
18% Popularity • 66% Danceability • 75% Energy • 40% Liveness
4% Instrumentalness • 81% Positiveness
18% Popularity • 66% Danceability • 75% Energy • 40% Liveness
4% Instrumentalness • 81% Positiveness
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Highasakite
My Mind Is A Bad Neighborhood
122 bpm • F min • 04:47 • -9.56db
4% Popularity • 60% Danceability • 86% Energy • 35% Liveness
1% Instrumentalness • 54% Positiveness
4% Popularity • 60% Danceability • 86% Energy • 35% Liveness
1% Instrumentalness • 54% Positiveness
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Kristian Anttila
Säg nej till mig
122 bpm • G# Maj • 03:59 • -6.75db
9% Popularity • 43% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 43% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Firefox AK
Heart of Mine
129 bpm • G# Maj • 05:04 • -5.01db
12% Popularity • 64% Danceability • 87% Energy • 20% Liveness
14% Instrumentalness • 30% Positiveness
12% Popularity • 64% Danceability • 87% Energy • 20% Liveness
14% Instrumentalness • 30% Positiveness
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Pow Pow
Sonata - Vinny Villbass Diversion
121 bpm • A# min • 07:17 • -14.22db
0% Popularity • 72% Danceability • 54% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
0% Popularity • 72% Danceability • 54% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Human Life
Wherever We Are - Grum Remix
129 bpm • G# Maj • 06:55 • -4db
11% Popularity • 70% Danceability • 80% Energy • 11% Liveness
1% Instrumentalness • 77% Positiveness
11% Popularity • 70% Danceability • 80% Energy • 11% Liveness
1% Instrumentalness • 77% Positiveness
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Lemaitre
Time To Realize
121 bpm • C min • 03:30 • -4.36db
28% Popularity • 66% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 66% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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Tomas Barfod
Pulsing
121 bpm • E min • 03:26 • -10.57db
30% Popularity • 36% Danceability • 54% Energy • 12% Liveness
37% Instrumentalness • 22% Positiveness
30% Popularity • 36% Danceability • 54% Energy • 12% Liveness
37% Instrumentalness • 22% Positiveness
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Mitch Murder
Heading South
121 bpm • C# min • 04:19 • -8.46db
23% Popularity • 76% Danceability • 87% Energy • 7% Liveness
70% Instrumentalness • 74% Positiveness
23% Popularity • 76% Danceability • 87% Energy • 7% Liveness
70% Instrumentalness • 74% Positiveness
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Röyksopp
Never Ever
121 bpm • F# Maj • 05:09 • -1.22db
10% Popularity • 62% Danceability • 94% Energy • 5% Liveness
33% Instrumentalness • 90% Positiveness
10% Popularity • 62% Danceability • 94% Energy • 5% Liveness
33% Instrumentalness • 90% Positiveness
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Pow Pow
Sonata
121 bpm • G# Maj • 04:01 • -7.13db
0% Popularity • 50% Danceability • 91% Energy • 32% Liveness
90% Instrumentalness • 36% Positiveness
0% Popularity • 50% Danceability • 91% Energy • 32% Liveness
90% Instrumentalness • 36% Positiveness
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Man Without Country
Laws of Motion
121 bpm • F# Maj • 05:03 • -8.93db
13% Popularity • 58% Danceability • 63% Energy • 8% Liveness
2% Instrumentalness • 40% Positiveness
13% Popularity • 58% Danceability • 63% Energy • 8% Liveness
2% Instrumentalness • 40% Positiveness
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Young Ejecta
Jeremiah (The Denier)
121 bpm • A# Maj • 03:32 • -7.11db
13% Popularity • 71% Danceability • 58% Energy • 15% Liveness
5% Instrumentalness • 77% Positiveness
13% Popularity • 71% Danceability • 58% Energy • 15% Liveness
5% Instrumentalness • 77% Positiveness
